2231:, sex difference and race. For instance, a description of the concept described it as a struggle to be aware of the impact of new technologies on the lives of women as well as the so-called insidious gendering of technoculture in everyday life. It also sees technology as a means to link the body with machines. This is demonstrated in the way cyberfeminism—as maintained by theorists such as Barbara Kennedy—is said to define a specific cyborgian consciousness concept, which denotes a way of thinking that breaks down binary and oppositional discourses. There is also the case of the renegotiation of the
2136:, as one that coagulated and sparked in the reject-outsider mutiny, trauma-jouissance and fast hard beat of queer punk. It found visible existence and a manifesto, through VNS Matrix in the (typical) Adelaide heat wave of 1991…Cyberfeminism, as blurred edge range, entangles carnality with code; machines, blood and bad language; poetry and disdain; executables, theft and creative fabrication. It incites and follows lines of flight powered by contradiction, relatedness, transgression, and misbehaviour. It simultaneously embraces logic and unreason, giving the finger to binaries as it ravishes them."
51:
2619:
struggle must continue until currently racialized characteristics are no more a basis of discrimination than the color of one's eyes. Ultimately, every emancipatory abolitionism must incline towards the horizon of class abolitionism, since it is in capitalism where we encounter oppression in its transparent, denaturalized form: you're not exploited or oppressed because you are a wage labourer or poor; you are a labourer or poor because you are exploited.
2201:. A myth is a story of unidentifiable origin, or of different origins. A myth is based on one central story which is retold over and over in different variations. A myth denies one history as well as one truth, and implies a search for truth in the spaces, in the differences between the different stories. Speaking about Cyberfeminism as a myth, is not intended to mystify it, it simply indicates that Cyberfeminism only exists in plural.
2069:
2300:</ref> Cyberfeminism is not just the subject matter, but is the approach taken to examine subject matter. For example: Cyberfeminism can be a critique of equality in cyberspace, challenge the gender stereotype in cyberspace, examine the gender relationship in cyberspace, examine the collaboration between humans and technology, examine the relationship between women and technology and more.
2419:(1991). Haraway's essay states that cyborgs are able to transcend the public and private spheres, but they do not have the ability to identify with their origins or with nature in order to develop a sense of understanding through differences between self and others. Haraway had ideals based on making individuals androgynous, and wanted society to move beyond biology by improving technology.
2614:. This means that the movement contradicts naturalist ideals that state that there are only two genders and aims toward the abolition of the "binary gender system". Xenofeminism differs from cyberfeminism because while it has similar ideals, it is inclusive to the queer and transgender communities. The manifesto states:
2749:
enacted in her queer identity through memory. The story is written as a reflection diary of the interconnected memories of childhood, adolescence, and adulthood. It consists of an associated multi-modal collection of nodes includes linked text, still and moving images, manipulable images, animations,
2556:
argues that cyberfeminism in the 21st century has taken many new forms and focuses on the different aspects of women's participation online. It also includes the promotion of feminist ideals on more modernized technology. This included the emergence of several feminist blogs. They find cyberfeminists
2638:
One of the major critiques of cyberfeminism, especially as it was in its heyday in the 1990s, was that it required economic privilege to get online: "By all means let have access to the
Internet, just as all of us have it—like chocolate cake or AIDS," writes activist Annapurna Mamidipudi. "Just let
2316:
Cyberfeminism arose partly as a reaction to "the pessimism of the 1980s feminist approaches that stressed the inherently masculine nature of techno-science", a counter-movement against the 'toys for boys' perception of new
Internet technologies. According to a text published by Trevor Scott Milford,
2307:
much more viewed
Cyberfeminism as a project which sought to uncover the history linking femininity and technology and how traits which were feminine were both useful to technology while still being in the same historical position as technology, objectified and to serve the ends of men, but for Plant
2250:
devised a performance of the bed-sheet-flag, unfurling ribbons of quotes from the stains of their sisterhood kin: "A genealogical record, it bears smears and stains from productive encounters, convergences and brush pasts. The sheet has been endlessly folded, scrunched, wrung out or smoothed flat in
2634:
Many young amateur critiques of cyberfeminism have focused on its lack of intersectional focus, its utopian vision of cyberspace, but instead of encouraging cyberstalking and cyber-abuse, which often seems to portray a gamergate style whiteness and elite community building this is very far from the
2618:
Xenofeminism is gender-abolitionist. 'Gender abolitionism' is shorthand for the ambition to construct a society where traits currently assembled under the rubric of gender, no longer furnish a grid for the asymmetric operation of power. 'Race abolitionism' expands into a similar formula – that the
2782:
counter the lack of women's work presented at international festivals. Faces-l was created as a means for the artists, curators, DJs, designers, activists, programmers, and technologists to meet at festivals to share their work and discuss gender and media with an international community of women.
2647:
The practice of cyberfeminist art is inextricably intertwined with cyberfeminist theory. The 100 anti-theses make clear that cyberfeminism is not just about theory, while theory is extremely important, cyberfeminism requires participation. As one member of the cyberfeminist collective the Old Boys
2576:
The decline in the volume of cyberfeminist literature in early 2010s would suggest that cyberfeminism has somewhat lost momentum as a movement; however, it's explosion in terms of artists and artworks, not only is cyberfeminism still taking place, but its artistic and theoretical contribution has
2354:
has been named as a precursor to
Haraway's work in cyberfeminism. Firestone's work focuses reproductive technology and advancing it to eliminate the connection of the feminine identity being connected to childbirth. Firestone believed that gender inequality and oppression against women could be
2781:
FACES – The FACES-l.net mailing list started in the spring of 1997 partly out of a series of concurrent dinner conversations known as the Face
Settings Project. The initial goal of the project was to bring together women working at the intersections of art and media to share their work and to
2606:, the collective argues against nature as desirable and immutable in favor of a future where gender is dislodged from power and in which feminism destabilizes and uses the master's tools for its own rebuilding of life. The movement has three main characteristics: it is techno-materialist,
2321:
argued: "If feminism is to be adequate to its cyberpotential then it must mutate to keep up with the shifting complexities of social realities and life conditions as they are changed by the profound impact communications technologies and techno science have on all our lives. It is up to
2129:. It can be used to refer to a philosophy, art practices, methodologies or community. The term was coined in the early 1990s to describe the work of feminists interested in theorizing, critiquing, exploring and re-making the Internet, cyberspace and new-media technologies in general.
2564:
While there are writing on black cyberfeminism which argue that not only is race not absent in our use of the internet, but race is a key component in how we interact with the internet. However, women of colour generally do not associate with cyberfeminism, and rather re-frame
2344:(1991). Haraway's essay states that cyborgs are able to transcend the public and private spheres, but they do not have the ability to identify with their origins or with nature in order to develop a sense of understanding through differences between self and others.
2483:, the first Cyberfeminist International, organized by the Old Boys Network in Germany, in 1997, refused to define the school of thought, but drafted the "100 Anti-Theses of Cyberfeminism" instead. Guertin says that cyberfeminism is a celebration of
2254:
Authors
Hawthorne and Klein explain the different analyses of cyberfeminism in their book: "Just as there are liberal, socialist, radical and postmodern feminists, so too one finds these positions reflected in the interpretations of cyberfeminism."
2322:
cyberfeminists to use feminist theoretical insights and strategic tools and join them with cybertechniques to battle the very real sexism, racism, and militarism encoded in the software and hardware of the Net, thus politicizing this environment."
2251:
spawning, connecting and adulterating across feminist time and creative persuasions." Initially Dement mapped a non-linear terrain of punk, cyberfeminism, rebellious aberration and corporeal digital transgression as a rumpled unclean bedsheet.
2770:
An important part of the generation of cyberfeminist theory and critique was the emergence of a few critical listserves that served as the basis for the organization of three international cyberfeminist events and several major publications.
2602:, or the movement that incorporates technology into the abolition of gender, is a concept that is intersectional to cyberfeminism. It is an offshoot of cyberfeminism established by the feminist collective Laboria Cuboniks. In its manifesto,
2395:
created the foundation for many cyberfeminist activities. In her book, Firestone explores the possibility of using technology to eliminate sexism by freeing women from their obligation to carry children in order to create a
2355:
solved if the roles around reproduction did not exist. Both
Firestone and Haraway had ideals based on making individuals androgynous, and both women wanted society to move beyond biology by improving technology.
2308:
this is where the future leads, towards technology and the abandoning of man, while women and technology go hand in hand escaping "the meat" for Plant by making "the meat" and "the mind" the same.
2762:. Orphan Drift (1994-2003) were a 4.5 person collective experimenting with writing, art, music and the internet's potential "treating information as matter and the image as a unit of contagion."
2185:
Cyberfeminism is an alliance that seeks awareness to defy any sort of boundaries of identity and definition be truly postmodern in its potential for radical openness. This is seen with the 1997
2453:
in 1991; they used the term cyberfeminist to label their radical feminist acts "to insert women, bodily fluids and political consciousness into electronic spaces." That same year, British
5039:
2524:
2132:
The first use of the term cyberfeminist has been attributed to
Australian artists and art collectives. The inception of the cyberfeminist art movement is described by one of its pioneers
246:
2519:, explored the ways that gender and race by combining performance art, video art, and with the then-emerging technologies of interactive websites, digital graphics, and streaming media.
158:
2212:
a label for women—especially young women who might not even want to align with feminism's history—not just to consume new technologies but to actively participate in their making;
2317:
another contributor to the rise of cyberfeminism was the lack of female discourse and participation online concerning topics that were impacting women. As cyberfeminist artist
2940:
2639:
it not be pushed down their throats as 'empowering.' Otherwise this too will go the way of all imposed technology and achieve the exact opposite of what it purports to do."
2265:
defines cyberfeminism: "In 1991, in a cozy
Australian city called Adelaide, four bored girls decided to have some fun with art and French Feminist theory... with homage to
2578:
2371:
241:
5032:
2778:– More broadly situated in new media theory, the nettime listserve became a site for the discussion, performance, and arbitration of cyberfeminist theory in 1997.
2707:'s 1998 work Bindigirl, a satirical Asian porn website that examines the intersection of racialized gender, sexuality, and religion online; Murthy's 2000 project
2173:
critique of the alleged erasure of women within discussions of technology. Although the cyberfeminists _in the know_ will always take time to explain that it was
3509:
Rosser, Sue V. (2006), "Using the lenses of feminist theories to focus on women and technology", in Rosser, Sue V.; Fox, Mary Frank; Johnson, Deborah G. (eds.),
173:
4651:
3003:
4613:
2758:
in which the artist has collected quotes and images from women over the world and displayed them in an interactive browser based format, and Regina Pinto's
5281:
4197:
163:
3230:
Reiche, Claudia (2002), "Disagreement with
Cornelia Sollfrank's 'The final truth about cyberfeminism'", in von Oldenburg, Helene; Reiche, Claudia (eds.),
2400:. In many ways, this can be seen as a precursor to cyberfeminism because it questions the role that technology should play in dismantling the patriarchy.
