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After 1972, Lichtenstein's comics-based women "look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." This particular example is one of several that is cropped so closely that the hair flows beyond the edges of the canvas. As with most of
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We Rose Up Slowly (fig. 108), 1964, revolve around love affairs in which the men are clearly in control and the women are usually depicted as miserable. These paintings set the state for a series of "girls" in various states of apparent anxiety, nervouseness, or fear, most of whom are portrayed as
250:
his early romance comics, this consisted of "a boy and a girl" subject. It is described as a tense, melodramatic graphic single-frame depiction of a romantic dialogue between a man and woman. Lichtenstein used horizontal parallel lines to convey the sense of motion. A November 1963
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121:. The smaller, older of the two versions of this painting formerly held the record for highest auction price for a Lichtenstein painting. The larger version has been in the collection of the
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In the early 1960s, Lichtenstein produced several "fantasy drama" paintings of women in love affairs with domineering men causing the women to be miserable, such as
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173:). The painting was part of Lichtenstein's second solo exhibition at Leo Castelli Gallery from September 28 to October 24, 1963 that included
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review stated that this was one of the "broad and powerful paintings" of the 1963 exhibition at
Castelli's Gallery.
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The smaller version, which was the original version, from the estate of Roy
Lichtenstein and consigned by his son
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786:(1964) consist of two figures, the majority being a boy and a girl connected by romantic dialogue and action.’
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evokes a mood of resignation, with silence apparently prevailing as the woman stares stonily out the window."
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was sold for a record US $ 42.6 million (£26.7 million), also at
Christie's in New York. The
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1017:
824:, p. 113: "In other paintings by Lichtenstein, women are engaged in a series of fantasy dramas.
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Lobel, Michael (2009). "Technology
Envisioned: Lichtenstein's Monocularity". In Bader, Graham (ed.).
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Coplans, John, ed. (1972), "Introduction, Biographical Notes, Chronology of
Imagery and Art",
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172 cm × 203.5 cm (67.75 in × 80.125 in)
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auction house in New York City. In
November 2010, this figure was surpassed when
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Grand Comics
Database. Retrieved Sept. 14, 2020: "Used for DC's romance comics."
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http://www.christies.com/presscenter/pdf/11092005/11092005c.pdf
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723:"In the Saleroom: Roy Lichtenstein's Ohhh...Alright..., 1964"
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The artist zoomed in on his source material, the comic strip
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457:"Roy Lichtenstein's In the Car: a dramatic close encounter"
806:(1971), and 'motion,' say if they are horizontal, as in
837:"the girl next door" or the innocent seductress, as in
697:"Roy Lichtenstein painting fetches $ 42.6m at auction"
796:
Foster, Hal. "Pop
Pygmalion". In Graham Bader (ed.).
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I Can See the Whole Room...and There's Nobody in It!
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548:Judd, Donald. "Reviews 1962–64". In Bader (ed.).
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762:, p. 40: ‘The earlier images, particularly
151:The painting is based on a panel illustrated by
223:sold three years earlier (November 13, 2002).
201:Marketing materials for the show included the
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522:. Roy Lichtenstein Foundation. Archived from
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165:#78, dated September 1961 and published by
1032:
1018:
834:In the Car (fig. 103), all from 1963, and
879:. Lichtenstein Foundation. Archived from
877:"Roy... Lichtenstein... At... The... Met"
642:"Record $ 22.4 million paid for a Rothko"
588:. Lichtenstein Foundation. Archived from
484:. Lichtenstein Foundation. Archived from
1657:Paintings in National Galleries Scotland
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91:Scottish National Gallery of Modern Art
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640:Melikian, Souren (November 10, 2005).
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1440:Large Interior with Three Reflections
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670:"Lichtenstein Tops Warhol in Auction"
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455:Sherwin, Skye (September 15, 2017).
405:"Roy Lichtenstein: In the Car: 1963"
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307:An Illustrated Dictionary of Pop Art
1320:Oh, Jeff...I Love You, Too...But...
