143:
relates that Dee Gee opened for business on April 7, 1951. According to
Gillespie, Dee Gee Records was the result of his desire to control his own recorded output. Dave Usher was a 21-year-old fan and friend of Gillespie. Dee Gee Records was based in Detroit where Usher lived, and its sessions were
152:. Initial response was encouraging, and within a short time Dee Gee began to record artists other than Gillespie. But over time Usher found it difficult to handle the financial matters of the company, and in 1953 Dee Gee closed, with Gillespie returning to established firms to make his recordings.
231:
Dizzy
Gillespie's Dee Gee Records label is not to be confused with a 1960s Dee Gee Records (named after Doris Gilbert) based in Hollywood, nor a 1980s Dee Gee Records based in Wooster, Ohio.
159:, which has controlled it ever since. Despite Dee Gee's failure, Gillespie and Usher remained lifelong friends; after a break from music, Usher became a producer with
323:
224:. Gillespie expressed regret at losing control of Dee Gee; running his own label offered a freedom from commercial constraints to experiment with a populist form of
439:
228:, comedy, and elements of calypso, R&B, and other styles. In retrospect, Gillespie complained that some purists within bebop felt he had "sold out".
434:
424:
372:
429:
454:
444:
214:
For Savoy, the Dee Gee output provided selections by
Gillespie that remained in their catalog for decades, including the albums
220:
163:
and ultimately the head of Marine
Pollution Control, which specializes in cleaning up major industrial oil spills.
257:
172:
449:
405:
203:, and popular vocal group The Tattletales, featuring singer Jerri Adams. Among Gillespie's sidemen were
324:
Broadway World Review of Dave Usher's book "Music is
Forever: Dizzy Gillespie, the Jazz Legend, and Me"
196:
125:
171:
For Dee Gee, Dizzy
Gillespie recorded the first commercially released versions of "Tin Tin Deo", "
394:
335:
8:
180:
253:
129:
58:
418:
312:
Spinning Blues into Gold: The Chess
Brothers and the Legendary Chess Records.
208:
204:
184:
156:
145:
33:
192:
188:
176:
160:
200:
400:
388:
299:
175:" and "The Champ". Among others who recorded for Dee Gee were the
252:(2nd ed.). New York: Grove's Dictionaries Inc. p. 590.
149:
409:
225:
121:
93:
350:
Ann Arbor, The
University of Michigan Press, 2001, p. 149.
389:
300:
401:
Both Sides Now Publications: Savoy Records Discography
348:
Before Motown: A History of Jazz in Detroit, 1920-1960
207:, making some of his first recordings, and guitarist
155:In 1956 the label and its catalog were acquired by
211:, who recorded his first solo on "Birk's Works".
416:
248:Kennedy, Gary (2002). Barry Kernfeld (ed.).
373:G45central.com forum on Los Angeles Dee Gee
440:Defunct record labels of the United States
395:JazzDisco.org Dizzy Gillespie Discography
250:The New Grove Dictionary of Jazz, vol. 1
241:
187:under the name "Sonny Wilson", drummers
128:founded in Detroit, Michigan in 1951 by
247:
417:
272:"Gillespie Sets Up Dee Gee Disk Org",
16:Record label in Detroit, Michigan, USA
435:Record labels disestablished in 1953
314:New York, St. Martin's Griffin, 2000
13:
425:American independent record labels
289:. New York, Doubleday 1979, p. 370
14:
466:
430:Record labels established in 1951
381:
359:Dizzy Gillespie, with Al Fraser,
285:Dizzy Gillespie, with Al Fraser,
363:New York, Doubleday 1979, p. 371
221:Dee Gee Days: The Savoy Sessions
455:1951 establishments in Michigan
445:Record labels based in Michigan
366:
353:
340:
328:
317:
304:
292:
279:
266:
179:Quartet, a predecessor to the
1:
346:Lars Bjorn with Jim Gallert,
234:
393:Dizzy Gillespie Discography
387:Dee Gee Records Discography
334:Dizzy Gillespie Discography
298:Dee Gee Records Discography
7:
10:
471:
408:on the Internet Archive's
399:Savoy Records Discography
135:
166:
107:
99:
89:
81:
66:
54:
39:
29:
24:
276:, April 14, 1951, pg. 18
126:independent record label
361:To Be, or Not...to Bop.
287:To Be, or Not...to Bop
181:Modern Jazz Quartet
124:record company and
450:Jazz record labels
115:
114:
111:Detroit, Michigan
100:Country of origin
462:
410:Great 78 Project
375:
370:
364:
357:
351:
344:
338:
332:
326:
321:
315:
310:Nadine Cahodas,
308:
302:
296:
290:
283:
277:
270:
264:
263:
245:
195:, jazz composer
132:and Dave Usher.
77:
75:
50:
48:
22:
21:
470:
469:
465:
464:
463:
461:
460:
459:
415:
414:
406:Dee Gee Records
384:
379:
378:
371:
367:
358:
354:
345:
341:
333:
329:
322:
318:
309:
305:
297:
293:
284:
280:
271:
267:
260:
246:
242:
237:
169:
144:held there, in
138:
130:Dizzy Gillespie
118:Dee Gee Records
73:
71:
61:
59:Dizzy Gillespie
46:
44:
25:Dee Gee Records
20:
17:
12:
11:
5:
468:
458:
457:
452:
447:
442:
437:
432:
427:
413:
412:
403:
397:
391:
383:
382:External links
380:
377:
376:
365:
352:
339:
327:
316:
303:
291:
278:
265:
258:
239:
238:
236:
233:
199:, jazz singer
168:
165:
137:
134:
113:
112:
109:
105:
104:
101:
97:
96:
91:
87:
86:
83:
79:
78:
68:
64:
63:
56:
52:
51:
41:
37:
36:
31:
30:Parent company
27:
26:
18:
15:
9:
6:
4:
3:
2:
467:
456:
453:
451:
448:
446:
443:
441:
438:
436:
433:
431:
428:
426:
423:
422:
420:
411:
407:
404:
402:
398:
396:
392:
390:
386:
385:
374:
369:
362:
356:
349:
343:
337:
336:JazzDisco.org
331:
325:
320:
313:
307:
301:
295:
288:
282:
275:
274:The Billboard
269:
261:
255:
251:
244:
240:
232:
229:
227:
223:
222:
217:
212:
210:
209:Kenny Burrell
206:
205:John Coltrane
202:
198:
197:William Russo
194:
190:
186:
185:Jackie Wilson
182:
178:
174:
164:
162:
158:
157:Savoy Records
153:
151:
147:
146:New York City
142:
133:
131:
127:
123:
119:
110:
106:
102:
98:
95:
92:
88:
84:
80:
69:
65:
60:
57:
53:
42:
38:
35:
34:Savoy Records
32:
28:
23:
368:
360:
355:
347:
342:
330:
319:
311:
306:
294:
286:
281:
273:
268:
249:
243:
230:
219:
215:
213:
193:Kenny Clarke
189:Shelly Manne
177:Milt Jackson
173:Birks' Works
170:
161:Argo Records
154:
140:
139:
117:
116:
19:Record label
419:Categories
259:1561592846
235:References
201:Annie Ross
62:Dave Usher
216:The Champ
148:, and in
141:Billboard
108:Location
150:Chicago
136:History
85:Defunct
72: (
67:Defunct
55:Founder
45: (
40:Founded
256:
167:Legacy
120:was a
82:Status
226:bebop
90:Genre
254:ISBN
218:and
191:and
122:jazz
103:U.S.
94:Jazz
74:1953
70:1953
47:1951
43:1951
421::
183:,
262:.
76:)
49:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.