5025:
5012:
4541:
2652:
in the new world order of flowing pancapitalism". Cyberfeminism also has strong connections with the DIY feminism movement, as noted in the seminal text
2247:
280:
1598:
3844:
4169:
1429:
2973:
977:
5297:
5119:
2648:
Network writes, cyberfeminism is "linked to aesthetic and ironic strategies as intrinsic tools within the growing importance of design and
5097:
2472:
was devoted to sexuality and cyberspace. It was a compendium of essays on cybersex, online stalking, fetal imaging, and going digital in
2557:
in women's blogging networks and their conferences, in women's gaming, in fandom, in social media, in online mothers' groups performing
5546:
5048:
4958:
2329:
chose cyberfeminism to describe her recipe for defining the feminizing influence of technology on western society and its inhabitants.
2097:
3145:
263:
258:
3711:
2914:
5085:
4514:
3791:
922:
275:
5185:
2695:
a hypertext CD-ROM that incorporates images of women's body parts and remixes them to create new monstrous yet beautiful shapes;
4800:
4759:
4575:
3403:
4953:
4066:
Mauro-Flude, Nancy (2021). "Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century".
3231:
3193:
1407:
90:
4450:
5244:
5175:
5091:
4978:
4918:
4489:
3721:
3528:
3469:
3168:
3058:
3033:
2659:
Around the late 1990s several cyberfeminist artists and theorists gained a measure of recognition for their works, including
2046:
1892:
1094:
85:
4550:
5144:
4986:
2015:
1945:
1255:
228:
3555:
2719:
which was the first Internet based artwork to be commissioned and collected by the Guggenheim. A later work of Cheang's,
2025:
2020:
1715:
1439:
1040:
2676:
2656:, a grass roots movement that encourages active participation, especially as a solo practitioner or a small collective.
2281:
3889:
3646:
3610:
3383:
1240:
253:
233:
398:
5507:
5180:
4643:
4433:
4374:
4145:
4023:
Morris, Susana M. (2013). "Black Girls Are from the Future: Afrofuturist Feminism in Octavia E. Butler's Fledgling".
3922:
3518:
3433:
3358:
3333:
3303:
3244:
3206:
3192:
Sollfrank, Cornelia (2002), "The final truth about cyberfeminism", in von Oldenburg, Helene; Reiche, Claudia (eds.),
3091:
2934:
2051:
2030:
1965:
1933:
915:
738:
695:
5536:
5164:
4839:
Everett, Anna (Autumn 2004). "On cyberfeminism and cyberwomanism: high-tech mediations of feminism's discontents".
1370:
932:
198:
2995:
5149:
4709:
4621:
4093:
Olszanowski, Magdalena (2014-04-03). "Feminist Self-Imaging and Instagram: Tactics of Circumventing Sensorship".
3855:
2629:
2215:
a critical engagement with new technologies and their entanglement with power structures and systemic oppression.
208:
153:
4189:
5526:
5496:
4738:
3085:
2090:
1882:
1537:
1503:
1412:
880:
193:
3112:
3024:
Couey, Anna (2003). "Restructuring Power: Telecommunications Works Produced by Women". In Malloy, Judy (ed.).
1995:
1985:
1887:
1417:
1235:
322:
223:
203:
17:
4968:
491:
332:
4876:
3578:
eGirls, eCitizens: Putting Technology, Theory and Policy into Dialogue with Girls' and Young Women's Voices
3467:
Rosser, Sue V. (2005). "Through the lenses of feminist theory: focus on women and information technology".
1975:
1950:
1775:
1044:
994:
987:
268:
218:
213:
3992:"Black Cyberfeminism: Ways Forward for Classification Situations, Intersectionality and Digital Sociology"
2193:
which lists the 100 ways "cyberfeminism is not." Cornelia Sollfrank from the Old Boys Network states that:
474:
5329:
5169:
4595:
3424:
Hawthorne, Susan; Klein, Renate D. (1999), "Introduction", in Hawthorne, Susan; Klein, Renate D. (eds.),
2162:
2149:
The foundational catalyst for the formation of cyberfeminist thought is often attributed by Europeans to
1980:
1970:
1940:
1822:
1807:
1797:
1385:
1250:
1245:
937:
510:
100:
2703:
a work of web-based multimedia art that explores the relationship between humans and infectious agents;
5195:
5190:
2561:, and in online spaces developed and populated by marginal networks of women in non-Western countries.
2504:
1923:
1510:
798:
95:
3841:
300:
5531:
5334:
5008:
2607:
2484:
2083:
1735:
1515:
952:
756:
702:
5491:
5324:
5289:
4821:
4674:"World of Female Avatars: An Artistic Online Survey on the Female Body in Times of Virtual Reality"
2961:
2480:
2010:
2005:
2000:
1957:
1837:
1633:
1395:
1049:
841:
717:
690:
603:
503:
2495:
In the late 1990s and early 2000s, cyberfeminist theorists and artists incorporated insights from
4943:
4403:
3987:
2854:
2746:
2684:
2439:
2277:
2232:
1842:
1802:
1493:
1486:
1444:
673:
415:
5009:
Writing the Feminist Internet: a Chthonian Feminist Internet Theory for the twenty first century
4358:
4352:
3287:
3281:
5541:
5129:
2839:
2738:
2544:
Usage of the term cyberfeminism has faded away after the millennium, partly as a result of the
2367:
2224:
1990:
1650:
1557:
1380:
1341:
1230:
1220:
1196:
1174:
1164:
1139:
1129:
788:
544:
432:
356:
5263:
5064:
5017:
4479:
2672:
2413:
A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century
2338:
A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century
1740:
1700:
1690:
1645:
1476:
1451:
1360:
1225:
982:
942:
422:
339:
3862:"; Dennis, Kelly, "Gendered Ghosts in the Globalized Machine: Coco Fusco and Prema Murthy,"
3440:
2427:
The term cyberfeminism was first used around 1991 by both the English cultural theoretician
2235:(AI), which is considered top-down masculinist, into bottom-up feminized version labeled as
4963:
3153:
2680:
2496:
2449:
In Adelaide, Australia, a four-person collective called VNS Matrix wrote the Cyberfeminist
2391:
2363:
2350:
1862:
1817:
1787:
1770:
1760:
1608:
1520:
1498:
1390:
1365:
1300:
1144:
1124:
1074:
927:
863:
836:
576:
410:
135:
125:
2503:
about the intersection of gender and race, inspired by thinkers such as Donna Haraway and
8:
5430:
5395:
5139:
3812:
2874:
2802:
2792:
2611:
2386:
2345:
2158:
1680:
1670:
1640:
1628:
1623:
1525:
1471:
1466:
1461:
1119:
1054:
1034:
967:
910:
868:
846:
812:
746:
498:
403:
182:
130:
120:
75:
4969:
cyberfem – feminismos en el escenario electronico / espai d'art contemporani de Castello
4506:
3783:
5460:
5220:
4895:
4858:
4701:
4329:
4247:
4163:
4118:
4048:
3969:
3765:
3692:
3581:
3494:
3486:
2884:
2859:
2412:
2359:
2337:
2154:
1867:
1857:
1847:
1832:
1827:
1812:
1765:
1745:
1720:
1685:
1675:
1655:
1552:
1434:
1424:
1325:
1079:
905:
771:
653:
366:
327:
80:
3233:
Very cyberfeminist international reader: OBN Conference, Hamburg, December 13-16, 2001
3195:
Very cyberfeminist international reader: OBN Conference, Hamburg, December 13–16, 2001
5385:
5380:
4914:
4908:
4862:
4812:
4763:
4693:
4570:
4485:
4429:
4370:
4333:
4321:
4282:
4251:
4239:
4151:
4141:
4122:
4110:
4040:
3928:
3918:
3895:
3885:
3878:
3769:
3757:
3717:
3696:
3652:
3642:
3616:
3606:
3514:
3498:
3429:
3399:
3379:
3354:
3329:
3299:
3240:
3202:
3081:
3054:
3029:
2930:
2500:
2454:
1928:
1792:
1755:
1750:
1730:
1725:
1695:
1660:
1613:
1603:
1567:
1562:
1547:
1542:
1456:
1191:
1184:
1159:
1149:
1134:
999:
972:
858:
817:
793:
668:
648:
635:
596:
591:
586:
559:
459:
34:
4705:
4348:
4052:
2177:
who seeded the ground in "Zeros and Ones, Digital Women and the New Technoculture"
5455:
5365:
5236:
4885:
4850:
4685:
4461:
4362:
4313:
4274:
4231:
4102:
4075:
4032:
3999:
3959:
3749:
3684:
3478:
3291:
3277:
3250:
3212:
2922:
2812:
2533:
2186:
1877:
1872:
1782:
1710:
1705:
1665:
1618:
1593:
1530:
1402:
1330:
1179:
1064:
1029:
947:
853:
807:
783:
707:
680:
643:
486:
479:
469:
449:
393:
376:
317:
70:
4481:
Further Adventures of The Dialectic of Sex: Critical Essays on Shulamith Firestone
4235:
4079:
3525:
3176:
2742:
5440:
5319:
5159:
5123:
4990:
4947:
4841:
4599:
4579:
4536:
4106:
3859:
3848:
3532:
2829:
2797:
2751:
2696:
2566:
2549:
2462:
2262:
2236:
2170:
2073:
1481:
1290:
1278:
1084:
1024:
1004:
962:
900:
822:
712:
658:
616:
554:
549:
515:
427:
381:
4983:
4940:
4219:
3753:
3688:
3548:
Seduced & Abandoned: The Body in the Virtual World - The Feminine Cyberspace
2457:
Sadie Plant used the term to describe definition of the feminizing influence of
5450:
5435:
5355:
5154:
5114:
4788:
4689:
4366:
2890:
2712:
2545:
2512:
2397:
1852:
1295:
1260:
1069:
875:
827:
621:
581:
464:
4278:
3586:
3546:
3295:
2926:
2711:, based on reports of mass hysteria among microchip factory workers in India;
5520:
5465:
5360:
5228:
5069:
4697:
4325:
4286:
4243:
4155:
4114:
4044:
3932:
3761:
3620:
2879:
2807:
2668:
2594:
2473:
2408:
2333:
2318:
2295:
2266:
2150:
1154:
1114:
1109:
1019:
724:
349:
344:
4003:
3899:
3656:
3603:
The most radical gesture: the Situationist International in a postmodern age
2528:
was published; it includes the essay "Cyberfeminism: Networking the Net" by
50:
5420:
5405:
5400:
5375:
5370:
5134:
5059:
4644:"'Bodies are packages made to be opened': Shu Lea Cheang's 'I.K.U.' (2000)"
4301:
2864:
2849:
2834:
2704:
2688:
2660:
2570:
2529:
2516:
2243:
2205:
2133:
1375:
1305:
1169:
1104:
1099:
1059:
1009:
766:
685:
663:
564:
439:
312:
4317:
4036:
3482:
3075:
5470:
5425:
5415:
5390:
5339:
4265:
Gilbert, Pamela (January 1996). "On sex, cyberspace, and being stalked".
