146:
20:
111:
from the world's major symphony orchestras. He would work with a musician for at least six months, observing the musician's technique, asking questions, and devising new exercises to indirectly address the problem. Dounis also wrote several instructional books. In his 1921 volume
76:, variously given as 1886 (according to most library catalogues), 1893, or 1894. He is said to have performed his first violin recital at the age of 7, and to have toured the United States as a mandolinist at 14. In Athens, he participated in the famous
139:
The Artist's
Technique of Violin Playing: A New Scientific Method for Obtaining, in the Shortest Possible Time, an Absolute Mastery of the Higher Technical Difficulties of the Left Hand and of the Bow
101:
100:. He also studied in Paris with César Thomson. After World War I, when he served as a doctor in the Greek army, he was appointed to the chair in violin at the
213:
The Dounis Violin
Players' Daily Dozen to Keep the Violinist Technically Fit for the Day's Work: Twelve Fundamental Exercises for the Left Hand and the Bow
219:
The
Staccato (The Accented Legato, the Accented Staccato): Studies on a Scientific Basis for the Highest Development in Staccato-Playing on the Violin
116:, Dounis emphasized the importance of shifting and finger exercises. These were to develop the musician's mental map at the beginning of
535:
525:
392:
Elevators and escalators: the study of an innovative approach to teaching fingerboard geography to heterogeneous string classes
359:
510:
530:
515:
337:
Essential Scale
Studies, on Scientific Basis, for the Development of the Rhythmic Impulse of the Fingers for Violin
505:
72:
Considerable uncertainty prevails on the subject of Dounis's early life, beginning with the date of his birth in
331:
The
Development of Flexibility, Studies on Scientific Principles for Violin, Book II: Change of Position Studies
540:
520:
289:
Advanced
Studies for the Development of the Independence of the Fingers in Violin Playing on a Scientific Basis
295:
The
Development of Flexibility in Violin Playing: Studies on Scientific Principles for the Fingers and the Bow
490:
85:
117:
500:
424:
U.S., World War II Draft
Registration Cards, 1942 for Demetrius Constantine Dounis, signed by Dounis
283:
The Higher
Development of Thirds and Fingered Octaves: Twenty-four Advanced Formulas for the Violin
475:
354:. American University Studies 14: Education, vol. 13 (second revised ed.). New York: Lang.
457:
495:
378:
304:
8:
309:
355:
53:
399:
187:
Preparatory
Studies in Thirds and Fingered Octaves on a Scientific Basis for Violin
81:
167:
The Absolute Independence of the Fingers in Violin Playing on a Scientific Basis
41:
484:
121:
245:
Fundamental Technical Studies on a Scientific Basis for the Young Violinist
389:
77:
369:
Eaton, Sybil (October 1954). "Dr. D.C. Dounis, a great violin teacher".
97:
352:
Demetrios Constantine Dounis : his method in teaching the violin
93:
48:; 21 December 1893 – August 13, 1954), was an influential teacher of
403:
108:
61:
385:. Vol. Personenteil 5. Kassel: Bärenreiter. pp. 1345–46.
145:
107:
Dounis focused his early medical career on treating professional
396:
Theses and Dissertations from the University of Texas at Austin
225:
Preparatory Studies in Octaves and Tenths on a Scientific Basis
89:
73:
49:
455:
57:
251:
Specific Technical Exercises for Viola (Left Hand – Bow Arm)
19:
390:
Wasson, George Dwayne and John M. Geringer (January 2006).
207:
Fundamental Trill Studies on a Scientific Basis for Violin
92:, where he also took a medical degree, specializing in
349:
257:
New Aids to the Technical Development of the Violinist
104:, but soon established himself in the United States.
343:
482:
277:Studies in Chromatic Double-Stops for the Violin
266:The Independence of the Bow from the Left Hand
303:(in 2 Books) (1945); technical studies after
368:
427:
176:The Absolute Independence of Three Fingers
16:Violinist, violist and teacher (1893–1954)
381:(2001). "Dounis, Demetrios Constantine".
179:The Absolute Independence of Four Fingers
269:A Neglected Phase in the Study of Thirds
144:
114:The Artist's Technique of Violin Playing
18:
436:
377:
483:
456:Neikrug, George and Tim Janof (2002).
383:Die Musik in Geschichte und Gegenwart
301:Chopin Étude, Op. 25 No. 6 for Violin
476:The Violin Teachings of D. C. Dounis
13:
458:"Conversation with George Neikrug"
102:State Conservatory of Thessaloniki
14:
552:
536:20th-century classical violinists
449:
127:
56:technique, as well as violinist,
124:drills would be more effective.
67:
350:Constantakos, Chris A. (1997).
