354:, a novel/blog written with the participation of readers. She has blogged since the late 1990s, with her current blog dating from 2004. However, instead of using her blog solely for promotional purposes, as most other writers do, Rivera Garza uses the resource to publish material that is more experimental and unconstrained by the requirements of traditional publishing. She has also experimented with
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often focused on those marginalized, such as insane people and prostitutes and challenges the idea that concepts such as sex, nation or narrative identity are stable. Several of her works are influenced by her experience on both sides of the border, primarily writing in
Spanish, but she has written in English as well.
255:
She has always had a full-time job in teaching, which limits her time for creative writing, for which she is better known. Her first professorship was with San Diego State
University from 1997 to 2004, teaching Mexican history. In 2001, CECUT/Centro Cultural de Tijuana invited her to teach a class in
219:
She did her undergraduate studies at ENEP-Acatlán (part of UNAM) in sociology, then went on to study her master’s in Latin
American history at UNAM. She holds a Ph.D. in History from the University of Houston (1995). Her doctoral thesis was on the subjection of the human body to state power in mental
381:
Most of her creative work is a hybrid of styles, genres, and elements. She mixes styles such as narrative, poetry, short story, and novel. She blends elements from her imagination, along with those of reality including historical documents and even included herself in one of her novels. Her work has
377:
that books provide travel through a state of mind. She does not believe that the purpose of fiction is to inform, as there are other ways to do this, but rather she views writing as a physical manifestation of thinking. Rivera Garza believes that literature is one of the few ways people can explore
372:
Rivera Garza’s works have been described as a "disturbing pleasure". As a writer, she aims to darken things and make readers suspicious, believing that "there is too much light and clarity in the world" as well as too much communication and messaging. She does not write to create stories, nor to
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While she declines to use words to describe herself, she does state that “I am me and my keyboard.” She states that her personality is not fixed, and such would be limiting. Rivera Garza maintains interests in narrative, history, and the nature of human language/communication. She believes that
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Currently, Garza is a M.D. Anderson
Distinguished Professor in Hispanic Studies and the director and founder of the Creative Writing Program at the University of Houston. The Creative Writing Program is the first Ph. D. program in Creative Writing in Spanish in the United States.
259:
In 2004, she returned to Mexico as a professor of humanities at Tec de
Monterrey, Campus Toluca, where she was co-director. In 2008, she returned to San Diego as a professor of creative writing at the literature department of the University of California, San Diego.
243:. However, she never permanently moved to the capital, which is Mexico’s literary center, making her feel outside of the country’s literary scene. She has also stated that she does not like the concentration of Mexico’s culture in the capital.
358:(@criveragarza), with her tweets described as developing meta commentaries both on tweeting and on literature, stating: "Look at it this way: an article is three or four tweets surrounded by text." She coined the term "tweetnovel" (
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176:, and has developed her career in teaching and writing in both the United States and Mexico. She has taught history and creative writing at various universities and institutions, including the
239:. Rivera Garza spent some of her “decisive years” studying in Mexico City, which she says has given her a personal and intimate relationship with Mexico’s capital, featured in her novel
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writing can be a question of life or death, and that writers should misbehave in real life as well as in the imagination to be connected to the world and better able to tell stories.
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Rivera Garza has also explored the digital realm as a venue for the publication of creative works. This began with blogging, starting with a now defunct site called
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216:, in the northeast of Mexico near the border with the United States. She is fluent in English and Spanish and has had a desire to write since her teenage years.
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creative writing, which she says changed her "personal dynamics, a lot of my relationships with Mexico" being in a
Spanish dominant academic environment again.
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271:, and has done research into popular conceptions of insanity and the history of psychiatry in Mexico. Her research work has appeared in journals such as
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310:(1994, 1999), and the Centro de Estudios MĂ©xico-Estados Unidos (1998). In addition to writing books, she has collaborated with publications such as
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in
Spanish) as a timeline written by the characters. Various people participate in the creative but there is someone responsible for the timeline.
