188:. As a youth, she painted and took art lessons, and her family were active in their appreciation of music. Upon marriage to Ed, those interests were largely displaced to help with the business. While Anne was away in New York City, David, who had just graduated from high school, told his father that he wanted to run an art gallery. Since Anne had wanted David to attend university, a decision was postponed until her return; after overcoming some initial shock, she endorsed his plan. Anne Mirvish intended to get a studio in the Gerrard Street Village, an artist's neighbourhood. Just then, the community was displaced for a new parking lot for the
169:, a landmark discount retailer established in Toronto in 1948. In 1952, he purchased a house on Markham Street to expand backwards, using original tactics to thwart the area's residential zoning. In 1959, the ward's alderman was displeased by traffic jams near the store, and persuaded City Council to adopt a 1960 report urging the store to build a parking lot. The neighbourhood, which had originally supported the construction of a parking lot, now opposed rezoning to allow it under a new alderman. Mirvish could put a lot behind the Victorian houses, but could not tear them down.
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after year and didn't try to represent everything that was going on in the art world. I felt that most of the interesting painters were working in an abstract manner and this was the most difficult way to make a successful paintings at that time. So I concentrated on them ... I had the gallery in my younger, battling days, which were my more assertive, argumentative days. In the theatre, I'm in my more mellow, middle-aged period, where I'm involved with something that puts me in touch with many more people and where the scale is vastly different.
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658:, but the entire 1.8-hectare parcel of land the family owned, including Mirvish Village. Unconfirmed reports suggested a $ 100 million asking price, but no sale had been made, and no demolition would happen within a three-year period. Indeed, at the time, there was a one-year freeze on retail development on Bathurst. At the time of the announcement, there were nearly 70 businesses. Some business owners started a petition to get the area named a
199:. During the renovations of the houses, long-time Mirvish associate Yale Simpson suggested owning both sides of the street would look better; Ed bought the remaining twelve houses, bringing the total to 23. Studios and galleries were joined by shops and restaurants. While the City had issues with its zoning for many years, the area was eventually named an official tourist attraction by the City, and designated Mirvish Village.
621:. Located far south of Mirvish Village, the area was largely revitalized thanks to Ed Mirvish's investment in the Royal Alexandria and Poor Alex Theatres, and restaurant and shops leased or owned in the surrounding area. The Princess of Wales itself was the first privately funded and owned theatre in Canada to be built since 1907. The new complex would include facilities and a gallery for
273:. From the beginning, Alkis Klonaridis was director of the gallery. The gallery was under renovation from September to October 1964. As of reopening, the artists represented were Greg Curnoe, Helen Frankenthaler, Roy Kiyooka, Kenneth Lochhead, Douglas Morton, Kenneth Noland, Jules Olitski, Charles Robb, William Ronald, and
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apprenticed under
Mirvish. She purchased six $ 3000 photographs for the gallery at one point, feeling that they were "the most beautiful things I had ever seen." Corkin feared David Mirvish's reaction, given the fact there was no precedent for that price at the time, but he accepted Jane's reasoning.
