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Diddley bow

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133: 429: 230: 36: 323: 198:. There, they were often played by children, one beating the string with sticks and the other changing the pitch by moving a slide up and down. The instrument was then developed as a children's toy by slaves in the United States. They were first documented in the rural South by researchers in the 1930s. 290:
The diddley bow is typically homemade, consisting usually of a wooden board and a single wire string stretched between two screws, and played by plucking while varying the pitch with a metal or glass slide held in the other hand. A glass bottle is usually used as the bridge, which helps amplify the
673:, Florida Folklife LP 102-103. A double-CD-with-hardback book edition of this double-LP set has been released, adding ten further tracks. Two CDs from the Florida Folklife Collection present Williams playing and singing "Which Way Did My Baby Go?" and "Apple Farm Blues". 216:, it is played with a slide. However, because it was considered a children's instrument, few musicians continued to play the diddley bow once they reached adulthood. The diddley bow is therefore not well represented in recordings. 315:, who used to demonstrate the instrument by stretching a wire between two nails hammered into the wood of a vertical beam making up part of the front porch of his home. Pitchford's headstone, placed on his grave in 2000 by the 584:, Takoma Records CDTAK 1023. Nine tracks, the first one an interview of Eddie Jones where he tells how he built his instrument. The booklet notes includes a drawing and some photographs of his instrument and of him playing. 409:, then after playing it quips "Who says you need to buy a guitar?". Seasick Steve recorded a tribute to his diddley bow, via his song "Diddley Bo" from his 2009 album, 923: 205:
if they show promise on the diddley bow. However currently, the diddley bow is also played by professional players as a solo as well as an accompaniment instrument.
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The diddley bow was traditionally considered an "entry-level" instrument, normally played by adolescent boys, who then graduate to a "normal"
381: 1788: 1607: 600:, Southland SCD-21, "Train Coming Around the Bend," "My Babe," "Mary Had a Little Lamb" and "One-String Boogie." Two tracks on 549:
Glen Faulkner – "Cotton Pickin' Blues," "Louisiana Blues," "Glory, Glory, Hallelujah," "Get Right Church And Lets Go Home," on
1463: 1976: 1971: 1184:"Afro-American Folk Music from Tate and Panola Counties, Mississippi - Various Artists - Songs, Reviews, Credits - AllMusic" 855: 817: 948: 100: 354:. Some members of the Motown band "The Funk Brothers" are said to have learned to play the guitar on the diddley bow. 132: 72: 1488: 1763: 869: 861: 823: 644: 476: 277: 119: 458: 259: 79: 1133: 1538: 1361: 669:
Moses Williams – four tracks on a double-LP anthology of Florida blues produced by the Florida Folklife Program;
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learned to play music on a two-string homemade diddley bow before getting his first guitar (a Harmony acoustic).
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music in that many blues guitarists got their start playing it as children, as well as the fact that, like the
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Lomax, ), Alan; Congress), Copyright Collection; Congress), LC Off-Air Taping Collection (30 November 1990).