2817:
2428:
2326:
2304:
2174:
778:
569:
4899:
3973:
5475:
5212:
4890:
4871:
4826:
4808:
3964:
3947:
3490:
2869:
2844:
2725:(2001), is a sci-fi pornographic film that imagines a cybersexual post-
2664:
2649:
2508:
2458:
2432:
2411:
was the inspiration and genesis for cyberfeminism with her 1985 essay "
2291:
2258:
2166:
2139:
2126:
2118:
1335:
1320:
1014:
4673:
3852:
3639:
Cybersexualities: a reader on feminist theory, cyborgs, and cyberspace
2336:
as the inspiration and genesis for cyberfeminism with her 1985 essay "
5410:
5003:
2730:
2582:
2558:
2450:
1315:
1310:
388:
4730:
3120:
5445:
4854:
2122:
2114:
1089:
957:
520:
42:
4999:
2675:. Some of the better-known examples of cyberfeminist work include
5314:
3880:
Sisterhood is forever: the women's anthology for a new millennium
2775:
2525:
Sisterhood Is Forever: The Women's Anthology for a New Millennium
2443:
2286:
751:
4994:
4973:
4910:
Siberfeminizm: Siborg Beden ve Siber Kimlikte Cinsiyetin Durumu
2729:
universe, where sexual encounters with feminine, shapeshifting
2721:
2228:
2223:
view of cyberspace and the Internet as a means of freedom from
2220:
5047:
4913:(1 ed.). Istanbul: Urzeni Publishing House. p. 298.
4592:
4302:"Talking Race and Cyberspace: An Interview with Lisa Nakamura"
2733:
are distilled and collected for resale, and ultimately reuse.
4059:
3632:
3630:
2996:"A Cyberfeminist Manifesto for the 21st Century ⁄ VNS Matrix"
4964:
Faith Wilding's essay 'Where is Feminism in Cyberfeminism?'
4872:"Rethinking cyberfeminism(s): race, gender, and embodiment"
3948:"Rethinking Cyberfeminism(s): Race, Gender, and Embodiment"
3912:
2269:
they began to play around with the idea of cyberfeminism."
2198:
3627:
3576:
Milford, Trevor Scott (2015). "Revisiting Cyberfeminism".
3353:. Cambridge, UK: Cambridge University Press. p. 327.
2745:
is set in three time periods of the protagonist exploring
2548:
that bruised the utopian bent of much of digital culture.
3513:, Urbana: University of Illinois Press, pp. 13–46,
3175:. Constant Association for Media and Art. Archived from
3051:
Figures of fantasy: internet, women & cyberdiscourse
2667:
their Cyberfeminist Manifesto for the 21st century, and
2630:
Postgenderism § Criticism and claims of transphobia
2366:. Cyberfeminism also has a relationship to the field of
3991:
3077:
Zeros and Ones, Digital Women and the New Technoculture
2242:
In "Cyberfeminist Bed Sheet Flown as a Flag" (2018–19)
4395:
2392:
The Dialectic of Sex: The Case for Feminist Revolution
2351:
The Dialectic of Sex: The Case for Feminist Revolution
4267:
Women & Performance: A Journal of Feminist Theory
3740:
Halbert, Debora (2004-01-01). "Shulamith Firestone".
3675:
Halbert, Debora (2007-02-17). "Shulamith Firestone".
2919:
The Multimedia Encyclopedia of Women in Today's World
2908:
2906:
2417:
Simians, Cyborgs and Women: The Reinvention of Nature
2342:
Simians, Cyborgs and Women: The Reinvention of Nature
5282:
Heresies: A Feminist Publication on Art and Politics
4602:
document of the project is hosted by Turbulence.org.
4537:"Monstrous agents: cyberfeminist media and activism"
3713:
Cyberfeminism: Connectivity, Critique and Creativity
3426:
Cyberfeminism: connectivity, critique and creativity
2117:
approach which foregrounds the relationship between
4542:
Ada: A Journal of Gender, New Media, and Technology
4477:
3853:
Bindigirl - Rhizome.org Interview with Prema Murthy
2921:(2 ed.), SAGE Publications, pp. 430–433,
3877:
2903:
4984:Girls' Online Agency: A Cyberfeminist Exploration
4974:Website of SubRosa, Faith Wilding and Hyla Willis
4471:
3842:Shu Lea Cheang on Brandon - Rhizome.org interview
2750:and sound clips. Recent artworks of note include
2577:been of crucial importance to the development of
5518:
2741:. Dr. Caitlin Fisher's online hypertext novella
4819:
4842:Signs: Journal of Women in Culture and Society
4299:
3709:
3636:
3580:. University of Ottawa Press. pp. 55–82.
3428:, North Melbourne: Spinifex Press, p. 4,
3423:
3328:. Vancouver: arsenal pulp press. p. 189.
2442:wrote an article entitled "Cyberfeminism" for
2144:A Cyberfeminist Manifesto for the 21st Century
5033:
4954:Feminist Practices and Politics of Technology
4135:
3875:
2737:was the first pornographic film to screen at
2358:Cyberfeminism is considered a predecessor to
2091:
5120:Elizabeth A. Sackler Center for Feminist Art
3913:Gajjala, Radhika; Oh, Yeon Ju, eds. (2012).
3600:
3348:
3053:. Digital formations. New York: Peter Lang.
2219:The early cyberfeminist perspective takes a
5298:Why Have There Been No Great Women Artists?
5098:New York School of Applied Design for Women
4478:M. Merck; S. Sandford (13 September 2010).
4092:
4065:
3139:
3137:
5049:Feminist art movement in the United States
5040:
5026:
4168:: CS1 maint: location missing publisher (
3326:The Uncanny: Experiments in Cyborg Culture
2098:
2084:
978:African-American women's suffrage movement
4889:
4190:"Xenofeminism: A Politics for Alienation"
3963:
3585:
3451:
3323:
3191:
2311:
5086:American Association of University Women
4671:
3742:Information, Communication & Society
3710:Hawthorne, Susan; Klein, Renate (1999).
3677:Information, Communication & Society
3417:
3351:A History of Feminist Literary Criticism
3275:
3134:
3048:
923:Discrimination against transgender women
4959:The Beginner's Cyberfeminist Dictionary
4906:
4869:
4838:
4534:
4528:
4484:. Palgrave Macmillan US. pp. 75–.
4428:. St Leonards, NSW: Allen & Unwin.
4264:
3945:
3739:
3674:
3575:
3400:"Linda Dement - Cyberfeminist Bedsheet"
2604:Xenofeminism: A Politics for Alienation
2368:feminist science and technology studies
14:
5519:
4448:
4442:
4300:Nakamura, Lisa; Lovink, Geert (2005).
4022:
3986:
3813:"[untitled table of contents]"
3784:"Revisiting the Future | transmediale"
3508:
3466:
3460:
3373:
3229:
3152:. The Old Boys Network. Archived from
3028:. Leonardo. Cambridge, MA: MIT Press.
2976:from the original on 25 September 2020
2959:
2912:
5245:WACK! Art and the Feminist Revolution
5092:National Association of Women Artists
5021:
4611:
4346:
4306:Frontiers: A Journal of Women Studies
4183:
4181:
4179:
3735:
3733:
3670:
3668:
3666:
3470:Frontiers: A Journal of Women Studies
3239:, Berlin: B-books, pp. 114–117,
3201:, Berlin: B-books, pp. 108–112,
3166:
3143:
3073:
3023:
5186:The Women's Building (San Francisco)
5145:National Museum of Women in the Arts
4423:
4357:, SAGE Publications, Inc., pp.
4187:
3349:Plain, Gill; Sellers, Susan (2007).
3286:, SAGE Publications, Inc., pp.
2786:
2276:
4620:. Guggenheim Museum. Archived from
4388:
4217:
24:
5176:Women's Art Resources of Minnesota
4781:
4504:
4176:
3730:
3663:
2642:
25:
5558:
5547:Feminist movements and ideologies
5508:Feminist movements and ideologies
4935:
4458:First Cyberfeminist International
3454:First Cyberfeminist International
3376:Cyberfeminism and Artificial Life
2435:, independently from each other.
3378:. London: Routledge. p. 7.
2431:and the Australian artist group
2415:", which was later reprinted in
2067:
1599:Democratic Republic of the Congo
933:Diversity, equity, and inclusion
49:
5150:New York Feminist Art Institute
4870:Daniels, Jessie (Spring 2009).
4752:
4741:from the original on 2018-08-07
4723:
4712:from the original on 2018-08-07
4672:Stermitz, Evelin (2008-10-23).
4665:
4654:from the original on 2018-11-14
4636:
4612:Jones, Caitlin (January 1998).
4605:
4585:
4564:
4553:from the original on 2014-10-10
4517:from the original on 2020-12-03
4498:
4417:
4406:from the original on 2008-12-20
4340:
4293:
4258:
4218:Kay, Jilly Boyce (2019-02-17).
4211:
4200:from the original on 2022-06-24
4129:
4086:
4016:
3980:
3939:
3906:
3869:
3834:
3805:
3794:from the original on 2020-03-14
3776:
3703:
3594:
3569:
3558:from the original on 2023-10-15
3539:
3445:
3406:from the original on 2024-04-04
3392:
3367:
3342:
3317:
3169:"The truth about cyberfeminism"
3146:"The truth about cyberfeminism"
3094:from the original on 2024-05-08
3006:from the original on 2024-04-25
2943:from the original on 2018-08-06
2588:
2522:In 2003 the feminist anthology
5497:Women in the art history field
5181:Woman's Building (Los Angeles)
4582:(Archived at Rhizome Artbase).
4095:Visual Communication Quarterly
4025:WSQ: Women's Studies Quarterly
3641:. Edinburgh University Press.
3269:
3105:
3067:
3042:
3017:
2988:
2953:
2146:was published online in 1991.
2031:Women's suffrage organizations
13:
1:
5165:Washington Women's Art Center
4820:Various authors (July 1998).
4507:"Cyberflesh Girlmonster 1995"
4236:10.1080/14680777.2019.1579983
4080:10.1080/10304312.2021.1983260
3511:Women, gender, and technology
2897:
2765:
2581:And the many handed shiva of
2468:In 1996, a special volume of
2180:
5205:Exhibitions or installations
4535:Barnett, Tully (July 2014).
4136:Hester, Helen (2018-05-29).
4107:10.1080/15551393.2014.928154
3917:. New York: Peter Lang Pub.
3637:Wolmark, Jenny, ed. (1999).
3452:Sollfrank, Cornelia (1998).
