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instead. More defeated warriors arrive with reports that Morald has disappeared, captured or dead. Then Harald, who was sent to bring reinforcements, comes. He reports that his army was defeated by one led by Ada. Arindal curses her. Zemina and
Farzana express joy that Ada will remain immortal. But she sorrowfully explains that the fairy-king had required as a condition of her renouncing her immortality, that she conceal her fairy background from Arindal for eight years and on the last day torment him as best she can. If he cursed her, she would remain immortal and be turned to stone for a hundred years while he would go mad and die. In truth, Morald is not dead, the army Harald led was full of traitors, and the children are still alive. Already Arindal can feel his sanity slipping.
639:). Arindal awakens and declares his joy at seeing Ada again, but she announces that he will abandon her the next day. Gernot, Gunther and Morald arrive with companions to fetch Arindal. Those who have not seen her before are struck by Ada's beauty and fear Arindal will not come. A procession of fairies comes out of the palace and Zemina and Farzana tell Ada that her father has died and she is now queen. Ada tells Arindal that they must part now but she will see him tomorrow. She asks him to swear that whatever happens he will not curse her. He swears it even though she takes back her request. She expresses her fear that they will both go under as a result of his breaking the oath.
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Arindal's sister Lora as his wife. Gernot relates how he and
Arindal had hunted a beautiful doe to a river where it vanished. They heard a voice and jumped into the river where they found a beautiful woman in luxurious surroundings. She declared her love for Arindal and said they could stay together provided Arindal could go eight years without asking who she is. But the day before he did ask her, and Arindal and Gernot found themselves in the wilderness. Morald and Gunther depart before Arindal can know of their presence. Arindal appears and sings of his grief at the loss of Ada (
631:). Gunther returns, disguised as a priest, and continues the attempt to persuade Arindal that he will be turned into a wild beast by the witch unless he returns at once; Morald similarly disguises himself as the ghost of Arindal's father and announces that his kingdom is threatened. Each disguise is magically destroyed just as Arindal is about to be convinced. However, the three are finally able to persuade him of his country's need. They agree to depart in the morning, although Arindal fears he will not see Ada again. When he is left alone he falls into an enchanted sleep.
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they encounter bronze men who guard a holy sanctuary. The shield fails
Arindal but when Groma advises him to hold up the sword, the bronze men vanish. The fairies again express their surprise whilst Groma's spirit urges Arindal on. They now have reached a grotto where Ada has been turned to stone. The two fairies taunt Arindal with the threat that failure will mean that he too is turned to stone. But the voice of Groma urges him to play the lyre. When he does so (
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some quaint antiquarian resurrection, but an opera that can work for today's audiences on stage." Blyth is less wholehearted in his support. In 1984, he wrote "The libretto is impossibly awkward, its language stilted, many of its musical structures ill-considered, but much is enjoyable in its own right as much as for the enjoyment in discovering seeds of future triumphs."
242:. The libretto also introduced a fantastic theme that was not in the original play. The libretto displays themes and patterns that were to recur in Wagner's more mature works. These include redemption, a mysterious stranger demanding that their lover not ask their name, and long expository narratives.
618:
While other fairies amuse themselves in a fairy garden, Zemina and
Farzana discuss how their mistress Ada, a half-fairy, has renounced her immortality to spend her life with Arindal, the mortal whom she loves. The fairy-king has set a condition which Farzana believes that Arindal will not fulfil even
220:
himself. Second, there was a fear among the authorities in
Germany and Austria that the performance of operas in German would attract nationalist and revolutionary followers. This would have added to the difficulties faced by a novice composer seeking an opportunity for his new opera to be performed.
