33:
1833:
513:
420:
argue against these types of approaches, which they claim act as "Grand
Theories" that use films to confirm predetermined theoretical frameworks, rather than attempting mid-level research meant to illuminate how films work. Bordwell and Carroll coined the term "S.L.A.B. theory" to refer to theories
389:
perspective is the central reason why neoformalism earns its prefix (neo) and is not "traditional" formalism. Much of
Bordwell's work considers the film-goer's cognitive processes that take place when perceiving the film's nontextual, aesthetic forms. This analysis includes how films guide our
345:, Bordwell contributed books and articles on classical film theory, the history of art cinema, classical and contemporary Hollywood cinema, and East Asian film style. However, his more influential and controversial works dealt with cognitive film theory (
381:: that there is a distinction between a film's perceptual and semiotic properties (and that film theorists have generally overstated the role of textual codes in one's comprehension of such basic elements as
1131:
9 (Spring 1989) "Cinema and
Cognitive Psychology"; issue edited by Dudley Andrew, featuring essays by Bordwell ("A Case for Cognitivism"), Julian Hochberg, Virginia Brooks, Dirk Eitzen, and Michel Colin; in
308:
in the
Department of Communication Arts. Film theorists who wrote their dissertations under his advisement include Edward Branigan, Murray Smith, and Carl Plantinga. He and Thompson maintained the blog
1172:, featuring essays from Edward Branigan, RIck Altman, David A. Cook, Thomas Elsaesser, Robert B. Ray, and Robin Wood; Bordwell responds in length at the end ("Film Interpretation Revisited")
394:", a formalist term for how art shows us familiar and formulaic objects and concepts in a manner that encourages us to experience them as if they were new entities.
1907:
445:
Bordwell's considerable influence within film studies reached such a point that many of his concepts are reported to "have become part of a theoretical
1136:
11 Bordwell responds to Andrew's characterization of cognitive film theory ("A Case for
Cognitivism: Further Reflections"), followed by Andrew's reply
37:
Bordwell lecturing on the economics of the film industry; his whiteboard diagram shows the oligopoly that existed in the US film industry during the
1775:
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1146:"; supplement edited by Edward S. Small, featuring essays by Bordwell ("Cognition and Comprehension: Viewing and Forgetting in
848:
326:
985:
1252:
781:
869:
1413:
301:
883:
29:1 (Winter 1988); from a polemic between
Bordwell/Staiger/Thompson and Barry King regarding King's two-part review of
1437:
377:. Neoformalism is an approach to film analysis based on observations first made by the literary theorists known as the
1877:
650:
535:
1168:
17:2-3 (Winter/Spring 1993), "'Film
Interpretation, Inc.': Issues in Contemporary Film Studies", issue dedicated to
1408:
493:
In 1970, Bordwell married
Barbara Weinstein; their marriage ended in divorce. He married Kristin Thompson in 1979.
898:
837:
666:
592:
497:
890:
1355:
405:
1150:), Joseph Anderson, and Calvin Pryluck, as well as Noƫl Carroll's response to Warren Buckland's review of
397:
Neoformalists reject many assumptions and methodologies made by other schools of film study, particularly
1269:
745:
1667:
1630:
1578:
105:
1438:"Remembering David Bordwell: A Film Scholar Who Did More Than Anyone to Advance Academic Film Studies"
1817:
1782:
1732:
1677:
1380:
1244:
UW Press - : Post-Theory: Reconstructing Film
Studies, Edited by David Bordwell and Noƫl Carroll
773:
756:
734:
471:
1752:
1615:
1536:
923:
696:
679:
629:
616:
386:
1892:
1071:; an expanded revision of "Schema and Revision: Staging and Composition in Early CinemaScope" in
446:
38:
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1064:
1030:
767:
113:
262:, in its 12th edition as of 2019, is still used as a text in introductory film courses. With
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287:
282:. Several of his more influential articles on theory, narrative, and style were collected in
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1652:
458:
1208:
861:, 40:2 (Winter 1986-87; from a polemic between Bordwell/Thompson and Barry Salt regarding
8:
1662:
1610:
1102:
How Motion
Pictures Become the Movies 1908-1920: Thirteen years that changed world cinema
