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mostly imagined. What is more pertinent to this project is the fact that our generation has a blurred point of view on values and on temporality itself. The past, present, and futureâor at least a visually skewed representation of themâare immediately accessible by typing a few keywords into an engine. In this way, reality is multivalent, personal, and constantly in flux. The fashion in DIS is not "high" nor "low." It is simply Medium.â
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The first issue published was the Labor Issue, co-edited with artist Chris Kasper. The magazine proposes an horizontal exploration of culture, offering articles on climate change alongside faux-commercials. The content of the online magazine was organized around categories such as distaste, dystopia,
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magazine. In addition to the magazine, DIS consists of the platforms DISimages â a project producing new stock imagery â and DISown â a now-closed concept store featuring work by over 30 artists as a laboratory to test the current status of the art object, as well as notions of taste and consumerism.
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to present a project at their yearly Regent's Park event. The result was a series of images using the galleries and architecture of the Frieze London Art Fair as both a backdrop and subject. The series sought to explore new ways of documenting art in an attention economy, a theme in DISâ work. The
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The Art School issue explored the culture of art school and imagined new art school trends. Architect and artist
Alessandro Bava guest edited the Disaster issue, which focused on ecology related topics. The Data Issue took as its starting point the rise of so-called "big data", or more broadly the
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Early content was focused on identifying emerging trends and forecasting potential new ones, from accessorizing with nipple clamps through Z-CoiL shoes and Under Armour sports clothing. Explaining their original interest in fashion they have said âIf there is a temporality that DIS explores, it is
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In 2015, they released a line of
Political T-shirts in collaboration with K8 Hardy, Rirkrit Tiravanija, and others. Lauren Boyle described the genesis of the project as such "In our research, we became fascinated with political t-shirt trends, in particular @GOPteens and other right-wing groups,"
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studio, DISimages, and invited numerous artists and photographers to participate. DISimages has been described as âShutterstock on ketamine.â DIS themselves explained that â... stock photographs just perpetuate the same stereotypes over and over again, so we wanted to intercept that and add a few
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In 2014 they created a pop-up store called DISown at Red Bull
Studios in New York; according to the press release, "'DISownâNot for Everyone' is an exhibition posing as a retail store. Or maybe itâs the other way around. As Karl Lagerfeld for H&M is a diffusion line for fashion, DISown is a
301:, the Austrian singer and drag queen who became famous overnight after winning Eurovision 2014. She is pictured speaking at a podium with teleprompters at her side, eliciting questions about celebrity, identity, and image making. For the first time, DIS turned the MoMA logo into a watermark.
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Describing the art meets commerce aspect of the venture, Christopher Glazek, wrote âDISownââs upfront commercialism served then to rebuke artistsâincluding some who participated in the show itselfâwhose market value relies on presenting their work as somehow outside the market system.â
61:('to do the opposite of') and is meant to reflect an oppositional attitude. DIS is primarily known for their interdisciplinary approach to advertising, fashion, communication and popular culture via the Internet. Critics and audiences have associated them with
277:âs October 2015 exhibition âCo-Workers, Network as Artistâ, curated by Angeline Scherf, Toke Lykkeberg and Jessica Castex. To design the exhibition, DIS was inspired by collective work spaces, shopping malls, and airport transit areas. They also showed
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Boyle continued. "Where are the crazy and inspiring progressive t-shirts for our generation? In the grand tradition of commodity activism, we commissioned five artists to design t-shirts that raise awareness. Direct action that's ready-to-wear."
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Shawn Maximo's DISimages project "Confusion is the New Luxury" fused natural landscapes with computer generated images to surreal effect, and Ian Cheng's "3D Models" had virtual human heads reciting commercial programming.
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For sale were items such as a mobile trash can and office planter by artist Lizzie Fitch, a salad bowl by Hood By Air and a Maje Cule-designed mirrored folding chair intended to "maximize intern productivity."
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In
January 2018, DIS launched an online edutainment channel, dis.art, which streams video pieces for a limited run of 30 days. The launch of the channel was preceded in 2017 by a video installation (
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and promising to probing the effects of an image-based post-Internet reality. They were also invited to produce the advertising campaign for the show, which starred
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curator, Sarah McCrory, said of their work: "They subvert the very language of fashion, art and advertising, right down to making ugly a compliment.â
42:. It was founded in 2010 by Lauren Boyle, Solomon Chase, Marco Roso, David Toro, Nick Scholl, Patrik Sandberg and Samuel Adrian Massey, and publishes
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Artists who contributed to DISimages include Anne de Vries, Ian Cheng, Dora Budor, Maja Cule, Harry
Griffin, and Fatima Al-Qadiri.
265:, as well as regular âshower performancesâ in which models would demonstrate how The Island was functional by taking showers.
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art, though they themselves do not identify with the term, dubbing it âa pun with no hope for a conceitâ in one interview.
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series of shifts associated with the ubiquitous nature of parallel processing, large data sets, and digital networks.
