Roy Lichtenstein - Knowledge

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collection of the New York insurance broker Leon Kraushar. Most of the works date from the 1960s and represent the American Pop Art and Minimalist currents. They include workgroups by such artists as Carl Andre, Francis Bacon, Walter De Maria, Jim Dine, Dan Flavin, Jasper Johns, Donald Judd, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, George Segal, Frank Stella, Cy Twombly or Andy Warhol, as well as German artists of the period, among them Blinky Palermo, Gerhard Richter, Reiner Ruthenbeck and Franz Erhard Walther.

1138: 4934: 4918: 4902: 4886: 1823:(1962) was returned to Leo Castelli's widow Barbara Bertozzi Castelli, after having been missing for 42 years. Castelli had sent the painting to an art restorer for cleaning in January 1970, and never got it back. He died in 1999. In 2006, the Roy Lichtenstein Foundation published an image of the painting on its holiday greeting card and asked the art community to help find it. The painting was found in a New York warehouse, after having been displayed in Bogota, Colombia. 3241:, p. 37: "Lichtenstein staked out art as a theme in 1962 in terms of reproductions of masterpieces by Cézanne, Mondrian, and Picasso. The theme reappears in another form in the Brushstrokes of 1965–66: no specific artist is identifiable with them, but at the time the paintings were usually interpreted as a putdown of gestural Abstract Expressionism (the disparity between Lichtenstein's neat technique and the hefty swipes of impasted paint is marked)." 549:, who was also a teacher at the university. This environment helped reignite Lichtenstein's interest in Proto-pop imagery. In 1961, he began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. Lichtenstein's first work to feature the large-scale use of hard-edged figures and 665:

and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument." He discussed experiencing this heavy criticism in an interview with April Bernard and Mimi Thompson in 1986. Suggesting that it was at times difficult to be criticized, Lichtenstein said, "I don't doubt when I'm actually painting, it's the criticism that makes you wonder, it does."

4147:. This painting refers to the popular conception of Abstract Expressionist works: their large size broad brushstrokes, drips. But Lichtenstein's painting is all neat and clean. Since the simplification refers to printed color reproductions, Lichtenstein paints in the benday dots of the mechanical process. The affective content of an action painting is replaced by a painted image that, paradoxically, resembles an industrial product." 33: 905: 6464: 1126: 2205:‘Lichtenstein's story, in many ways, is an assimilation story,’ said Bethany Montagano, curator of "Pop for the People: Roy Lichtenstein in LA." ‘Lichtenstein didn't speak often about being Jewish. There was just one interview in the 1960s where he spoke about his maternal grandfather who went to temple and spoke Hebrew.’ 4459: 592: 836:

types of historical publications, in this case the American mainstream comic book. To what extent was National Periodical Publications (later DC) responsible for the rejection of the roles of Kanigher and Novick as artists in their own right by not granting them full authorial credit on the publication itself?"

750:(1965), Lichtenstein collaborated with a ceramicist who sculpted the form of the head out of clay. He then applied a glaze to create the same sort of graphic motifs that he used in his paintings; the application of black lines and Ben-Day dots to three-dimensional objects resulted in a flattening of the form. 980:

Also in 1970, Lichtenstein purchased a former carriage house in Southampton, Long Island, built a studio on the property, and spent the rest of the 1970s in relative seclusion. In the 1970s and 1980s, his style began to loosen and he expanded on what he had done before. Lichtenstein began a series of

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Lichtenstein's works based on enlarged panels from comic books engendered a widespread debate about their merits as art. Lichtenstein himself admitted, "I am nominally copying, but I am really restating the copied thing in other terms. In doing that, the original acquires a totally different texture.

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Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965, though he would occasionally incorporate comics into his work in different ways in later decades. These panels were originally drawn by such comics artists

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Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. However, he would never take himself too seriously, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is

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Lichtenstein's works were inspired by comics featuring war and romantic stories. "At that time", he later recounted, "I was interested in anything I could use as a subject that was emotionally strong – usually love, war, or something that was highly charged and emotional subject matter to be opposite

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In an account published in 1998, Novick said that he had met Lichtenstein in the army in 1947 and, as his superior officer, had responded to Lichtenstein's tearful complaints about the menial tasks he was assigned by recommending him for a better job. Jean-Paul Gabilliet has questioned this account,

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magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose

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started displaying Lichtenstein's work at his gallery in New York. Lichtenstein had his first one-man show at the Castelli gallery in 1962; the entire collection was bought by influential collectors before the show even opened. A group of paintings produced between 1961 and 1962 focused on solitary

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The eighty-seven works from the former collection of Karl Ströher, an industrialist of Darmstadt, form the core of the museum's collection. Acquired by the city of Frankfurt in 1981‒82, they were a determining factor in the founding of the MMK. Ströher's collection was in turn based on the former

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features a wide range selection of screenprints by Andy Warhol and Roy Lichtenstein, as well as an assortment of Warhol's Polaroid photographs known as the leading figures of the Pop Art movement of the 1960s and 1970s. Warhol and Lichtenstein are celebrated for exploring the relationship between

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Besides embodying the cultural prejudice against comic books as vehicles of art, examples like Lichtenstein's appropriation of the vocabulary of comics highlight the importance of taking publication format in consideration when defining comics, as well as the political economy implied by specific

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if he considered Lichtenstein a plagiarist. Gibbons replied: "I would say 'copycat'. In music for instance, you can't just whistle somebody else's tune or perform somebody else's tune, no matter how badly, without somehow crediting and giving payment to the original artist. That's to say, this is

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also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work, Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks

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consisted of a first series of paintings from 1971 to 1972, followed by a second series in 1974–76, and the publication of a series of relief prints in 1976. Lichtenstein produced a series of "Artists Studios" which incorporated elements of his previous work. A notable example being

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in Paris in 2013. 2013:Roy Lichtenstein, Olyvia Fine Art. 2014: Roy Lichtenstein: Intimate Sculptures, The FLAG Art Foundation. Roy Lichtenstein: Opera Prima, Civic Gallery of Modern and Contemporary Arts, Turin. 2018: Exhibition at The Tate Liverpool, Merseyside, United Kingdom.

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that same year, where he remained for six years, although Lichtenstein frequently traveled back to New York. During this time, he undertook jobs as varied as a draftsman to a window decorator in between periods of painting. Lichtenstein's work at this time fluctuated between

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blogged that "Lichtenstein took a tiny picture, smaller than the palm of the hand, printed in four color inks on newsprint and blew it up to the conventional size at which 'art' is made and exhibited and finished it in paint on canvas." With regard to Lichtenstein,

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manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". Lichtenstein described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the

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Although Lichtenstein's comic-based work gained some acceptance, concerns are still expressed by critics who say Lichtenstein did not credit, pay any royalties to, or seek permission from the original artists or copyright holders. In an interview for a

1627:(1966). Outside the United States and Europe, the National Gallery of Australia's Kenneth Tyler Collection has extensive holdings of Lichtenstein's prints, numbering over 300 works. In total there are some 4,500 works thought to be in circulation. 1400:

had bought around the corner from his own house. Three years later, they bought a 1910 carriage house facing the ocean on Gin Lane. From 1970 until his death, Lichtenstein split his time between Manhattan and Southampton. He also had a home on

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series, including over 60 paintings and accompanying drawings. Using his characteristic Ben-Day dots and geometric shapes and lines, he rendered incongruous, challenging images out of familiar architectural structures, patterns borrowed from

468:, which offered studio courses and a degree in fine arts. His studies were interrupted by a three-year stint in the Army during and after World War II between 1943 and 1946. After being in training programs for languages, engineering in the 1718:, Getler Pall, Condon Riley, 65 Thompson Street, Holly Solomon, and Sperone Westwater Galleries among others. Leo Castelli Gallery represented Lichtenstein exclusively since 1962, when a solo show by the artist sold out before it opened. 4284: 3882: 694:

follows the comic strip-based themes of some of his previous paintings and is part of a body of war-themed work created between 1962 and 1964. It is one of his two notable large war-themed paintings. It was purchased by the

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paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. In 1983 Lichtenstein made two

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After the artist's death in 1997, the Roy Lichtenstein Foundation was established in 1999. In 2011, the foundation's board decided the benefits of authenticating were outweighed by the risks of protracted lawsuits.