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She has lived in various places in Mexico as well as in the United States, developing her teaching career on both sides of the border, living in
1494:
Cristina Rivera Garza reading from her work El Mal de la Taiga. Recorded for the literary archive at the
Library of Congress, September 5, 2015.
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express herself or convince her readers to her point of view. Instead, she believes she is producing a kind of reality, agreeing with poet
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the limits of human experience through language, stating that the books that have impacted her the most are those that made her think.
1209:""Cristina Rivera Garza's Tweets." Hybrid Storyspaces:Redefining the Critical Enterprise in Twenty-First Century Hispanic Literature"
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Her work has earned her various forms of recognition, starting in the 1980s with the Punto de
Partida Poetry Competition in 1984 for
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In 2001, she won the Juan
Vicente Melo National Short Story Award and was chosen as a member of the SNCA from 2003 to 2005.
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Translations of poems by Don Mee Choi, Edwin Torres, Juliana Sphar, Harryette Mullen, among others, included in
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Rivera Garza is one of the most prolific Mexican writers in her generation, receiving grants from CME (1984),
168:) winning a number of Mexico’s highest literary awards as well as awards abroad. She was born in the state of
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Betina Keizman (May 2013). "El blog de Cristina Rivera Garza: Experiencia literaria y terreno de contienda".
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in 2001, along with 1997 José Rubén Romero National Literary Award for Best Novel and was a finalist at the
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Cristina Rivera-Garza at Mexico Moving Forward 2011, US-Mexico Center, University of California, San Diego.
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Cheyla Rose Samuelson (Fall 2007). "Writing at Escape Velocity: An interview with Cristina Rivera Garza".
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Rivera Garza is one of Mexico’s best-known writers, having won six of Mexico's highest literary awards.
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450:. Carlos Fuentes called it "one of the most perturbing and beautiful novels ever written in Mexico".
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which received the 2000 IMPAC/CONARTE/ITESM National Award for Best Published Novel in Mexico, the
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Rivera Garza’s work has been translated into English, Portuguese, German, Italian and Korean.
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Martin, Joshua D. (2017). "Cruzando fronteras: Una entrevistas con Cristina Rivera Garza".
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1376:"Pulitzer 2024 winners include Jayne Anne Phillips, ProPublica, AP and New York Times"
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822:"Por la niebla del nosotros" translation and introduction of Juliana Sphar, in Nexos.
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807:"Nine Mexican Poets Edited by Cristina Rivera-Garza," in New American Writing #31.
1105:"Entrevista con Cristina Rivera Garza: El amor es una reflexión, un volver atrás"
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Romper el hielo: NovĂsimas escrituras al pie de un volcán. El lugar (re) visitado
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In 2012, Rivera Garza received an honorary doctorate in Humane Letters from the
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José Rubén Romero National Book Award, 1997; IMPAC-CONARTE-ITESM Award, 1999;
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1141:"Cristina Rivera Garza altera la realidad y la describe de manera alucinante"
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and professor best known for her fictional work, with various novels such as
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Academic staff of the Monterrey Institute of Technology and Higher Education
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Carlos Fuentes (December 9, 2002). "Cristina Rivera Garza: Una revelacion".
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691:- in collaboration with Javier Torres Maldonado, work commissioned by the
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La Castañeda. Narrativas dolientes desde el Manicomio General, 1910-1930
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1033:"Hibridismo y otredad en Nadie me verá llorar de Cristina Rivera Garza"
635:, translated by Suzanne Jill Levine and Aviva Kana (Dorothy, US, 2018;
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666:(Mexico: Tusquets, 2002). Juan Vicente Melo National Book Award, 2001.
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660:(Mexico: Mortiz, 1991). San Luis PotosĂ National Book Award, 1987.
402:, who stated that it has not received the attention it deserves.