2623:
2016:Suffragists and suffragettes
1946:American feminist literature
7:
5330:Women Artists in Revolution
5170:Women Artists in Revolution
4618:1998–99, by Shu Lea Cheang"
3884:. Washington Square Press.
3754:10.1080/1369118042000208933
3689:10.1080/1369118042000208933
2913:Harlow, Megan Jean (2013),
2823:
2376:
2163:post-structuralist feminism
1256:Views on transgender topics
1246:Views on sexual orientation
10:
5563:
4995:University of Ottawa Press
4690:10.1162/leon.2008.41.5.538
4367:10.4135/9781412950657.n105
4347:Senft, Theresa M. (2003),
3866:vol. 23 (2009), pp. 79-86.
3049:Paasonen, Susanna (2005).
3026:Women, art, and technology
2627:
2592:
2559:pro-breastfeeding activism
2325:British cultural theorist
2208:defines cyberfeminism as:
5505:
5484:
5348:
5307:
5273:
5255:
5204:
5107:
5078:
5055:
4877:Women's Studies Quarterly
4801:"Cyberfeminist Manifesto"
4731:"Orphan Drift – Monoskop"
4449:Pierce, Julianne (1998).
4354:Encyclopedia of New Media
4279:10.1080/07407709608571254
3952:Women's Studies Quarterly
3324:Grenville, Bruce (2001).
3296:10.4135/9781412950657.n57
3283:Encyclopedia of New Media
2927:10.4135/9781452270388.n94
2340:" which was reprinted in
2047:Women's rights by country
953:Female genital mutilation
5492:List of feminist artists
5290:The Feminist Art Journal
3988:Cottom, Tressie McMillan
3946:Daniels, Jessie (2009).
2962:"Cyberfeminist bedsheet"
2663:and the above-mentioned
2579:Feminist Internet Theory
2539:
2490:
2422:
2403:
2381:
2372:Feminist Internet Theory
2052:Feminists by nationality
2026:Women's studies journals
2021:Women's rights activists
739:Movements and ideologies
5537:Intersectional feminism
5196:Women's Studio Workshop
5191:Women's Interart Center
5108:Venues or organizations
4907:Aydemir, Duygu (2021).
4451:"info heavy cyber babe"
3817:Women & Performance
3080:. New York: Doubleday.
2756:World of Female Avatars
2747:polymorphous perversity
2470:Women & Performance
2233:artificial intelligence
1440:International relations
301:Intersectional variants
5335:Women's Caucus for Art
5256:Films or documentaries
5130:Feminist Art Coalition
4811:. 1991. Archived from
4349:"Gender and New Media"
4224:Feminist Media Studies
3876:Morgan, Robin (2003).
3374:Kember, Sarah (2003).
3276:Consalvo, Mia (2003),
2960:Dement, Linda (2017).
2840:Feminist technoscience
2743:"These Waves of Girls"
2693:Cyberflesh Girlmonster
2621:
2332:European's often cite
2312:Theoretical background
2203:
1966:Conservative feminisms
1221:Bicycling and feminism
1197:Women in the workforce
1165:Violence against women
1140:Sexual objectification
1100:Opposition to feminism
357:Vegetarian ecofeminism
5527:Feminism and the arts
5264:!Women Art Revolution
5065:Feminist art movement
4766:on September 28, 2013
4318:10.1353/fro.2005.0014
4037:10.1353/wsq.2013.0034
4004:10.31235/osf.io/vnvh9
3601:Plant, Sadie (2006).
3483:10.1353/fro.2005.0015
3167:Sollfrank, Cornelia.
3165:, also available as:
3144:Sollfrank, Cornelia.
3074:Plant, Sadie (1995).
2673:Critical Art Ensemble
2616:
2195:
1996:Feminist rhetoricians
1986:Feminist philosophers
1538:Revisionist mythology
1241:Views on prostitution
1226:Criticism of marriage
916:Children's literature
4795:. Old Boys' Network.
4424:Bail, Kathy (1996).
4402:. Old Boys Network.
2885:The Cyborg Manifesto
2610:, and advocates for
2546:dot.com bubble burst
2364:fourth wave feminism
1976:Feminist art critics
1951:Feminist comic books
1908:Lists and categories
1587:By continent/country
1418:Pathways perspective
1301:Gender mainstreaming
1236:Views on pornography
1145:Substantive equality
1125:Reproductive justice
1075:Matriarchal religion
928:Diversity (politics)
864:Political lesbianism
174:Other women's rights
5396:Helen Frankenthaler
5140:Lesbian Art Project
5000:Cyberfeminist Index
4467:on 8 February 2017.
4188:Cuboniks, Laboria.
2875:Speculative realism
2803:N. Katherine Hayles
2793:Shulamith Firestone
2573:in feminist terms.
2387:Shulamith Firestone
2346:Shulamith Firestone
2298:on 16 January 1999.
2197:Cyberfeminism is a
2159:third wave feminism
2074:Feminism portal
1981:Feminist economists
1971:Ecofeminist authors
1776:Trinidad and Tobago
1716:Republic of Ireland
1408:Composition studies
1175:Women's empowerment
1130:Sex workers' rights
1055:Feminist capitalism
1035:Internalized sexism
968:Feminism in culture
76:History of feminism
5461:Carolee Schneemann
5221:Three Weeks in May
4989:2016-03-04 at the
4946:2008-12-20 at the
4891:10.1353/wsq.0.0158
4822:"VARIOUS ARTICLES"
4598:2022-04-08 at the
4578:2019-06-04 at the
3965:10.1353/wsq.0.0158
3858:2019-06-04 at the
3847:2019-06-04 at the
3716:. Spinifex Press.
3531:2016-01-12 at the
3113:"old boys network"
2860:Networked feminism
2507:. Artists such as
2360:networked feminism
2155:A Cyborg Manifesto
1386:Literary criticism
1251:Views on sexuality
938:Effects on society
906:Complementarianism
881:Women's liberation
636:Religious variants
610:trans-exclusionary
328:Radical lesbianism
5514:
5513:
5386:Mary Beth Edelson
5381:Elaine de Kooning
5229:The Sister Chapel
5013:Nancy Mauro-Flude
4920:978-625-7647-10-6
4491:978-0-230-10999-5
3915:Cyberfeminism 2.0
3723:978-1-875559-68-8
3060:978-0-8204-7607-0
3035:978-0-262-13424-8
2787:Notable theorists
2760:Many Faces of Eve
2635:actual movement.
2554:Cyberfeminism 2.0
2552:and Yeon Ju Oh's
2501:subaltern studies
2455:cultural theorist
2248:Nancy Mauro-Flude
2225:social constructs
2108:
2107:
2059:
2058:
1578:
1577:
1568:womanist theology
1511:Political ecology
1342:Écriture féminine
1269:
1268:
1160:Triple oppression
1150:Toxic masculinity
1135:Sexual harassment
995:Feminist stripper
973:Feminist movement
529:
528:
460:Africana womanism
291:
290:
27:Feminist approach
16:(Redirected from
5554:
5532:Internet culture
5456:Rachel Rosenthal
5431:Georgia O'Keeffe
5366:Louise Bourgeois
5237:The Dinner Party
5042:
5035:
5028:
5019:
5018:
4931:
4929:
4927:
4903:
4893:
4884:(1–2): 101–124.
4866:
4849:(1): 1278–1285.
4835:
4816:
4796:
4776:
4775:
4773:
4771:
4762:. Archived from
4756:
4750:
4749:
4747:
4746:
4727:
4721:
4720:
4718:
4717:
4669:
4663:
4662:
4660:
4659:
4640:
4634:
4633:
4631:
4629:
4624:on 20 April 2016
4609:
4603:
4589:
4583:
4568:
4562:
4561:
4559:
4558:
4532:
4526:
4525:
4523:
4522:
4502:
4496:
4495:
4475:
4469:
4468:
4466:
4460:. Archived from
4455:
4446:
4440:
4439:
4421:
4415:
4414:
4412:
4411:
4392:
4386:
4385:
4384:
4383:
4344:
4338:
4337:
4297:
4291:
4290:
4262:
4256:
4255:
4215:
4209:
4208:
4206:
4205:
4194:Laboria Cuboniks
4185:
4174:
4173:
4167:
4159:
4133:
4127:
4126:
4090:
4084:
4083:
4063:
4057:
4056:
4020:
4014:
4013:
4011:
4010:
3984:
3978:
3977:
3967:
3958:(1/2): 101–124.
3943:
3937:
3936:
3910:
3904:
3903:
3883:
3873:
3867:
3838:
3832:
3831:
3829:
3828:
3809:
3803:
3802:
3800:
3799:
3780:
3774:
3773:
3737:
3728:
3727:
3707:
3701:
3700:
3672:
3661:
3660:
3634:
3625:
3624:
3598:
3592:
3591:
3589:
3573:
3567:
3566:
3564:
3563:
3553:
3543:
3537:
3524:
3502:
3464:
3458:
3457:
3449:
3443:
3439:
3421:
3415:
3414:
3412:
3411:
3396:
3390:
3389:
3371:
3365:
3364:
3346:
3340:
3339:
3321:
3315:
3314:
3313:
3312:
3273:
3267:
3264:
3262:
3261:
3255:
3249:, archived from
3238:
3226:
3224:
3223:
3217:
3211:, archived from
3200:
3187:
3185:
3184:
3164:
3162:
3161:
3141:
3132:
3131:
3129:
3128:
3119:. Archived from
3109:
3103:
3102:
3100:
3099:
3071:
3065:
3064:
3046:
3040:
3039:
3021:
3015:
3014:
3012:
3011:
2992:
2986:
2985:
2983:
2981:
2957:
2951:
2950:
2949:
2948:
2910:
2813:Susanna Paasonen
2612:gender abolition
2534:Marianne Schnall
2299:
2294:. Archived from
2187:Old Boys Network
2169:culture and the
2100:
2093:
2086:
2072:
2071:
2070:
2011:Feminist parties
2006:Muslim feminists
2001:Jewish feminists
1912:
1911:
1893:History of women
1516:Political theory
1284:
1283:
1214:
1213:
1187:
1180:Women-only space
1065:Likeability trap
1030:Invisible labour
948:Female education
757:Anti-pornography
612:
611:
607:
323:Lesbian of color
306:
305:
183:Women's suffrage
159:Muslim countries
154:Women's suffrage
71:Feminist history
64:
63:
53:
30:
29:
21:
5562:
5561:
5557:
5556:
5555:
5553:
5552:
5551:
5517:
5516:
5515:
5510:
5501:
5480:
5441:Louise Nevelson
5344:
5320:Guerrilla Girls
5303:
5269:
5251:
5200:
5160:tArt Collective
5124:Brooklyn Museum
5103:
5074:
5051:
5046:
4991:Wayback Machine
4948:Wayback Machine
4941:100 anti-theses
4938:
4925:
4923:
4921:
4815:on 29 May 2009.