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series are formed with simulated Ben-Day dots and block contours, rendered in hard, vivid color, with all traces of the hand removed. The nude is a recurring element in Lichtenstein's work of the 1990s, such as in

1093:(1991–1992) is a series of works depicting banal domestic environments inspired by furniture ads the artist found in telephone books or on billboards. Having garnered inspiration from the monochromatic prints of 3719: 3130: 1073:(1979). The "Indian" works took their themes, like the other parts of the Surrealist series, from contemporary art and other sources, including books on American Indian design from Lichtenstein's small library. 1741:

painting via sweeping brushstrokes and drips, but the result of Lichtenstein's simplification that uses a Ben-Day dots background is a representation of the mechanical/industrial color printing reproduction.

1797:(1961) depicts a man looking through a hole in a door. It was sold by collector Courtney Sale Ross for $ 43 million, double its estimate, at Christie's in New York City in 2011; the seller's husband, 658:

meant by it is important to art". When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a

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who became the muse for his Nudes series including the 1994 "Nudes with Beach Ball". She was 22 and he was 68. The affair lasted until 1994 and was over when Wexler went to England with future husband

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once said, "There's high art and there's low art. And then there's high art that can take low art, bring it into a high art context, appropriate it and elevate it into something else."

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saying that Lichtenstein had left the army a year before the time Novick says the incident took place. Bart Beaty, noting that Lichtenstein had appropriated Novick for works such as

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Gallery. The card urged the public to report any information about its whereabouts. In 2012, the foundation authenticated the piece when it surfaced at a New York City warehouse.

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logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know

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and said; "I bet you can't paint as good as that, eh, Dad?" That same year, Lichtenstein produced six other works with recognizable characters from gum wrappers and cartoons.

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It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene and resigned from

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Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. In 1949, Lichtenstein earned a

3337: 6564: 739:, was able to acquire a total of 87 works from the Ströher collection in 1981, primarily American Pop Art and Minimal Art for the museum under construction until 1991. 416:

family in New York City. His father, Milton, was a real estate broker, and his mother, Beatrice (née Werner), a homemaker. Lichtenstein was raised on New York City's

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Lichtenstein began experimenting with sculpture around 1964, demonstrating a knack for the form that was at odds with the insistent flatness of his paintings. For

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in California. The same year, his first solo exhibition in Europe was held at museums in Amsterdam, London, Bern and Hannover. Lichtenstein later participated in

812:'WHAAM! by Roy Lichtenstein, after Irv Novick'." Sooke himself maintains that "Lichtenstein transformed Novick's artwork in a number of subtle but crucial ways." 424:, graduating in 1940. He first became interested in art and design as a hobby, through school. Lichtenstein was an avid jazz fan, often attending concerts at the 6589: 5124: 3982: 2547: 1984: 1793: 432:. He frequently drew portraits of the musicians playing their instruments. In 1939, his last year of high school, Lichtenstein enrolled in summer classes at the 1494:

Gallery, London, on the occasion of the show "'54–'64: Painting and Sculpture of a Decade." In 1967, his first museum retrospective exhibition was held at the

1510:. The Guggenheim presented a second Lichtenstein retrospective in 1994. Lichtenstein became the first living artist to have a solo drawing exhibitions at the 6594: 5688: 1217: 1690:

Since the 1950s Lichtenstein's work has been exhibited in New York and elsewhere with Leo Castelli at his gallery and at Castelli Graphics as well as with

1587:(1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the 674:(1963) depicts a fighter aircraft firing a rocket into an enemy plane, with a red-and-yellow explosion. The cartoon style is heightened by the use of the 4241: 5012:

Roy Lichtenstein: Pop Art's Most Popular; His Whimsical Paintings Once Evoked the "Shock of the New"; Now They Evoke Record Prices on the Auction Block

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household objects such as sneakers, hot dogs, and golf balls. In September 1963, Lichtenstein took a leave of absence from his teaching position at

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for $ 5.5 million in 1989, a record sum at the time, making him one of only three living artists to have attracted such huge sums. In 2005,

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PhD, Ernesto Priego notes that Lichtenstein's failure to credit the original creators of his comic works was a reflection on the decision by

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completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like

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in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and two books. The

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had acquired it at auction in 1988 for $ 2.1 million. The painting measures four-foot by four-foot and is in graphite and oil.

6584: 4356: 3864: 2912: 6509: 5543: 3507: 2642: 4573: 3946: 3841: 2809: 2424: 4430: 3552: 2828: 1378: 522: 476: 2387: 362:, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the 5476: 4989: 4861: 4842: 4814: 4740: 4714: 3208: 2743: 1806: 1168:. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures 2148: 6599: 6579: 3705: 1261: 1061:). A major series of Surrealist-Pop paintings from 1979 to 1981 is based on Native American themes. These works range from 1017:

prints and illustrated books. He began to produce works that borrowed stylistic elements found in Expressionist paintings.

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In 1957, Lichtenstein moved back to upstate New York and began teaching again. It was at this time that he adopted the

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was sold for $ 165 million. The proceeds of this sale will be used to create a fund for criminal justice reform.

1810:(1964) from the collection of Beatrice and Phillip Gersh established a new Lichtenstein record $ 44.8 million at 6554: 4781: 4759: 4695: 4676: 4637: 3079: 2767: 1468: 728: 469: 4956: 3460: 1328: 1082: 962: 824: 4000: 6539: 6524: 3701: 3428: 3414: 3200: 1643:(1961), a painting that had been missing since 1970 after being sent out to art restorer Daniel Goldreyer by the 433: 4889: 3928: 3250: 2859: 840:

Furthermore, Campbell notes that there was a time when comic artists often declined attribution for their work.

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and Expressionism. In 1954, his first son, David Hoyt Lichtenstein, now a songwriter, was born. His second son,

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Lichtenstein returned home to visit his dying father and was discharged from the Army with eligibility for the

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style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the

6529: 6287: 6160: 5460: 5444: 1623: 1431:, where he had been hospitalized for several weeks, at age 73. Lichtenstein was survived by his second wife, 723: 472:, and pilot training, all of which were cancelled, Lichtenstein served as an orderly, draftsman, and artist. 1654:

in 2006, the Lichtenstein Foundation acquired the collection of photographic material shot by Shunk and his

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During a trip to Los Angeles in 1978, Lichtenstein was fascinated by lawyer Robert Rifkind's collection of

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Gallery in 1963, and (now at the Tate Modern) has remained in their collection ever since. In 1968, the

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Beginning in 1962, the Leo Castelli Gallery, New York, held regular exhibitions of the artist's work.

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Roy Lichtenstein's public artwork at Times Square-42nd Street, commissioned by MTA Arts for Transit.

4809:, Bestandskatalog Museum für Moderne Kunst, Frankfurt am Main 1985, cover image, pp 82–83, 176–178. 3398: 3135: 3102: 2738:, Bestandskatalog Museum für Moderne Kunst, Frankfurt am Main 1985, cover image, pp 82–83, 176–178. 6297: 6126: 6106: 5583: 5180: 4947: 4017: 2967: 1711: 1663: 1576: 1547: 1268: 854:, says that Novick's story "seems to be an attempt to personally diminish" the more famous artist. 93: 3765:"Lichtenstein and Warhol - Pop Art from the Collection - Zillman Art Museum - University of Maine" 857:

In 1966, Lichtenstein moved on from his much-celebrated imagery of the early 1960s, and began his

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series, produced between 1988 and 1990, Lichtenstein reused his own motifs from previous works.