622:
In a rocky wilderness Morald and
Gunther meet Gernot. The former pair have been sent to find out what has happened to Arindal, who disappeared eight years ago. In the meantime his father, the king, has died from grief and the kingdom is being attacked by their enemy Murold who demands they surrender
299:
was premiered in Munich on 29 June 1888 with a cast including several singers who had created roles in Wagner's later operas. It is the only Wagner opera that has not been recorded for broadcast television or video. There are some audio recordings, the one with the best known performers being a live
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acknowledges the presence of passages imitative of Weber and
Marschner but says that there are "wonderfully original passages too... Some of the instrumental writing is exquisite. And especially in the final two acts, there are ensembles and scenes of undeniable strength of personality. This is not
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appear which Groma says can win
Arindal victory and a greater reward. Zemina and Farzana, enter. The former expresses her pity for Arindal while the latter says he deserves punishment for seeking to take Ada from them. They wake him and announce they will lead him to Ada to rescue her. He expresses
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Gernot and
Gunther talk of the terrible omens of the night and morning. Gernot asks Gunther if Drolla is still beautiful and still loyal to him. Gunther says he believes so but says Gernot should ask her himself as she is nearby. Gernot and Drolla test each other with stories of the many people who
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The people and warriors in
Arindal's capital are panicking because they are under attack. Lora berates them, saying that she herself stands firm even though she has lost father, brother and lover. She reminds them of Groma's prophecy that the kingdom will not fall if Arindal returns, but the chorus
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associated with characters and situations already show a tendency towards something that Wagner would later use in a far more sophisticated manner in his mature works. Another anticipation of the composer's mature manner is how orchestra often carries the tune while vocal parts are declamatory. Of
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They lead Arindal to a portal guarded by earth spirits. He is about to be defeated when the voice of Groma reminds him of the shield. The earth spirits disappear when he holds it up. The fairies express their surprise but are sure he will not triumph again. Meanwhile, he thanks Groma's power. Next
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Battle is raging outside. Arindal is anxious and refuses to lead the army out. Morald does so instead. Ada appears with her two children by Arindal. She seems to throw them into a fiery abyss. Meanwhile, defeated warriors rush in. Ada refuses to console Arindal saying she has come to torment him
163:
was Wagner's first completed opera, but remained unperformed in his lifetime. It has never established itself firmly in the operatic repertory although it receives occasional performances, on stage or in concert, most often in Germany. The opera is available on CD and in a heavily cut,
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The scene changes to the fairy king's throne room. He has decided to grant Arindal immortality. Ada invites him to rule her fairyland with her. Arindal grants his mortal kingdom to Morald and Lora. Everyone rejoices; even Zemina and Farzana are happy now that Ada remains immortal.
757:, the result was an opera more stylistically unified than its successors. "The later works may contain individual passages that are more 'advanced' than anything in the youthfully imitative ways of Die Feen, but as entities they are less satisfying."
652:), a messenger arrives to announce that Arindal is on his way. The new king is greeted joyously by his people, but Arindal himself expresses his fears that he is not strong enough for battle. Meanwhile, Morald and Lora express their mutual love.
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that distinguished the composer's mature works. However, there is already a tendency in the opera to move away from a strict numbers form and to present the singers with long challenging passages. Recurring themes or simple
216:). There were a number of difficulties facing new German-language opera in the 1830s. First there was deemed to be a lack of good quality libretti to set. This may have influenced Wagner's decision to write the libretto for
634:
The scene changes again to a fairy garden with a palace in the background out of which Ada comes. She sings of how she is willing to sacrifice her immortality and pay the price, however hard it is, necessary to win Arindal
175:
and other composers of the time, commentators have recognised embryonic features of the mature Wagnerian opera. The fantasy plot also anticipates themes such as redemption that were to reappear in his later works.
627:). Gernot tries to argue him round to believing that Ada is a sorceress who has abandoned him and that he should return to his kingdom. He sings of an evil witch who had disguised herself as a beautiful woman (
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Ada is with Zemina and Farzana. She complains to them of how they heartlessly drive her on. They, however, express hope that she will renounce Arindal and remain immortal. She sings (
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A chorus hail Morald and Lora as the King and Queen who have brought them peace. The couple say they cannot rejoice, because of Arindal's fate. All pray for the curse to be lifted.
663:) of her fears that Arindal will be cursed with madness and death, and she with being turned to a statue, but then expresses hope that Arindal's love will prove strong.