147:
works. Mirvish assembled the
Mirvish Collection, consisting of mostly contemporary artwork including artists he represented, lending it out to museums around the United States and Europe after the gallery's closure. In 2012, Mirvish announced plans to open a gallery to display these works, at planned
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noted dealers were forced to maintain price levels despite a smaller base of prospective collectors. Realizing that to maintain a business, he would have to change with the times, and that the artists he represented had established careers, he decided to let "others willing to take on the role of
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Frankly, I thought I could get paid for sitting in the back room and just reading. This sounded like a good profession. But, in fact, you don't get much time to read in the art world, except maybe art history. It turned out to be awfully exciting. By choice, I tended to show the same people year
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took over the gallery's building for four months, beginning in
December 1978, as part of their outreach program. The project was underwritten by both David and Ed Mirvish. Later articles still called the York facility "Mirvish Gallery", despite the different focus, noting it was part of York
549:
David
Mirvish personally collected a great deal of contemporary abstract art. After his art dealership closed, selections from his collection were displayed at the same Markham Street structure. As of 1993, the collection was variably described as either closed to the public or viewable on
244:
David opened his gallery in one of the renovated houses in
September 1963; his was one of the first businesses to open in the new Markham Street community. He was joined by other privately owned facilities, including Gallery Samou and Pollock Gallery. The
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championing artists" do so, shuttering his gallery. Painter Tony
Sherman was added to the gallery roster a week before the closure was announced. At this time, Mirvish became involved in his father's theatre management business,
617:, an acclaimed Canadian-born architect, dubbed Mirvish+Gehry Toronto. The project would necessitate the demolition of designated heritage properties at 274, 276, 284, and 322 King Street West, including the
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photograph in the set was "recently" sold for $ 300,000. Corkin established her own gallery in 1978, establishing herself as Canada's top dealer in contemporary and historic photography. Abstract artist
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Sculpture in steel : an exhibition organized by the
Edmonton Art Gallery : the Edmonton Art Gallery, September 6-October 31, 1974 : David Mirvish Gallery, Toronto, January 11-February 2,
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In 1975, another dream assignment came her way: she set up the photography department at the
Mirvish Gallery. The first show she curated there—wouldn't you know it?—was devoted to André Kertész.
625:, as well as a 60,000 square foot free gallery for Mirvish and his wife Audrey's collection. The project has yet to be approved by the City. Unlike previous privately founded Toronto museums (
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Klonaridis decided to create a new gallery at an "unfashionable address" in
Toronto's "downtown warehouse area", centered on core Canadian artists at Mirvish and some New York artists.
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referred to the neighbourhood as "the
Markham Street art community", but after the older Mirvish purchased the other side of the street, the area became known as
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Given the variety of factors, the Mirvishes began to convert the area into art galleries and studios. Among those who leased space was prominent art dealer
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that Mirvish was the first honorary chair of the event, and the family company was noted for its preservation of heritage structures.
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Corkin's gallery... has gone on to earn an equally distinguished international reputation for quality and artistic integrity...
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David Mirvish Gallery on occasion showed works from public collections, including "Sculpture in Steel", organized by the
1757:"Iconic Honest Ed's store — famous for its cheesy outdoor signage and low prices — has been quietly put up for sale"
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The project has received mixed reaction. While suggesting the development should be elsewhere, the founder of
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Sturdza, Marina (29 December 1988). "Exhibit by Irving Penn to mark anniversary of Jane Corkin Gallery".
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worked full-time as an attendant; he would eventually be represented by Mirvish and later Klonaridis.
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Honest Ed Mirvish: How to build an empire on an orange crate or 121 lessons I never learned in school
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Annual report - National Gallery of Canada and the Canadian Museum of Contemporary Photography
1642:"Headspace: Catherine Nasmith discusses heritage preservation and the Mirvish-Gehry proposal"
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Wilson, Peter (19 June 1971). "Sculpture at Mirvish Gallery seems to stand for real value".
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Kritzwiser, Kay (19 September 1970). "At the Galleries: A Matchless setting for major art".
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appointment. Anne Mirvish had another building in Mirvish Village to store her sculptures.
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1672:"David Mirvish and Frank Gehry to transform King St. strip into culture and condo complex"
8:
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presented "Grand compositions: selections from the collection of David Mirvish" in 1985.
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Kritzwiser, Kay (5 September 1964). "Winds of change are blowing around the galleries".
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253:. Eventually, the neighbourhood would include boutiques, bookstores and restaurants.
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The styles of art that interested Mirvish were no longer popular by the late 1970s;
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Wilson, Peter (16 January 1971). "Sculpture 'lightweight' but still worth seeing".