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1396:"Viaje, una ópera postmoderna que comisionó y estrenará el FIC"
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She won the Sor Juana Inés de la Cruz Prize again in 2009 for
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Cristina Rivera-Garza at University of California, San Diego.
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Castillo, Debra A. (December 2007). "I call it New Orleans".
788:(MĂ©xico: Feria del Libro, SecretarĂa de Cultura, GDF, 2007).
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El invencible verano de Liliana / Liliana's Invincible Summer
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El invencible verano de Liliana / Liliana's Invincible Summer
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200:(Garza is the only author to win this award twice), and the
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Cristina Rivera-Garza´s monthly column in Literal Magazine.
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Liliana’s Invincible Summer: A Sister’s Search for Justice.
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Romper el hielo: NovĂsimas escrituras al pie de un volcán
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RĂłmulo Gallegos Iberoamerican Award (2003) runner-up for
599:, translated by Sarah Booker, ed. Feminist press, 2017;
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has named her his favorite writer. Her work, especially
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Los muertos indĂłciles. Necroescrituras y desapropiaciĂłn
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Los muertos indĂłciles. Necroescrituras y desapropiaciĂłn
726:(Mexico: DirecciĂłn de Literatura, UNAM, Bonobos, 2011).
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Journal of the History of Medicine and Allied Sciences
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471:Award for Latin American Literature (Paris, 2013).
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678:(Mexico: La Caja de Cerillos Ediciones/DGP, 2013).
570:, translated by Andrew Hurley, ed. NU Press, 2003.
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265:Universidad AutĂłnoma del Estado de MĂ©xico (UAEM)
1544:National Autonomous University of Mexico alumni
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724:El disco de Newton, diez ensayos sobre el color
593:, translated by R. Schenardi, ed. Voland, 2010.
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1005:(1). University of Northern Colorado: 135–145.
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885:"Cristina Rivera Garza - MacArthur Foundation"
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949:"Catálogo / Autores / Rivera Garza, Cristina"
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1445:Arizona Journal of Hispanic Cultural Studies
1293:. Sor Juana de la Cruz Prize. Archived from
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1554:University of California, San Diego faculty
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792:Rigo es amor. Una rocola de dieciséis voces
782:(MĂ©xico: Fondo de Cultura EconĂłmica, 2007).
714:(Mexico: Fondo de Cultura EconĂłmica, 2005).
457:– the only author to win this award twice.
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88:National Autonomous University of Mexico
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413:National Short Story Prize in 1987 for
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1172:"Cristina Rivera Garza (MĂ©xico, 1964)"
485:for Memoir-Autobiography for her book
431:Her first international award was the
398:, has been praised by critics such as
220:asylums in early 20th-century Mexico.
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1341:. University of California, San Diego
1247:"El mal de la taiga rima con desamor"
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1331:
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1139:MĂłnica Mateos-Vega (June 21, 2012).
749:Dolerse. Textos desde un paĂs herido
587:(Mexico/Barcelona: Tusquets, 2002).
564:(Mexico/Barcelona: Tusquets, 1999).
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1110:. Mexico: CONACULTA. Archived from
672:(Mexico/Barcelona: Tusquets, 2008).
617:(Mexico/Barcelona: Tusquets, 2007).
273:Hispanic American Historical Review
192:. She is the recipient of the 2020
186:University of California, San Diego
97:Novels, Poetry, Short Stories, etc.
13:
1549:San Diego State University faculty
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1207:Edmundo Paz Soldán (Spring 2012).
344:Revista de la UAEM and San Quintin
250:
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732:(Guadalajara: Mantis/UANL, 2011).
693:Festival Internacional Cervantino
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467:She is also the recipient of the
417:. In the 1990s, her first novel,
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501:for Memoir-Autobiography, 2024,
448:IMPAC Dublin International Prize
16:Writer and professor (born 1964)
1514:21st-century Mexican historians
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1353:
1253:. Guadalajara. December 4, 2012
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798:
708:(Mexico: Tierra Adentro, 1998).
