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Dzeltenie Pastnieki

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166: 31: 488:) could be seen as a 'back to the roots' effort that at the same time made use of the progress of home studio trickery made by Baušķenieks over the previous years. His ever-increasing dominance in the collective also reached its peak on this album, and was most obvious in that Naktis contained only one song with Viesturs Slava on lead vocals (who had sung around half of the tracks on each prior album). Nevertheless, 558:
featured Baušķenieks, Slava and Streiķis, with Gobziņš writing most of the lyrics. Rišķis was absent on the album due to living in the countryside at the time, as well as their inability to properly record live drums in the home studio. Following the release, Baušķenieks, Slava and Rišķis resumed
416:(vocals, lyrics), whom Streiķis had met at a choir rehearsal, and partially gave up the guitar/bass/drums setup for a more synthetic sound. The album boasts the first-ever Latvian-language rap performance (by Gobziņš) in the song "Bezcerīgā dziesma" ("The Hopeless Song"). 1177:
A regular three-head tape recorder was typically used as a delay effect unit on the band's 1980s recordings. Baušķenieks preferred such approach over the use of actual multi-head loop-based units to avoid the continuous deterioration of the single loop of
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The earliest incarnations of Dzeltenie Pastnieki were formed in the mid 1970s around Baušķenieks, and it is said that the band's early days were spent performing at dance events, playing covers of songs by
505:). He claimed that by 1988 he had amassed enough equipment to be able to work without a full band. However, the lineup of Baušķenieks, Slava, Streiķis and Rišķis reunited and went on a national tour with 395:, and date back to material recorded earlier by Seque - a pre-electronic version of NSRD and also the name of their record label. Additionally, it was Lediņs who named the band, after an early song, " 464:). Perhaps the band's most stylistically diverse work to date, it demonstrates both their guitar-based and electronic inclinations, and contains their populist calling card, "Milžu cīņa". 87: 893: 396: 30: 546: 599:. This album also contained a revamped version of "Man ļoti patīk jaunais vilnis" (titled simply "Jaunais vilnis") that utilised the original backing track from 1982. 357: 542: 113: 692: 270:, with no artwork. Despite popular demand throughout the 1990s, none of these albums was released properly until 2003, when Baušķenieks began issuing them on 240: 683: 388: 353: 244: 141: 596: 117: 294: 972: 625: 497: 927: 344: 674: 436: 236: 109: 1099: 632: 588: 611: 392: 251:(formerly Leons Paegle Riga Secondary School No.1): Ingus Baušķenieks, Viesturs Slava, Andris Kalniņš (all 1974), and Mārtiņš Rutkis (1975). 607: 506: 1319: 439:. However, according to Baušķenieks' recollection, there was only ever a single performance of the play. The resulting album, 1984's 1329: 576: 603: 338:, among others. In the spring of 1981, while under an early name, Jaunais Sarkanais Karalis ("The New Red King", in reference to 247:(drums) completing the "classic" line-up. Members of the band, past and present, include alumni of the school currently known as 1011: 512:
As a solo artist, Roberts Gobziņš became a national star of the 1990s. He released the first Latvian-language rap 12" single
476:) was assembled of out-takes, alternate versions, and even several proper solo tracks by individual members of the band. 425: 1324: 804: 404: 1344: 1260: 259: 1334: 419:
Following a period of inactivity, the band were asked to compose the music for an amateur stage adaptation of
1255:Кушнир А.И. "100 магнитоальбомов советского рока: 1977-1991 - 15 лет подпольной звукозаписи." АГРАФ, 2003. 447:) adopted a considerably more minimal electronic sound, largely due to its modest recording circumstances. 789: 303: 942: 352:). Photographs from the recording session show the band at this point consisting of Baušķenieks, Slava, 524:
label, and later signed a five-album deal with MicRec (now called Mikrofona Ieraksti and representing
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has said that Dzeltenie Pastnieki influenced the entire Latvian scene, including himself, and even
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Dzeltenie Pastnieki live in 2006. From left: Viesturs Slava, Ilgvars Rišķis, Ingus Baušķenieks.
278: 1054: 995: 301:(1999, "100 Tape Albums of Soviet Rock"), with dedicated chapters for two of their albums - 1167: 720: 413: 133: 8: 1005: 383:, even on the 2003 CD release). A majority of songs on it were written or co-written by 1211: 91: 1256: 593: 367:
were re-recorded later the same year for the proper Dzeltenie Pastnieki debut album,
165: 1187: 1181: 1170:(made in the USSR) is seen in the photographs from the sessions for the demo album 267: 189: 834: 456: 1065: 545:, with all vocals re-recorded in a professional studio by Baušķenieks, Slava and 290: 957: 537: 331: 282: 255: 197: 177: 63: 602:"Milžu cīņa", covered by Crazy Dolls, a one-time commercial project featuring 1313: 819: 420: 309: 541:(1995, "Moon Dances"), a collection of the band's past classics reworked by 157: 1095: 1090: 1084: 1078: 1075: 339: 271: 205: 650:
group covered "Kāpēc Tu Mani Negribi?" on their EP "Pats Vainīgs!" (2021).