187:. Video projects have been made in collaboration with several partners, including artists Ilana Harris-Babou and
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commissioned DIS to create new work for their 30th bi-annual New
Photography exhibition, this time titled
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In 2016, the 9th Berlin
Biennale (June 4âSeptember 18) was curated by DIS. The Biennale title was
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717:"DIS Magazine's Website of "Subversive" Stock Photography Is Like Shutterstock on Ketamine"
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The project began and evolved from an online, interactive magazine that is a twist on a
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magazine. It is now composed of Lauren Boyle, Solomon Chase, Marco Roso and David Toro.
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183:) featuring dis.art's video content along with an avatar character ("The Host") at the
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313:, at Project Native Informant, a London gallery whom they are also represented by.
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511:"Dis Magazine's New T-shirts Let You Wear the Change You Want to See in the World"
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697:"Berlin Biennale 2016: last goodbye to the prematurely dead post-internet label
550:"'Genre-Nonconforming: The DIS Edutainment Network' at de Young, San Francisco"
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657:"Berlin Biennale: DIS im Interview. 'Die Stadt ist internationaler geworden'"
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525:"Genre-Nonconforming: The DIS Edutainment Network | de Young Museum | Artsy"
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in a new installation commissioned specifically for the exhibition.
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For the 2015 New Museum
Triennial, Surround Audience, curated by
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more tags to those weird pictures, to give some more options.â
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look-alike contest with MoMA PS1 for at Art Basel Miami Beach.
481:"DISown Blows Away the Boundaries Between Art and Commerce"
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595:"Art Collective Dis Releases Progressive Video Platform"
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765:"Conchita Wurst Stars in MoMA Photography Ads by DIS"
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Photo by DIS, 2012. Fair Trade, Frieze
Projects 2012
437:"Roundtable: History in a Time of Hypercirculation"
219:, the Feuerle Collection, and a sightseeing boat.
31:Image from the 9th Berlin Biennale, curated by DIS
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181:Genre-Nonconforming: The DIS Edutainment Network
389:"Das digitale Erhabene (The Digital Sublime)"
449:: CS1 maint: multiple names: authors list (
213:European School of Management and Technology
734:. Musée D'Art Moderne De La Ville De Paris.
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644:"DIS will curate the 2016 Berlin Biennale"
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217:Kunst-Werke Institute for Contemporary Art
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110:Photo by DIS, 2011. Watermarked for Kenzo
57:The project's title refers to the prefix
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275:Musée d'Art Moderne de la Ville de Paris
269:MusĂ©e dâArt Moderne de la Ville de Paris
199:The Berlin Biennale for Contemporary Art
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232:In 2012 DIS received a commission from
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814:American artist groups and collectives
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642:Russeth, Andrew (September 24, 2015).
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496:"Christopher Glazek on Generation DIS"
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548:The Editors of ARTnews (2018-01-04).
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819:2010 establishments in New York City
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333:Daryoush, Haj-najafi (August 2011).
130:In 2013 DIS established a temporary
38:is a collaborative project based in
715:Lhooq, Michelle (5 February 2013).
479:Santopinto, Ana (29 October 2015).
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746:"Ocean of Images: New Photography"
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593:Sidell, Misty White (2018-01-16).
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464:Akel, Joseph (25 February 2013).
391:. Frankfurter Allgemeine Zeitung.
309:In 2016, DIS put on a solo show,
763:Yotka, Steff (6 November 2015).
405:Gaboury, Jacob (24 March 2010).
387:Reichert, Kolja (13 June 2016).
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374:"DIS Magazine: The Labor Issue"
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335:"Zine Creamers: DIS Magazine"
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509:Beach, Hana (16 July 2015).
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207:and the locations were the
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99:discover, and dysmorphia.
678:Susanne Von Falkenhausen
420:Pepi, Mike (3 May 2015).
151:diffusion line for art".
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799:The IXth Berlin Biennale
750:The Museum of Modern Art
305:Project Native Informant
466:"Taking Stock with DIS"
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468:. Interview Magazine.
439:. Spike Art Magazine.
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702:Conceptual Fine Arts
665:, November 24, 2015
422:"The Dis Data Issue"
407:"Interview with DIS"
241:New Museum Triennial
223:Selected exhibitions
114:In 2011 they held a
205:The Present in Drag
619:"The Life Aquatic"
578:has generic name (
189:Casey Jane Ellison
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95:launched in 2010.
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16:(Redirected from
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732:"CO-WORKERS"
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667:(in German)
576:|last=
513:. I-D Vice.
498:. Artforum.
483:. PAPERMAG.
191:, theorist
132:stock photo
808:Categories
680:"Get Real"
646:. ARTnews.
628:2018-02-13
604:2018-02-13
559:2018-02-13
534:2018-02-13
409:. Rhizome.
317:References
311:Image Life
263:The Island
259:Whet Talks
72:, art and
789:DISimages
445:cite news
289:In 2015,
126:DISimages
70:lifestyle
48:lifestyle
767:. Vogue.
568:cite web
358:July 13,
81:Projects
752:. MoMA.
662:Monopol
623:Rhizome
554:ARTnews
337:. VICE.
175:dis.art
74:fashion
52:fashion
794:DISown
684:Frieze
215:, the
211:, the
146:DISown
580:help
451:link
360:2017
291:MoMA
285:MoMA
249:and
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599:WWD
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