1057:, eds. Lennard Hojbjerg and Peter Schepelern (Museum Tusulanum Press 2003); reprinted in
1006:, ed. Law Kar (Urban Council / Hong Kong International Film Festival 1997); reprinted in
950:"The Power of a Research Tradition: Prospects for a Progress in the Study of Film Style"
481:
462:
341:
Drawing inspiration from film theorists such as Noel Burch as well as from art historian
1016:, ed. Law Kar (Urban Council / Hong Kong International Film Festival 1998); revised for
723:
1620:
1386:
1143:
689:
639:
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224:
109:
79:
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1722:
1558:
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777:
646:
531:
409:
391:
1186:
and featuring essays by Noƫl Carroll, Lea Jacobs, Charles O'Brien, and Scott Higgins
1803:
1742:
1717:
1694:
374:
294:
247:
189:
149:
1334:
457:
The David Bordwell Collection of over one hundred 35mm film prints is held at the
476:
466:
430:
274:(1996), a polemic on the state of contemporary film theory. His largest work was
1464:
A small tribute to the titanic David Bordwell, "a real cinephile" - Tone Madison
870:
Approppriations and ImPropprieties: Problems in the Morphology of Film Narrative
417:
267:
1768:
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1684:
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434:
342:
300:
Bordwell spent nearly the entirety of his career as a professor of film at the
227:
in 1973, he wrote more than fifteen volumes on the subject of cinema including
220:
91:
908:"A Cinema of Flourishes: Japanese Decorative Classicism of the Prewar Era" in
373:, although this approach has been more extensively written about by his wife,
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426:
402:
279:
216:
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32:
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913:
815:
5:2 / 6:1 (Fall 1981 / Spring 1982); see also "Textual Analysis Revisited"
1242:
736:
Minding Movies: Observations on the Art, Craft, and Business of Filmmaking
1837:
1602:
1513:"School's Out? Never!: David Bordwell Keeps Working the Room (interview)"
578:
The Classical Hollywood Cinema: Film Style and Mode of Production to 1960
398:
276:
The Classical Hollywood Cinema: Film Style and Mode of Production to 1960
1002:"Aesthetics in Action: Kung Fu, Gunplay, and Cinematic Expressivity" in
1554:
353:
of film style, and critiques of contemporary film theory and analysis (
263:
1496:
1053:"Who Blinked First? How Film Style Streamlines Nonverbal Interaction"
758:
Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling
612:
Making Meaning: Inference and Rhetoric in the Interpretation of Cinema
390:
attention to salient narrative information, and how films partake in "
304:, retiring in 2004 and becoming the Ledoux Professor of Film Studies,
1442:
1381:"David Bordwell, Scholar Who Demystified the Art of Film, Dies at 76"
1043:"Intensified Continuity: Visual Style in Contemporary American Film"
924:
Cognition and Comprehension: Viewing and Forgetting in Mildred Pierce
573:
369:
Bordwell was also associated with a methodological approach known as
967:"Contemporary Film Studies and the Vicissitudes of Grand Theory" in
822:"Lowering the Stakes: Prospects for a Historical Poetics of Cinema"
310:
382:
557:
French Impressionist Cinema: Film Culture, Film Theory, Film Style
1152:
Mystifying Movies: Fads and Fallacies in Contemporary Film Theory
512:
769:
Perplexing Plots: Popular Storytelling and the Poetics of Murder
1563:
1480:
944:
17:2-3 (Winter/Spring 1993); written in response to critics of
865:
and Salt's own work on classical Hollywood style and technology
175:
1115:
1082:, ed. Scott Higgins (Routledge 2010); an expanded revision of
747:
The Rhapsodes: How 1940s Critics Changed American Film Culture
207:
1108:
1101:
691:
Planet Hong Kong: Popular Cinema and the Art of Entertainment
1012:"Richness through Imperfection: King Hu and the Glimpse" in
715:
The Way Hollywood Tells It: Story and Style in Modern Movies
198:
660:
286:(2007), named in homage to the famous anthology of Russian
819:
7:1 (Spring 1983) written in response to Lawrence Crawford
1084:
Simplicity, clarity, balance: A tribute to Rudolf Arnheim
1022:"Transcultural Spaces: Toward a Poetics of Chinese Film"
574:
Bordwell, David; Janet Staiger; Kristin Thompson (1985).
1109:
CinemaScope: The Modern Miracle You See without Glasses!
