353:. Unlike some bands who lose freedom when singing with major labels, signing to the label helped the band gain more freedom regarding money. Mary told one reviewer, "that's the way it should be, or else what's the point of signing to . But there comes a point where the record company wants you to do something and see some return, I mean, let's be honest, they want to see us do well." During recording, the band remained "media darlings" and also played together under several pseudonyms, including the Lesbian Dopeheads on Mopeds who reported to be from New Zealand, and Rektum, who pretended they were an "Eastern European
760:, although it "didn't come off" despite "the college and record company wanting too;" Mary explained, "It's a bit of a strange thing. We have this new song called, 'Fairway to Heaven,' it's all about golf. But there was this big thing in the British press, I don't know if you say it, The Butthole Surfers were slagging us saying the Gaye Bykers On Acid ripped off their title. That's total bullshit 'cause we wrote that song in December. It's probably going to be the next single. We sorted it out with them." The band toured the United States in 1988: "We do a mix of everything," Mary told
594:: "The album is the soundtrack. It's a parody of us, the music industry and what we've let ourselves in for. We had the money at the time so we decided to go for it." The band's bass player Robber Byker, speaking about the film in 2013, said: "I can’t tell you what the film is about, and I was in it," and commented that although the film was understood by several people, "I think that tells you more about them than it does about the film." It was released on
392:
657:
652:
647:
379:, with the exception of "T.V. Cabbage" which was recorded in 1986 at Mad Mike Miller's. The sessions were engineered by Ken Thomas, with tape operating by Gail Lambourne, and with computer programming from Phillipp "Push That Dial" Erb. The band were simultaneously recording the songs for the album and for an accompanying film of the same name, and as such, the band recorded Kev's drums with an electric
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733:: "They're not at all like how he plays live. We had to put them down on an electric click track machine because they're in the movie. Having said that though, I listened to it the other day and it really didn't sound that bad. When I'm here, it sounds like a section of it is different. American people seem to like it because the album is more popular here than it was in England." The
31:
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said the album "was full of good ideas and original music, but ruined by a terrible ’80s production: big drum sounds and everything smothered in multiple layers of unnecessary reverb." Robber himself told the newspaper in 2013 that "I find it hard to listen to now." He later reflected that the era of
550:
later reflected: "There was about a thousand of them. There was a sticker on the front saying that it was a limited edition. I don't even have a copy; I wish I did! We could see the headlines: 'Kid Goes Crazy with Power Drill to Play Record.' Well, that's what we were hoping, anyway!" This version of
289:
were pressed without a hole in the centre, so it was necessary to literally drill your own hole to play it. The album received critical acclaim from music critics, with praise aimed at the lighthearted humour and musical style, although its critical standing has somewhat diminished slightly in recent
725:
were similarly mixed in their assessment, saying "the intentionally chaotic noisy guitar rock (dressed up in wah-wah and moronic solos) shows some improvement in skill and lyrics (which still rely on drug culture jokes); the selfconscious posturing is spottily ear-catching but basically horrible."
494:
meeting head on. These people were saying the same things, both wanted some kind of change." It is represented in the accompanying movie with a bus full of hippies and another full of "postcard punks" colliding into each other." "Git Down (Shake Your Thang)" references
Captain Beefheart in its
744:"Suddenly we were on this big record label with managers – and it just didn’t feel right. It didn't feel like us. All we were interested in was the sex and the drugs and the rock and roll. We didn’t know what was happening behind the scenes."
