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David Young Cameron

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critical acclaim and he was well known both in the UK and abroad. Around 1908 his work began to lighten in colour, prior to this Cameron's work had been criticised for being too dark with a heavy use of brown tones. Visits to France and Italy in the 1920s seemed to have a further influence on his works and brought about a much brighter palette. His painting can be characterised by an interest in tone and design over colour and detail. At the same time there was a shift in influence away from the Glasgow Boys and their decorative style and he became known for his atmospheric highland landscapes.
373: 25: 309:. His first exhibition of 14 paintings received mixed reviews. Amongst the many good reviews others described his work as lacking in subtlety and substance with too much concentration on decoration. This was due in part to his romanticising of his subjects. From 1900 he stopped exhibiting portraits and figure studies, concentrating solely on landscapes and architectural subjects in both his painting and etching. 407:. They lived in the village for rest of their lives, as well as keeping a house in London. They also made regular trips abroad including visits throughout Italy and France. Italy provided the inspiration for a number of etchings of architectural subjects, with church interiors proving successful. His etchings, which examined light and shade, again show the influence of the Hague School as well as 463:(RsA) in 1904 (on his 6th attempt) and became RsA in 1918. Having previously been elected Associate of the Royal Academy (ARA) in the engraver class in 1911, in 1916 he was also elected ARA for his painting. He was elected a full Royal Academician (RA) in 1920. During these years Cameron's work was also exhibited at the 497:
Cameron was well known and liked in the art world and held a great many appointments to societies and boards. On the retirement of RsA president Sir James Guthrie in 1919, it was suggested that Cameron stand for the presidency. Cameron declined however, citing too many existing responsibilities in
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Cameron's subjects included architectural studies, of which he produced a number of popular 'sets' and landscapes. He received various medals and awards for his etchings. He published a number of sets of etchings, including "The Clyde Set", "The North Holland Set" and "The North Italian Set". In
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After 1907 Cameron's work showed a greater focus on Scottish landscape subjects and from 1908 to 1917 he moved from etching to painting. Around this time he largely stopped including figures in his compositions, apart from in his architectural studies. By this time his works were receiving wide
670: 451:, (later The International) that had been founded by Whistler in 1898. He exhibited with the society from 1898 and later served on its council. Following his resignation from the RE, Cameron and 11 other artists formed 689: 652: 712: 464: 278:
general his prints feature areas of great darkness, offset by highlights. Cameron would later become known for his church interiors and barren landscapes of Scotland done in
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In 1917–18 Cameron was commissioned by the Canadian Government to paint the war in France. Cameron was knighted in 1924 and was a Trustee of the
752: 680: 757: 274:(RE) in 1889. In 1895 he was elected Fellow of the RE. He exhibited regularly from 1889 to 1902, before resigning his membership in 1903. 430: 742: 456: 468: 251:, Scotland. One of five children, his sister Katharine (Kate) Cameron (1874-1965) was also an artist and sometimes included in the 247:
Cameron was the son of the Rev. Robert Cameron of the United Presbyterian Church, and his wife Margaret Robertson, and was born in
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sketches of landscapes and architectural subjects. His earliest known oil painting dates to 1883. His work was influenced by the
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David Young Cameron's biography & artwork from the Permanent Collection of the Gracefield Arts Centre in Dumfries, Scotland
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brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of
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biography & virtual representation of David Young Cameron's artwork of Gracefield Arts Centre at exploreart.co.uk
270:. Cameron became a skilled etcher and gained international recognition by the 1890s. He was elected associate of the 108: 75: 610: 482: 777: 641: 627: 57: 46: 782: 472: 408: 762: 235:, mostly of townscapes and landscapes in both cases. He was a leading figure in the final decades of the 134: 227: 637: 772: 506: 283: 418: 675: 372: 267: 82: 35: 460: 263: 732: 727: 231:(28 June 1865 – 16 September 1945) was a Scottish painter and, with greater success, 8: 490: 287: 259: 392: 200: 290:
of his prints, and is believed to hold the record at twenty-eight states in one case.