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in 1958. Around this time, he began to incorporate hidden images of cartoon characters such as

518: 5040: 4110: 3194: 6403: 5803: 5662: 5492: 5404: 4774: 4517: 3986: 3983:‘Lost’ Roy Lichtenstein painting surfaces on Upper East Side after being missing for 42 years 3381: 2997: 1534:(2005), "Roy Lichtenstein: Meditations on Art" Museo Triennale, Milan (2010, traveled to the 1436: 1393: 1320: 1046: 563:, Washington, D.C.). This piece came from a challenge from one of his sons, who pointed to a 511: 465: 366:, Lichtenstein produced precise compositions that documented while they parodied, often in a 271: 179: 106: 88: 5673: 1373:

In 1949, Lichtenstein married Isabel Wilson, who previously had been married to Ohio artist

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commented that "Lichtenstein did no more or less for comics than Andy Warhol did for soup."

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In addition to paintings and sculptures, Lichtenstein also made over 300 prints, mostly in

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Das Museum für Moderne Kunst und die Sammlung Ströher. Zur Geschichte einer Privatsammlung

2312:"Roy Lichtenstein at the Art Institute of Chicago: Pop Art as an Affront to WASPy Decorum" 8: 6393: 5973: 5754: 5636: 5559: 5420: 5156: 4259: 4179: 4162: 2813: 2293: 1734: 1495: 1324: 1275: 1229: 1206: 1125: 936: 487: 479:. Lichtenstein returned to studies in Ohio under the supervision of one of his teachers, 453: 3790: 5903: 5818: 5618: 5519: 5396: 4994: 4724: 4600:"With $ 170.4 Million Sale at Auction, Modigliani Work Joins Rarefied Nine-Figure Club" 4491: 3527: 3512: 2922: 2647: 2607: 2271: 1882: 1837: 1729: 1514:

from March – June 1987. Recent retrospective surveys include the 2003 "All About Art",

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It isn't thick or thin brushstrokes, it's dots and flat colours and unyielding lines."

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has several important works by Lichtenstein in its permanent collection, including

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in 1965. He continued to revisit this theme later in his career with works such as

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Roy Lichtenstein: Landscapes in the Chinese Style, November 12 – December 22, 2011

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set another record at $ 56.1 million as it was purchased by British jeweller

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Lichtenstein received numerous Honorary Doctorate degrees from, among others, the

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and attended public school until he was 12. Lichtenstein then attended New York's

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Roy Lichtenstein in the National Gallery of Australia's Kenneth Tyler collection

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entrepreneur Karl Ströher acquired several major works by Lichtenstein, such as

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proved to be Lichtenstein's most influential works. His most expensive piece is

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as well as the photographers' copyright. In 2013, the foundation donated the

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is large in scale, measuring 1.7 x 4.0 m (5 ft 7 in x 13 ft 4 in).

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In late 2006, the foundation sent out a holiday card featuring a picture of

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IV (1968) and VI in (1977). Lichtenstein had his first retrospective at the

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In 1989, Lichtenstein created a giant two-panel mural especially for the

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Roy Lichtenstein: American Indian Encounters, May 13 – September 4, 2006

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series of 1967–8 made reference to motifs from Art Déco architecture.

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Image duplicator : Roy Lichtenstein and the emergence of pop art

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Getty among beneficiaries of massive Roy Lichtenstein Foundation gift

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in London – that will allow each museum access to the others' share.

1499: 1424: 1365:. Derry Noyes served as the stamp series' art director and designer. 828: 759: 704: 622: 502: 458: 4961: 4669:

The Prints of Roy Lichtenstein : a Catalogue Raisonné 1948–1997

1065:(1981), a stylized life-size sculpture reminiscent of a streamlined 977: – turned out to be the artist's only venture into the medium. 6116: 6101: 5164: 5046: 4752:

Off limits : Rutgers University and the Avant-Garde, 1957–1963

4342: 4204:, "Lichtenstein’s $ 43 Million Pouting Redhead Helps Revive Market" 3451:

Post War And Contemporary Art Evening Sale, New York, May 13, 2008.

2524:

Post War And Contemporary Art Evening Sale, New York, May 13, 2008.

2102: 1237: 1030: 904: 800: 32: 4379:"Christie's Contemporary Art Auction Sets Record at $ 495 Million" 3053:"Deconstructing Lichtenstein: Source Comics Revealed and Credited" 2548:"ArtDependence | Christie's to Offer Kiss III by Roy Lichtenstein" 2189:"How Jewish Comic Book Heroes Inspired Roy Lichtenstein's Pop Art" 1490:

In 1964, Lichtenstein became the first American to exhibit at the

1392:, (1939–2024), in 1968. In the late 1960s, they rented a house in 611:

in 1964 to concentrate on his painting. Lichtenstein used oil and

5913: 5591: 5428: 5292: 5188: 4632:. Modern Masters Series. Vol. 1. New York: Abbeville Press. 3929:"Events & Exhibits of Roy Lichtenstein (American, 1923–1997)" 2329: 2327: 2325: 1916: 1592: 1447: 687: 347: 202: 4242:

Roy Lichtenstein Peephole Sets $ 43 Million Record at Christie's

4217:"Peephole Tom by Lichtenstein May Fetch $ 45 Million at Auction" 3306:

Roy Lichtenstein: Entablatures, September 17 – November 12, 2011

2267:"Agnes Gund Sells a Lichtenstein to Start Criminal Justice Fund" 1253:

1977 Skowhegan Medal for Painting, Skowhegan School, Skowhegan,

6373: 5843: 5300: 5005: 1058: 670: 507: 429: 379: 163: 3883:""Roy Lichtenstein: A Retrospective": An expansive collection" 2921:. LichtensteinFoundation.org. January 31, 1964. Archived from 2853: 2851: 2849: 2322: 1338:

In 2023, five of Lichtenstein's paintings will be featured on

346:; October 27, 1923 – September 29, 1997) was an American 323: 5703: 5236: 3999:

Kate Kowsh, Liz Sadler and Dareh Gregorian (August 1, 2012),

3965:

In Art, Freedom of Expression Doesn’t Extend to 'Is It Real?'

3532:"Artist Roy Lichtenstein Designs Logo For DreamWorks Records" 3251:

Roy Lichtenstein: Beginning to End, February 2 – May 27, 2007

3196:

Of Comics and Men: A Cultural History of American Comic Books

3080:"The Principality of Lichtenstein: From 'WHAAM!' to 'WHAAT?'" 2499: 2497: 1595:

has one of the most comprehensive Lichtenstein holdings with

1297: 1254: 3684:"Actor Finds That His Roles Walk on the Darker Side of Life" 923:

In the early 1960s, Lichtenstein reproduced masterpieces by

3865:"Roy Lichtenstein: The Black-and-White Drawings, 1961–1968" 3162:"Roy Lichtenstein's Tears: Art vs. Pop in American Culture" 2846: 2234:"Pop art pioneer Lichtenstein in Tate Modern retrospective" 1679: 1650:

Between 2008 and 2012, following the death of photographer

1491: 1339: 1069:

in black-patinated bronze, to the monumental wool tapestry

696: 586: 335: 3720:"'Roy didn't want a woman. He liked them young and juicy'" 3277: 3275: 2494: 866:

and other subtly evocative, often sequential, motifs. The

6575:

Ohio State University College of Arts and Sciences alumni

4939:

Dorothy Lichtenstein on Roy Lichtenstein: A Retrospective

4339:"Long-missing Lichtenstein painting returned to NY owner" 1544:

Roy Lichtenstein: The Black-and-White Drawings, 1961–1968

1455:

fine art, advertising, and consumerism. Lichtenstein and

1417: 1221: 314: 2294:"Roy Lichtenstein Biography, Art, and Analysis of Works" 2175:

History of Modern Art: Painting, Sculpture, Architecture

4405:"With $ 170.4 Million Sale at Auction, Modigliani Work" 3629:

Roy Lichtenstein's lover: "He wanted to make women cry"

3272: 2946:"WOW!, Lichtenstein: A Retrospective at Tate Modern II" 1849:

for 95.4 million dollars at a Christie's auction.