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as a "mish-mash" of styles, hoped that listeners would "hear different things each time" they listen to the album, as a result of the band's varied tastes and influences: "Personally, when I'm at home just listening to music I listen to
567:
in the 1980s. They seem to have thrived on never taking anything particularly seriously – as you might have guessed by their band name and their fake band name. They took this unseriousness to new heights (depths?) with the release of
572:, somehow managing to convince Virgin records to release an LP without a hole drilled in the middle (so you'd have to follow the album title’s instructions in order to listen to the record – this was a couple decades pre-
545:
The first 1,000 copies of the LP version of the album were pressed without a hole in the vinyl, with the sleeve instructing listeners to "drill your own hole" in the vinyl so that they could play it. Lead vocalist
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influences and concluding: "Yeah, it's rude and mainly about raising an unholy racket. At times they could have expanded more effort on making actual songs out of this brou-haha, which at points sounds like bad
555:'s 2015 list of "great record sales gimmicks." In 2016, pop band Some Jerks similarly included the album in their list of "five unique merch items any diehard fan would want, surely." Levi Fuller of
434:
bands. We all bring different influences into the band, this is why its so difficult to work sometimes. I mean, you can't put all those things together, it takes a long time to make it fit."
306:
on vocals, bass player Robber Byker, guitarist Tony Byker and drummer Kev Byker, none of whom were related and adopted their stage surnames for the band. Their first release, the
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1227:
471:
felt the "noisy guitar rock" and solos were "intentionally chaotic". Similar to the band's previous work, the lyrics on the album generally humorously reference
258:, becoming their first release for the label after signing to them in late 1986. After building up momentum through a couple of EPs in 1986, the band recorded
576:, needless to say). I have to assume the radio promo copies came pre-drilled, given that there’s no mention of this phenomenon in the album cover reviews."
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were similarly positive towards the album, and included it in their list of the best albums of 1987. Retrospective reviews have been more mixed. In
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magazine, "including new songs. Since we never toured here before, we figure we'll go across the board and hit a point on what we've done so far."
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and charting for three weeks. It was followed in
December by second and final single "All Hung Up," which reached number 98 on the chart.
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1103:
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the album's release brought the band several troubles, mostly concerning bills and money, after the band came under new management:
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and staying on the chart for one week. Virgin released "Git Down (Shake Your Thang)" as the album's first single in
October 1987 on
526:, who was known for his artworks being published in the British music press. It was a mild success, reaching number 95 on the
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The music on the album displays the band's "mish-mash" of influences and styles and has become regarded as one of the first
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729:
Only a year later, Mary Byker expressed dissatisfaction with the drum sound on the album, telling
American publication
590:, "the film, if anything, was even more mystifying" than the unusual vinyl edition of the album. Mary Byker later told
441:
albums, despite the band's distaste for the term. A defining characteristic of the album is its heavy, noisy usage of
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375:, employing "maximum gimmickry" and "supreme ability". The majority of the album was recorded at Orinoco Studios in
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1462:"'I got sick of the daft questions and stupid photo shoots... I just concentrated on the music and the drugs'"
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274:, that the band released alongside the album. The film was a parody of themselves and the music industry.
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released the album in the United States. The album cover and lyric sheet were designed by cartoonist
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499:, who Gaye Bykers on Acid were big fans of, while closing song "T.V. Cabbage" has been compared to
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described the album as having "the most unrelenting, flagrant overuse of wahwah guitar since the
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270:. Seven of the songs on the album were also featured in an accompanying film, also called
8:
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EP from 1987, their second release, was "the group's breakthrough," as Jason Ankeny of
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albums. The album was a mild commercial success, spending one week at number 95 in the
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vinyl, backed with the B-side "Tolchocked By Kenny Pride," reaching number 54 on the
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478:"Motorvate" features "gallivanting rhythms and nyah nyahing guitars." The almost
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later described it, "garnering considerable press attention for its use of
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and made with the help of Lowry who designed the cover. According to the
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The publicity surrounding the band won them a contract with major label
1228:"Ray Lowry: Cartoonist best known for his work in the rock music press"
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547:
486:, while "Zen Express" is, in the words of Mary, "about the nihilism of
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1259:(19th ed.). London: Guinness World Records Limited. p. 223.
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563:"GBoA were very much a product, like so many great bands, of British
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opening line. "Call Me a Liar" is a cover version of the song by the
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and were intending to play a double billing concert with the
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was released to "widespread acclaim." Howard
Wuelfing Jr. of
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in
November 1987. Initial quantities of the vinyl version of
38:
349:, for whom they immediately began work on their debut album
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The album was accompanied by a 60-minute film, also titled
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as "something of a missed opportunity, but there you go."