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in 1904 with the objective to promote the original print. He became a member of the
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As well as becoming well known as an etcher, Cameron also produced a great many
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Print REbels: Haden – Palmer – Whistler and the origins of the RE
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Greek Secrets Revealed by Ian McHaffie ISBN 978-0-9525026-8-5
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International Society of Sculptors, Painters and Gravers
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The Edwardians and After: The Royal Academy, 1900-1950
611:"Percy Portsmouth (1873-1953), sculptor, a biography" 49:. Unsourced material may be challenged and removed. 513:in Scotland from 1933. In 1914 he was sculpted by 719: 690:University of Michigan – Sir David Young Cameron 493:, a commemoration of the dead of World War One. 475:, as well as showing in overseas exhibitions. 713:Profile on Royal Academy of Arts Collections 628:115 artworks by or after David Young Cameron 443:In 1901 Cameron became a member of the anti- 708:Sir David Young Cameron exhibition catalogs 653:Works in the National Galleries of Scotland 133: 459:in 1906. He was elected Associate of the 457:Royal Society of Painters in Watercolours 109:Learn how and when to remove this message 481: 429: 417: 582: 580: 578: 576: 16:Scottish painter and etcher (1865–1945) 753:Alumni of the Edinburgh College of Art 720: 589:D.Y. Cameron: the visions of the hills 552: 387:In 1899 Cameron and his wife moved to 586: 559:. Royal Academy of Arts. p. 71. 262:. From around 1881 he studied at the 573: 548: 546: 47:adding citations to reliable sources 18: 758:Alumni of the Glasgow School of Art 13: 14: 799: 621: 543: 509:, and was the King's Painter and 743:20th-century British printmakers 371: 356: 335: 314: 272:Royal Society of Painter-Etchers 23: 487:The Battlefields of Ypres—After 34:needs additional citations for 748:20th-century Scottish painters 738:19th-century Scottish painters 603: 534: 1: 527: 473:Walker Art Gallery, Liverpool 465:Royal Society of Oil Painters 638:Works by David Young Cameron 489:(1920) commissioned for the 266:and in 1885 enrolled at the 242: 7: 768:Royal Scottish Academicians 10: 804: 505:from 1921 to 1927 and the 788:19th-century male artists 553:Gowing, Lawrence (1988). 507:Scottish National Gallery 210: 196: 188: 170: 148: 132: 125: 141:Alfred Kingsley Lawrence 683:13 October 2006 at the 666:Tate: Sir David Cameron 469:Royal Glasgow Institute 268:Edinburgh School of Art 224:Sir David Young Cameron 139:David Young Cameron by 778:Scottish male painters 591:. Edinburgh: Atelier. 524:on 16 September 1945. 494: 461:Royal Scottish Academy 440: 427: 258:David was educated at 700:28 March 2016 at the 485: 453:The Society of Twelve 433: 421: 264:Glasgow School of Art 58:"David Young Cameron" 783:Scottish printmakers 671:Collection of images 587:Smith, Bill (1992). 