4799:
4787:
4784:
4782:Further reading
4779:
4769:
4767:
4758:
4757:
4753:
4744:
4742:
4729:
4728:
4724:
4715:
4713:
4670:
4666:
4657:
4655:
4642:
4641:
4637:
4627:
4625:
4610:
4606:
4600:Wayback Machine
4590:
4586:
4580:Wayback Machine
4569:
4565:
4556:
4554:
4533:
4529:
4520:
4518:
4511:lindadement.com
4505:Dement, Linda.
4503:
4499:
4492:
4476:
4472:
4464:
4453:
4447:
4443:
4436:
4422:
4418:
4409:
4407:
4394:
4393:
4389:
4381:
4379:
4377:
4345:
4341:
4298:
4294:
4263:
4259:
4216:
4212:
4203:
4201:
4186:
4177:
4161:
4160:
4148:
4134:
4130:
4091:
4087:
4064:
4060:
4021:
4017:
4008:
4006:
3985:
3981:
3944:
3940:
3925:
3911:
3907:
3892:
3874:
3870:
3860:Wayback Machine
3849:Wayback Machine
3839:
3835:
3826:
3824:
3811:
3810:
3806:
3797:
3795:
3788:transmediale.de
3782:
3781:
3777:
3738:
3731:
3724:
3708:
3704:
3673:
3664:
3649:
3635:
3628:
3613:
3599:
3595:
3574:
3570:
3561:
3559:
3551:
3545:
3544:
3540:
3533:Wayback Machine
3521:
3465:
3461:
3450:
3446:
3436:
3422:
3418:
3409:
3407:
3398:
3397:
3393:
3386:
3372:
3368:
3361:
3347:
3343:
3336:
3322:
3318:
3310:
3308:
3306:
3278:"Cyberfeminism"
3274:
3270:
3259:
3257:
3253:
3247:
3236:
3221:
3219:
3215:
3209:
3198:
3182:
3180:
3173:constantvzw.com
3159:
3157:
3142:
3135:
3126:
3124:
3111:
3110:
3106:
3097:
3095:
3088:
3072:
3068:
3061:
3047:
3043:
3036:
3022:
3018:
3009:
3007:
2994:
2993:
2989:
2979:
2977:
2958:
2954:
2946:
2944:
2937:
2915:"Cyberfeminism"
2911:
2904:
2900:
2830:Cyborg feminism
2826:
2798:Radhika Gajjala
2789:
2768:
2752:Evelin Stermitz
2697:Melinda Rackham
2645:
2643:Art and artists
2632:
2626:
2608:anti-naturalist
2597:
2591:
2567:africanfuturism
2550:Radhika Gajjala
2542:
2493:
2481:Carolyn Guertin
2463:western society
2425:
2406:
2384:
2379:
2314:
2282:"Cyberfeminism"
2278:Paterson, Nancy
2263:Julianne Pierce
2191:100 anti-theses
2183:
2104:
2068:
2066:
2061:
2060:
1962:
1909:
1901:
1900:
1899:
1808:Northern Cyprus
1588:
1580:
1579:
1574:
1396:Science fiction
1347:
1326:Women's studies
1291:Feminist method
1281:
1271:
1270:
1265:
1211:
1203:
1202:
1201:
1185:
1095:Oedipus complex
1085:Men in feminism
1050:Language reform
1025:Ideal womanhood
1005:Gender equality
1000:Formal equality
963:Feminationalism
901:Cognitive labor
895:
887:
886:
885:
842:Post-structural
741:
731:
730:
729:
638:
628:
627:
626:
609:
606:Gender-critical
605:
604:
555:Femonationalism
539:
531:
530:
525:
504:Native American
444:
399:Critical theory
361:
303:
293:
292:
287:
242:Second Republic
170:
140:
107:
81:Women's history
61:
28:
23:
22:
15:
12:
11:
5:
5560:
5550:
5549:
5544:
5539:
5534:
5529:
5512:
5511:
5506:
5503:
5502:
5500:
5499:
5494:
5488:
5486:
5482:
5481:
5479:
5478:
5473:
5468:
5463:
5458:
5453:
5451:M. C. Richards
5448:
5443:
5438:
5436:Barbara Kruger
5433:
5428:
5423:
5418:
5413:
5408:
5403:
5398:
5393:
5388:
5383:
5378:
5373:
5368:
5363:
5358:
5356:Alison Bechdel
5352:
5350:
5346:
5345:
5343:
5342:
5337:
5332:
5327:
5325:The Waitresses
5322:
5317:
5311:
5309:
5305:
5304:
5302:
5301:
5294:
5286:
5277:
5275:
5271:
5270:
5268:
5267:
5259:
5257:
5253:
5252:
5250:
5249:
5241:
5233:
5225:
5217:
5208:
5206:
5202:
5201:
5199:
5198:
5193:
5188:
5183:
5178:
5173:
5167:
5162:
5157:
5155:SOHO20 Gallery
5152:
5147:
5142:
5137:
5132:
5127:
5117:
5115:A.I.R. Gallery
5111:
5109:
5105:
5104:
5102:
5101:
5095:
5089:
5082:
5080:
5076:
5075:
5073:
5072:
5067:
5062:
5056:
5053:
5052:
5045:
5044:
5037:
5030:
5022:
5016:
5015:
5006:
4997:
4981:
4976:
4971:
4966:
4961:
4956:
4937:
4936:External links
4934:
4933:
4932:
4919:
4904:
4867:
4855:10.1086/422235
4836:
4817:
4797:
4789:"Reading room"
4783:
4780:
4778:
4777:
4751:
4722:
4684:(5): 538–539.
4664:
4635:
4604:
4584:
4563:
4527:
4497:
4490:
4470:
4441:
4434:
4416:
4387:
4375:
4339:
4292:
4273:(1): 125–149.
4257:
4230:(2): 306–308.
4220:"Xenofeminism"
4210:
4175:
4146:
4128:
4085:
4074:(5): 788–804.
4058:
4031:(3): 146–166.
4015:
3990:(2016-12-07).
3979:
3938:
3923:
3905:
3891:978-0743466271
3890:
3868:
3833:
3804:
3775:
3748:(1): 115–135.
3729:
3722:
3702:
3662:
3648:978-0748611171
3647:
3626:
3612:978-0415062213
3611:
3593:
3587:j.ctt15nmj7f.6
3568:
3538:
3536:
3535:
3519:
3459:
3444:
3434:
3416:
3391:
3385:978-0415240260
3384:
3366:
3359:
3341:
3334:
3316:
3304:
3268:
3266:
3265:
3245:
3227:
3207:
3133:
3104:
3086:
3066:
3059:
3041:
3034:
3016:
3002:. 2018-01-16.
2987:
2952:
2935:
2901:
2899:
2896:
2895:
2894:
2891:TechnoFeminism
2887:
2882:
2877:
2872:
2867:
2862:
2857:
2855:Nancy Paterson
2852:
2847:
2842:
2837:
2832:
2825:
2822:
2821:
2820:
2815:
2810:
2805:
2800:
2795:
2788:
2785:
2784:
2783:
2779:
2767:
2764:
2713:Shu Lea Cheang
2685:Nancy Paterson
2644:
2641:
2625:
2622:
2590:
2587:
2541:
2538:
2513:Shu Lea Cheang
2505:Gayatri Spivak
2492:
2489:
2440:Nancy Paterson
2424:
2421:
2405:
2402:
2398:nuclear family
2383:
2380:
2378:
2375:
2313:
2310:
2302:
2301:
2217:
2216:
2213:
2182:
2179:
2106:
2105:
2103:
2102:
2095:
2088:
2080:
2077:
2076:
2063:
2062:
2057:
2056:
2055:
2054:
2049:
2041:
2040:
2036:
2035:
2034:
2033:
2028:
2023:
2018:
2013:
2008:
2003:
1998:
1993:
1991:Feminist poets
1988:
1983:
1978:
1973:
1968:
1961:
1960:
1958:Feminist songs
1955:
1954:
1953:
1948:
1938:
1937:
1936:
1934:by nationality
1926:
1920:
1917:
1916:
1910:
1907:
1906:
1903:
1902:
1898:
1897:
1896:
1895:
1885:
1883:United Kingdom
1880:
1875:
1870:
1865:
1860:
1855:
1850:
1845:
1840:
1835:
1830:
1825:
1820:
1815:
1810:
1805:
1800:
1795:
1790:
1785:
1780:
1779:
1778:
1773:
1768:
1763:
1758:
1753:
1748:
1743:
1733:
1728:
1723:
1718:
1713:
1708:
1703:
1698:
1693:
1688:
1683:
1678:
1673:
1668:
1663:
1658:
1653:
1648:
1643:
1638:
1637:
1636:
1631:
1626:
1621:
1616:
1611:
1606:
1601:
1590:
1589:
1586:
1585:
1582:
1581:
1576:
1575:
1573:
1572:
1571:
1570:
1560:
1555:
1550:
1545:
1540:
1535:
1534:
1533:
1523:
1518:
1513:
1508:
1507:
1506:
1501:
1496:
1494:Existentialism
1491:
1490:
1489:
1487:Justice ethics
1479:
1474:
1469:
1459:
1454:
1449:
1448:
1447:
1445:Constructivism
1437:
1432:
1427:
1422:
1421:
1420:
1410:
1405:
1400:
1399:
1398:
1393:
1388:
1383:
1373:
1368:
1363:
1357:
1354:
1353:
1352:Areas of study
1349:
1348:
1346:
1345:
1338:
1333:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1296:Gender studies
1293:
1287:
1282:
1277:
1276:
1273:
1272:
1267:
1266:
1264:
1263:
1261:SCUM Manifesto
1258:
1253:
1248:
1243:
1238:
1233:
1228:
1223:
1217:
1212:
1209:
1208:
1205:
1204:
1200:
1199:
1194:
1192:Women's rights
1189:
1186:Women's health
1182:
1177:
1172:
1167:
1162:
1157:
1152:
1147:
1142:
1137:
1132:
1127:
1122:
1117:
1112:
1107:
1102:
1097:
1092:
1087:
1082:
1077:
1072:
1070:Male privilege
1067:
1062:
1057:
1052:
1047:
1039:International
1037:
1032:
1027:
1022:
1017:
1012:
1007:
1002:
997:
992:
991:
990:
985:
980:
970:
965:
960:
955:
950:
945:
940:
935:
930:
925:
920:
919:
918:
908:
903:
897:
896:
893:
892:
889:
888:
884:
883:
878:
876:Technofeminism
873:
872:
871:
866:
861:
851:
850:
849:
839:
834:
833:
832:
831:
830:
820:
815:
805:
804:
803:
802:
801:
786:
781:
776:
775:
774:
769:
759:
754:
749:
743:
742:
737:
736:
733:
732:
728:
727:
722:
721:
720:
710:
705:
700:
699:
698:
693:
688:
678:
677:
676:
671:
666:
661:
651:
646:
640:
639:
634:
633:
630:
629:
625:
624:
619:
614:
601:
600:
599:
594:
589:
579:
574:
573:
572:
562:
557:
552:
547:
541:
540:
538:Other variants
537:
536:
533:
532:
527:
526:
524:
523:
518:
513:
508:
507:
506:
496:
495:
494:
484:
483:
482:
477:
472:
462:
456:
453:
452:
446:
445:
443:
442:
437:
436:
435:
430:
420:
419:
418:
408:
407:
406:
401:
391:
386:
385:
384:
373:
370:
369:
363:
362:
360:
359:
354:
353:
352:
342:
337:
336:
335:
330:
325:
315:
309:
304:
299:
298:
295:
294:
289:
288:
286:
285:
284:
283:
273:
272:
271:
266:
264:Cayman Islands
259:United Kingdom
256:
251:
250:
249:
244:
236:
231:
226:
221:
216:
211:
206:
201:
196:
190:
187:
186:
179:
178:
177:
176:
169:
168:
167:
166:
161:
150:
147:
146:
142:
141:
139:
138:
133:
128:
123:
117:
114:
113:
109:
108:
106:
105:
104:
103:
98:
93:
88:
78:
73:
67:
62:
59:
58:
55:
54:
46:
45:
39:
38:
26:
9:
6:
4:
3:
2:
5559:
5548:
5545:
5543:
5542:Transhumanism
5540:
5538:
5535:
5533:
5530:
5528:
5525:
5524:
5522:
5509:
5504:
5498:
5495:
5493:
5490:
5489:
5487:
5483:
5477:
5474:
5472:
5469:
5467:
5466:Cindy Sherman
5464:
5462:
5459:
5457:
5454:
5452:
5449:
5447:
5444:
5442:
5439:
5437:
5434:
5432:
5429:
5427:
5424:
5422:
5419:
5417:
5414:
5412:
5409:
5407:
5404:
5402:
5399:
5397:
5394:
5392:
5389:
5387:
5384:
5382:
5379:
5377:
5374:
5372:
5369:
5367:
5364:
5362:
5361:Lynda Benglis
5359:
5357:
5354:
5353:
5351:
5349:Notable women
5347:
5341:
5338:
5336:
5333:
5331:
5328:
5326:
5323:
5321:
5318:
5316:
5313:
5312:
5310:
5306:
5299:
5295:
5292:
5291:
5287:
5284:
5283:
5279:
5278:
5276:
5272:
5266:
5265:
5261:
5260:
5258:
5254:
5247:
5246:
5242:
5239:
5238:
5234:
5231:
5230:
5226:
5223:
5222:
5218:
5215:
5214:
5210:
5209:
5207:
5203:
5197:
5194:
5192:
5189:
5187:
5184:
5182:
5179:
5177:
5174:
5171:
5168:
5166:
5163:
5161:
5158:
5156:
5153:
5151:
5148:
5146:
5143:
5141:
5138:
5136:
5133:
5131:
5128:
5125:
5121:
5118:
5116:
5113:
5112:
5110:
5106:
5099:
5096:
5093:
5090:
5087:
5084:
5083:
5081:
5077:
5071:
5070:Women artists
5068:
5066:
5063:
5061:
5058:
5057:
5054:
5050:
5043:
5038:
5036:
5031:
5029:
5024:
5023:
5020:
5014:
5010:
5007:
5005:
5001:
4998:
4996:
4992:
4988:
4985:
4982:
4980:
4977:
4975:
4972:
4970:
4967:
4965:
4962:
4960:
4957:
4955:
4952:
4951:
4950:
4949:
4945:
4942:
4922:
4916:
4912:
4911:
4905:
4901:
4897:
4892:
4887:
4883:
4879:
4878:
4873:
4868:
4864:
4860:
4856:
4852:
4848:
4844:
4843:
4837:
4833:
4829:
4828:
4823:
4818:
4814:
4810:
4806:
4802:
4798:
4794:
4790:
4786:
4785:
4765:
4761:
4760:"FACES story"
4755:
4740:
4736:
4732:
4726:
4711:
4707:
4703:
4699:
4695:
4691:
4687:
4683:
4679:
4675:
4668:
4653:
4649:
4645:
4639:
4623:
4619:
4617:
4608:
4601:
4597:
4594:
4588:
4581:
4577:
4574:
4573:
4567:
4552:
4548:
4544:
4543:
4538:
4531:
4516:
4512:
4508:
4501:
4493:
4487:
4483:
4482:
4474:
4463:
4459:
4452:
4445:
4437:
4435:9781864482317
4431:
4427:
4420:
4405:
4401:
4397:
4391:
4378:
4376:9780761923824
4372:
4368:
4364:
4360:
4356:
4355:
4350:
4343:
4335:
4331:
4327:
4323:
4319:
4315:
4311:
4307:
4303:
4296:
4288:
4284:
4280:
4276:
4272:
4268:
4261:
4253:
4249:
4245:
4241:
4237:
4233:
4229:
4225:
4221:
4214:
4199:
4195:
4191:
4184:
4182:
4180:
4171:
4165:
4157:
4153:
4149:
4147:9781509520626
4143:
4140:. Cambridge.
4139:
4132:
4124:
4120:
4116:
4112:
4108:
4104:
4100:
4096:
4089:
4081:
4077:
4073:
4069:
4062:
4054:
4050:
4046:
4042:
4038:
4034:
4030:
4026:
4019:
4005:
4001:
3997:
3993:
3989:
3983:
3975:
3971:
3966:
3961:
3957:
3953:
3949:
3942:
3934:
3930:
3926:
3924:9781433113598
3920:
3916:
3909:
3901:
3897:
3893:
3887:
3882:
3881:
3872:
3865:
3861:
3857:
3854:
3850:
3846:
3843:
3837:
3822:
3818:
3814:
3808:
3793:
3789:
3785:
3779:
3771:
3767:
3763:
3759:
3755:
3751:
3747:
3743:
3736:
3734:
3725:
3719:
3715:
3714:
3706:
3698:
3694:
3690:
3686:
3682:
3678:
3671:
3669:
3667:
3658:
3654:
3650:
3644:
3640:
3633:
3631:
3622:
3618:
3614:
3608:
3605:. Routledge.
3604:
3597:
3588:
3583:
3579:
3572:
3557:
3550:
3549:
3542:
3534:
3530:
3527:
3522:
3520:9780252073366
3516:
3512:
3507:
3504:
3503:
3500:
3496:
3492:
3488:
3484:
3480:
3476:
3472:
3471:
3463:
3455:
3448:
3442:
3437:
3435:9781875559688
3431:
3427:
3420:
3405:
3401:
3395:
3387:
3381:
3377:
3370:
3362:
3360:9780521852555
3356:
3352:
3345:
3337:
3335:9781551521169
3331:
3327:
3320:
3307:
3305:9780761923824
3301:
3297:
3293:
3289:
3285:
3284:
3279:
3272:
3256:on 2020-09-01
3252:
3248:
3246:9783933557346
3242:
3235:
3234:
3228:
3218:on 2020-09-01
3214:
3210:
3208:9783933557346
3204:
3197:
3196:
3190:
3189:
3179:on 2007-10-07
3178:
3174:
3170:
3156:on 2014-04-25
3155:
3151:
3147:
3140:
3138:
3123:on 2018-01-19
3122:
3118:
3114:
3108:
3093:
3089:
3083:
3079:
3078:
3070:
3062:
3056:
3052:
3045:
3037:
3031:
3027:
3020:
3005:
3001:
2997:
2991:
2975:
2971:
2967:
2963:
2956:
2942:
2938:
2936:9781452270388
2932:
2928:
2924:
2920:
2916:
2909:
2907:
2902:
2893:
2892:
2888:
2886:
2883:
2881:
2880:Transhumanism
2878:
2876:
2873:
2871:
2868:
2866:
2865:Post-humanism
2863:
2861:
2858:
2856:
2853:
2851:
2848:
2846:
2843:
2841:
2838:
2836:
2833:
2831:
2828:
2827:
2819:
2816:
2814:
2811:
2809:
2808:Donna Haraway
2806:
2804:
2801:
2799:
2796:
2794:
2791:
2790:
2780:
2777:
2774:
2773:
2772:
2763:
2761:
2757:
2753:
2748:
2744:
2740:
2736:
2732:
2728:
2724:
2723:
2718:
2715:'s 1998 work
2714:
2710:
2709:Mythic Hybrid
2706:
2702:
2698:
2694:
2690:
2686:
2682:
2678:
2677:Auriea Harvey
2674:
2670:
2669:Faith Wilding
2666:
2662:
2657:
2655:
2651:
2640:
2636:
2631:
2620:
2615:
2613:
2609:
2605:
2601:
2596:
2595:Postgenderism
2586:
2584:
2580:
2574:
2572:
2568:
2562:
2560:
2555:
2551:
2547:
2537:
2535:
2531:
2527:
2526:
2520:
2518:
2514:
2510:
2506:
2502:
2498:
2488:
2486:
2482:
2479:According to
2477:
2475:
2471:
2466:
2464:
2460:
2456:
2452:
2447:
2445:
2441:
2436:
2434:
2430:
2420:
2418:
2414:
2410:
2409:Donna Haraway
2401:
2399:
2394:
2393:
2388:
2374:
2373:
2369:
2365:
2361:
2356:
2353:
2352:
2348:and her book
2347:
2343:
2339:
2335:
2334:Donna Haraway
2330:
2328:
2323:
2320:
2319:Faith Wilding
2309:
2306:
2297:
2293:
2289:
2288:
2283:
2279:
2275:
2272:
2271:
2270:
2268:
2267:Donna Haraway
2264:
2260:
2256:
2252:
2249:
2245:
2240:
2239:programming.
