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246:. He loves Anne Jerningham, one of the Queen's maids of honor. At a picnic given by her father, Alderman Shelton, Doris playfully runs away from Martin, her father's chief apprentice, and with whom she is in love. Attempting to hide in a hollow tree, she finds Sir Philip, already concealed there. She takes pity on him and convinces Martin and two friends to aid his escape. Dinniver, a comical wicked servant, hides behind a bush, overhears the plan and tells the Alderman about it. While the Alderman goes for the authorities, Dinniver is forced to exchange clothing with Philip, and so Dinniver is arrested in Philip's place. Philip escapes.
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Philip is posing as an apprentice to the
Alderman, but he is betrayed by Martin. After drawing the wrong conclusion from a letter, Martin has become jealous of Philip and Doris. When Martin realises that his jealousy is unfounded, he remorsefully dons the fugitive's original clothes and is arrested
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is an
English classic.... The composer does not descend at any time from his ideal plane. There is sacrifice of artistic form at any point to please the popular ear. All the numbers are charming, and several of them... are simply gems.... The libretto... is about as ingeniously bad a bit of
96:. The title character was first played by opera and concert singer Annette Albu (1858–1927), a fine singer, but she was not a great comic actress and not considered pretty; after two months, with the show already flagging, Leslie replaced her with his star from
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Both lovers appear at a masque given at the
Alderman's house. After a number of complications, the Queen pardons all political prisoners, including Philip, and all ends happily.
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processions pulling it through. What judicious compression and unscrupulous 'gagging' may accomplish one cannot, of course, venture to prophesy. I understood that at the end of
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construction as could be conceived.... The comic opportunities are few and very conventional; consequently... the opera is neither funny nor interesting...."
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Sheet music cover of waltz based on tunes from the opera, showing the scene where Doris stumbles upon Sir Philip Carey's hiding spot
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run very little if any of the original dialogue remained. It had been improved out of recognition. Still, both
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rejoiced in plain straightforward stories everyone could understand. The difficulty is to make head or tail of
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Nos. 27 and 28 - Recit. and Song - Doris and Martin - "I thank you for your gifts..." and "All the wealth..."
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is so feeble that I misdoubt even
Cellier's music, the splendid mounting of the piece, and the interesting
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No. 8 - Quartett - Doris, Dame
Shelton, Martin and Philip - "Who are you, may I ask..."
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Sir Philip Carey is a fugitive, having been accused of participating in a plot against
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No. 6 - Duet - Doris and Sir Philip - "How hardly fate with some us us doth deal..."
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No. 25 - Quintett - Doris, Anne, Martin, Sir Philip and
Shelton - "Fare thee well."
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No. 13 - The
Alderman's Song - Shelton - "What craven dares to talk of his home..."
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in London on 20 April 1889 and ran for 202 performances and was produced, like
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No. 11 - Finale - Act I - "Where is the traitor who threaten'd Her
Majesty?"
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No. 2 - Scena - Crook and Dormer - "My arrow's nearest to the centre, see?"
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No. 3 - Song - Shelton, Mrs. Shelton and Chorus - "I hereby do require..."
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No. 26 - Entrance of the
Masquers and Chorus - "Far from eastern seas..."
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No. 9 - Quartett - Doris, Mrs. Shelton, Martin and Philip - "True Heart."
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No. 18 - Recitative and Duet - Anne and Sir Philip - "The
Parting."
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No. 23 - Introduction and Chorus - "Who are you? What are you..."
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No. 7 - Song - Martin - "I've sought the brake and bracken..."
51:. After the phenomenal success of Cellier and Stephenson's
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No. 17 - Song - Sir Philip - "Honour bids me speed away..."
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No. 16 - Song - Anne Jerningham - "Sir Philip's Farewell."
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No. 15 - Song - Dinnever - "What has become of the door?"
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No. 24 - Duet - Doris and Martin - "If I am dreaming..."
403:, Kurt of Gerolstein, 4 May 2019, accessed 3 April 2020
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No. 20 - Soli and Chorus - "What do you lack, Ladies?"
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No. 4 - Scena and Exit - "The cavalcade approaches..."
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No. 29 - Finale - Act III - "She will, she won't..."
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No. 22 - Finale - Act II - "Ye Citizens of London."
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No. 21 - Chorus of Beefeaters - "In many climes..."
57:(1886), the pair were hoping for another big hit.
30:Cover to a programme of the original production of
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401:"When a girl isn't pretty ... but she can sing!"
356:Act III - Interior of Alderman Shelton's House
308:No. 10 - Soli and Chorus - "Silently! Warily!"
321:No. 12 - Introduction and The Alderman's Glee
342:No. 19 - Cavatina - Doris - "Learn to wait."
125:Another critic concluded, "The libretto of
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281:No. 1 - Opening Chorus - "A Gold! A Gold!"
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258:in his place. Sir Philip escapes again!
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264:Interior of Alderman Shelton's House
43:is a "comedy opera" in three acts by
419:, 21 April 1889, accessed 2008-07-07
293:No. 5 - Song - Doris - "Love's race"
215:Dormer (Apprentice) – W. T. Hemsley
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72:, by Henry J. Leslie. It starred
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434:, PapersPast, accessed 2008-07-07
453:Midis, lyrics and cast list for
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170:Doris Shelton – Annette Albu/
188:Dolly Spigott – Effie Chapuy
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47:, with a libretto by
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476:English comic operas
203:Alderman Shelton –
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182:Mistress Shelton –
417:The New York Times
413:A New Comic Opera"
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178:Amy Augarde
131:Elizabethan
118:comic opera
94:John Le Hay
465:Categories
429:Review of
193:Ben Davies
78:Ben Davies
253:Cheapside
239:, London
135:Dorothy's
262:Act III:
229:Synopsis
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139:Dorothy
98:Dorothy
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486:Operas
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165:(1889)
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455:Doris
431:Doris
381:Notes
163:Doris
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143:Falka
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59:Doris
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32:Doris
141:and
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