88:, as evidenced by several publications there, the music of which contains items of local interest; in addition the dedications are to citizens of Lyon. While stylistically some of his music seems likely to have been connected with Venice, there is no evidence of his activity there; however he published two books of psalm settings in Venice in 1554.
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with all the voices being equal; there are few rests, so there is little contrast between groups of high and groups of low voices, or groups of few versus groups of many voices, contrasts which were popular with composers of the previous generation (for example
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parts. These polychoral motets are considered by some scholars to be the earliest examples of mature polychoral writing (for example, A. F. Carver). They were reprinted time and again during the 16th century, indicating their popularity and influence.
80:(1560) called him "Gallus", and French was evidently his native language. Few details of his life are known with certainty, but some inferences can be made. Much of his career he spent in Italy, and he worked at both the court and cathedral in
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Phinot's chansons use most of the techniques current at the time, and contain a variety of textures and approaches to setting text. Subjects range from satirical attacks on clerical abuses to love songs, some in the manner of
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are for eight voices in two groups of four, who answer each other antiphonally and then gradually build to a climax as the groups increasingly overlap, eventually singing together in eight independent
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have been attributed to him. Most of the motets are for five voices, and like those of
Gombert, use pervasive
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Phinot seems to have been most highly regarded by the next generation of composers, including
Palestrina and
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Phinot's music was widely distributed, and he was highly praised by writers of the time, including
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More motets by Phinot survive than any other type of composition. A total of 2
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Cori spezzati: the
Development of Sacred Polychoral Music to the Time of Schütz
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in 1544 and 1545. Some of his life he also probably spent in
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works. The polychoral motets, including a setting of the
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219:List of Renaissance composers
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164:polychoral
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203:See also
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