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sound. Some diddley bows have an added resonator box under the bridge, and are essentially single-string
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community, and is rarely heard outside the rural South. It may have been influenced to some degree by
1742: 296: 1033: 350:. Willie Joe Duncan was also notable for his work with a large electrified diddley bow he called a 1593: 439: 319:, is actually designed with a playable diddley bow on the side as requested by Pitchford's family. 240: 1753: 1701: 1134:"Heritage of the Blues: Shake It Baby - Jessie Mae Hemphill - Songs, Reviews, Credits - AllMusic" 443: 244: 46: 1719: 1233: 316: 175:
instruments. Other nicknames for this instrument include "jitterbug" or "one-string", while an
1158: 1058: 1986: 1726: 1697: 1283: 927: 411: 400: 1362:"Motor City Blues/Please Mr. Foreman - Various Artists - Songs, Reviews, Credits - AllMusic" 1585: 1084:"The Specialty Story [Box] - Various Artists - Songs, Reviews, Credits - AllMusic" 388:, Chicago-based musician Andy Slater a.k.a. Velcro Lewis, and Chicago-based percussionist 8: 1981: 1945: 1768: 1655: 779: 626: 556: 498: 339: 331: 157: 93: 493:, part 3: "The Land Where the Blues Began" (1990). Written, directed, and produced by 1731: 145: 1714: 1625: 1109:"Various - The Spirit Lives On - Deep South Country Blues And Spirituals In The 90's" 1013: 865: 827: 563:, HighTone HCD 8156. Two tracks (accompanied by Compton Jones and Glen Faulkner) on 509: 405: 176: 1514:"Velcro Lewis And His 100 Proof Band / Tijuana Hercules - The Oven's On / Look Here" 655:, Document Records B000000J8B ("I Need $ 100" and "My Baby, Oooo" (studio versions). 604:, Rooster R2629; "Real Rock Music: Crawlin' Kingsnake" and "My Babe." One track on 156:
tensioned between two nails on a board over a glass bottle, which is used both as a
1833: 1778: 1758: 716: 711: 593: 312: 292: 168: 1234:"One String Blues - Eddie "One String" Jones - Songs, Reviews, Credits - AllMusic" 1783: 1709: 1573: 774: 394: 574:, Rounder 1515 (CD). With booklet notes by diddley bow scholar, Dr. David Evans. 1821: 1748: 1672: 1617: 972: 803: 769: 640: 502: 351: 347: 1389:"Release "Rural Blues, Volume 1 (1934-1956)" by Various Artists - MusicBrainz" 1034:"Bothered All the Time - Various Artists - Songs, Reviews, Credits - AllMusic" 596:– Pitchford was another diddley bow master. He can be heard on four tracks on 538:
Willie Joe (Duncan) and His Unitar – The track "Unitar Rock," is available on
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It was traditionally considered a starter or children's instrument in the
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The Spirit Lives On: Deep South Country Blues and Spirituals in the 1990s
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Other notable traditional players include Lewis Dotson, Glen Faulkner,
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Afro-American Folk Music from Tate and Panola Counties, Mississippi
542:, Ace CDCHD 655. "Twitchy" and "Cherokee Dance" are available on 513:, a 2008 documentary about the careers and influences of prominent 1940: 1915: 1898: 1893: 1826: 1811: 1579: 1566: 736: 1910: 1888: 1878: 1848: 726: 202: 183: 172: 917: 915: 614:
Living Country Blues USA - Volume 7: Afro-American Blues Roots
1935: 633:, Testament 5021 (CD). (This same cut also appears on the CD 521:
building a diddley bow from scratch and playing a tune on it.
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You Gotta Hit the String Right to Make the Music Swing
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Recent performers who use similar instruments include
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Living Country Blues USA - Volume 9: Mississippi Moan
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Living Country Blues USA - Volume 10: Country Boogie