43:improve this article 660:The Wilds of Assynt 491:Hall of Remembrance 395:. This was near to 284:Great Crash of 1929 260:The Glasgow Academy 127:David Young Cameron 763:Royal Academicians 495: 441: 428: 393:Scottish Highlands 201:landscape painting 566:978-0-297-79509-4 436:Craigievar Castle 221: 220: 215:Katharine Cameron 174:16 September 1945 119: 118: 111: 93: 795: 773:Scottish knights 615: 614: 607: 601: 600: 584: 571: 570: 550: 541: 538: 520:Cameron died in 515:Percy Portsmouth 439:, drypoint, 1908 375: 360: 339: 318: 230: 177: 158: 156: 137: 123: 122: 114: 107: 103: 100: 94: 92: 51: 27: 19: 803: 802: 798: 797: 796: 794: 793: 792: 718: 717: 702:Wayback Machine 685:Wayback Machine 624: 619: 618: 609: 608: 604: 585: 574: 567: 551: 544: 539: 535: 530: 522:Perth, Scotland 405:Stirling Castle 383: 376: 367: 364:Rocks and Ruins 361: 352: 340: 331: 319: 253:"Glasgow Girls" 245: 237:Etching Revival 226: 184: 182:Perth, Scotland 179: 175: 166: 160: 154: 152: 144: 128: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 801: 791: 790: 785: 780: 775: 770: 765: 760: 755: 750: 745: 740: 735: 730: 716: 715: 710: 705: 692: 687: 673: 668: 663: 655: 650: 645: 635: 623: 622:External links 620: 617: 616: 602: 572: 565: 542: 532: 531: 529: 526: 403:and across to 399:with views of 385: 384: 377: 370: 368: 362: 355: 353: 341: 334: 332: 326:, etching and 320: 313: 244: 241: 219: 218: 212: 208: 207: 198: 197:Known for 194: 193: 190: 186: 185: 180: 178:(aged 80) 172: 168: 167: 161: 150: 146: 145: 138: 130: 129: 126: 117: 116: 31: 29: 22: 15: 9: 6: 4: 3: 2: 800: 789: 786: 784: 781: 779: 776: 774: 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 725: 723: 714: 711: 709: 706: 703: 699: 696: 693: 691: 688: 686: 682: 679: 678: 677:Culloden Moor 674: 672: 669: 667: 664: 662: 661: 656: 654: 651: 649: 646: 643: 639: 636: 633: 629: 626: 625: 612: 606: 598: 594: 590: 583: 581: 579: 577: 568: 562: 558: 557: 549: 547: 537: 533: 525: 523: 518: 516: 512: 508: 504: 499: 492: 488: 484: 480: 476: 474: 470: 466: 462: 458: 454: 450: 446: 445:Royal Academy 438: 437: 432: 426: 425: 420: 416: 414: 410: 406: 402: 398: 394: 390: 382: 381: 374: 369: 365: 359: 354: 350: 346: 345: 338: 333: 329: 325: 324: 317: 312: 311: 310: 308: 304: 300: 296: 295:oil paintings 291: 289: 285: 281: 275: 273: 269: 265: 261: 256: 254: 250: 240: 238: 234: 229: 225: 216: 213: 209: 206: 202: 199: 195: 191: 187: 183: 173: 169: 164: 151: 147: 142: 136: 131: 124: 121: 113: 110: 102: 99:December 2022 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 676: 659: 630: at the 605: 588: 555: 536: 519: 503:Tate Gallery 500: 496: 486: 477: 447:society the 442: 434: 422: 386: 378: 363: 342: 321: 307:Hague School 303:Glasgow Boys 292: 276: 257: 246: 223: 222: 176:(1945-09-16) 159:28 June 1865 120: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 733:1945 deaths 728:1865 births 299:watercolour 189:Nationality 722:Categories 642:Faded Page 528:References 401:Ben Lomond 165:, Scotland 155:1865-06-28 69:newspapers 413:Rembrandt 243:Biography 211:Relatives 698:Archived 681:Archived 644:(Canada) 597:2107661W 498:London. 424:Menteith 409:Whistler 397:Stirling 380:Ben Ledi 349:drypoint 344:Beauvais 328:drypoint 323:Harfleur 305:and the 280:drypoint 217:(sister) 192:Scottish 391:in the 249:Glasgow 205:etching 163:Glasgow 83:scholar 658:Tate: 632:Art UK 595:  563:  517:ARSA. 511:Limner 471:, the 467:, the 389:Kippen 366:, 1913 351:, 1910 330:, 1903 288:states 233:etcher 143:c.1920 85:  78:  71:  64:  56:  255:.( 90:JSTOR 76:books 634:site 561:ISBN 411:and 297:and 171:Died 149:Born 62:news 640:at 45:by 724:: 593:OL 575:^ 545:^ 415:. 347:, 239:. 228:RA 203:, 613:. 599:. 569:. 157:) 153:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Alfred Kingsley Lawrence
Glasgow
Perth, Scotland
landscape painting
etching
Katharine Cameron
RA
etcher
Etching Revival
Glasgow
"Glasgow Girls"
The Glasgow Academy
Glasgow School of Art
Edinburgh School of Art
Royal Society of Painter-Etchers
drypoint
Great Crash of 1929
states

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