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682:) before falling asleep. The voice of the petrified but weeping Ada is heard calling for him. Then the voice of Groma calls to him too. A sword, shield and
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with Raimo SirkiÀ (Arindal), Sue Patchell (Ada), Arthur Korn (Gernot), Birgit Beer (Drolla) etc. live recording from Teatro Comunale di Cagliari (1998) (
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with the help of the magician Groma. Nevertheless, they get the other fairies and spirits to pledge their help in separating Ada from the mortal.
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Arindal is hallucinating that he is hunting a doe. As it is killed, he realises it is his wife. He continues to experience visions (
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in 1834, when he hoped for a production. Among the changes in the 1834 version was the rewriting from scratch of Ada's grand scene
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was Wagner's first completed opera, composed in 1833, when he was 20 years old and working as a part-time chorus master in
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719:. According to Danilo Prefumo's notes to one of the recordings available, it also showed the influence of Italian opera,
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in the final days of World War II. A draft, in Wagner's hand, of dialogue he wrote to substitute for some of the opera's
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the various arias, Blyth picks out Ada's "huge act 2 scene, which calls for a genuine dramatic soprano" noting that
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892:(Fairy King) etc. live performance with multiple cuts to the score Munich Opera Festival (1983) (ORFEO C 062 833 F)
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but picks out "the delightful buffo duet for Gernot... and Drolla", saying it looks forward more to
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The year before he started composition, Wagner had abandoned his first attempt at writing an opera,
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as part of the celebrations of the centenary of the composer's death. On 11 April 2020 the
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love them. Each becomes jealous before they realise that they both truly love each other.
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815:"except that it surpasses in unassuming tunefulness anything in the following score".
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streamed the performance of the children's version from 3 March 2012 conducted by
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924:(Lora), etc. live recording of the concert performances, May 3 and 6 2011 at the
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his willingness to die for her. The two fairies hope this will actually happen.
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858:. Uncut, studio recording (Manchester College of Music), early May 1974. (
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as influences but says that, by avoiding the aping of Italian opera in
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available as of 2015, only the first of which is a studio recording.
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1277:(Two 2005 German productions of the opera. Retrieved 13 July 2019)
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Morgan, Simon, "Seen and Heard International Opera Review: Wagner
1257:(recording and booklet including libretto, 1998), Genova, Dynamic.
1079:(Dynamic recording booklet pp. 4â7. English translation pp. 7â10).
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express doubts. Just as she begins to fear that they are right (
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on the internet as part of their free offerings during the
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234:) was the source for Wagner's plot, he took the names of
253:. However, it remained unperformed during his lifetime.
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had recorded it. He sees the ensembles as anticipating
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1251:(recording and textbook, 1984), Munich: Orfeo GmbH.
942:Conductors who have recorded the overture include
272:, and may have perished with him in flames in his
238:s two principal characters, Ada and Arindal, from
2288:
1707:Das Judenthum in der Musik (Jewishness in Music)
343:. In 2009, the opera premiered in France at the
2150:List of films using the music of Richard Wagner
2051:
268:. The manuscript was later given as a gift to
2140:International Association of Wagner Societies
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1340:
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741:regular Wagner reviewer, sees both Weber and
347:in Paris. The US staged premiere was held by
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986:Barry Millington, "Feen, Die (The Fairies)"
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661:Weh' mir, so nah' die fĂŒrchterliche Stunde
251:Weh' mir, so nah' die fĂŒrchterliche Stunde
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1300:International Music Score Library Project
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1010:Seen and Heard International Opera Review
1206:- Oper in drei Akten von Richard Wagner"
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323:on 17 May 1969 and the American concert
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862:Complete Wagner Edition 00289 479675-7)
850:(Farzana), Tom McDonnell (Morald) etc.
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1267:, Stanford University Opera Glass site
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1106:British Library Digitised Manuscripts
1092:recording (1984), Munich: Orfeo GmbH.
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109:Königliches Hof- und National-Theater
2342:Operas based on works by Carlo Gozzi
1082:
625:Wo find ich dich, wo wird mir Trost?
256:Wagner personally gave the original
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1290:in German and English, murashev.com
1120:Stanford University Opera Glass at
164:adapted-for-children version, DVD.
13:
1354:
1242:
1053:July 1984. Accessed 7 August 2007.