2238:
2234:
2230:
2226:
2222:
2214:
2211:
2210:
2209:
2207:
2202:
2200:
2194:
2192:
2188:
2178:
2176:
2172:
2168:
2164:
2160:
2156:
2152:
2151:Donna Haraway
2147:
2145:
2141:
2137:
2135:
2130:
2128:
2124:
2120:
2116:
2112:
2111:Cyberfeminism
2101:
2096:
2094:
2089:
2087:
2082:
2081:
2079:
2078:
2075:
2065:
2064:
2053:
2050:
2048:
2045:
2044:
2043:
2042:
2038:
2037:
2032:
2029:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1963:
1959:
1956:
1952:
1949:
1947:
1944:
1943:
1942:
1939:
1935:
1932:
1931:
1930:
1927:
1925:
1922:
1921:
1919:
1918:
1914:
1913:
1905:
1904:
1894:
1891:
1890:
1889:
1888:United States
1886:
1884:
1881:
1879:
1876:
1874:
1871:
1869:
1866:
1864:
1861:
1859:
1856:
1854:
1851:
1849:
1846:
1844:
1841:
1839:
1836:
1834:
1831:
1829:
1826:
1824:
1821:
1819:
1816:
1814:
1811:
1809:
1806:
1804:
1801:
1799:
1796:
1794:
1791:
1789:
1786:
1784:
1781:
1777:
1774:
1772:
1769:
1767:
1764:
1762:
1759:
1757:
1754:
1752:
1749:
1747:
1744:
1742:
1739:
1738:
1737:
1736:Latin America
1734:
1732:
1729:
1727:
1724:
1722:
1719:
1717:
1714:
1712:
1709:
1707:
1704:
1702:
1699:
1697:
1694:
1692:
1689:
1687:
1684:
1682:
1679:
1677:
1674:
1672:
1669:
1667:
1664:
1662:
1659:
1657:
1654:
1652:
1649:
1647:
1644:
1642:
1639:
1635:
1632:
1630:
1627:
1625:
1622:
1620:
1617:
1615:
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1596:
1595:
1592:
1591:
1584:
1583:
1569:
1566:
1565:
1564:
1561:
1559:
1558:Technoscience
1556:
1554:
1551:
1549:
1546:
1544:
1541:
1539:
1536:
1532:
1529:
1528:
1527:
1524:
1522:
1519:
1517:
1514:
1512:
1509:
1505:
1502:
1500:
1497:
1495:
1492:
1488:
1485:
1484:
1483:
1480:
1478:
1475:
1473:
1470:
1468:
1465:
1464:
1463:
1460:
1458:
1455:
1453:
1450:
1446:
1443:
1442:
1441:
1438:
1436:
1433:
1431:
1428:
1426:
1423:
1419:
1416:
1415:
1414:
1411:
1409:
1406:
1404:
1401:
1397:
1394:
1392:
1389:
1387:
1384:
1382:
1381:Art criticism
1379:
1378:
1377:
1374:
1372:
1369:
1367:
1364:
1362:
1359:
1358:
1356:
1355:
1351:
1350:
1344:
1343:
1339:
1337:
1334:
1332:
1331:Men's studies
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1288:
1286:
1285:
1280:
1275:
1274:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1231:Views on BDSM
1229:
1227:
1224:
1222:
1219:
1218:
1216:
1215:
1207:
1206:
1198:
1195:
1193:
1190:
1188:
1183:
1181:
1178:
1176:
1173:
1171:
1168:
1166:
1163:
1161:
1158:
1156:
1155:Transmisogyny
1153:
1151:
1148:
1146:
1143:
1141:
1138:
1136:
1133:
1131:
1128:
1126:
1123:
1121:
1118:
1116:
1115:Purplewashing
1113:
1111:
1110:Protofeminism
1108:
1106:
1103:
1101:
1098:
1096:
1093:
1091:
1088:
1086:
1083:
1081:
1078:
1076:
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1051:
1048:
1046:
1042:
1038:
1036:
1033:
1031:
1028:
1026:
1023:
1021:
1020:Honor killing
1018:
1016:
1013:
1011:
1008:
1006:
1003:
1001:
998:
996:
993:
989:
986:
984:
981:
979:
976:
975:
974:
971:
969:
966:
964:
961:
959:
956:
954:
951:
949:
946:
944:
941:
939:
936:
934:
931:
929:
926:
924:
921:
917:
914:
913:
912:
909:
907:
904:
902:
899:
898:
891:
890:
882:
879:
877:
874:
870:
867:
865:
862:
860:
857:
856:
855:
852:
848:
845:
844:
843:
840:
838:
835:
829:
826:
825:
824:
821:
819:
816:
814:
811:
810:
809:
806:
800:
797:
796:
795:
792:
791:
790:
789:Individualist
787:
785:
782:
780:
777:
773:
770:
768:
765:
764:
763:
762:Cyberfeminism
760:
758:
755:
753:
750:
748:
745:
744:
740:
735:
734:
726:
723:
719:
716:
715:
714:
711:
709:
706:
704:
701:
697:
694:
692:
689:
687:
684:
683:
682:
679:
675:
672:
670:
667:
665:
662:
660:
657:
656:
655:
652:
650:
647:
645:
642:
641:
637:
632:
631:
623:
620:
618:
615:
613:
602:
598:
595:
593:
590:
588:
585:
584:
583:
580:
578:
575:
571:
568:
567:
566:
563:
561:
558:
556:
553:
551:
548:
546:
545:Anti-abortion
543:
542:
535:
534:
522:
519:
517:
514:
512:
509:
505:
502:
501:
500:
497:
493:
490:
489:
488:
485:
481:
478:
476:
473:
471:
468:
467:
466:
463:
461:
458:
457:
455:
454:
451:
450:Multicultural
448:
447:
441:
438:
434:
433:Transnational
431:
429:
426:
425:
424:
421:
417:
414:
413:
412:
409:
405:
402:
400:
397:
396:
395:
392:
390:
387:
383:
380:
379:
378:
375:
374:
372:
371:
368:
365:
364:
358:
355:
351:
350:Postgenderism
348:
347:
346:
345:Transfeminism
343:
341:
338:
334:
331:
329:
326:
324:
321:
320:
319:
316:
314:
311:
310:
308:
307:
302:
297:
296:
282:
279:
278:
277:
276:United States
274:
270:
267:
265:
262:
261:
260:
257:
255:
252:
248:
245:
243:
240:
239:
237:
235:
232:
230:
229:Liechtenstein
227:
225:
222:
220:
217:
215:
212:
210:
207:
205:
202:
200:
197:
195:
192:
191:
189:
188:
184:
181:
180:
175:
172:
171:
165:
162:
160:
157:
156:
155:
152:
151:
149:
148:
144:
143:
137:
134:
132:
129:
127:
124:
122:
119:
118:
116:
115:
111:
110:
102:
99:
97:
94:
92:
89:
87:
84:
83:
82:
79:
77:
74:
72:
69:
68:
66:
65:
57:
56:
52:
48:
47:
44:
41:
40:
36:
32:
31:
19:
18:Cyberfeminist
5421:Jane Kaufman
5406:Nancy Graves
5401:Mary Garrard
5376:Judy Chicago
5371:Norma Broude
5288:
5280:
5274:Publications
5262:
5243:
5235:
5227:
5219:
5211:
5135:Hera Gallery
5060:Feminist art
4939:
4924:. Retrieved
4909:
4881:
4875:
4846:
4840:
4831:
4825:
4813:the original
4804:
4792:
4768:. Retrieved
4764:the original
4754:
4743:. Retrieved
4735:monoskop.org
4734:
4725:
4714:. Retrieved
4681:
4677:
4667:
4656:. Retrieved
4647:
4638:
4626:. Retrieved
4622:the original
4615:
4607:
4587:
4571:
4566:
4555:. Retrieved
4546:
4540:
4530:
4519:. Retrieved
4510:
4500:
4480:
4473:
4462:the original
4457:
4444:
4426:DIY feminism
4425:
4419:
4408:. Retrieved
4399:
4390:
4380:, retrieved
4353:
4342:
4312:(1): 60–65.
4309:
4305:
4295:
4270:
4266:
4260:
4227:
4223:
4213:
4202:. Retrieved
4193:
4138:Xenofeminism
4137:
4131:
4101:(2): 83–95.
4098:
4094:
4088:
4071:
4067:
4061:
4028:
4024:
4018:
4007:. Retrieved
3995:
3982:
3955:
3951:
3941:
3914:
3908:
3879:
3871:
3863:
3836:
3825:. Retrieved
3820:
3816:
3807:
3796:. Retrieved
3787:
3778:
3745:
3741:
3712:
3705:
3680:
3676:
3638:
3602:
3596:
3577:
3571:
3560:. Retrieved
3547:
3541:
3510:
3505:
3474:
3468:
3462:
3453:
3447:
3425:
3419:
3408:. Retrieved
3394:
3375:
3369:
3350:
3344:
3325:
3319:
3309:, retrieved
3282:
3271:
3258:, retrieved
3251:the original
3232:
3220:, retrieved
3213:the original
3194:
3181:. Retrieved
3177:the original
3172:
3158:. Retrieved
3154:the original
3149:
3125:. Retrieved
3121:the original
3116:
3107:
3096:. Retrieved
3076:
3069:
3050:
3044:
3025:
3019:
3008:. Retrieved
2999:
2990:
2978:. Retrieved
2969:
2965:
2955:
2945:, retrieved
2918:
2889:
2835:Linda Dement
2769:
2759:
2755:
2734:
2731:"replicants"
2727:Blade Runner
2726:
2720:
2716:
2708:
2705:Prema Murthy
2700:
2692:
2689:Linda Dement
2661:Linda Dement
2658:
2654:DIY Feminism
2653:
2646:
2637:
2633:
2617:
2603:
2600:Xenofeminism
2599:
2598:
2589:Xenofeminism
2585:aesthetics.
2575:
2571:afrofuturism
2563:
2553:
2543:
2530:Amy Richards
2523:
2521:
2517:Prema Murthy
2497:postcolonial
2494:
2485:multiplicity
2478:
2469:
2467:
2448:
2437:
2426:
2416:
2407:
2390:
2385:
2357:
2349:
2341:
2331:
2324:
2315:
2303:
2296:the original
2285:
2273:
2257:
2253:
2244:Linda Dement
2241:
2218:
2206:Mia Consalvo
2204:
2196:
2190:
2184:
2148:
2143:
2138:
2134:Linda Dement
2131:
2110:
2109:
1838:Saudi Arabia
1634:South Africa
1477:Epistemology
1452:Legal theory
1371:Architecture
1361:Anthropology
1340:
1306:Gynocentrism
1170:War on women
1105:Pro-feminism
1060:Gender-blind
1010:Gender quota
983:Art movement
761:
752:Anti-fascist
686:Dianic Wicca
565:Postfeminism
440:Xenofeminism
423:Postcolonial
340:Sex-positive
5471:Alma Thomas
5426:Lee Krasner
5416:Lila Katzen
5391:Suzi Ferrer
5340:Where We At
5293:(1972–1977)
5285:(1977–1992)
5232:(1974–1978)
4926:21 December
4770:February 1,
4614:"Review of
4396:"Home page"
3683:: 115–135.
3477:(1): 1–23.