1421:"Review Revue: Gaye Bykers on Acid – Drill Your Own Hole"
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500:
1490:(liner). Gaye Bikers on Acid. Virgin Music Video. 1987.
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Phillip "Push That Dial" Erb – programmer (computer)
482:"Drive in Salvation" criticizes American evangelist
930:Strong, Martin C. (2003) "Gaye Bykers on Acid", in
415:and lots of stuff really. Tony the guitarist likes
1144:"Gaye Bykers on Acid Drill Your Own Hole Caroline"
437:The album has become regarded as one of the first
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559:related this edition to the band's playfulness:
1500:: CS1 maint: others in cite AV media (notes) (
1368:"Steal This Album! Great Record Sales Gimmicks"
1349:: CS1 maint: others in cite AV media (notes) (
1293:: CS1 maint: others in cite AV media (notes) (
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1044:"TrouserPress.com :: Gaye Bikers on Acid"
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1201:(liner). Gaye Bikers on Acid. Caroline. 1987.
503:and features a "1969"-inspired introduction.
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18:1987 studio album by Gaye Bykers on Acid
1395:"5 Unique Band Merch Items With Some Jerks"
1339:(liner). Gaye Bikers on Acid. Virgin. 1987.
1283:(liner). Gaye Bikers on Acid. Virgin. 1987.
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1074:(liner). Gaye Bikers on Acid. Virgin. 1987.
703:. But is that so damned bad either? Nope."
298:The eclectic Gaye Bykers on Acid formed in
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772:All songs written by Gaye Bykers on Acid.
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330:beats – a major innovation in mid-'80s
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1142:Wuelfing, Howard Jr. (February 1988).
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1007:"1988 Interview From B-Side Magazine"
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694:was favourable, praising the album's
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791:"Git Down (Shake Your Thang)" – 3:20
13:
1572:Bell, Jonathan (30 October 2003).
1543:(7 November 1987). "Wah is Hell".
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1393:Staff Writers (14 December 2016).
1102:O'Dair, Barbara (September 1988).
962:"Artist Biography by Jason Ankeny"
959:
14:
1652:
1602:
1516:"Gaye Bykers Drill Your Own Hole"
1226:Bryant, Mark (10 November 2008).
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1257:British Hit Singles & Albums
794:"After Suck There's Blow" – 4:51
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518:in the UK on 6 June 1987, while
402:) was an influence on the album.
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819:Gaye Bykers on Acid – composers
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893:"Git Down (Shake Your Thang)"
423:mainly. The bass player likes
338:became known as innovators of
334:." The band and their friends
242:is the debut album by British
1:
1578:. Rough Guides. p. 419.
1419:Fuller, Levi (21 June 2012).
1005:Narvaez, Paul; Zahn, Jackie.
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211:"Git Down (Shake Your Thang)"
1042:Robbins, Ira; McCaleb, Ian.
911:
900:
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551:the album later featured in
7:
1281:Git Down (Shake Your Thang)
932:The Great Indie Discography
800:"Drive in Salvation" – 4:12
10:
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1641:Gaye Bykers on Acid albums
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860:
788:"World War 7 Blues" – 4:55
715:, Jonathan Bell refers to
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490:and the idealism of the
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363:, formerly of the bands
294:Background and recording
1575:The Rough Guide to Rock
1255:Roberts, David (2006).
779:"Call Me a Liar" – 3:14
712:The Rough Guide to Rock
406:Mary Byker, describing
1562:End of Year list 1987.