920:(Ada), Thorsten GrĂŒmbel (Gernot),
149:was written by the composer after
14:
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2332:Operas set in mythological places
1281:
1041:"Review of Sawallisch version of
292:Performance and recording history
46:Title page of the piano reduction
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1816:MĂ€nnerlist gröĂer als Frauenlist
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199:. He gave it the description of
1275:" on musicweb-international.com
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1000:Morgan, Simon (February 2005).
916:with Burkhard Fritz (Arindal),
852:BBC Northern Symphony Orchestra
377:Roles, voice type premiere cast
2211:Richard Wagner Museum, Lucerne
1567:Die Meistersinger von NĂŒrnberg
1126:
1123:. Link checked 29 August 2007.
1095:
993:
980:
715:imitated the musical style of
351:on 11 June 2010, conducted by
1:
1700:A Communication to My Friends
1317:, Robert Sage conducting the
969:
946:(Asv Living Era B0000030XD),
818:
693:O ihr, des Busens HochgefĂŒhle
650:O musst du Hoffnung schwinden
570:General of Groma the magician
331:on 24 February 1982. In 1981
1191:s first American performance
823:There are ten recordings of
702:
629:War einst 'ne böse Hexe wohl
597:Voice of Groma the Magician
371:Richard Wagner, c. 1830
319:The English premiere was in
245:Wagner revised the score of
7:
1950:Houston Stewart Chamberlain
1907:Bayreuth Festival Orchestra
1367:List of works for the stage
608:
391:Premiere cast, 29 June 1888
10:
2358:
2302:Libretti by Richard Wagner
1624:Das Liebesmahl der Apostel
1319:Lyric Opera of Los Angeles
637:Wie muss ich doch beklagen
349:Lyric Opera of Los Angeles
180:Background and composition
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2008:
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1922:Richard Wagner Foundation
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1852:
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1686:The Artwork of the Future
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774:The Weberian overture in
300:performance conducted by
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39:
28:
21:
2297:Operas by Richard Wagner
1796:Die Laune des Verliebten
1210:Mitteldeutscher Rundfunk
1108:, accessed 21 July 2013.
1075:Danilo Prefumo notes to
990:(accessed 23 June 2022).
872:, with a cast including
670:
642:
613:
362:
203:(grand romantic opera).
171:shows the influences of
2337:Stefan Zweig Collection
2201:Wagner-Werk-Verzeichnis
2161:Nietzsche contra Wagner
2095:Richard Wagner Memorial
2090:Richard Wagner Monument
1484:Der Ring des Nibelungen
1432:Der fliegende HollÀnder
517:a courtier from Tramond
282:Stefan Zweig Collection
201:Grosse romantische Oper
16:Opera by Richard Wagner
2307:German-language operas
1912:Bayreuth Festspielhaus
1265:: Performance History"
954:(Archipel ARPCD0239),
751:and of grand opera in
372:
333:Friedrich Meyer-Oertel
189:
167:Although the music of
98:29 June 1888
2173:The Perfect Wagnerite
1767:Ride of the Valkyries
1693:Autobiographic Sketch
1235:on Wagner Discography
962:(Vox B000001KAH) and
731:. On the other hand,
709:German Romantic opera
370:
187:
65:Richard Wagner (1833)
1372:List of compositions
1310:- A Visual Pasticcio
1162:(25 February 1982).
958:(Naxos B0001Z65J4),
950:(Angel B00005UVAN),
856:BBC Northern Singers
717:Carl Maria von Weber
266:Ludwig II of Bavaria
173:Carl Maria von Weber
2105:Wagner Ice Piedmont
2009:Cultural depictions
2000:Eva Wagner-Pasquier
1826:Wieland der Schmied
1728:Music of the Future
1604:Symphony in C major
870:Wolfgang Sawallisch
860:Deutsche Grammophon
680:Ich seh' den Himmel
379:
345:Théùtre du Chùtelet
341:Opernhaus Wuppertal
329:New York City Opera
302:Wolfgang Sawallisch
2185:Der Ring in Minden
2127:The Case of Wagner
1886:Bayreuther BlÀtter
1679:Art and Revolution
1598:Non-operatic music
1555:Tristan und Isolde
1172:The New York Times
988:Grove Music Online
966:(Vox B000001KD3).