418:
344:References and further reading
1:
526:20th-century Greek physicians
411:
46:Δημήτριος Κωνσταντίνος Δούνης
30:Demetrius Constantine Dounis
7:
169:(in 2 Books), Op. 15 (1924)
10:
557:
511:Greek classical violinists
398:(Thesis). pp. 10–12.
531:20th-century Greek people
156:First Part: The Left Hand
45:
516:Greek classical violists
464:. Internet Cello Society
133:Dounis Violin Pedagogics
506:Greek military doctors
150:
26:
541:20th-century violists
521:Musicians from Athens
379:Wrochem, Claudius von
148:
22:
159:Second Part: The Bow
84:. He studied under
78:Athenian Mandolinata
491:19th-century births
442:Eaton, p. 559.
149:D.C. Dounis, Age 20
151:
86:František Ondříček
27:
433:Wrochem, p. 1345.
361:978-0-8204-3895-5
54:string instrument
36:), also known as
548:
501:Violin educators
472:
470:
469:
443:
440:
434:
431:
425:
422:
407:
386:
374:
365:
199:Fingered Octaves
47:
556:
555:
551:
550:
549:
547:
546:
545:
481:
480:
467:
465:
452:
447:
446:
441:
437:
432:
428:
423:
419:
414:
362:
346:
339:, Op. 37 (1947)
333:, Op. 36 (1947)
305:Frédéric Chopin
297:, Op. 35 (1945)
291:, Op. 33 (1945)
285:, Op. 30 (1944)
279:, Op. 29 (1942)
259:, Op. 27 (1935)
253:, Op. 25 (1941)
247:, Op. 23 (1935)
227:, Op. 22 (1928)
221:, Op. 21 (1925)
215:, Op. 20 (1925)
209:, Op. 18 (1925)
189:, Op. 16 (1924)
141:, Op. 12 (1921)
130:
82:Nikolaos Lavdas
80:, conducted by
70:
25:
17:
12:
11:
5:
554:
544:
543:
538:
533:
528:
523:
518:
513:
508:
503:
498:
493:
479:
478:
473:
451:
450:External links
448:
445:
444:
435:
426:
416:
415:
413:
410:
409:
408:
387:
375:
366:
360:
345:
342:
341:
340:
334:
327:
326:
325:
324:
321:
315:
314:
313:, Op. 25 No. 6
298:
292:
286:
280:
273:
272:
271:
270:
267:
261:
260:
254:
248:
241:
240:
239:
238:
235:
229:
228:
222:
216:
210:
203:
202:
201:
200:
197:
191:
190:
183:
182:
181:
180:
177:
171:
170:
163:
162:
161:
160:
157:
143:
142:
135:
134:
129:
128:Selected works
126:
120:, after which
69:
66:
23:
15:
9:
6:
4:
3:
2:
553:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
517:
514:
512:
509:
507:
504:
502:
499:
497:
494:
492:
489:
488:
486:
477:
474:
463:
459:
454:
453:
439:
430:
421:
417:
405:
401:
397:
393:
388:
384:
380:
376:
372:
371:Musical Times
367:
363:
357:
353:
348:
347:
338:
335:
332:
329:
328:
322:
319:
318:
317:
316:
312:
311:
306:
302:
299:
296:
293:
290:
287:
284:
281:
278:
275:
274:
268:
265:
264:
263:
262:
258:
255:
252:
249:
246:
243:
242:
236:
233:
232:
231:
230:
226:
223:
220:
217:
214:
211:
208:
205:
204:
198:
195:
194:
193:
192:
188:
185:
184:
178:
175:
174:
173:
172:
168:
165:
164:
158:
155:
154:
153:
152:
147:
140:
137:
136:
132:
131:
125:
123:
119:
115:
110:
105:
103:
99:
95:
91:
87:
83:
79:
75:
68:Life and work
65:
63:
59:
55:
51:
43:
39:
35:
31:
21:
466:. Retrieved
461:
438:
429:
420:
395:
391:
382:
370:
351:
336:
330:
308:
300:
294:
288:
282:
276:
256:
250:
244:
224:
218:
212:
206:
186:
166:
138:
113:
106:
71:
38:D. C. Dounis
37:
33:
29:
28:
496:1954 deaths
462:Tutti Celli
24:D.C. Dounis
485:Categories
468:2007-08-21
412:References
98:psychiatry
323:In Tenths
320:In Thirds
109:musicians
94:neurology
34:Demetrios
404:2152/561
118:practice
64:player.
62:mandolin
234:Octaves
58:violist
373:: 559.
358:
237:Tenths
196:Thirds
90:Vienna
74:Athens
60:, and
50:violin
32:(also
310:Étude
122:scale
42:Greek
356:ISBN
96:and
52:and
400:hdl
307:'s
88:in
487::
460:.
394:.
44::
471:.
406:.
402::
364:.
40:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