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Demo album. The band was called Jaunais Sarkanais Karalis at this point.
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as well as even earlier sessions formed the basis for the fourth album,
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Dzeltenie pastnieki performing in LabaDaba festival in 2012 in Latvia
67: 1028: 1205: 1087:, heavily modified by Kalniņš, who at the time studied electronics. 614: 529: 225: 217: 59: 879: 554: 1271:
Stundiņš, Jānis (2005). "Ingus Baušķenieka mūža postmodernisms".
1153: 1123: 517: 285:. The band's work of the 1980s has often been praised by leading 1193: 1117: 864: 480: 293:. Also, DzP were the only Latvian-language artists featured in 286: 209: 201: 185: 49: 492:
has had the best overall reaction from both critics and fans.
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A double compilation featuring several exclusive out-takes.
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covered two songs: "Kāpēc tu mani negribi" and "Svešā malā".
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The only new Dzeltenie Pastnieki release in the 1990s was
342:), the band recorded a half-hour-long demo album entitled 1199: 525: 978:
Compilation of ten album tracks, remastered for vinyl.
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Rusmane E. "Pirmā skola." Rīga: Avots, 1989. p.108-111
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Reworks/re-recordings of eight songs from the 1980s.
586:-styled cover of "Vienmēr klusi" on his 1998 album, 231:
The constant core members of the band have remained
552:An album of new material finally appeared in 2003. 1126:– played by Streiķis during the brief 1992 reunion 911: 773: 495:In 1988 Bauškenieks released his first solo album 566: 1311: 1129:Casio CZ-3000 – played by Streiķis in 2011–2013 688:(1981–1982, 1986–1989, 2003–2008, 2011–present) 642:"ŠŅK", also known as "Šņaucēju Klubs", Latvian 1132:Casio XW-P1 – played by Streiķis in 2012, 2013 1014:American Deluxe Ash Stratocaster – since 2007 1214:GR-20 guitar synthesizer, used live by Slava 730: 1208:RP50 modeling processor, used live by Slava 754:Uģis Vītiņš – keyboards, saxophone, guitar 188:. Their name means "the yellow postmen" in 29: 1045: 620:"Nāc ārā no ūdens", covered by Kramskis ( 582:Former band member Roberts Gobziņš did a 158:http://www.draugiem.lv/dzelteniepastnieki 1135:Yamaha SY35 – played by Streiķis in 2012 254:Their first six albums (1981–1987) were 164: 977: 970: 967: 962: 955: 952: 947: 940: 937: 932: 925: 922: 917: 914: 898: 891: 888: 884: 877: 874: 869: 862: 859: 854: 847: 844: 839: 832: 829: 824: 817: 814: 809: 802: 799: 794: 787: 784: 779: 776: 1312: 1290: 1288: 1286: 1284: 1225: 1008:clone – Slava's main guitar until 2006 714:Andris Kalniņš – keyboards, saxophone 631:"Sliekutēva vaļasprieks", covered by 1251: 1249: 1247: 1245: 1243: 1241: 1239: 1237: 697:(1981–1989, 2001–2002, 2010–present) 1297: 1281: 1265: 299:100 магнитоальбомов советского рока 228:to experimental tape manipulation. 13: 1320:Musical groups established in 1981 1139: 239:(guitar, keyboards, vocals), with 196:. They were among the pioneers of 192:, and is sometimes abbreviated to 14: 1356: 1234: 904: 702: 668:– vocals, bass guitar, keyboards 659: 766: 426:Alice's Adventures in Wonderland 266:, on 1/4" reel-to-reel tape and 1330:Latvian electronic music groups 399:" ("The Sham Yellow Postman"). 274:on his own label, IB Ieraksti. 