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139:. It opened in 1963 and closed in 1978. Artists at the gallery were best known for
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Hambleton, Ronald (23 April 1979). "Pianist hires a hall to exhibit his talents".
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Russell, Paul (12 December 1970). "A severe tone pervades Mirvish Gallery show".
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Now an important player on the Canadian and international photography scenes...
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Purdie, James (19 May 1979). "Redon's work assembled from Binney collection".
633:), the gallery project is largely dependent on the sale of 2700 condominiums.
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Grand compositions : selections from the collection of David Mirvish
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Edmonstone, Wayne (20 January 1973). "'Scatter-shot' paintings on view".
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Bolduc, David (20 January 1993). "Alkis Klonaridis believed in 'truth'".
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Lord, Barry (16 January 1970). "The work of Dan Solomon is a delight".
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Jordan, Betty Anne (26 July 1997). "Love affair with a place-setting".
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Weiler, Merike (15 March 1972). "Lyrical paintings fill art gallery".
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Freedman, Adele (3 March 1979). "Picture looks rosy for Jane Corkin".
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In 2013, David Mirvish announced that the family was selling not only
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976:. Toronto ON: Cityscape Holdings Inc. 29 July 2012. Archived from
970:"Corkin Gallery is a Tankhouse Full of Art in Distillery District"
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Silcox, David (16 January 1965). "Hedrick a Calculating Artist".
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Wilson, Peter (8 May 1971). "A 'pioneer' artist who has lasted".
136:
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Fulford, Robert (July 19, 2000). "Ed's Warehouse is closing".
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Also in September 1963, Ed Mirvish opened the newly renovated
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King, Pauline (12 March 1981). "MacGuigan honored in style".
220:, 15 May 1993, reflecting on the occasion of the opening of
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1813:"Mirvish Village businesses caught up in Honest Ed's sale"
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The following artists had work on display at the gallery:
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Purdie, James (24 June 1978). "Closing signals changes".
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opened in the late 1970s, taking over representation of
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Mietkiewicz, Henry (15 May 1993). "A theatre is born".
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Taylor, Kate (9 March 1994). "Stuck in the hothouse".
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all followed Klonaridis. Klonaridis Gallery opened at
1618:. Fort Worth TX: Fort Worth Art Museum. p. 107.
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Steen, Peter (Spring 1993). "Cultural commitments".
952:"Art, fashion join in Sheila Gladstone collection".
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1426:"Olitski's Giant Paintings Invite Questions".
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1849:Art museums and galleries established in 1963
1294:"Tanahashi's Sho Do Gives Feeling of Peace".
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1076:Performing Arts & Entertainment in Canada
825:"Honest Ed's sale to include Mirvish Village"
713:"Watercolors, Abstracts and Objective Cats".
131:, within the Markham Street art community in
1697:. Sterling Publishing Company, Inc. p.
941:. Toronto ON. 19 September 1964. p. 17.
813:
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16:Contemporary art gallery in Toronto, Ontario
1601:. Ottawa: National Gallery of Canada. 1997.
1587:. Ottawa: National Gallery of Canada. 1993.
1458:"Abstractionist's Debt to Ancient Greece".
1432:. Toronto ON. 19 December 1964. p. 17.
1415:. Toronto ON. 20 February 1965. p. 15.
1300:. Toronto ON. 21 November 1964. p. 17.
1105:. Toronto ON. 19 December 1978. p. D3.
958:. Toronto ON. 23 November 1964. p. 17.
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148:condominium project Mirvish+Gehry Toronto.
1548:. Edmonton Art Gallery. 1974. p. 36.
1496:. Toronto ON. 10 October 1964. p. 15.
1464:. Toronto ON. 1 February 1964. p. 13.
1366:. Toronto ON. 31 October 1964. p. 15.
1349:. Toronto ON. 7 November 1964. p. 20.
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719:. Toronto ON. 7 December 1963. p. 17.