944:Francesco D'Avalos
928:Frankfurt (2011) (
763:The New York Times
524:Heinrich Herrmann
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357:Pasadena Playhouse
306:Vienna State Opera
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2312:Romantische Opern
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1902:Bayreuth Festival
1878:Bayreuth Festival
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1840:(1858; text only)
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1830:(1850; text only)
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1788:Unfinished operas
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1638:(1844, rev. 1855)
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1164:"Opera: Wagner's
1134:"Staatsoper Live"
956:Alexander Rahbari
952:Franz Konwitschny
878:Linda Esther Gray
606:
605:
314:COVID-19 pandemic
227:La donna serpente
224:Although Gozzi's
156:La donna serpente
141:in three acts by
130:[diËfeËn]
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87:La donna serpente
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2083:Named for Wagner
2052:Film adaptations
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1980:Siegfried Wagner
1965:Katharina Wagner
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1403:Das Liebesverbot
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914:Sebastian Weigle
813:Das Liebesverbot
748:Das Liebesverbot
578:Kaspar Bausewein
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531:Arindal's friend
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409:Victorine Blank
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2134:Gesamtkunstwerk
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2100:Wagner (crater)
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2004:
1995:Wolfgang Wagner
1990:Winifred Wagner
1945:Eva Chamberlain
1926:
1917:Jahrhundertring
1897:Bayreuth Circle
1869:
1844:
1779:
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1735:Opera and Drama
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1654:Siegfried Idyll
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1535:GötterdÀmmerung
1466:
1424:Romantic operas
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1381:Complete operas
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844:John Mitchinson
834:, conducted by
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1282:External links
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1231:Recordings of
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1212:. 1 March 2013
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1960:Cosima Wagner
1958:
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1208:(in German).
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1168:Bows in U.S."
1167:
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1160:John Rockwell
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555:Emilie Herzog
553:
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547:Lora's friend
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510:Rudolf Fuchs
509:
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501:her betrothed
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145:. The German
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31:
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2206:Museo Wagner
2183:
2179:Rhinemaidens
2171:
2159:
2132:
2125:
2067:
2059:
2040:
2031:
2024:
2017:Wagner Dream
2015:
1970:Minna Wagner
1955:Ludwig Geyer
1884:
1860:Holztrompete
1834:
1824:
1814:
1806:Die Hochzeit
1804:
1794:
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1663:Kaisermarsch
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1509:
1497:
1482:
1475:Music dramas
1454:
1442:
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1408:
1401:
1395:
1394:
1313:playlist on
1307:
1294:
1272:
1262:
1254:
1248:
1232:
1226:
1214:. Retrieved
1203:
1196:
1185:
1176:. Retrieved
1170:
1165:
1137:. Retrieved
1128:
1105:
1097:
1089:
1088:Booklet for
1084:
1076:
1048:
1042:
1013:. Retrieved
1009:
1003:
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987:
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973:
941:
935:
909:
906:CDS 217/1-3)
895:
865:
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806:
800:
773:
761:
759:
752:
746:
738:Gramophone's
736:
726:
720:
712:
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689:
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674:
665:
660:
658:
654:
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633:
628:
624:
621:
617:
584:A messenger
569:
546:
539:Gustav Siehr
530:
516:
500:
477:
459:
445:
431:
415:
336:
318:
296:
295:
280:, is in the
270:Adolf Hitler
261:
255:
250:
246:
244:
240:Die Hochzeit
239:
235:
231:
225:
223:
217:
213:
209:Die Hochzeit
207:
205:
200:
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191:
168:
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160:
154:
134:
120:
119:
118:
85:
55:
22:
2327:1888 operas
2322:1833 operas
2254:WikiProject
2110:3992 Wagner
2070:(1982 film)
2062:(1904 film)
2043:(1986 film)
2036:(2012 film)
2028:(1983 film)
1975:Nike Wagner
1865:Wagner tuba
1745:Other opera
1511:Die WalkĂŒre
1388:Early works
1178:28 November
1002:"Review of
900:Gabor Ătvös
876:(Arindal),
848:Della Jones
846:(Arindal),
722:grand opera
558: [
489: [
470:Max Mikorey
393:Conductor:
353:Robert Sage
327:was at the
278:recitatives
214:The Wedding
151:Carlo Gozzi
135:The Fairies
82:Carlo Gozzi
56:The Fairies
52:Translation
2291:Categories
2155:Musikdrama
1853:Inventions
1836:Die Sieger
1721:Mein Leben
1444:TannhÀuser
1184:Review of
1050:Gramophone
1015:7 November
970:References
922:Brenda Rae
888:(Drolla),
819:Recordings
802:TannhÀuser
792:leitmotifs
733:Alan Blyth
478:his sister
387:Voice type
321:Birmingham
258:manuscript
188:First page
102:1888-06-29
62:Librettist
2216:Wahnfried
2145:Leitmotif
2041:Wahnfried
1774:Liebestod
1523:Siegfried
1456:Lohengrin
1306:Wagner's
1037:Blyth, A.