761: 567:Songs covered by other artists 277:Contemporary Latvian composer 262:, and distributed by means of 235:(bass, keyboards, vocals) and 1: 1218: 1041:Fender Precision bass replica 805:Man ļoti patīk jaunais vilnis 412:), Dzeltenie Pastnieki added 405:Man ļoti patīk jaunais vilnis 79:1979–1987, 1989, 2002-present 984: 677:– vocals, guitar, keyboards 356:(keyboards, saxophone), and 208:. The music has ranged from 7: 1034:Unknown headless/bodyless ( 397:Dzeltenais viltus pastnieks 10: 1361: 1160: 989: 748:Jānis Burmeisters – drums 654: 316: 1325:Latvian rock music groups 1018: 736:Didzis Erra – percussion 731:Additional live musicians 679:(1981–1989, 2001–present) 670:(1981–1989, 2001–present) 432:Through the Looking-Glass 373:The Railroad of Bolderāja 249:Riga State Gymnasium No.1 153: 149: 127: 123: 101: 97: 83: 73: 55: 45: 40: 28: 21: 1345:Soviet rock music groups 1190:Deluxe Electric Mistress 870:Released on CD in 2010. 855:Released on CD in 2007. 840:Released on CD in 2004. 825:Released on CD in 2004. 810:Released on CD in 2003. 795:Released on CD in 2003. 708:Mārtiņš Rutkis – guitar 592:, in collaboration with 402:For their second album, 350:The Meat-Jelly of Madona 1083:Matador organ, made in 918:Additional information 780:Additional information 742:Ģirts Pavēnis – guitar 738:(2006, 2009–2010, 2012) 559:live performances as a 180:band formed in 1979 in 1335:Post-punk music groups 1108:RD-9844 Rhythm Machine 1046:Electronic instruments 943:Sliekutēva vaļasprieks 410:I Really Like New Wave 375:; usually misspelt as 170: 41:Background information 1166:An ЭХО-1 analog tape 1156:KMX-16 MIDI patch bay 635:on their debut album 606:, a former member of 168: 16:Latvian musical group 894:Nepieklājīgā meitene 790:Bolderājas dzelzceļš 369:Bolderājas dzelzceļš 304:Bolderājas dzelzceļš 474:The Depressing City 174:Dzeltenie Pastnieki 23:Dzeltenie Pastnieki 1120:HR-16 drum machine 756:(2010, 2012, 2018) 171: 92:Mikrofona Ieraksti 982: 981: 902: 901: 850:Depresīvā pilsēta 757: 751: 745: 739: 726: 717: 711: 698: 693:Zigmunds Streiķis 689: 680: 671: 666:Ingus Baušķenieks 547:Edīte Baušķeniece 469:Depresīvā pilsēta 295:Alexander Kushnir 241:Zigmunds Streiķis 233:Ingus Baušķenieks 163: 162: 145:Zigmunds Streiķis 106:Ingus Baušķenieks 1352: 1304: 1301: 1295: 1292: 1279: 1269: 1263: 1253: 1232: 1229: 1188:Electro-Harmonix 1102:programming unit 1072:performance only 1066:electronic drums 1024:Jolana Iris Bass 909: 908: 771: 770: 755: 749: 743: 737: 724: 715: 709: 696: 687: 678: 669: 597:Edijs Gņedovskis 377:Bolderājas dzelz 268:compact cassette 243:(keyboards) and 130: 118:Fabiass Nils Īle 76: 33: 19: 18: 1360: 1359: 1355: 1354: 1353: 1351: 1350: 1349: 1340:New wave groups 1310: 1309: 1308: 1307: 1302: 1298: 1293: 1282: 1270: 1266: 1254: 1235: 1230: 1226: 1221: 1172:Madonas galerts 1163: 1142: 1140:MIDI sequencing 1048: 1021: 992: 987: 928:Madonas galerts 907: 769: 764: 733: 721:Roberts Gobziņš 705: 662: 657: 569: 450:Leftovers from 414:Roberts Gobziņš 365:Madonas galerts 345:Madonas galerts 319: 291:Artemy Troitsky 258:using consumer 144: 140: 138: 136: 134:Roberts Gobziņš 128: 116: 112: 108: 90: 74: 36: 24: 17: 12: 11: 5: 1358: 1348: 1347: 1342: 1337: 1332: 1327: 1322: 1306: 1305: 1296: 1280: 1264: 1233: 1223: 1222: 1220: 1217: 1216: 1215: 1209: 1203: 1197: 1191: 1185: 1179: 1175: 1162: 1159: 1158: 1157: 1151: 1148: 1141: 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Slava 204:in the former 161: 160: 155: 151: 150: 147: 146: 142:Ilgvars Rišķis 139:Mārtiņš Rutkis 137:Andris Kalniņš 131: 125: 124: 121: 120: 110:Viesturs Slava 103: 99: 98: 95: 94: 85: 81: 80: 77: 71: 70: 57: 53: 52: 47: 43: 42: 38: 37: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1357: 1346: 1343: 1341: 1338: 1336: 1333: 1331: 1328: 1326: 1323: 1321: 1318: 1317: 1315: 1303:Stundiņš: 26. 