998:National Galleries Scotland website
843:Oh, Jeff...I Love You, Too...But...
13:
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370:"Roy Lichtenstein > In the Car"
14:
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1416:Artist's Studio—Look Mickey
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668:Kelly, Tara (November 11, 2010).
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340:"Lichtenstein Roy: In the Car".
227:sold for $ 16.2 million at
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975:Lichtenstein Foundation website
907:Roy Lichtenstein: October Files
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1652:Paintings by Roy Lichtenstein
1424:Cubist Still Life with Lemons
1408:Yellow and Green Brushstrokes
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571:I Don't Care, I'd Rather Sink
128:
1400:The Melody Haunts My Reverie
993:Christies video presentation
951:Solomon R. Guggenheim Museum
169:(a romance comic imprint of
16:Painting by Roy Lichtenstein
7:
1626:Mitchell Lichtenstein (son)
1574:Mural with Blue Brushstroke
989:Christie's auction results]
905:Bader, Graham, ed. (2009),
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147:number 78 (September 1961).
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1531:Tokyo Brushstroke I and II
1168:Portrait of Madame Cézanne
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125:in Edinburgh since 1980.
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1003:August 25, 2012, at the
980:August 12, 2016, at the
703:. BBC. November 11, 2010
429:Barsalou, David (2000).
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1448:Nude with Yellow Flower
1272:Woman with Flowered Hat
941:Waldman, Diane (1993),
167:Signal Publishing Corp.
1491:Brushstrokes in Flight
586:"Search Result: Crak!"
148:
1523:The Head of Barcelona
1456:Nudes with Beach Ball
1368:Girl with Hair Ribbon
348:. 1994. p. 274.
303:Pierre, José (1977).
215:Mitchell Lichtenstein
136:
1240:Okay Hot-Shot, Okay!
847:Good Morning Darling
1384:Little Big Painting
764:The Engagement Ring
729:. November 11, 2010
619:. pp. 118–20.
1582:Times Square Mural
1483:Expressionist Head
1360:Big Painting No. 6
934:Praeger Publishers
647:The New York Times
488:on August 12, 2016
380:on August 25, 2012
241:was $ 38 million.
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1634:
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1507:Five Brushstrokes
1499:Five Brushstrokes
1344:We Rose Up Slowly
1328:Ohhh...Alright...
920:978-0-262-01258-4
626:978-0-262-01258-4
592:on March 12, 2016
234:Ohhh...Alright...
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1502:(1984 sculpture)
1432:Bedroom at Arles
1280:As I Opened Fire
1184:Baseball Manager
1041:Roy Lichtenstein
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119:Roy Lichtenstein
53:Roy Lichtenstein
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144:Girls' Romances
137:The source for
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881:the original
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863:Waldman 1993
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845:(fig. 111),
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822:Waldman 1993
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804:Mirror no. 1
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782:(1963), and
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778:(all 1962),
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768:The Kiss III
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760:Coplans 1972
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748:Coplans 1972
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731:. Retrieved
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707:November 11,
705:. Retrieved
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590:the original
580:
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563:Conversation
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528:. Retrieved
524:the original
520:"Chronology"
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490:. Retrieved
486:the original
482:"In the Car"
476:
466:
464:
461:The Guardian
460:
450:
438:. Retrieved
434:
431:"In the Car"
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412:. Retrieved
382:. Retrieved
378:the original
364:
346:Phædon Press
342:The Art Book
341:
335:
313:Eyre Methuen
306:
298:
272:
268:
264:
258:
256:
252:Art Magazine
251:
248:
239:hammer price
232:
224:
218:
212:
206:
196:
193:Conversation
192:
186:
180:
174:
160:
153:Tony Abruzzo
150:
142:
138:
117:painting by
113:) is a 1963
109:
108:
103:
102:
101:
29:
1609:BMW Art Car
1593:Other works
1539:Brushstroke
1515:Modern Head
1296:Happy Tears
1208:Crying Girl
1176:Takka Takka
1160:Masterpiece
1104:Mr. Bellamy
1096:Look Mickey
875:Kimmelman.