570:Compton Jones – One track, "Shake 'Em On Down," on 559:– two tracks (one accompanied by Compton Jones) on 60:. Unsourced material may be challenged and removed. 553:, Hot Fox HF-CD-005 (German CD, now out of print). 160:and as a means to magnify the instrument's sound. 651:, Schoolkids' Records, SKR2101-2. Two tracks on 491:American Patchwork: Songs and Stories of America 194:The diddley bow derives from instruments used in 1963: 1489:"Where The Palm Trees Shake At Night (2011, CD)" 531:Louis Dotson - "Sitting on Top of the World" on 307:One notable performer of the instrument was the 295:. Some recent diddley bows are electrified with 946: 893:"One String Sam | Biography & History" 921: 1601: 1018:: CS1 maint: multiple names: authors list ( 819:Write Me a Few of Your Lines: A Blues Reader 682:2007 by Velcro Lewis and His 100 Proof Band. 136:Moses Williams playing the diddley bow, 1982 1310:"Illustrated Testament Records discography" 598:National Downhome Blues Festival Volume One 457:. Unsourced material may be challenged and 258:. Unsourced material may be challenged and 1608: 1594: 1539:"Velcro Lewis Group - White Magick Summer" 1439:"Drop On Down In Florida (2012, Book, CD)" 1259:"Tijuana Hercules - Almanack Of Bad Luck" 973:"Diddley Bo by Seasick Steve - Songfacts" 620:and (yet another) "One String Boogie" on 477:Learn how and when to remove this message 278:Learn how and when to remove this message 152:sound. It consists of a single string of 120:Learn how and when to remove this message 403:makes one at the beginning of the movie 321: 148:which influenced the development of the 131: 816:Tracy, Steven Carl (30 November 1999). 800:I'm A Man: The Chess Masters, 1955–1958 14: 1964: 700: 1589: 853: 815: 649:Motor City Blues / Please Mr. Foreman 561:Heritage of the Blues: Shake It, Baby 660:A Store-Bought Guitar Just Won't Do, 658:One String Willie - Seven tracks on 629:– One track, "Key to the Blues," on 455:adding citations to reliable sources 422: 256:adding citations to reliable sources 223: 58:adding citations to reliable sources 29: 27:Single-stringed American instrument 24: 922:Mulkerin, Andy (January 7, 2010). 208:The diddley bow is significant to 25: 1998: 1560: 862:University of Massachusetts Press 824:University of Massachusetts Press 645:Ann Arbor Blues and Jazz Festival 1307: 947:Gilbert, Andrew (June 7, 2022). 854:Kubik, Gerhard (10 April 2008). 610:American Folk Blues Festival '83 427: 302: 228: 34: 1531: 1506: 1481: 1456: 1431: 1406: 1381: 1354: 1327: 1301: 1276: 1251: 1226: 1201: 1176: 1151: 1126: 1101: 1076: 1051: 694:2010 by the Velcro Lewis Group. 688:2009 by the Velcro Lewis Group. 219: 45:needs additional citations for 1026: 990: 965: 940: 885: 847: 809: 792: 525: 418: 144:is a single-stringed American 13: 1: 785: 653:Rural Blues Vol 1 (1934–1956) 1977:Continuous pitch instruments 1972:American musical instruments 344:James "Super Chikan" Johnson 7: 758: 616:; "My Baby Walked Away" on 612:; "Johnny Stole An Apple," 10: 2003: 535:, Southern Culture SC 1703 189: 179:would formally call it a " 1797: 1743:Music On A Long Thin Wire 1646: 1632: 881:– via Google Books. 843:– via Google Books. 590:2009 by Tijuana Hercules. 567:, Inside Sounds ISC-0519. 546:, Specialty 5SPCD-4412-2. 1639:Hornbostel–Sachs numbers 578:Eddie "One String" Jones 336:Eddie "One String" Jones 671:Drop on Down In Florida 588:The Almanac of Bad Luck 326:An electric diddley bow 1720:Long-string instrument 953:San Francisco Standard 327: 317:Mt. Zion Memorial Fund 137: 928:Pittsburgh City Paper 533:Bothered All the Time 517:guitarists, features 412:Man From Another Time 325: 135: 857:Africa and the Blues 635:Africa and the Blues 606:Living Country Blues 451:improve this section 372:, American bluesman 252:improve this section 167:, especially in the 54:improve this article 1580:Onestringwillie.com 1567:Heavyfogguitars.com 1418:Onestringwillie.com 780:Unitar (instrument) 701:Similar instruments 692:White Magick Summer 627:Napoleon Strickland 557:Jessie Mae Hemphill 544:The Specialty Story 499:Columbia University 340:Napoleon Strickland 332:Jessie Mae Hemphill 1727:Melde's experiment 1572:2016-11-08 at the 1008:– via Trove. 342:, Moses Williams, 328: 138: 1959: 1958: 1715:Longitudinal wave 510:It Might Get Loud 487: 486: 479: 406:It Might Get Loud 386:One String Willie 334:, Compton Jones, 293:cigar box guitars 288: 287: 280: 177:ethnomusicologist 130: 129: 122: 104: 16:(Redirected from 1994: 1779:String vibration 1610: 1603: 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