1300: 1294:Stundiņš: 25. 1291: 1289: 1287: 1285: 1277: 1274: 1273:Mūzikas Saule 1268: 1262: 1261:5-85929-061-6 1258: 1252: 1250: 1248: 1246: 1244: 1242: 1240: 1238: 1228: 1224: 1213: 1210: 1207: 1204: 1201: 1198: 1195: 1192: 1189: 1186: 1183: 1180: 1176: 1173: 1169: 1165: 1164: 1155: 1152: 1149: 1147: 1144: 1143: 1134: 1131: 1128: 1125: 1122: 1119: 1116: 1113: 1110: 1107: 1104: 1101: 1100:Roland PG-800 1097: 1094: 1092: 1089: 1086: 1082: 1080: 1077: 1074: 1071: 1067: 1063: 1061: 1058: 1056: 1053: 1050: 1049: 1040: 1037: 1033: 1030: 1026: 1023: 1022: 1013: 1010: 1007: 1004:Unknown blue 1003: 1000: 997: 994: 993: 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1036:Steinberger 1001:Jolana Alfa 762:Discography 750:(2009–2010) 725:(1982–1986) 716:(1982–1984) 710:(1981–1984) 610:and future 543:Uģis Vītiņš 498:Mājas dzīve 393:Juris Boiko 363:Songs from 307:(1981) and 264:magnitizdat 224:to minimal 200:as well as 114:Uģis Vītiņš 88:IB Ieraksti 1314:Categories 1219:References 1070:Bildes '86 1060:Casio VL-1 1051:Korg LP-10 648:riot grrrl 589:Rīta Radio 573:Expatriate 561:power trio 522:Low Spirit 507:K. Remonts 360:(guitar). 336:The Police 328:Bob Marley 324:Gary Numan 1202:Phase 100 1106:Panasonic 1064:Dynacord 985:Equipment 723:– vocals 644:punk rock 622:pseudonym 617:producer. 509:in 1989. 222:post-punk 68:post-punk 1206:DigiTech 1038:replica) 1031:replica) 1027:Orfeus ( 686:– drums 615:in-house 608:Tranzīts 594:engineer 530:Sony BMG 313:(1984). 297:'s book 226:synthpop 198:new wave 64:new wave 60:Synthpop 1174:(1981). 1161:Effects 1154:Ensoniq 1124:Korg M1 998:Star IX 990:Guitars 655:Members 639:(2007). 518:Westbam 514:Aka Aka 484:(1987, 472:(1986, 408:(1982, 332:Blondie 317:History 287:Russian 220:-based 190:Latvian 178:Latvian 154:Website 102:Members 1259:  1212:Roland 1194:Ibanez 1118:Alesis 1029:Höfner 1019:Basses 1012:Fender 996:Jolana 915:Album 865:Naktis 777:Album 744:(2006) 637:Ideoti 633:Tumors 577:Akacis 490:Naktis 486:Nights 481:Naktis 334:, and 210:guitar 202:reggae 186:Latvia 176:are a 84:Labels 56:Genres 50:Latvia 46:Origin 1278:: 23. 1178:tape. 1168:delay 968:2017 953:1995 938:1989 923:1981 912:Year 889:2018 880:Kaķis 875:2003 860:1987 845:1986 830:1984 820:Alise 815:1984 800:1982 785:1981 774:Year 604:Midis 555:Kaķis 452:Alise 445:Alice 441:Alise 310:Alise 218:drums 1257:ISBN 1184:DD-2 1182:Boss 528:and 429:and 391:and 385:NSRD 381:ceļš 214:bass 182:Riga 1200:MXR 1196:FL9 624:of 584:dub 532:). 526:EMI 520:'s 516:on 423:'s 194:DzP 1316:: 1283:^ 1276:27 1236:^ 1068:– 563:. 549:. 330:, 326:, 184:, 66:, 62:, 646:/ 628:) 501:( 443:( 379:s 371:( 348:( 216:/ 212:/

Index

Dzeltenie Pastnieki live in 2006. From left: Viesturs Slava, Ilgvars Rišķis, Ingus Baušķenieks.
Latvia
Synthpop
new wave
post-punk
IB Ieraksti
Mikrofona Ieraksti
Ingus Baušķenieks
Viesturs Slava
Uģis Vītiņš
Fabiass Nils Īle
Roberts Gobziņš
Ilgvars Rišķis
http://www.draugiem.lv/dzelteniepastnieki

Latvian
Riga
Latvia
Latvian
new wave
reggae
Soviet Union
guitar
bass
drums
post-punk
synthpop
Ingus Baušķenieks
Viesturs Slava
Zigmunds Streiķis

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