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while ignoring the deeper symbolism and cultural significance. In this work
Frizzell is creating a study for a series of ālowā art paintings he created to fill a perceived void in the art world at the time. The works created by Frizzell became highly commercialised and widely spread through New Zealand, which spearheaded a new wave of appropriation to occur as once again it became popular to commandeer MÄori imagery with little regard to the culture behind it.
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Goofy Tiki Study is a
Gouache and pencil on paper work, that depicts a stylised hei tiki with large lettering proclaiming āGoofy Tikiā. The work responds to the wealth of ālowā art produced for tourism that can be found all throughout New Zealand, that appropriates and exploits MÄori art imagery
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Though he is best known for his cartoon-derived work, Frizzell is also known as a painter of photorealistic landscapes and still life. His landscapes, often views of rural New
Zealand as seen from narrow country roads, have been the subject of several exhibitions, among them
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247:. At the opening of the exhibition of those paintings on 7 February 2012, Frizzell said that he and Hunt had, in their respective paintings and poems, committed the ultimate "sin", the "sin of being understood".
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Frizzell has contributed designs to Esther
Diamond linen company, has released several varieties of "Frizzell Wines," and designed the cover and several illustrations for
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Frizzell is also responsible for the lithograph 'Mickey to Tiki, Tu Meke'. This has now become a best selling print in New
Zealand. It portrays a cartoon '
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Frizzell does not stay within one particular style, and often adopts unfashionable painting styles. Thus, he can be compared to artists such as
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Frizzell became known for his use of Tiki in his works. One of his famous pieces 'Goofy Tiki Study' is now in the care of the
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214:(1992). This contentious work depicted the Four Square man with facial moko, which offended some viewers.
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aroused controversy for his series of paintings reworking the tiki image to resemble subjects as varied as
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of 1997 also attracted some controversy, somewhat due to the inclusion of
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151:.' This image is used on a popular tee-shirt, released by the
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418:. Department of the Prime Minister and Cabinet. 7 June 2004
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Sarah
Catherall, "Frizzell and Hunt team up for exhibition"
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333:"What makes some Kiwi designs last when others fade away?"
243:. In 2012, he completed a series of paintings of poems by
239:(Random House NZ, 2009), with a foreword by art writer
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Adam Art
Gallery, Victoria University of Wellington
179:from 1960 to 1963, studying under artists such as
93:(born 1943) is a New Zealand artist known for his
382:Page Blackie Gallery, Exhibition: Dick Frizzell,
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405:, 16 February 2012, (retrieved 16 February 2012)
97:paintings and prints. His work often features
471:, New Zealand Antarctic Institute (Jan 2005)
208:Dick Frizzell: Portrait of a Serious Artiste
501:r h art: the gallery at Woollaston Estates
541:Members of the New Zealand Order of Merit
310:, an artist and half of hiphop music duo
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294:, at Dunedin's Milford Gallery in 2019.
279:Member of the New Zealand Order of Merit
254:in Auckland, the Central Art Gallery in
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458:Museum of New Zealand Te Papa Tongarewa
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101:iconography combined with motifs from
531:20th-century New Zealand male artists
463:Gow Langsford Gallery's Frizzell page
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469:Dick Frizzell to paint in Antarctica
416:"Queen's Birthday honours list 2004"
302:Frizzell is a brother of politician
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206:abstract. The major retrospective
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387:(retrieved 7 February 2012)
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355:"The Grate NZ Songbook"
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138:Four Square
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318:References
268:Queenstown
181:Rudi Gopas
42:1943-08-20
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103:MÄori art
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232:(2009).
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