235:. According to Thompson, the book " examine the larger phenomenon of this hugely successful franchise, examining the film's making but also its marketing via the Internet, its merchandising (particularly DVDs and video games), and its impact on world cinema." It is based on the author's interviews with many of the artists, writers, and business people who participated in the making of
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television series had "...a loosening of causality, a greater emphasis on psychological or anecdotal realism, violations of classical clarity of space and time, explicit authorial comment, and ambiguity." She compared Lynch's film
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uses a "...flurry of cultural references, intentionally inconsistent characterization, and considerable self-reflexivity about television conventions and the status of the program as a television show."
78:, with a 12th edition published in 2019, was first published in 1979 and has become a standard in the field of film aesthetics. As of 2024, it has been translated into twelve languages.
208:"...have altered longstanding notions of closure and single authorship", which means that "...television has wrought its own changes in traditional narrative form." She stated that
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34:. She wrote two scholarly books in the 1980s which used an analytical technique called neoformalism. She also co-authored two widely used film studies textbooks with her husband
63:. She has held teaching positions at the University of Wisconsin, the University of Iowa, Indiana University, the University of Amsterdam, and the University of Stockholm.
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through recombination of older ones, self-consciousness, and pronounced tendencies toward the controversial and the realistic." She claims that television shows such as
105:. In early 2001 she gave a series of lectures at Oxford University. She holds an honorary fellowship in the Department of Communication Arts at the
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http://209.85.165.104/search?q=cache:_gjqtGL44gEJ:www.hup.harvard.edu/catalog/THOSTF.html+%22art+television%22&hl=en&ct=clnk&cd=126
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and author whose research interests include the close formal analysis of films, the history of film styles, and "
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and asked "...whether there can be an "art television" comparable to the more familiar "
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Storytelling in the New
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The
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Thompson argues that a small number of television shows stand out as
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Thompson predominantly relies on an analytical method drawn from
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The Frodo
Franchise: The Lord of the Rings and Modern Hollywood
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Storytelling in Film and
Television. Summary available at:
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shows, due to their use of "...a quality pedigree, a large
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Bordwell, David; Janet
Staiger; Kristin Thompson (1985).
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Eisenstein's "Ivan the
Terrible": A Neoformalist Analysis
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In 1994, she co-wrote another textbook with
Bordwell,
89:. Neoformalism is also the basis for her later book,
561:"Observations on film art. About Kristin Thompson"
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379:Bordwell, David; Kristin Thompson (2002) .
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59:(1973) and a Ph.D. in film studies at the
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302:Storytelling in Film and Television
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381:Film History: An Introduction
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153:exhibit traits also found in
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271:Resources in other libraries
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304:. Harvard University Press.
22:(born 1950) is an American
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536:Thompson, Kristin (2007).
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309:Thompson, Kristin (1999).
300:Thompson, Kristin (2003).
177:and the television series
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433:: A Neoformalist Analysis
359:Film Art: An Introduction
326:: A Neoformalist Analysis
285:Resources in your library
266:Resources in your library
68:Film Art: An Introduction
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637:American film historians
588:"About Kristin Thompson"
477:Buffy the Vampire Slayer
461:Breaking the Glass Armor
414:David Bordwell's website
383:. New York: McGraw-Hill.
347:Breaking the Glass Armor
193:Buffy the Vampire Slayer
138:Buffy the Vampire Slayer
91:Breaking the Glass Armor
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16:American film theorist
238:The Lord of the Rings
228:The Lord of the Rings
563:. davidbordwell.net
538:The Frodo Franchise
279:By Kristin Thompson
246:Select bibliography
70:, with her husband
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395:Quality television
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174:Blue Velvet
162:David Lynch
606:Categories
401:References
185:art cinema
180:Twin Peaks
167:Twin Peaks
132:Twin Peaks
155:art films
593:June 28,
389:See also
76:Film Art
32:art film
55:at the
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