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1317:. Toronto ON. 14 March 1964. p. 16.
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1263:. Toronto ON. 14 March 1964. p. 16.
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176:spent five months studying sculpture at
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1228:. Toronto ON. 4 July 1964. p. 13.
1222:"A Suit of Armor, A Knight of Space".
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339:University Fine Arts Markham (YUFAM).
1730:"Does Toronto need a Mirvish museum?"
1713:princess of wales theatre 1907 first.
1670:Knelman, Martin (29 September 2012).
1211:. Toronto ON. 9 May 1964. p. 15.
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277:. Sheila Gladstone, wife of sculptor
172:Around the same time, David's mother
1844:Art museums and galleries in Ontario
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263:The first mention of the gallery in
125:contemporary, commercial art gallery
55:596 Markham Street, Toronto, Ontario
1640:de Franco, Luca (17 October 2012).
605:Mirvish+Gehry Toronto, with gallery
593:. Mirvish has donated works to the
184:, a result of the urging of artist
13:
850:"Wholesome Appreciation of Legs".
362:, closing in 1992 due to illness.
14:
1880:
1864:1978 disestablishments in Ontario
769:. Key Porter Books. p. 220.
609:In 2012, Mirvish announced a new
1785:Zachary, Adam (22 August 2013).
1693:Toronto: A Pictorial Celebration
974:The Distillery Historic District
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1728:Lorinc, John (24 August 2013).
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1101:"York to rent closed gallery".
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650:Planned sale of Mirvish Village
1859:1963 establishments in Ontario
873:. Toronto ON. 26 October 1963.
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856:. Toronto ON. 9 November 1963.
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660:Heritage Conservation District
1:
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823:Kane, Laura (17 July 2013).
334:The Fine Arts department at
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7:
1755:Marr, Gary (16 July 2013).
1343:"Toronto Invaded By West".
1045:. Toronto ON. p. C13.
765:Mirvish, Honest Ed (1997).
157:Creation of Mirvish Village
10:
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1819:. Toronto ON. 19 July 2013
1280:. Toronto ON. p. 43.
1162:. Toronto ON. p. A14.
1022:. Toronto ON. p. C3.
595:National Gallery of Canada
553:Artists collected include
151:
145:Post-painterly Abstraction
1573:. Toronto ON. p. T4.
1479:. Toronto ON. p. 46.
1447:. Toronto ON. p. 47.
1383:. Toronto ON. p. 15.
1332:. Toronto ON. p. 53.
1243:. Toronto ON. p. 55.
1194:. Toronto ON. p. 65.
1179:. Toronto ON. p. 32.
1140:. Toronto ON. p. 42.
1120:. Toronto ON. p. C2.
1063:. Toronto ON. p. 27.
1005:. Toronto ON. p. C2.
924:. Toronto ON. p. 13.
907:. Toronto ON. p. 34.
691:. Toronto ON. p. T1.
619:Princess of Wales Theatre
222:Princess of Wales Theatre
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190:Toronto General Hospital
161:David Mirvish's father,
103:contemporary art gallery
1612:Upright, Diane (1985).
739:. CanWest. pp. A1.
295:magazine noted that an
258:Royal Alexandra Theatre
1082:(1). Toronto ON: 5–6.
307:Waddington Gallery in
241:
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599:Fort Worth Art Museum
232:
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121:David Mirvish Gallery
20:David Mirvish Gallery
1787:"Loaded opportunity"
1689:Bell, Bruce (2006).
613:project designed by
539:Edmonton Art Gallery
385:Walter Darby Bannard
165:, was proprietor of
1531:. 18 November 2015.