647:(Literatura Random House, 2020)
547:
539:for the English translation of
527:Sor Juana Inés de la Cruz Prize
510:Sor Juana Inés de la Cruz Prize
444:Sor Juana Inés de la Cruz Prize
263:Garza has also taught at UNAM,
198:Sor Juana Inés de la Cruz Prize
182:Tec de Monterrey, Campus Toluca
126:Sor Juana Inés de la Cruz Prize
1398:. CONACULTA. September 8, 2014
1047:
877:
780:La novela segĂşn los novelistas
776:(Toluca: ITESM-Bonobos, 2006).
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720:(Toluca: ITESM-Bonobos, 2007).
385:
1:
834:
676:Allà te comerán las turicatas
435:, awarded in Berlin in 2005.
421:, was a finalist at the 1994
301:Tec de Monterrey, Mexico City
1423:Contemporary Women's Writing
1374:Lee, Benjamin (6 May 2024).
1317:"Honorary Degree Recipients"
811:From English into Spanish:
803:From Spanish into English:
767:
438:Her most recognized work is
152:(born October 1, 1964) is a
7:
816:Notas sobre conceptualismos
474:In 2020, she was awarded a
295:Rivera presenting the book
10:
1575:
1276:. Mexico City. p. 24.
818:(Mexico: Conaculta, 2013).
645:AutobiographĂa del algodĂłn
1031:Maricruz Castro Ricalde.
794:(Mexico: Tusquets, 2013).
757:(Mexico: Tusquets, 2013).
745:(Mexico: Tusquets, 2010).
699:
629:(Mexico: Tusquets, 2012)
623:(Mexico: Tusquets, 2011).
611:(Mexico: Tusquets, 2004).
577:(Mexico: Tusquets, 2014).
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212:Rivera Garza was born in
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1196:. University of Houston.
1174:. El Poder de la Palabra
1147:. Mexico City. p. 4
920:"Rivera Garza, Cristina"
682:
670:La frontera más distante
664:NingĂşn reloj cuenta esto
476:MacArthur "Genius" grant
1539:Mexican women novelists
1361:"Cristina Rivera Garza"
1339:"Cristina Rivera Garza"
1319:. University of Houston
1291:"Cristina Rivera Garza"
1216:Hispanic Issues on Line
1194:"Cristina Rivera Garza"
863:"Cristina Rivera Garza"
652:Short-story collections
207:
568:No One Will See me Cry
360:
330:La Palabra y El Hombre
303:
166:No One Will See Me Cry
1457:10.1353/hcs.2017.0006
1117:on September 24, 2015
951:. Tusquets Publishers
751:(Mexico: Sur+, 2011).
537:Shirley Jackson Award
462:University of Houston
294:
214:Matamoros, Tamaulipas
190:University of Houston
150:Cristina Rivera Garza
106:University of Houston
54:Matamoros, Tamaulipas
23:Cristina Rivera Garza
1559:Women horror writers
1103:Jorge Luis Herrera.
658:La guerra no importa
575:Nadie me verá llorar
562:Nadie me verá llorar
514:Nadie me verá llorar
440:Nadie me verá llorar
415:La guerra no importa
396:Nadie me verá llorar
368:Philosophy and style
241:Nadie me verá llorar
194:MacArthur Fellowship
162:Nadie me verá llorar
116:Nadie me verá llorar
63:Writer and Professor
1297:on December 4, 2014
1436:10.1093/cww/vpm001
633:The Taiga Syndrome
627:El mal de la taiga
584:La cresta de IliĂłn
541:El mal de la taiga
521:La cresta de IllĂłn
433:Anna Seghers Prize
304:
297:El Mal de la Taiga
202:Anna Seghers Prize
174:U.S.-Mexico border
130:Anna Seghers Prize
1529:MacArthur Fellows
712:Los textos del yo
637:And Other Stories
601:And Other Stories
481:She won the 2024
269:DePauw University
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835:References
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