1065:
CinemaScope: The Modern Miracle You See without Glasses!
732:
636:
544:
833:, eds. Stephen Heath and Patricia Mellencamp (AFI 1983)
461:
and is particularly noteworthy for the strength of its
1335:"Bordwell on Bordwell: Part IV - Levels of Engagement"
1289:"David Bordwell, Preeminent Film Scholar, Dies at 76"
905:
11 (Summer 1990) written in response to Dudley Andrew
215:; July 23, 1947 ā February 29, 2024) was an American
204:
1241:
Bordwell, David; Carroll, Noel (February 15, 1996).
974:"Convention, Construction, and Cinematic Vision" in
201:
195:
361:were his two major contributions to this subject).
278:(1985), written in collaboration with Thompson and
192:
1116:Hou Hsiao-hsien: Constraints Traditions and Trends
1078:"Rudolf Arnheim: Clarity, Simplicity, Balance" in
829:"Mizoguchi and the Evolution of Film Language" in
688:
638:
575:
523:
1055:Style and Story: Essays in Honor of Torben Grodal
849:Widescreen Aesthetics and Mise-en-Scene Criticism
401:(interpretive) approaches, among which he counts
385:and closure). One scholar has commented that the
349:being one of the first volumes on this subject),
1849:
1776:Historical Journal of Film, Radio and Television
916:and Arthur Noletti (Indiana 1992); reprinted in
1409:"Remembering Professor Emeritus David Bordwell"
1240:
1014:Transcending the Times: King Hu and Eileen Chan
986:La Nouvelle Mission de Feuillade; or, What Was
1332:
1579:
957:"Visual Style in Japanese Cinema, 1925-1945"
857:"A Salt and Battery" (with Kristin Thompson)
706:Figures Traced in Light: On Cinematic Staging
516:Bordwell delivering a lecture on film theory.
661:Bordwell, David; Noƫl Carroll, eds. (1996).
1373:
1371:
1369:
1182:", issue edited by Bordwell, complementing
899:A Case for Cognitivism: Further Reflections
717:. Berkeley: University of California Press.
708:. Berkeley: University of California Press.
569:. Berkeley: University of California Press.
325:, on July 23, 1947. He was educated at the
1586:
1572:
1510:
1494:
1478:
733:Bordwell, David; Kristin Thompson (2011).
637:Bordwell, David; Kristin Thompson (1994).
545:Bordwell, David; Kristin Thompson (1979).
504:, on February 29, 2024, at the age of 76.
488:
31:
1797:New Review of Film and Television Studies
1377:
1328:
1326:
799:The Art Cinema as a Mode of Film Practice
530:. Bloomington: Indiana University Press.
1790:Journal of Popular Film & Television
1537:"Observations on film art Facebook feed"
1435:
1366:
1314:
1267:
1202:
1200:
1140:Journal of Dramatic Theory and Criticism
1122:
928:Journal of Dramatic Theory and Criticism
879:"Adventures in the Highlands of Theory"
765:
754:
743:
721:
712:
703:
686:
673:
663:Post-Theory: Reconstructing Film Studies
623:
608:
604:. Princeton: Princeton University Press.
599:
586:
564:
554:
521:
511:
414:Post-Theory: Reconstructing Film Studies
272:Post-Theory: Reconstructing Film Studies
1908:University of WisconsināMadison faculty
1401:
1378:Rosenwald, Michael C. (March 8, 2024).
1158:30:4), a response which the editors of
761:. Chicago: University of Chicago Press.
750:. Chicago: University of Chicago Press.
739:. Chicago: University of Chicago Press.
551:Ninth edition, 2009, 12th edition, 2019
526:Filmguide to La Passion de Jeanne d'Arc
1850:
1323:
1286:
1206:
1094:
582:. New York: Columbia University Press.
449:in film criticism and film academia."
327:State University of New York at Albany
1567:
1436:Blauvelt, Christian (March 1, 2024).
1280:
1197:
1075:, ed. Jean-Jacques Meusy (AFRHC 2004)
1073:Le CinemaScope Entre art et industrie
1481:"David Bordwell's Website on Cinema"
223:. After receiving his PhD from the
1209:"You Can Judge a Book by Its Movie"
13:
1274:David Bordwell's Website on Cinema
1207:Dargis, Manohla (April 23, 2010).