1460: 615:(early acrylic) paint in his best known works, such as 4180:"Roy Lichtenstein painting fetches $ 42.6m at auction" 3747:"Lichtenstein Widow Recalls Macro Diet, Love for Jazz" 3598:"Whaam! Suddenly Roy was the darling of the art world" 3318:

Lichtenstein: Expressionism, July 1 – October 12, 2013

3301: 3299: 3103:"Is Lichtenstein a great modern artist or a copy cat?" 1478:

on September 11, 2001, a painting from Lichtenstein's

621:(1963), which was appropriated from the lead story in 6452: 4240:

Katya Kazakina and Philip Boroff (November 9, 2011),

4159:

Pop Goes the Art Market: A $ 40 Million Lichtenstein?

3656: 3654: 1725:

has been exhibiting work by Lichtenstein since 1996.

338: 329: 326: 317: 5125:

I Can See the Whole Room...and There's Nobody in It!

4598:

Pogrebin, Robin; Reyburn, Scott (November 9, 2015).

4037: 4035: 3399:

Roy Lichtenstein: Still Lifes, May 8 – July 30, 2010

1985:

I Can See the Whole Room...and There's Nobody in It!

1794:

I Can See the Whole Room...and There's Nobody in It!

1764:

In 2010, Lichtenstein's cartoon-style 1964 painting

985:

paintings in 1969. By 1970, while continuing on the

831:, to omit any credit for their writers and artists: 583:

to the removed and deliberate painting techniques".

332: 320: 311: 6565:

Members of the American Academy of Arts and Letters

4431:"A de Kooning Work Sets A Record at $ 20.7 Million" 4111:"Record Prices for Art Auction at New York Auction" 3382:

A Pop Artist's Fascination With the First Americans

3296: 2455: 1476:

works of art lost in the World Trade Center attacks

1160:, for the collector's Pop Art bedroom suite at the 1085:posters, simply titled "Against Apartheid". In his 409:Lichtenstein was born on October 27, 1923, into an 308: 4728: 4458: 4357:"Long-missing Roy Lichtenstein canvas found in NY" 4260:"Roy Lichtenstein Work Sets New $ 43m Sale Record" 4109: 3651: 3596: 3526: 2358: 2356: 2354: 2352: 2350: 2348: 1408:In 1991, Lichtenstein began an affair with singer 5043:(sources for Lichtenstein's comic-book paintings) 5001:How Nail Art And Roy Lichtenstein Belong Together 4032: 2582: 2570: 2142: 2140: 401:, which was sold for $ 165 million in 2017. 6476: 4671:(2 ed.). New York, NY: Hudson Hills Press. 2186: 2138: 2136: 2134: 2132: 2130: 2128: 2126: 2124: 2122: 2120: 1737:, the subject of the painting is the process of 1303:1995 National Medal of the Arts, Washington D.C. 731:for several years, the founding director of the 6605:United States National Medal of Arts recipients 4771:Art in Our Times: A Pictorial History 1890–1980 4597: 2416: 2345: 6590:State University of New York at Oswego faculty 4591: 4518:"Record $ 22.4 million paid for a Rothko" 4372: 4370: 3675: 3639: 3578: 3576: 3574: 3131:The Comics Grid, Journal of Comics Scholarship 2149:"The Roy Lichtenstein Foundation – Chronology" 1630: 1057:(1979, Ludwig Forum für Internationale Kunst, 961:In 1970, Lichtenstein was commissioned by the 699:Gallery in 1966, after being exhibited at the 5689: 5062: 4236: 4234: 3553:"U.S. Postal Service Reveals Stamps for 2023" 3429:"Against Apartheid Poster - Image-Duplicator" 2886:"Pop Art pioneer Roy Lichtenstein dead at 73" 2655: 2622: 2482: 2443: 2425:"Roy Lichtenstein Exhibitions..... 1946–2009" 2368: 2260: 2258: 2256: 2215: 2213: 2117: 6595:United States Army personnel of World War II 4827:Roy Lichtenstein Interview with Melvyn Bragg 4422: 4279: 4277: 4103: 4101: 3909:"A New Traveling Show of Lichtenstein Works" 2772: 2643:"A New Traveling Show of Lichtenstein Works" 2472: 2470: 1546:. Another major retrospective opened at the 1467:and in an exhibition in 2007 at the British 1423:On September 29, 1997, Lichtenstein died of 1381:in 1958. The couple sold the family home in 464:Lichtenstein then left New York to study at 4769:Selz, Peter (1981). "The 1960s: Painting". 4723: 4685: 4511: 4509: 4453: 4451: 4367: 4312: 4310: 3571: 2588: 2576: 2503: 2461: 2362: 1761:was sold for a then record $ 16.2m (£10m). 1331:(1977). He also served on the board of the 5696: 5682: 5069: 5055: 4854:Roy Lichtenstein : Drawing and Prints 4821:Roy Lichtenstein Interview with Chris Hunt 4231: 3681: 2695: 2603:"Roy Lichtenstein, Pop Master, Dies at 73" 2253: 2210: 2180: 1148:In 1969, Lichtenstein was commissioned by 989:series, he started work on the subject of 541:In 1960, Lichtenstein started teaching at 31: 4540: 4538: 4486: 4484: 4274: 4098: 3508:"Roy Lichtenstein – 'Times Square Mural'" 3192: 2857: 2601:Kimmelman, Michael (September 30, 1997). 2600: 2545: 2467: 2333:Christopher Knight (September 30, 1997), 1817:In October 2012, Lichtenstein's painting 1530:, until 2005); and "Classic of the New", 1450:continues to influence the 21st century. 1224:to paint a Group 5 Racing Version of the 1192:John Glenn Columbus International Airport 969:, the artist conceived of, and produced, 4709:. New Haven, CT: Yale University Press. 4515: 4506: 4448: 4402: 4307: 3155: 3153: 3020:"Image Duplicator: pop art's comic debt" 2990:"Still asking, "Are we having fun yet?"" 2987: 2965: 2877: 2810:Roy Lichtenstein: a new dimension in art 2701: 2264: 1184:(1979) in Miami Beach; the 26 feet tall 1136: 1124: 590: 587:Period of Lichtenstein's highest profile 447: 436:, where he worked under the tutelage of 5759:Harris & Carroll Sterling Masterson 4851: 4832: 4731:Lives of the Great 20th-Century Artists 4666: 4646: 4627: 3814: 3782: 3645: 3594: 3582: 3505: 3494: 3238: 3222: 3220: 3077: 2673: 2661: 2628: 2488: 2449: 2374: 2219: 2177:, New York: Harry N. Abrams, Inc. 1968. 1843:This was topped in 2015 by the sale of 1518:, in Denmark (which traveled on to the 6560:Kyoto laureates in Arts and Philosophy 6545:Deaths from pneumonia in New York City 6535:Art Students League of New York alumni 6477: 4749: 4690:. Cologne, Germany: Benedikt Taschen. 4535: 4516:Melikian, Souren (November 10, 2005). 4481: 4460:"$ 6 Million Is Paid For Lichtenstein" 4174: 4172: 3947:Lichtenstein’s Gatekeeper Uses Her Key 3789:Thomas, Kelly Devine (November 2001). 3788: 3744: 3415:"Against Apartheid - Image-Duplicator" 3232: 3123: 3050: 3017: 2883: 2820: 2533: 1482:was destroyed in the subsequent fire. 1388:Lichtenstein married his second wife, 1379:State University of New York at Oswego 1274:1991 Creative Arts Award in Painting, 523:State University of New York at Oswego 6570:Military personnel from New York City 6550:Honorary members of the Royal Academy 5677: 5477:Large Interior with Three Reflections 5050: 4704: 4547:"Lichtenstein Tops Warhol in Auction" 4544: 4403:Pogrebin, Robin (November 10, 2015). 4376: 3906: 3862: 3682:Julianelli, Jane (February 2, 1997). 3609:from the original on January 12, 2022 3595:Gayford, Martin (February 25, 2004). 3336:. Sam.nmartmuseum.org. Archived from 3159: 3150: 3117: 3100: 2943: 2913:"Is He the Worst Artist in the U.S.?" 2884:Monroe, Robert (September 29, 1997). 2640: 2476: 2231: 2187:Kaminer, Michael (October 18, 2016). 1133:, painted in 1977 by Roy Lichtenstein 1097:featured in a 1994 exhibition at the 536: 5076: 4890:Lichtenstein's Rouen Cathedral Set V 4768: 4428: 4138: 4107: 3706:T: The New York Times Style Magazine 3627:Alastair Sooke (February 18, 2013), 3217: 3071: 2966:Campbell, Eddie (February 4, 2007). 2961: 2959: 2826: 2232:Hoang, Li-mei (September 21, 2012). 1694:in her gallery in Paris, and at the 1285:1993 Amici de Barcelona, from Mayor 1262:American Academy of Arts and Letters 493:In 1951, Lichtenstein had his first 5357:Oh, Jeff...I Love You, Too...But... 4856:. Secaucus, N.J.: Wellfleet Books. 4169: 4059:Holland Cotter (October 18, 2012), 4001:$ 4M piece found – Art lost 42 yrs. 3745:Nayeri, Farah (February 20, 2013). 3167:Canadian Review of American Studies 2858:Sanderson, Peter (April 24, 2007). 2829:"Lichtenstein: creator or copycat?" 1271:, Rome, Italy. Artist in residence. 727:(1966). After being on loan at the 545:where he was heavily influenced by 490:degree from Ohio State University. 172:Oh, Jeff...I Love You, Too...But... 13: 6505:20th-century American male artists 4792: 4022:Surprise Bounty for Cleanup Artist 3815:Solomon, Deborah (March 8, 1987). 3051:Childs, Brian (February 2, 2011). 1528:San Francisco Museum of Modern Art 1429:New York University Medical Center 1220:. In 1977, he was commissioned by 774:, who rarely received any credit. 14: 6616: 6515:20th-century American printmakers 5705:National Medal of Arts recipients 5453:Artist's Studio—Look Mickey 4906:Roy Lichtenstein: A Retrospective 4871: 4545:Kelly, Tara (November 11, 2010). 