926:Alte Oper
890:Kurt Moll
808:Lohengrin
784:chromatic
766:, critic
743:Marschner
703:The music
515:Gunther,
458:Arindal,
444:Farzana,
236:Die Feen'
111:in Munich
2234:Category
2068:Parsifal
2060:Parsifal
1671:Writings
1615:Overture
1579:Parsifal
1396:Die Feen
1308:Die Feen
1295:Die Feen
1288:Libretto
1273:Die Feen
1263:Die Feen
1255:Die Feen
1249:Die Feen
1233:Die Feen
1204:Die Feen
1186:Die Feen
1139:11 April
1090:Die Feen
1077:Die Feen
1043:Die Feen
1004:Die Feen
936:Die Feen
910:Die Feen
896:Die Feen
884:(Lora),
866:Die Feen
832:Die Feen
825:Die Feen
713:Die Feen
609:Synopsis
568:Harald,
551:soprano
545:Drolla,
529:Gernot,
506:baritone
499:Morald,
482:soprano
450:soprano
436:soprano
430:Zemina,
337:Die Feen
325:premiere
297:Die Feen
264:to King
262:Die Feen
247:Die Feen
218:Die Feen
197:WĂŒrzburg
193:Die Feen
169:Die Feen
161:Die Feen
147:libretto
137:) is an
121:Die Feen
94:Premiere
78:Based on
70:Language
23:Die Feen
2119:Related
2020:(opera)
1714:Leubald
1613:Polonia
1315:YouTube
1216:21 July
1039:(1984)
904:Dynamic
880:(Ada),
842:(Ada),
787:harmony
776:E major
446:a fairy
432:a fairy
421:soprano
416:a fairy
355:at the
339:at the
335:staged
284:at the
126:German:
100: (
2317:Operas
2267:Portal
2025:Wagner
1820:(1838)
1810:(1832)
1800:(1830)
1658:(1870)
1648:(1858)
1628:(1843)
1618:(1836)
1607:(1832)
1410:Rienzi
1321:, 2010
780:melody
754:Rienzi
587:tenor
521:tenor
476:Lora,
73:German
2281:Opera
2244:Audio
1189:'
975:Notes
838:with
707:As a
671:Act 3
643:Act 2
614:Act 1
600:bass
574:bass
562:]
535:bass
493:]
465:tenor
414:Ada,
383:Role
363:Roles
139:opera
30:Opera
1218:2013
1180:2011
1166:Feen
1141:2020
1017:2022
805:and
782:and
725:and
684:lyre
405:bass
760:In
260:of
153:'s
84:'s
32:by
2293::
1149:^
1113:^
1104:,
1058:^
1047:,
1025:^
1008:.
854:,
735:,
711:,
560:de
491:de
359:.
316:.
288:.
159:.
133:,
2269::
1776:"
1772:"
1769:"
1765:"
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1758:"
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1702:"
1698:"
1695:"
1691:"
1688:"
1684:"
1681:"
1677:"
1348:e
1341:t
1334:v
1261:"
1220:.
1202:"
1182:.
1143:.
1045:"
1019:.
1006:"
932:)
635:(
230:(
212:(
124:(
104:)
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