776:Masterpiece
285:1963 in art
220:Happy Tears
107:(sometimes
1641:Categories
1467:Sculptures
1232:In the Car
1112:Roto Broil
899:References
808:In the Car
780:In the Car
727:Christie’s
567:In the Car
409:Christie's
315:. p.
273:In the Car
269:In the Car
229:Christie's
225:In the Car
203:lithograph
157:comic book
139:In the Car
129:Background
104:In the Car
79:Dimensions
35:In the Car
23:song, see
1605:(1965–66)
1192:Bratatat!
1144:Jet Pilot
1136:Golf Ball
1048:Paintings
617:MIT Press
205:artwork,
171:DC Comics
95:Edinburgh
1224:Hopeless
1128:Brattata
1001:Archived
978:Archived
887:June 10,
826:Hopeless
766:(1961),
596:June 26,
279:See also
265:Hopeless
87:Location
68:Movement
19:For the
1619:Related
1555:House I
1475:Mermaid
1392:M-Maybe
1256:Varoom!
1152:Kiss II
810:(1963).
784:Tenison
733:May 16,
681:May 17,
653:May 17,
530:June 9,
492:May 20,
414:May 21,
384:May 21,
245:Details
159:series
155:in the
115:pop art
110:Driving
73:Pop art
1611:(1977)
1603:series
1585:(1994)
1577:(1986)
1566:Murals
1558:(1996)
1550:(1996)
1542:(1996)
1534:(1994)
1526:(1992)
1518:(1989)
1494:(1984)
1486:(1980)
1478:(1979)
1459:(1994)
1451:(1994)
1443:(1993)
1435:(1992)
1427:(1975)
1419:(1973)
1411:(1966)
1403:(1965)
1395:(1965)
1387:(1965)
1379:(1965)
1371:(1965)
1363:(1965)
1355:(1965)
1347:(1964)
1339:(1964)
1331:(1964)
1323:(1964)
1315:(1964)
1307:(1964)
1299:(1964)
1291:(1964)
1283:(1964)
1275:(1963)
1267:(1963)
1264:Whaam!
1259:(1963)
1251:(1963)
1243:(1963)
1235:(1963)
1227:(1963)
1219:(1963)
1211:(1963)
1203:(1963)
1195:(1963)
1187:(1963)
1179:(1962)
1171:(1962)
1163:(1962)
1155:(1962)
1147:(1962)
1139:(1962)
1131:(1962)
1123:(1962)
1115:(1961)
1107:(1961)
1099:(1961)
1091:(1961)
1083:(1961)
1075:(1961)
1067:(1961)
1059:(1956)
957:
917:
849:, and
623:
555:Whaam!
352:
323:
198:Whaam!
195:, and
49:Artist
1304:Nurse
1200:Crak!
291:Notes
208:Crak!
1120:Blam
955:ISBN
915:ISBN
889:2013
735:2012
709:2010
701:News
683:2012
675:Time
655:2012
621:ISBN
598:2013
569:and
532:2013
494:2012
469:....
442:2020
416:2012
386:2012
350:ISBN
321:ISBN
267:and
141:was
62:1963
59:Year
1643::
953:,
949:,
932:,
913:,
909:,
774:,
770:,
725:.
699:.
672:.
644:.
615:.
565:,
561:,
557:,
540:^
463:.
459:.
433:.
407:.
394:^
372:.
344:.
319:.
317:89
311:.
263:,
191:,
185:,
179:,
93:,
1033:e
1026:t
1019:v
964:.
937:.
924:.
891:.
737:.
711:.
685:.
657:.
629:.
600:.
534:.
496:.
444:.
418:.
388:.
358:.
329:.
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