4108:Hahn, Susan (November 19, 1970). 3863:Myers, Terry R. (November 2010). 3842:"The Roy Lichtenstein Foundation" 3702:Dispatch: Captiva Island, Florida 3700:Jackie Cooperman (May 18, 2010), 3506:Johnson, Ken (October 11, 2002). 3380:Grace Glueck (December 23, 2005) 3262:Richard Kalina (April 12, 2011), 3124:Priego, Ernesto (April 4, 2011). 3101:Sooke, Alistair (July 17, 2013). 3055:. Comics Alliance. Archived from 2956: 2937: 2808:Lucy Davies (November 17, 2008), 2265:Pogrebin, Robin (June 11, 2017). 1228:for the third installment in the 470:Army Specialized Training Program 6462: 4932: 4916: 4900: 4884: 4566: 4396: 4349: 4331: 4252: 4219:. BLOOMBERG L.P. October 6, 2011 4209: 4194: 3963:Patricia Cohen (June 19, 2012), 3126:"Whaam! Becoming a Flaming Star" 3078:Gravett, Paul (March 17, 2013). 3018:Steven, Rachael (May 13, 2013). 2994:Interdisciplinary Comics Studies 2860:"Art Spiegelman Goes to College" 2422: 2146: 1550:in May 2012 before going to the 1385:, in 1963 and divorced in 1965. 1368: 1329:California Institute of the Arts 963:Los Angeles County Museum of Art 903: 882: 825:National Periodical Publications 729:Hessiches Landesmuseum Darmstadt 668:Lichtenstein's celebrated image 350:. During the 1960's, along with 304: 233: 6585:People from the Upper West Side 5041:Deconstructing Roy Lichtenstein 4823:Image Entertainment video, 1991 4754:. Newark, N.J.: Newark Museum. 4620: 4492:"Auction record for pop artist" 4429:Reif, Rita (November 9, 1989). 4151: 4132: 4083: 4071: 4061:Cool. Commercial. Unmistakable. 4053: 4011: 3993: 3975: 3957: 3939: 3921: 3900: 3875: 3856: 3834: 3808: 3757: 3738: 3712: 3694: 3621: 3588: 3545: 3520: 3499: 3488: 3473: 3454: 3435: 3421: 3407: 3392: 3374: 3352: 3326: 3311: 3308:Paula Cooper Gallery, New York. 3256: 3244: 3229:Museum of Modern Art, New York. 3201:University Press of Mississippi 3186: 3044: 3011: 2981: 2905: 2827:Beam, Alex (October 18, 2006). 2802: 2749: 2721: 2667: 2634: 2594: 2539: 2527: 2508: 2394: 2380: 1862:Roy Lichtenstein sales records 1540:The Morgan Library & Museum 1108:Collage for Nude with Red Shirt 1103:Landscapes in the Chinese Style 1101:in New York, the motifs of his 457:, 1992 sculpture, mixed media, 434:Art Students League of New York 255: 229: 16:American pop artist (1923–1997) 6510:20th-century American painters 4157:Kelly Crow (October 1, 2010), 4041:David Ng (December 20, 2013), 3981:Barbara Ross (July 31, 2012), 3907:Vogel, Carol (April 5, 2012). 2944:Dunne, Nathan (May 13, 2013). 2674:Bernard, April (Winter 1986). 2641:Vogel, Carol (April 5, 2012). 2335:Pop Art Icon Lichtenstein Dies 2304: 2286: 2225: 2167: 2095: 1791:cartoon story, Lichtenstein's 1611:(1964), besides the Frankfurt 1566: 1516:Louisiana Museum of Modern Art 1485: 1247: 1120: 639:Museum of Modern Art, New York 602:Museum of Modern Art, New York 404: 1: 5773:Southeastern Bell Corporation 5461:Cubist Still Life with Lemons 5445:Yellow and Green Brushstrokes 4750:Marter, Joan M., ed. (1999). 4494:. BBC News. November 15, 2002 4377:Vogel, Carol (May 15, 2013). 4182:. BBC News. November 11, 2010 3253:Fundación Juan March, Madrid. 3193:Gabilliet, Jean-Paul (2009). 2084: 1706:, Mitchell-Innes & Nash, 1685: 1662:trove to five institutions – 1624:Yellow and Green Brushstrokes 1435:, and by his sons, David and 873: 724:Yellow and Green Brushstrokes 5437:The Melody Haunts My Reverie 4321:Disconnect in the Art Market 4262:. BBC News. November 9, 2011 3557:United States Postal Service 2222:, Interviews, pp. 55, 30, 31 2103:"Roy Lichtenstein Biography" 2089: 1442: 1355:Still Life with Crystal Bowl 1309:George Washington University 1244:and it seemed interesting." 1000:Artist's Studio, Look Mickey 807:asked the comic book artist 514:, was born two years later. 7: 6600:United States Army soldiers 6580:Painters from New York City 6338:Steppenwolf Theatre Company 5663:Mitchell Lichtenstein (son) 5611:Mural with Blue Brushstroke 4957:Roy Lichtenstein Foundation 4922:TateShots: Roy Lichtenstein 4686:Hendrickson, Janis (1988). 4206:Retrieved November 11, 2010 2404:. The Ohio State University 1631:Roy Lichtenstein Foundation 1452:Pop Art from the Collection 1439:, from his first marriage. 1218:Times Square subway station 1197:Mural with Blue Brushstroke 10: 6621: 6520:American abstract painters 6500:20th-century American Jews 5568:Tokyo Brushstroke I and II 5205:Portrait of Madame Cézanne 4837:. Boston: Bulfinch Press. 4667:Corlett, Mary Lee (2002). 4628:Alloway, Lawrence (1983). 3945:Ted Loos (June 28, 2012), 3846:lichtensteinfoundation.org 3364:December 26, 2011, at the 3334:"New Mexico Museum of Art" 2786:. MUSEUM für Moderne Kunst 2195:. The Jewish Daily Forward 1129:Group 5 Racing Version of 1099:Metropolitan Museum of Art 600:(1963). On display at the 6417: 6351: 6280: 6214: 6143: 6071: 6002: 5927: 5852: 5781: 5712: 5655: 5629: 5602: 5503: 5084: 4978:Roy Lichtenstein timeline 4931: 4915: 4899: 4883: 4878: 4469:. May 9, 1990. p. 5D 3817:"The Art Behind The Dots" 3463:Interior with Waterlilies 2018:Nude with Joyous Painting 1585:Mirror No. 3 (Six Panels) 1538:, Cologne). In late 2010 1469:National Portrait Gallery 1383:Highland Park, New Jersey 1333:Brooklyn Academy of Music 1289:, L'Alcalde de Barcelona. 1190:(1984, moved in 1998) at 821:University College London 533:into his abstract works. 501:in New York. He moved to 443: 293: 281: 277: 266: 208: 198: 129: 112: 102: 81: 65: 42: 30: 23: 6555:Jewish American painters 4948:Art Institute of Chicago 4852:Waldman, Diane (1988) . 4835:Roy Lichtenstein's ABC's 1745:Lichtenstein's painting 1712:Brooke Alexander Gallery 1664:Getty Research Institute 1613:Museum für Moderne Kunst 1581:Brushstroke with Spatter 1577:Art Institute of Chicago 1548:Art Institute of Chicago 1359:Still Life with Goldfish 1347:Standing Explosion (Red) 1269:American Academy in Rome 935:before embarking on the 733:Museum für Moderne Kunst 94:Parsons School of Design 6171:Eduardo "Lalo" Guerrero 6050:Catherine Filene Shouse 5485:Nude with Yellow Flower 5309:Woman with Flowered Hat 4983:March 14, 2016, at the 4910:National Gallery of Art 4735:. Thames & Hudson. 4705:Lobel, Michael (2002). 4202:Bloomberg Business Week 3444:Reflections on the Prom 3286:The Art Behind The Dots 2988:Griffith, Bill (2003). 2402:"Sculpture. Facilities" 2034:Woman with Flowered Hat 1836:from American investor 1829:Woman with Flowered Hat 1672:National Gallery of Art 1573:National Gallery of Art 1552:National Gallery of Art 1194:; the five-storey high 565:Mickey Mouse comic book 561:National Gallery of Art 6540:Artists from Manhattan 6525:American male painters 5528:Brushstrokes in Flight 4080:Guggenheim Collection. 