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Dragoljub
Pavlović belongs to the circle of our last war painters and photographers for which he was awarded many medals. In addition to the artwork, he photographed many battlefield events relevant to history and of great documentary value, and after the war, he organized three exhibitions of these
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The breakthrough of the
Salonika front from 14 to 21 September 1918 is reflected in the view of strategic spots, capturing Bulgarian officers and soldiers and marches on the Veles-Skopje stretch. Success resulted in the liberation of Serbia and Montenegro and the future Yugoslav ethnic area, but the
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He came from a distinguished clerical family. His father Jakob upon the death of his wife became a monk and as
Inokentije Pavlović (1840-1905) was elevated to archbishop of Belgrade and Metropolitan of Serbia from 1898 until his death in 1905. Meanwhile, his son Dragoljub Pavlović graduated from an
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Photos from the
Macedonian front documented the positions of the Serbian forces in the stretch of the Danube Division, where Pavlović was based, from 1916 until 1918. His amazing records show all major military operations and places that witnessed crucial historical events, such as battles, in the
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Due to the transition to trench warfare, from 1917 he created abundant recordings relating to historical figures, volunteers, military equipment, medical services, church services, geographical and ethnographical features of the region that highlight life at the front.
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photographs. He was president of the group of painters called "Lada", the
Serbian Artists Association, and president of the Association of Artists of the Kingdom of Serbs, Croats, and Slovenes.
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in
Belgrade. As a war artist and a photo-journalist, Pavlović documented the wars from 1912 to 1918, particularly the defence of Belgrade in 1914, as well as those scenes from the
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wider area of the
Gornicevo, the capture of Kajmakčalan on 30 September 1916, a battle at Crna River harbour and the liberation of Monastir and Bitola on 19 November 1916.
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There are still numerous shots from the 1912-1918 wars, as part of the archive, most notably including his diary and several works of art by
Dragoljub Pavlović himself.
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losses were enormous—42,725 persons killed or wounded during the
Thessaloniki offensive.
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where he captured through photography and painting battle scenes of the
Salonika front.
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and later worked as a professor at the Theological Faculty of Saint Sava of the
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22:(1875–1956) was an academic painter, appointed by the Supreme Command as a
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icon-painting school in the Trinity Lavra of St. Sergius in the town of
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196:"Solunska fronta v objektivu Dragoljuba Pavlovića"
167:"Solunska fronta v objektivu Dragoljuba Pavlovića"
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136:"Veliki rat u objektivu Dragoljuba Pavlovića"
198:. Zgodovinski arhiv Celje . June 9, 2014.
26:and photographer. Son of the Metropolitan
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34:with the Serbian Supreme Command in
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247:20th-century Serbian male artists
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134:Puzović, B. (January 26, 2014).
108:"Dragoljub PAVLOVIC (1875-1954)"
202:from the original on 2020-09-19
177:from the original on 2014-07-17
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227:20th-century Serbian painters
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171:Radiotelevizija Slovenija
65:Serbian Orthodox Church
242:Serbian male painters
57:Academy of Fine Arts
28:Inokentije Pavlović
30:of Serbia. He was
20:Dragoljub Pavlović
173:. July 15, 2014.
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237:1956 deaths
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221:Categories
206:2020-12-04
181:2020-12-04
152:2020-12-04
117:2020-12-04
94:References
24:war artist
42:Biography
200:Archived
175:Archived
146:Archived
55:and the
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53:Moscow
36:Greece
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