1080:Arnheim for Film and Media Studies
791:
561:Reprint of 1974 Ph.D. dissertation
14:
1924:
1883:American male non-fiction writers
1472:
1268:Bordwell, David (July 23, 2016).
313:for their ruminations on cinema.
141: 1970, divorced)
16:American film scholar (1947ā2024)
1898:Historians from New York (state)
1873:21st-century American historians
1868:20th-century American historians
1831:
1593:
1047:55:3 (Spring 2002); revised for
978:(UW-Madison 1996); reprinted in
567:The Films of Carl-Theodor Dreyer
270:, Bordwell edited the anthology
188:
1913:Writers from Madison, Wisconsin
1457:
1429:
1414:University of WisconsināMadison
1004:Fifty Years of Electric Shadows
961:7:1 (Spring 1995); revised for
930:6:2 (Spring 1992); revised for
507:
364:
302:University of WisconsināMadison
250:, Bordwell wrote the textbooks
158:
138:
1903:People from Penn Yan, New York
1888:Deaths from pulmonary fibrosis
1348:
1308:
1287:Barnes, Mike (March 1, 2024).
1261:
1234:
996:37 (Spring 1996); revised for
885:The Classical Hollywood Cinema
863:The Classical Hollywood Cinema
549:. Reading, MA: Addison-Wesley.
1:
1190:
938:Film Interpretation Revisited
910:Directions in Japanese Cinema
805:4:1 (Fall 1979); revised for
667:University of Wisconsin Press
641:Film History: An Introduction
602:Ozu and the Poetics of Cinema
593:University of Wisconsin Press
589:Narration in the Fiction Film
498:idiopathic pulmonary fibrosis
347:Narration in the Fiction Film
316:
233:Ozu and the Poetics of Cinema
229:Narration in the Fiction Film
1184:On the History of Film Style
1144:Cognitive Science and Cinema
676:On the History of Film Style
465:as well as having copies of
440:
241:On the History of Film Style
176:http://www.davidbordwell.net
7:
1356:"David Bordwell Collection"
1247:. Univ of Wisconsin Press.
1162:supposedly refused to print
897:9 (Spring 1989); see also "
10:
1929:
1818:Television & New Media
1668:Psychoanalytic film theory
1315:Thompson, Kristin (1988).
1270:"Born on the 23rd of July"
1049:The Way Hollywood Tells It
452:
408:and certain variations of
311:"Observations on film art"
1827:
1783:Journal of Film and Video
1751:
1705:
1678:Structuralist film theory
1601:
838:Jump Cuts and Blind Spots
811:"Textual Analysis, Etc."
774:Columbia University Press
645:. New York: McGraw-Hill.
547:Film Art: An Introduction
472:Desperately Seeking Susan
416:, Bordwell and co-editor
336:
171:
119:
101:
87:
68:
46:
30:
23:
1878:American film historians
1317:Breaking the Glass Armor
1037:97 (2002); reprinted in
851:" "The Velvet Light Trap
766:Bordwell, David (2023).
755:Bordwell, David (2017).
744:Bordwell, David (2016).
722:Bordwell, David (2008).
713:Bordwell, David (2006).
704:Bordwell, David (2005).
697:Harvard University Press
687:Bordwell, David (2000).
680:Harvard University Press
674:Bordwell, David (1997).
630:Harvard University Press
626:The Cinema of Eisenstein
624:Bordwell, David (1993).
617:Harvard University Press
609:Bordwell, David (1989).
600:Bordwell, David (1988).
587:Bordwell, David (1985).
565:Bordwell, David (1981).
555:Bordwell, David (1980).
522:Bordwell, David (1973).
1319:. Princeton Univ Press.
998:Figures Traced in Light
559:. New York: Arno Press.
489:Personal life and death
39:Golden Age of Hollywood
1626:Linguistic film theory
1294:The Hollywood Reporter
891:A Case for Cognitivism
728:. Berkeley: Routledge.
517:
421:that use the ideas of
114:linguistic film theory
1811:The Velvet Light Trap
1641:Formalist film theory
1616:Cognitive film theory
1497:"David Bordwell's CV"
1123:Select journal issues
994:The Velvet Light Trap
515:
321:Bordwell was born in
288:formalist film theory
1653:Feminist film theory
1360:Academy Film Archive
1333:Jakob Isak Nielsen.