2105:. roylichtenstein.com/ 1826:In 2013, the painting 1770:, previously owned by 1739:Abstract Expressionist 1506:in 1969, organized by 1480:The Entablature Series 1296:, Inamori Foundation, 1187:Brushstrokes in Flight 1174:(1978) in St. Mary's, 1145: 1143:Tel Aviv Museum of Art 1134: 967:Universal Film Studios 838: 817:City University London 682:and the boxed caption 604: 519:Abstract Expressionism 461: 6298:Ramblin' Jack Elliott 6293:Antoine "Fats" Domino 5944:Cabell "Cab" Calloway 5804:John Carter Brown III 5560:The Head of Barcelona 5493:Nudes with Beach Ball 5405:Girl with Hair Ribbon 4833:Adelman, Bob (1999). 4775:Harry N. Abrams, Inc. 4727:(September 1, 1999). 4654:. New York: Praeger. 4295:on September 24, 2015 2998:University of Florida 1394:Southampton, New York 1321:Ohio State University 1140: 1128: 1047:Ernst Ludwig Kirchner 1045:, as well as Dix and 833: 827:, the predecessor of 803:documentary in 2013, 594: 512:Mitchell Lichtenstein 466:Ohio State University 451: 180:Girl with Hair Ribbon 107:Ohio State University 89:Timothy Dwight School 6530:American pop artists 6333:Sara Lee Corporation 6206:Boys Choir of Harlem 5809:Charles "Honi" Coles 5277:Okay Hot-Shot, Okay! 4966:Museum of Modern Art 4807:Bilder für Frankfurt 4141:, pp. 454–455: 3160:Beaty, Bart (2004). 2780:"Collection Ströher" 2736:Bilder für Frankfurt 1668:Museum of Modern Art 1666:in Los Angeles; the 1512:Museum of Modern Art 1317:Royal College of Art 1021:(1980) evokes lyric 1015:German Expressionist 851:Okay Hot-Shot, Okay! 748:Head with Red Shadow 373:Leo Castelli Gallery 300:Roy Fox Lichtenstein 232: 1949; 47:Roy Fox Lichtenstein 37:Lichtenstein in 1967 6394:Harvey Lichtenstein 5974:Robert Rauschenberg 5829:Kitty Carlisle Hart 5755:David Lloyd Kreeger 5421:Little Big Painting 4725:Lucie-Smith, Edward 4345:. October 17, 2012. 4163:Wall Street Journal 4020:(August 11, 2012), 3887:The Washington Post 3726:. February 27, 2013 3603:The Daily Telegraph 3530:(August 20, 1996). 3059:on January 12, 2013 2925:on November 4, 2013 2814:The Daily Telegraph 2702:Lichtenstein, Roy. 2558:on November 9, 2019 2431:on January 20, 2010 1863: 1804:The comic painting 1735:Brushstrokes series 1674:in Washington; the 1558:in London, and the 1496:Pasadena Art Museum 1363:Portrait of a Woman 1325:Southampton College 1276:Brandeis University 1230:BMW Art Car Project 1207:El Cap de Barcelona 488:Master of Fine Arts 76:New York City, U.S. 60:New York City, U.S. 6237:Daniel Urban Kiley 5904:Denise Scott Brown 5819:Richard Diebenkorn 5619:Times Square Mural 5520:Expressionist Head 5397:Big Painting No. 6 4995:The New York Times 4604:The New York Times 4522:The New York Times 4435:The New York Times 4409:The New York Times 4383:The New York Times 4145:Big Painting No. 6 3821:The New York Times 3769:Zillman Art Museum 3724:www.standard.co.uk 3688:The New York Times 3665:Studios by the Sea 3559:. October 24, 2022 3528:DreamWorks Records 3513:The New York Times 3461:Roy Lichtenstein, 3442:Roy Lichtenstein, 3138:on October 2, 2013 3032:on October 2, 2013 2952:(27: Spring 2013). 2676:"Roy Lichtenstein" 2648:The New York Times 2608:The New York Times 2515:Roy Lichtenstein, 2272:The New York Times 1883:Big Painting No. 6 1861: 1838:Ronald O. Perelman 1730:Big Painting No. 6 1678:in Paris; and the 1526:, Madrid, and the 1459:were both used in 1234:DreamWorks Records 1213:Times Square Mural 1146: 1135: 1025:landscapes, while 948:that derived from 609:Rutgers University 605: 543:Rutgers University 537:Rise to prominence 462: 411:upper middle class 375:in New York City. 69:September 29, 1997 6450: 6449: 6288:Jacques d'Amboise 5939:Leonore Annenberg 5789:Maurice Abravanel 5750:Riley "B.B." King 5671: 5670: 5544:Five Brushstrokes 5536:Five Brushstrokes 5381:We Rose Up Slowly 5365:Ohhh...Alright... 4953: 4952: 4863:978-1-55521-301-5 4844:978-0-8212-2591-2 4815:978-3-7913-0702-2 4742:978-0-500-23739-7 4716:978-0-300-08762-8 4578:www.christies.com 4363:. August 2, 2012. 4047:Los Angeles Times 3869:The Brooklyn Rail 3852:on June 23, 2012. 3369:Tacoma Art Museum 3340:on March 25, 2014 3284:(March 8, 1987), 3210:978-1-60473-267-2 3082:. PaulGravett.com 2864:Publishers Weekly 2744:978-3-7913-0702-2 2552:artdependence.com 2464:, pp. 94, 95 2339:Los Angeles Times 2082: 2081: 1968:Ohhh...Alright... 1852:In January 2017, 1767:Ohhh...Alright... 1670:in New York; the 1618:We rose up slowly 1532:Kunsthaus Bregenz 1524:Museo Reina Sofia 1504:Guggenheim Museum 1474:Among many other 1351:Modern Painting I 1200:(1984–85) at the 1158:Leda and the Swan 1071:Amerind Landscape 1035:Dr. Mayer-Hermann 1004:Walker Art Center 815:Journal founder, 772:Jerry Grandenetti 718:We rose up slowly 637:now hangs in the 629:No. 83, drawn by 499:Carlebach Gallery 297: 296: 6612: 6485:Roy Lichtenstein 6467: 6466: 6465: 6458: 6379:Juilliard School 6272:MacDowell Colony 6222:Louise Bourgeois 6201:Stephen Sondheim 6166:Zelda Fichandler 6122:Roy Lichtenstein 6112:James Ingo Freed 6084:Gwendolyn Brooks 5954:Bess Lomax Hawes 5865:James Earl Jones 5799:Pietro Belluschi 5735:Merce Cunningham 5698: 5691: 5684: 5675: 5674: 5539:(1984 sculpture) 5469:Bedroom at Arles 5317:As I Opened Fire 5221:Baseball Manager 5078:Roy Lichtenstein 5071: 5064: 5057: 5048: 5047: 4990:Roy Lichtenstein 4962:Roy Lichtenstein 4940: 4936: 4935: 4920: 4919: 4904: 4903: 4888: 4887: 4876: 4875: 4867: 4848: 4787: 4765: 4746: 4734: 4720: 4701: 4688:Roy Lichtenstein 4682: 4663: 4652:Roy Lichtenstein 4643: 4630:Roy Lichtenstein 4615: 4614: 4612: 4610: 4595: 4589: 4588: 4586: 4584: 4570: 4564: 4563: 4561: 4559: 4542: 4533: 4532: 4530: 4528: 4513: 4504: 4503: 4501: 4499: 4488: 4479: 4478: 4476: 4474: 4462: 4455: 4446: 4445: 4443: 4441: 4426: 4420: 4419: 4417: 4415: 4400: 4394: 4393: 4391: 4389: 4374: 4365: 4364: 4353: 4347: 4346: 4335: 4329: 4319:(May 11, 2012), 4314: 4305: 4304: 4302: 4300: 4291:. 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Los! 1723:Gagosian Gallery 1704:Gagosian Gallery 1692:Ileana Sonnabend 1327:(1980), and the 1287:Pasqual Maragall 1204:, New York; and 1202:Equitable Center 1023:Der Blaue Reiter 971:Three Landscapes 955:Bedroom in Arles 950:Vincent van Gogh 945:Bedroom at Arles 913:Bedroom at Arles 907: 895:Bedroom in Arles 886: 868:Modern Sculpture 859:Modern Paintings 766:, Tony Abruzzo, 577:Douglass College 454:Cap de Barcelona 360:James Rosenquist 345: 344: 341: 340: 337: 334: 331: 328: 325: 322: 319: 316: 313: 310: 284: 259: 257: 237: 235: 231: 132: 72: 57:October 27, 1923 56: 54: 35: 25:Roy Lichtenstein 21: 20: 6620: 6619: 6615: 6614: 6613: 6611: 6610: 6609: 6475: 6474: 6473: 6463: 6461: 6453: 6451: 6446: 6413: 6409:Maria Tallchief 6389:Rosetta LeNoire 6364:Aretha Franklin 6347: 6308:Barbara Handman 6276: 6262:Edward Villella 6242:Angela Lansbury 6210: 6139: 6127:Arthur Mitchell 6067: 6064:Young Audiences 6010:Harry Belafonte 5998: 5923: 5848: 5824:R. Philip Hanes 5777: 5708: 5702: 5672: 5667: 5651: 5625: 5598: 5499: 5109:Engagement Ring 5093:Ten Dollar Bill 5080: 5075: 4992:– slideshow by 4985:Wayback Machine 4938: 4933: 4917: 4901: 4885: 4879:External videos 4874: 4864: 4845: 4795: 