2818:Sadie Plant
2681:Sandy Stone
2438:In Canada,
2429:Sadie Plant
2327:Sadie Plant
2305:Sadie Plant
2175:Sadie Plant
1843:South Korea
1823:Philippines
1803:New Zealand
1798:Netherlands
1521:Pornography
1499:Metaphysics
1413:Criminology
1391:Film theory
1366:Archaeology
1045:Women's Day
837:Libertarian
779:Ecofeminism
696:Ecofeminist
577:Reactionary
570:Neofeminism
511:Multiracial
416:Ecofeminist
411:Materialist
254:Switzerland
234:New Zealand
5521:Categories
5476:June Wayne
5213:Womanhouse
5079:Precursors
4827:n.paradoxa
4809:VNS Matrix
4745:2018-08-03
4716:2018-08-06
4658:2018-11-14
4628:8 February
4557:2014-10-07
4521:2007-06-22
4410:2007-06-22
4382:2018-08-02
4204:2022-06-27
4009:2018-07-31
3864:n.paradoxa
3827:2018-07-31
3798:2020-04-21
3562:2023-09-13
3410:2024-08-05
3311:2018-07-31
3260:2017-02-08
3222:2017-02-08
3188:See also:
3183:2007-06-22
3160:2014-02-07
3127:2018-07-31
3098:2024-08-05
3087:0385482604
3010:2024-02-01
3000:VNS Matrix
2980:21 October
2947:2018-07-31
2898:References
2870:riot grrrl
2845:FemTechNet
2766:Listserves
2665:VNS Matrix
2650:aesthetics
2628:See also:
2593:See also:
2509:Coco Fusco
2459:technology
2433:VNS Matrix
2292:Stacy Horn
2259:VNS Matrix
2181:Definition
2167:riot grrrl
2140:VNS Matrix
2127:technology
2119:cyberspace
2039:Categories
1941:Literature
1651:Bangladesh
1526:Psychology
1472:Empiricism
1467:Aesthetics
1462:Philosophy
1336:Patriarchy
1321:Matriarchy
1041:Girl's Day
1015:Girl power
988:In hip hop
911:Literature
869:Separatist
847:Postmodern
813:Difference
747:Analytical
691:Reclaiming
499:Indigenous
404:Standpoint
333:Separatist
185:by country
5411:Eva Hesse
5004:Mindy Seu
4993:from the
4863:144615884
4698:1530-9282
4572:Bindigirl
4334:144852309
4326:1536-0334
4287:0740-770X
4252:216643183
4244:1468-0777
4164:cite book
4156:992779765
4123:145667227
4115:1555-1393
4068:Continuum
4045:1934-1520
3933:752472588
3770:147255598
3762:1369-118X
3697:147255598
3621:814233726
3499:144999759
2679:'s work,
2624:Critiques
2583:posthuman
2451:Manifesto
2446:in 1991.
2274:See also:
1929:Feminists
1741:Argentina
1701:Indonesia
1691:Hong Kong
1646:Australia
1553:Sociology
1435:Geography
1425:Economics
1316:Male gaze
1311:Kyriarchy
772:Networked
654:Christian
389:Jineology
377:Anarchist
367:Socialist
247:Francoist
199:Australia
145:Timelines
5446:Yoko Ono
5300:" (1971)
4987:Archived
4944:Archived
4900:27655141
4805:sysx.org
4739:Archived
4710:Archived
4706:57567515
4678:Leonardo
4652:Archived
4596:Archived
4576:Archived
4551:Archived
4515:Archived
4404:Archived
4198:Archived
4053:85289747
3996:SocArXiv
3974:27655141
3900:51854519
3856:Archived
3845:Archived
3792:Archived
3657:42579667
3556:Archived
3529:Archived
3526:Details.
3506:Also as:
3441:Preview.
3404:Archived
3092:Archived
3004:Archived
2974:Archived
2941:archived
2824:See also
2739:Sundance
2717:Brandon,
2701:Carrier,
2474:New York
2377:Timeline
2227:such as
2171:feminist
2123:Internet
2115:feminist
1924:Articles
1863:Thailand
1818:Pakistan
1788:Malaysia
1771:Paraguay
1761:Honduras
1609:Ethiopia
1563:Theology
1548:Sexology
1543:Sex wars
1457:Pedagogy
1210:Outlooks
1090:Misogyny
958:Femicide
943:Equality
894:Concepts
859:Cultural
818:Equality
799:Stiletto
794:Lipstick
718:Orthodox
681:Neopagan
669:Womanist
649:Buddhist
597:Embedded
592:Imperial
587:Carceral
560:Maternal
521:Womanism
209:Colombia
96:Canadian
86:American
43:Feminism
35:a series
33:Part of
5315:subRosa
4979:uat.edu
4793:obn.org
4648:Rhizome
4616:Brandon
4400:obn.org
4359:202–205
3552:(Video)
3491:4137430
3288:108–109
3150:obn.org
3117:obn.org
2966:Artlink
2850:Net art
2776:Nettime
2444:EchoNYC
2287:EchoNYC
2261:member
2221:utopian
1878:Ukraine
1873:Vietnam
1783:Lebanon
1681:Germany
1671:Finland
1666:Denmark
1641:Albania
1629:Senegal
1624:Nigeria
1531:Therapy
1504:science
1403:Biology
854:Radical
808:Liberal
784:Eugenic
708:Islamic
644:Atheist
492:Lesbian
487:Chicana
480:Ratchet
475:Lesbian
470:Hip hop
394:Marxist
318:Lesbian
194:Austria
91:British
60:History
5308:Groups
5248:(2007)
5240:(1979)
5224:(1977)
5216:(1972)
5100:(1892)
5094:(1889)
5088:(1881)
4917:
4898:
4861:
4704:
4696:
4488:
4432:
4373:
4332:
4324:
4285:
4250:
4242:
4154:
4144:
4121:
4113:
4051:
4043:
3972:
3931:
3921:
3898:
3888:
3768:
3760:
3720:
3695:
3655:
3645:
3619:
3609:
3584:
3517:
3497:
3489:
3456:. obn.
3432:
3382:
3357:
3332:
3302:
3243:
3205:
3084:
3057:
3032:
2933:
2735:I.K.U.
2722:I.K.U.
2515:, and
2229:gender
2125:, and
2121:, the
1868:Turkey
1858:Taiwan
1848:Sweden
1833:Russia
1828:Poland
1813:Norway
1766:Mexico
1746:Brazil
1721:Israel
1686:Greece
1676:France
1656:Canada
1594:Africa
1482:Ethics
1279:Theory
1120:Racism
823:Social
713:Jewish
659:Mormon
617:Victim
550:Equity
516:Romani
428:Global
281:states
238:Spain
224:Kuwait
204:Canada
136:Fourth
126:Second
101:German
5485:Lists
5172:(WAR)
4896:JSTOR
4859:S2CID
4702:S2CID
4593:video
4465:(PDF)
4454:(PDF)
4330:S2CID
4248:S2CID
4119:S2CID
4049:S2CID
3970:JSTOR
3840:See "
3766:S2CID
3693:S2CID
3582:JSTOR
3495:S2CID
3487:JSTOR
3254:(PDF)
3237:(PDF)
3216:(PDF)
3199:(PDF)
2972:(4).
2540:2010s
2491:2000s
2423:1990s
2404:1980s
2382:1970s
2237:ALife
2113:is a
1915:Lists
1853:Syria
1793:Nepal
1756:Haiti
1751:Chile
1731:Japan
1726:Italy
1696:India
1661:China
1614:Ghana
1604:Egypt
1080:Media
828:Labor
703:Hindu
674:Asian
622:White
582:State
465:Black
382:Queer
269:Wales
219:Japan
214:India
131:Third
121:First
112:Waves
4928:2021
4915:ISBN
4772:2014
4694:ISSN
4630:2017
4486:ISBN
4430:ISBN
4371:ISBN
4322:ISSN
4283:ISSN
4240:ISSN
4170:link
4152:OCLC
4142:ISBN
4111:ISSN
4041:ISSN
3929:OCLC
3919:ISBN
3896:OCLC
3886:ISBN
3851:"; "
3758:ISSN
3718:ISBN
3653:OCLC
3643:ISBN
3617:OCLC
3607:ISBN
3515:ISBN
3430:ISBN
3380:ISBN
3355:ISBN
3330:ISBN
3300:ISBN
3241:ISBN
3203:ISBN
3082:ISBN
3055:ISBN
3030:ISBN
2982:2020
2931:ISBN
2671:and
2532:and
2499:and
2246:and
2199:myth
2153:'s "
1711:Iraq
1706:Iran
1619:Mali
1430:FDPA
1043:and
725:Sikh
5011:by
5002:by
4886:doi
4851:doi
4686:doi
4363:doi
4314:doi
4275:doi
4232:doi
4103:doi
4076:doi
4033:doi
4000:doi
3960:doi
3823:(1)
3750:doi
3685:doi
3479:doi
3292:doi
2923:doi
2754:'s
2699:'s
2691:'s
2461:on
2389:'s
2189:'s
2157:",
2142:'s
1376:Art
767:HCI
664:New
608:or
313:Fat
5523::
4894:.
4882:37
4880:.
4874:.
4857:.
4847:30
4845:.
4830:.
4824:.
4807:.
4803:.
4791:.
4737:.
4733:.
4708:.
4700:.
4692:.
4682:41
4680:.
4676:.
4650:.
4646:.
4591:A
4549:.
4545:.
4539:.
4513:.
4509:.
4456:.
4398:.
4369:,
4361:,
4351:,
4328:.
4320:.
4310:26
4308:.
4304:.
4281:.
4269:.
4246:.
4238:.
4228:19
4226:.
4222:.
4196:.
4192:.
4178:^
4166:}}
4162:{{
4150:.
4117:.
4109:.
4099:21
4097:.
4072:35
4070:.
4047:.
4039:.
4029:40
4027:.
3998:.
3994:.
3968:.
3956:37
3954:.
3950:.
3927:.
3894:.
3819:.
3815:.
3790:.
3786:.
3764:.
3756:.
3744:.
3732:^
3691:.
3679:.
3665:^
3651:.
3629:^
3615:.
3554:.
3493:.
3485:.
3475:26
3473:.
3402:.
3298:,
3290:,
3280:,
3171:.
3148:.
3136:^
3115:.
3090:.
2998:.
2970:37
2968:.
2964:.
2939:,
2929:,
2917:,
2905:^
2687:,
2683:,
2569:,
2536:.
2511:,
2487:.
2476:.
2465:.
2370:,
2362:,
2290:.
2284:.
2280:.
2165:,
2161:,
164:US
37:on
5296:"
5126:)
5122:(
5041:e
5034:t
5027:v
4930:.
4902:.
4888::
4865:.
4853::
4834:.
4832:2
4774:.
4748:.
4719:.
4688::
4661:.
4632:.
4560:.
4547:5
4524:.
4494:.
4438:.
4413:.
4365::
4336:.
4316::
4289:.
4277::
4271:9
4254:.
4234::
4207:.
4172:)
4158:.
4125:.
4105::
4082:.
4078::
4055:.
4035::
4012:.
4002::
3976:.
3962::
3935:.
3902:.
3830:.
3821:9
3801:.
3772:.
3752::
3746:7
3726:.
3699:.
3687::
3681:7
3659:.
3623:.
3590:.
3565:.
3523:.
3501:.
3481::
3438:.
3413:.
3388:.
3363:.
3338:.
3294::
3263:.
3225:.
3186:.
3163:.
3130:.
3101:.
3063:.
3038:.
3013:.
2984:.
2925::
2099:e
2092:t
2085:v
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.svg)