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427:and the drummer likes
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254:, released in 1987 on
1636:Virgin Records albums
1312:"GAYE BIKERS ON ACID"
1174:"Drill Your Own Hole"
1104:"Gaye Bykers on Acid"
822:Ken Thomas – engineer
803:"T.V. Cabbage" – 3:30
748:After the release of
742:
561:
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825:Gail – tape operator
785:"Zen Express" – 4:14
782:"All Hung Up" – 4:34
611:Professional ratings
497:Edgar Broughton Band
200:Drill Your Own Hole
1610:Drill Your Own Hole
1546:New Musical Express
1496:cite AV media notes
1488:Drill Your Own Hole
1345:cite AV media notes
1289:cite AV media notes
1207:cite AV media notes
1199:Drill Your Own Hole
1080:cite AV media notes
1072:Drill Your Own Hole
797:"So Far Out" – 4:19
750:Drill Your Own Hole
717:Drill Your Own Hole
686:Drill Your Own Hole
667:New Musical Express
612:
582:Drill Your Own Hole
570:Drill Your Own Hole
516:Drill Your Own Hole
453:first Stooges album
445:; a journalist for
408:Drill Your Own Hole
373:Drill Your Own Hole
351:Drill Your Own Hole
308:Everythang's Groovy
287:Drill Your Own Hole
272:Drill Your Own Hole
260:Drill Your Own Hole
252:Gaye Bykers on Acid
239:Drill Your Own Hole
179:Stewed to the Gills
171:Drill Your Own Hole
156:Gaye Bykers on Acid
44:Gaye Bykers on Acid
24:Drill Your Own Hole
1617:(list of releases)
776:"Motorvate" – 4:38
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76:Mad Mike Miller's
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736:Leicester Mercury
681:Leicester Mercury
678:According to the
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413:Captain Beefheart
396:Captain Beefheart
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1431:on 12 April 2017
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455:, or maybe even
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332:alternative rock
302:in 1986, led by
248:psychedelic rock
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1603:External links
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1468:. 27 July 2013
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1541:Stanley, Bob
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1429:the original
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39:Studio album
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1631:1987 albums
1337:All Hung Up
536:twelve-inch
429:speed metal
425:The Ramones
381:click track
371:, produced
54:6 June 1987
1625:Categories
1585:1843531054
919:References
831:– producer
565:art school
548:Mary Byker
480:electronic
369:Psychic TV
304:Mary Byker
158:chronology
101:noise rock
888:position
856:position
816:– artwork
814:Ray Lowry
808:Personnel
754:Motörhead
696:protopunk
606:Reception
524:Ray Lowry
514:released
336:Crazyhead
300:Leicester
62:1986–1987
1591:11 April
1525:11 April
1520:AllMusic
1472:11 April
1435:11 April
1404:11 April
1399:Scenestr
1378:11 April
1321:11 April
1237:11 April
1183:11 April
1178:Bandcamp
1158:11 April
1118:11 April
1053:11 April
1016:11 April
1011:Oocities
971:11 April
966:AllMusic
630:AllMusic
320:AllMusic
144:Producer
59:Recorded
51:Released
41: by
1615:Discogs
1372:Radio X
1154:(9): 33
1114:(6): 14
880:Single
873:Singles
557:KEXP-FM
553:Radio X
507:Release
417:Hendrix
357:band."
324:hip-hop
290:years.
196:Singles
182:(1989)
175:(1987)
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1560:Sounds
1374:. 2015
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938:
839:Charts
762:B-Side
731:B-Side
706:Sounds
701:Foetus
624:Rating
621:Source
432:thrash
137:Virgin
115:Length
67:Studio
844:Album
532:seven
462:Shaft
439:grebo
421:Zappa
387:Music
340:grebo
328:dance
279:grebo
250:band
244:grebo
198:from
132:Label
96:Grebo
88:Genre
1593:2017
1580:ISBN
1527:2017
1502:link
1474:2017
1437:2017
1425:KEXP
1406:2017
1380:2017
1351:link
1323:2017
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1261:ISBN
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1160:2017
1148:Spin
1120:2017
1108:Spin
1086:link
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1018:2017
973:2017
936:ISBN
886:Peak
854:Peak
691:Spin
672:2/10
534:and
488:punk
459:for
448:Spin
419:and
367:and
326:and
246:and
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598:by
596:VHS
501:MC5
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