4793:Further reading 4790: 4784: 4762: 4743: 4717: 4698: 4679: 4640: 4623: 4618: 4608: 4606: 4596: 4592: 4582: 4580: 4572: 4571: 4567: 4557: 4555: 4543: 4536: 4526: 4524: 4514: 4507: 4497: 4495: 4490: 4489: 4482: 4472: 4470: 4457: 4456: 4449: 4439: 4437: 4427: 4423: 4413: 4411: 4401: 4397: 4387: 4385: 4375: 4368: 4355: 4354: 4350: 4337: 4336: 4332: 4317:Souren Melikian 4315: 4308: 4298: 4296: 4283: 4282: 4275: 4265: 4263: 4258: 4257: 4253: 4239: 4232: 4222: 4220: 4215: 4214: 4210: 4199: 4195: 4185: 4183: 4178: 4177: 4170: 4156: 4152: 4137: 4133: 4123: 4121: 4106: 4099: 4088: 4084: 4076: 4072: 4058: 4054: 4040: 4033: 4016: 4012: 3998: 3994: 3980: 3976: 3962: 3958: 3944: 3940: 3927: 3926: 3922: 3905: 3901: 3891: 3889: 3881: 3880: 3876: 3861: 3857: 3840: 3839: 3835: 3825: 3823: 3813: 3809: 3799: 3797: 3787: 3783: 3773: 3771: 3763: 3762: 3758: 3743: 3739: 3729: 3727: 3718: 3717: 3713: 3699: 3695: 3680: 3676: 3659: 3652: 3644: 3640: 3633:Daily Telegraph 3626: 3622: 3612: 3610: 3593: 3589: 3581: 3572: 3562: 3560: 3551: 3550: 3546: 3536: 3534: 3525: 3521: 3504: 3500: 3493: 3489: 3478: 3474: 3459: 3455: 3440: 3436: 3427: 3426: 3422: 3413: 3412: 3408: 3397: 3393: 3379: 3375: 3366:Wayback Machine 3357: 3353: 3343: 3341: 3332: 3331: 3327: 3316: 3312: 3304: 3297: 3282:Deborah Solomon 3280: 3273: 3261: 3257: 3249: 3245: 3237: 3233: 3225: 3218: 3211: 3203:. p. 350. 3191: 3187: 3177: 3175: 3158: 3151: 3141: 3139: 3122: 3118: 3108: 3106: 3099: 3095: 3085: 3083: 3076: 3072: 3062: 3060: 3049: 3045: 3035: 3033: 3025:Creative Review 3016: 3012: 3002: 3000: 2986: 2982: 2972: 2970: 2964: 2957: 2942: 2938: 2928: 2926: 2911: 2910: 2906: 2896: 2894: 2882: 2878: 2868: 2866: 2856: 2847: 2837: 2835: 2825: 2821: 2807: 2803: 2789: 2787: 2778: 2777: 2773: 2754: 2750: 2726: 2722: 2712: 2710: 2708:Tate Collection 2700: 2696: 2686: 2684: 2672: 2668: 2660: 2656: 2639: 2635: 2627: 2623: 2613: 2611: 2599: 2595: 2587: 2583: 2575: 2571: 2561: 2559: 2546:ArtDependence. 2544: 2540: 2532: 2528: 2513: 2509: 2502: 2495: 2487: 2483: 2475: 2468: 2460: 2456: 2448: 2444: 2434: 2432: 2421: 2417: 2407: 2405: 2400: 2399: 2395: 2386: 2385: 2381: 2373: 2369: 2361: 2346: 2332: 2323: 2318:. May 21, 2012. 2316:Tablet Magazine 2310: 2309: 2305: 2292: 2291: 2287: 2277: 2275: 2263: 2254: 2244: 2242: 2239:Chicago Tribune 2230: 2226: 2218: 2211: 2198: 2196: 2185: 2181: 2172: 2168: 2158: 2156: 2155:on June 6, 2013 2145: 2118: 2108: 2106: 2101: 2100: 2096: 2092: 2087: 1751:(1963) sold at 1688: 1676:Centre Pompidou 1633: 1569: 1560:Centre Pompidou 1554:in Washington, 1520:Hayward Gallery 1488: 1445: 1375:Michael Sarisky 1371: 1250: 1123: 1076:Lichtenstein's 1029:(1980) recalls 921: 920: 919: 918: 917: 910:Lichtenstein's 908: 900: 899: 887: 876: 589: 539: 495:solo exhibition 481:Hoyt L. Sherman 446: 418:Upper West Side 407: 368:tongue-in-cheek 307: 303: 282: 262: 261: 258: 1968) 253: 249: 239: 236: 1965) 227: 223: 220: 194: 130: 125: 103:Alma mater 98: 77: 74: 70: 61: 58: 52: 50: 49: 48: 38: 26: 17: 12: 11: 5: 6618: 6608: 6607: 6602: 6597: 6592: 6587: 6582: 6577: 6572: 6567: 6562: 6557: 6552: 6547: 6542: 6537: 6532: 6527: 6522: 6517: 6512: 6507: 6502: 6497: 6492: 6487: 6472: 6471: 6448: 6447: 6445: 6444: 6439: 6434: 6429: 6424: 6418: 6415: 6414: 6412: 6411: 6406: 6401: 6396: 6391: 6386: 6381: 6376: 6371: 6369:Michael Graves 6366: 6361: 6355: 6353: 6349: 6348: 6346: 6345: 6340: 6335: 6330: 6325: 6323:Roberta Peters 6320: 6315: 6310: 6305: 6300: 6295: 6290: 6284: 6282: 6278: 6277: 6275: 6274: 6269: 6264: 6259: 6254: 6249: 6244: 6239: 6234: 6229: 6224: 6218: 6216: 6212: 6211: 6209: 6208: 6203: 6198: 6196:Maurice Sendak 6193: 6191:Robert Redford 6188: 6183: 6181:Bella Lewitzky 6178: 6176:Lionel Hampton 6173: 6168: 6163: 6161:Harry Callahan 6158: 6156:Sarah Caldwell 6153: 6147: 6145: 6141: 6140: 6138: 6137: 6136:Urban Gateways 6134: 6129: 6124: 6119: 6114: 6109: 6104: 6095: 6086: 6081: 6079:Licia Albanese 6075: 6073: 6069: 6068: 6066: 6065: 6062: 6060:Richard Wilbur 6057: 6055:Wayne Thiebaud 6052: 6047: 6042: 6037: 6032: 6027: 6022: 6017: 6012: 6006: 6004: 6000: 5999: 5997: 5996: 5991: 5986: 5984:William Styron 5981: 5979:Lloyd Richards 5976: 5971: 5966: 5964:Robert Merrill 5961: 5959:Stanley Kunitz 5956: 5951: 5946: 5941: 5931: 5929: 5925: 5924: 5922: 5921: 5916: 5911: 5906: 5900:Robert Venturi 5897: 5892: 5887: 5882: 5877: 5872: 5867: 5862: 5856: 5854: 5850: 5849: 5847: 5846: 5841: 5836: 5831: 5826: 5821: 5816: 5811: 5806: 5801: 5796: 5791: 5785: 5783: 5779: 5778: 5776: 5775: 5770: 5765: 5760: 5757: 5752: 5747: 5745:Jacob Lawrence 5742: 5737: 5732: 5727: 5722: 5716: 5714: 5710: 5709: 5701: 5700: 5693: 5686: 5678: 5669: 5668: 5666: 5665: 5659: 5657: 5653: 5652: 5650: 5649: 5643: 5633: 5631: 5627: 5626: 5624: 5623: 5615: 5606: 5604: 5600: 5599: 5597: 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251: 247:Dorothy Herzka 245: 244: 243: 242: 225: 221: 218: 217: 216: 215: 212: 210: 206: 205: 200: 196: 195: 193: 192: 184: 176: 168: 160: 152: 144: 135: 133: 127: 126: 124: 123: 120: 116: 114: 113:Known for 110: 109: 104: 100: 99: 97: 96: 91: 85: 83: 79: 78: 75: 73:(aged 73) 67: 63: 62: 59: 46: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 6617: 6606: 6603: 6601: 6598: 6596: 6593: 6591: 6588: 6586: 6583: 6581: 6578: 6576: 6573: 6571: 6568: 6566: 6563: 6561: 6558: 6556: 6553: 6551: 6548: 6546: 6543: 6541: 6538: 6536: 6533: 6531: 6528: 6526: 6523: 6521: 6518: 6516: 6513: 6511: 6508: 6506: 6503: 6501: 6498: 6496: 6493: 6491: 6488: 6486: 6483: 6482: 6480: 6470: 6460: 6459: 6456: 6443: 6440: 6438: 6435: 6433: 6430: 6428: 6425: 6423: 6422:Complete list 6420: 6419: 6416: 6410: 6407: 6405: 6402: 6400: 6399:Lydia Mendoza 6397: 6395: 6392: 6390: 6387: 6385: 6382: 6380: 6377: 6375: 6372: 6370: 6367: 6365: 6362: 6360: 6359:Irene Diamond 6357: 6356: 6354: 6350: 6344: 6341: 6339: 6336: 6334: 6331: 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Retrieved 4603: 4593: 4581:. Retrieved 4577: 4568: 4556:. Retrieved 4550: 4525:. Retrieved 4521: 4496:. Retrieved 4471:. Retrieved 4466:Miami Herald 4464: 4438:. Retrieved 4434: 4424: 4414:November 10, 4412:. Retrieved 4408: 4398: 4386:. Retrieved 4382: 4360: 4351: 4333: 4323: 4297:. Retrieved 4293:the original 4264:. Retrieved 4254: 4244: 4221:. Retrieved 4211: 4201: 4196: 4186:November 11, 4184:. Retrieved 4161: 4153: 4146: 4142: 4134: 4122:. Retrieved 4120:. p. 29 4115: 4085: 4073: 4063: 4055: 4045: 4024: 4013: 4003: 3995: 3985: 3977: 3967: 3959: 3949: 3941: 3932: 3923: 3912: 3902: 3890:. Retrieved 3886: 3877: 3868: 3858: 3850:the original 3845: 3836: 3824:. Retrieved 3820: 3810: 3798:. Retrieved 3794: 3784: 3772:. Retrieved 3768: 3759: 3740: 3730:November 19, 3728:. Retrieved 3723: 3714: 3704: 3696: 3687: 3677: 3667: 3646:Alloway 1983 3641: 3631: 3623: 3613:November 12, 3611:. Retrieved 3602: 3590: 3583:Alloway 1983 3561:. Retrieved 3547: 3535:. 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