657:Third edition, 2010.
459:Academy Film Archive
1663:Marxist film theory
1178:32:3 (Fall 1998), "
1142:6:2 (Spring 1992) "
1095:Select video essays
831:Cinema and Language
496:Bordwell died from
1621:Historical poetics
1387:The New York Times
1213:The New York Times
518:
502:Madison, Wisconsin
463:Hong Kong holdings
379:Russian formalists
351:historical poetics
331:University of Iowa
323:Penn Yan, New York
225:University of Iowa
184:David Jay Bordwell
110:historical poetics
80:Madison, Wisconsin
61:Penn Yan, New York
1845:
1844:
1753:Academic journals
1723:Sergei Eisenstein
1254:978-0-299-14944-4
1088:davidbordwell.net
1069:Poetics of Cinema
1059:Poetics of Cinema
1039:Poetics of Cinema
1018:Poetics of Cinema
1008:Poetics of Cinema
980:Poetics of Cinema
971:(UW-Madison 1996)
963:Poetics of Cinema
954:6:1 (Spring 1994)
932:Poetics of Cinema
918:Poetics of Cinema
876:27:3 (Spring 1988
807:Poetics of Cinema
783:978-0-231-55655-2
725:Poetics of Cinema
410:poststructuralism
392:defamiliarization
284:Poetics of Cinema
181:
180:
128:Barbara Weinstein
72:February 29, 2024
1920:
1836:
1835:
1834:
1743:Kristin Thompson
1718:Thomas Elsaesser
1695:Schreiber theory
1685:Critical methods
1588:
1581:
1574:
1565:
1564:
1551:
1549:
1547:
1532:
1530:
1528:
1523:on April 8, 2006
1519:. Archived from
1511:Chuck Stephens.
1507:
1505:
1503:
1495:David Bordwell.
1491:
1489:
1487:
1479:David Bordwell.
1466:
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375:Kristin Thompson
295:Boris Eikhenbaum
248:Kristin Thompson
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150:Kristin Thompson
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1838:Film portal
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1417:. March 1, 2024
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1180:Style in Cinema
1148:Mildred Pierce"
1125:
1097:
1090:(June 15, 2007)
794:
792:Select articles
784:
653:
538:
510:
500:at his home in
491:
477:Peter Greenaway
467:Susan Seidelman
455:
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1769:Film Quarterly
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1762:Cinema Journal
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1733:Christian Metz
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1713:David Bordwell
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1473:External links
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942:Film Criticism
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1738:Laura Mulvey
1712:
1631:Neoformalism
1595:Film studies
1544:. Retrieved
1540:
1525:. Retrieved
1521:the original
1517:Cinema Scope
1516:
1502:December 14,
1500:. Retrieved
1484:. Retrieved
1459:
1447:. Retrieved
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1419:. Retrieved
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1391:. Retrieved
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1338:. Retrieved
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106:Neoformalism
74:(2024-02-29)
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1863:2024 deaths
1858:1947 births
1648:Continental
1026:20:2 (2001)
1024:Post Script
976:Post-Theory
969:Post-Theory
665:. Madison:
591:. Madison:
399:hermeneutic
387:cognitivist
359:Post-Theory
254:(1979) and
1852:Categories
1637:Classical
1603:Approaches
1191:References
844:6:1 (1984)
842:Wide Angle
826:1:1 (1983)
317:Early life
264:aesthetics
53:1947-07-23
1527:March 28,
1486:March 28,
1443:IndieWire
1221:0362-4331
1035:Substance
441:Influence
433:, and/or
431:Althusser
297:in 1927.
1706:Scholars
1611:Analytic
1546:July 21,
1541:Facebook
1449:March 1,
1421:March 1,
1393:March 8,
1300:March 4,
817:Enclitic
813:Enclitic
423:Saussure
403:Lacanian
383:diegesis
329:and the
306:Emeritus
260:Film Art
258:(1994).
252:Film Art
243:(1997).
235:(1988),
231:(1985),
912:, eds.
453:Archive
435:Barthes
172:Website
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120:Spouses
1804:Screen
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1154:(from
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337:Career
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1086:from
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447:canon
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157:(
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1451:2024
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1342:2018
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1249:ISBN
1228:2022
1217:ISSN
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1129:Iris
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475:and
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