195:) in 1925 Billington was awarded Bronze for her stained glass ‘St Joan’. She also exhibited mosaic. The ceramics courses at the RCA and Central School also received awards. In the 1950s Billington gathered around herself at the Central School of Arts and Crafts a team of teachers who represented an alternative to
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as pottery instructor. The circumstances of her leaving remain somewhat unclear. By that date
Rothenstein had been in place for five years, and although he supported Billington's work he criticised the teaching of pottery and other crafts as "too unexperimental and derivative. No consistent attempt
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In 1938 she became head of department at the
Central School, assisted by Gilbert Harding Green. Her teaching emphasised the importance of hand building as the first stage of working with clay but all students were expected to learn to throw on the wheel. She had an extensive knowledge of glaze
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appears to have been made to deal with the interpretation of the contemporary world in design and execution... the research work towards the discovery of new subject matter and new treatment, so noticeable on the
Continent, seem to have been wanting."
123:, embroidery by Grace Christie and pottery by Richard Lunn. Billington remained an amateur embroiderer and an occasional writer on textiles. Lunn died in 1915 at the age of about 75 and Billington was asked to take over his class with
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199:’s Eastern aesthetic of utilitarian stoneware vessels glazed in muted colours, and the School became associated with brightly decorated
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and
Valentinos Charalambous. She retired from her post at the Central in 1955 when Gilbert Harding Green became Head of Department.
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from 1949 and was involved with the Crafts Centre of Great
Britain in London, which was chaired by her colleague
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made by her protégées Alan-Caiger Smith, William
Newland, Margaret Hine, Ann Wynn-Reeves and Nicholas Vergette.
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Since the 1980s there has been an increased interest in her influence on twentieth century
British
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289:"Interpreting Ceramics : issue 16 – Dora Billington: From Arts and Crafts to Studio Pottery"
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225:(1937), was the first to relate contemporary craft practice to its historical context and in
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229:(1962) she gave a comprehensive account of different methods of working.
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103:. From 1905 to 1910 she attended Tunstall School of Art and later
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International
Exposition of Modern Industrial and Decorative Arts
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technology and the history of ceramics. Among her students were
441:(and request for information for a biography), December 2012,
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touring
Exhibition of British Artist Craftsmen in the 1950s.
83:. Her own work explored the possibilities of painting on
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University of
Aberystwyth Ceramic Collection and Archive
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Dora Billington was born into a family of potters in
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Dora Billington, “The New Look in British Pottery”,
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439:"Dora Billington, Time for Reassessment"
367:Marshall Colman, “Dora May Billington",
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135:from 1919 and left the RCA in 1925 when
369:Oxford Dictionary of National Biography
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75:(1890–1968) was an English teacher of
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393:Tanya Harrod, "The Forgotten '50s",
111:, 1910–1912 and then studied at the
503:People from Tunstall, Staffordshire
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330:Colman, including Rothenstein quote
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493:Alumni of the Royal College of Art
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208:Arts and Crafts Exhibition Society
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321:, London: G.Bell & Sons, 1950
133:Central School of Arts and Crafts
16:English studio potter (1890–1968)
406:Julian Stair, "Dora Billington"
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119:and was taught calligraphy by
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131:). She taught pottery at the
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174:Katherine Pleydell-Bouverie
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518:British women ceramicists
339:Bell, Quentin, "My Day".
287:Colman, Marshall (2015).
254:, London, Batsford, 1962
206:She was President of the
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293:interpretingceramics.com
252:The Technique of Pottery
227:The Technique of Pottery
38:Tunstall, Stoke-on-Trent
191:At the Paris Expo (the
513:20th-century ceramists
319:The Creative Craftsman
262:, revised edition 1972
201:tin-glazed earthenware
246:The Art of the Potter
240:Selected publications
223:The Art of the Potter
178:Stella Rebecca Crofts
141:William Staite Murray
113:Royal College of Art
105:Hanley School of Art
57:Royal College of Art
248:, Oxford, OUP, 1937
172:, Ann Wynn-Reeves,
137:William Rothenstein
127:(who later ran the
73:Dora May Billington
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216:Smithsonian
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382:The Studio
267:References
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125:John Adams
221:Her book
186:Ray Finch
53:Education
443:Fired Up
101:Tunstall
298:10 July
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66:Pottery
408:Crafts
395:Crafts
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445:blog
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48:1968
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34:1890
31:Born
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