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may consist of works not composed by Denis
Gaultier, or original works by him changed by unknown scribes. The 1672 collection was completed after Gaultier's death by his pupil Montarcis, and contains music by two different Gaultiers. Other pieces, found in various manuscripts, also pose numerous
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Denis and
Ennemond are confused in many contemporary manuscripts and prints, leading to numerous attribution problems. A number of pieces are signed simply with the surname, some are attributed to Denis in one collection and to Ennemond in another, and still others are now known to have been be
120:. In 1635 Denis married Françoise Daucourt. Their son Philippe Emmanuel would later become advisor to the king, but there is no evidence that Gaultier himself ever held a court position, even though his cousin did. Denis most probably gained fame and income through
100:. Until at least 1631 Denis's career was closely linked to that of his older cousin, Ennemond; so much that contemporary writers referred to either composer by surname only, making no attempt to distinguish between them. Both lutenists had connections with
85:; two conflicting sources point to either 1597 or 1603 as the year of birth. The former can be deduced from an account by Thorian, who claimed that Gaultier died in 1672 at the age of seventy-five. However, an archival document from the
137:. In general, Gaultier was a masterful melodist, effortlessly writing graceful melodic lines with clear phrase structures, but his music is less inventive harmonically than that of some other French lutenists of the era, such as
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180:(c.1672) both begin with basic instructions on lute playing. All three manuscripts consist principally of dances. The one other genre Gaultier made an important contribution to is the
152:(1652) contains twelve parts, each named after one of the Greek modes, but the actual harmonic procedures of the pieces are not connected to the modes. Many of the pieces reference
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hospital states that
Gaultier was twenty-three at the time of his convalescence in the hospital, which was from 24 October 1626 to 12 December 1626.
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An adequate assessment of
Gaultier's music and influence is difficult, owing to attribution problems. According to recent research,
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misattributed. Gaultier's output, as is to be expected from a 17th-century French lutenist, consists mainly of dance suites for the
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Three published collections of
Gaultier's music have come down to us, all from his late years.
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attribution problems. Nevertheless, Gaultier was an important exponent of the French
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Livre de tablature de Mr. Gaultier Sr. de Nève et de Mr. Gaultier son cousin
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202:. Around 1680 a few of Gaultier's works were included in anthologies by
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Very little is known about
Gaultier's career. He may have studied under
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96:, since he commemorated the lutenist's death with a
156:. The collection, compiled under the patronage of
174:Pièces de luth sur trois différens modes nouveaux
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261:The New Grove Dictionary of Music and Musicians
250:Rollin, Monique (2001). "Denis Gaultier". In
239:(Middleton, Wisconsin: A-R Editions, 1990);
220:La Rhétorique des Dieux: Appolon orateur
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237:Denis Gaultier: La Rhétorique des dieux
61:) (1597 or 1602/3 – 1672) was a French
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19:For other people named Gaultier, see
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30:Denis Gaultier, engraving by
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351:17th-century male musicians
298:Andreas Schlegel: Abstracts
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235:David Joseph Buch (ed.):
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189:La Rhétorique des dieux
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36:La Rhétorique des Dieux
200:Johann Jakob Froberger
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81:Gaultier was born in
69:. He was a cousin of
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346:Musicians from Paris
266:Macmillan Publishers
87:Hôtel-Dieu de Paris
331:Composers for lute
170:Robert de Nanteuil
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275:978-1-56159-239-5
245:978-0-89579-238-9
106:Henri de L'Enclos
71:Ennemond Gaultier
59:Gaultier de Paris
55:Gaultier le jeune
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310:Categories
285:References
124:playing.
51:Gaulthier
258:(eds.).
162:Le Sueur
67:composer
63:lutenist
204:Perrine
182:tombeau
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