563:Helen Frankenthaler
415:Helen Frankenthaler
329:Mirvish Productions
83:43.6640°N 79.4122°W
79: /
32:September 1963
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1570:The Globe and Mail
1529:"Curriculum Vitae"
1510:. Danielsolomon.ca
1493:The Globe and Mail
1461:The Globe and Mail
1429:The Globe and Mail
1412:The Globe and Mail
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1260:The Globe and Mail
1225:The Globe and Mail
1208:The Globe and Mail
1176:The Globe and Mail
1137:The Globe and Mail
1042:The Globe and Mail
1019:The Globe and Mail
1002:The Globe and Mail
980:on 15 October 2012
955:The Globe and Mail
938:The Globe and Mail
921:The Globe and Mail
904:The Globe and Mail
870:The Globe and Mail
853:The Globe and Mail
809:: 50–58. May 1993.
716:The Globe and Mail
638:Doors Open Toronto
545:Mirvish Collection
442:Stanley Hirshenson
324:The Globe and Mail
315:and the estate of
266:The Globe and Mail
260:, on King Street.
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19:
1490:"Advertisement".
1360:"Advertisement".
1311:"Advertisement".
1205:"Advertisement".
935:"Advertisement".
867:"Advertisement".
571:Robert Motherwell
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472:Robert Motherwell
366:Artists displayed
356:University Avenue
284:Gallery operator
182:Greenwich Village
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631:Gardiner Museum
623:OCAD University
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336:York University
275:Anton Van Dalen
251:Mirvish Village
236:, bordering on
234:Mirvish Village
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805:"Rising son".
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313:Kenneth Noland
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1823:21 September
1821:. Retrieved
1816:
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1797:21 September
1795:. Retrieved
1793:. Toronto ON
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1763:. Toronto ON
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1740:21 September
1738:. Retrieved
1736:. Toronto ON
1734:Toronto Star
1733:
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1676:Toronto Star
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1652:21 September
1650:. Retrieved
1648:. Toronto ON
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982:. Retrieved
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833:. Retrieved
831:. Toronto ON
829:Toronto Star
828:
807:Toronto Life
806:
766:
736:
714:
688:
653:
641:
635:
608:
591:Frank Stella
567:Morris Louis
559:Anthony Caro
552:
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509:Charles Robb
476:
452:Hans Hofmann
424:
395:Anthony Caro
380:Milton Avery
369:
360:Front Street
344:David Bolduc
341:
333:
323:
321:
306:
292:Toronto Life
290:
283:
271:Armand Flint
264:
262:
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246:
243:
215:
207:
197:Jack Pollock
194:
174:Anne Mirvish
171:
160:
120:
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1791:The Varsity
656:Honest Ed's
615:Frank Gehry
611:condominium
587:David Smith
583:Larry Poons
504:Larry Poons
437:Roy Kiyooka
405:Greg Curnoe
286:Jane Corkin
238:Honest Ed's
186:Paul Burlin
167:Honest Ed's
141:Color Field
86: /
61:Coordinates
29:Established
1838:Categories
1708:140272389X
1514:2013-10-29
984:23 October
776:1550139096
666:References
519:Ray Spiers
484:Bob Murray
447:Les Levine
224:, Toronto.
163:Ed Mirvish
74:79°24′44″W
71:43°39′50″N
1088:1185-3433
640:noted to
555:Jack Bush
390:Jack Bush
317:Jack Bush
309:Yorkville
203:Operation
44:Dissolved
1817:CBC News
1624:12582565
1554:15844557
212:—
52:Location
1646:Spacing
643:Spacing
240:, 2008.
152:History
137:Toronto
127:run by
36:1963-09
34: (
1705:
1622:
1552:
1086:
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589:, and
529:
350:, and
123:was a
247:Globe
109:Owner
1825:2013
1799:2013
1769:2013
1742:2013
1703:ISBN
1654:2013
1620:OCLC
1550:OCLC
1545:1975
1084:ISSN
986:2013
837:2013
771:ISBN
358:and
143:and
99:Type
47:1978
180:in
135:in
1840::
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1827:.
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1556:.
1517:.
1090:.
988:.
839:.
779:.
38:)
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