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Contemporary art gallery

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printing invitations to the opening, guidebooks, and other P.R. publications. Some galleries self-publish or help to arrange publishing for art books and monographs concerning their artists. They sometimes provide a stipend or otherwise ensure the artist has enough money to make ends meet. One idiosyncrasy of contemporary art galleries is their aversion to signing business contracts, although this is changing due to artists taking more control of their output and saleability through professional practice information provided by artists' associations.
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perhaps in a nod to the egalitarian philosophies of many artists and critics and to encourage attendance, or perhaps in the interests of just good business. Instead, they profit by taking a cut of the art's sales; the exact percentage varies. Some galleries in cities like Tokyo and in New York charge the artists a flat rate per day or per week, though this is considered distasteful in some international art markets. Inevitably the business of contemporary art has in recent decades become increasingly internationalized and commercialized.
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Galleries tend to cluster in certain neighborhoods within cosmopolitan cities for economic and practical reasons, mainly that it is possible for the buyers and general public to view more art if they can travel by foot. In the past galleries have tended to cluster in neighborhoods with affordable
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There are many operational models that galleries follow. The most common business model is that of the for-profit, privately owned gallery. This is an extremely competitive market but one that may yield great profits. As a general rule, commercial galleries do not charge admission to the public,
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often create group shows that say something about contemporary issues or a certain theme, trend in art, or group of associated artists. Galleries often choose to represent artists exclusively, giving them the opportunity to show regularly. Some have a narrow focus while others are more eclectic.
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galleries connect artists with buyers by hosting exhibitions and openings. The artworks are on consignment, with the artist and the gallery splitting the proceeds from each sale. Depending upon the expertise of the gallery owner and staff, and the particular market, the artwork shown may be more
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Commercial galleries often choose to represent artists exclusively, giving them the opportunity to have solo shows regularly. They usually promote the artist's shows by cultivating collectors, making press contacts, and trying to get critical reviews. Most reputable galleries absorb the cost of
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Although primarily concerned with providing a space to show works of visual art, art galleries are sometimes used to host other artistic activities, such as music concerts, poetry readings, or performances, which may be considered
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prohibit gallery exhibition. Documentation of these kinds of art such as photographic records, are often shown and sold in galleries however, as are preliminary or process drawings and collages (such as those generated by
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and dealers sell the work of celebrity artists; at the low end artists sell their work from their studio, or in informal venues such as restaurants. In the middle, art galleries are the primary connection between
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world. Most large urban areas have several art galleries, and most towns will be home to at least one. However, they may also be found in small communities, and remote areas where artists congregate, e.g. the
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by cities, churches, art collectives, not-for-profit organizations, and local or national governments are usually termed Non-Profit Galleries. Galleries run by artists are sometimes known as
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where galleries and other dealers show their best artists and sell works over a period of a week or so have taken the art world by storm in recent years. The biggest of these is the
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real-estate due to the unprofitable nature of the business. However, in the 21st century art galleries are strongly associated with the process of
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Contemporary art galleries are usually free and open to the public; however, some are semi-private, more exclusive, and by appointment only.
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in 1913), which charges admission. These fairs have been criticized by artists as over-commercializing contemporary art.
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manages to combine his core intentions by linking the materials used in his land art, to make gallery art.
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Moureau, Nathalie; Sagot-Duvauroux, Dominique (2012). "Four Business Models in Contemporary Art".
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as part of the proposal to governing bodies when applying to install land works). British artist
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and art-collective galleries which follow different business models, as well as
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by living artists. This approach has been called the "Castelli Method" after
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Art galleries are often established together in urban centers such as the
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district of New York, widely considered to be the center of the American
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East End & West End, Commercial Street, Bradford Street,
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Downtown Arts and Museum District, The Railyard District and
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For the exhibition space in Vancouver, British Columbia, see
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in New York (not to be confused with the famous show by the
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and Vyner Street in London, UK. Bartlett Street in Bath, UK
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River North Gallery District, Near North Side, Chicago
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List of art districts by area name, city and country
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Unsourced material may be challenged and removed. 168: 915: 1699: 329:Château de Montsoreau-Museum of Contemporary Art 1393:Timeline of 20th century printmaking in America 190:; accounting for the majority of transactions. 901: 813: 908: 894: 145:which specializes in displaying for sale 113:Learn how and when to remove this message 822:International Journal of Arts Management 297: 124: 129:A gallery show opening in New York City 1700: 838: 889: 226:There are also many not-for-profit, 51:adding citations to reliable sources 22: 18:Contemporary Art Gallery (Vancouver) 13: 1708:Types of art museums and galleries 1492:Index of painting-related articles 198: 14: 1724: 571: 542:Canyon Road, Santa Fe, New Mexico 399: 313: 27: 234:which prey on unsavvy artists. 169:Galleries in the market for art 38:needs additional citations for 857: 832: 791: 237: 1: 839:Sansom, Anna (29 July 2019). 784: 645:and Feijiacun, Beijing, China 509:Fairfield County, Connecticut 1431:Museum collection management 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Contemporary Art Gallery (Vancouver)

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art gallery
art dealer
contemporary art
works of art
Leo Castelli
Jasper Johns
Robert Rauschenberg
art market
auctioneers
artists
collectors
art fairs
Armory Show
same name
artist-run spaces
vanity galleries
Curators

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