117:
22:
63:
87:
145:
316:
performer, she has played with cellists
Christine Walevska (U.S.A.), Eduardo Vassallo (Argentina), and Franco Maggio (Italy), and violinists Mark Peskanov (Russia), Peter Thomas (England),
291:
She has performed many piano recitals in
Argentina, Spain, Italy, England, Mexico, Venezuela, Chile, South Africa, and other African countries. She has played as a
295:
with the “Arcos of Buenos Aires“ Orchestra, the
Symphonic Orchestra of Rosario (Santa Fe), the Symphonic Orchestra of San Juan, the Orchestra of the
149:
357:
328:‘s "Le Grand Tango" in the presence of the composer himself. They recorded a CD with this piece and other Latin-American compositions.
466:
331:
She and
Eduardo Vassallo have recently recorded another CD of Astor Piazzolla's tangos in England. There, they also played all of
125:
199:
446:
171:
471:
77:
178:
451:
236:
218:
49:
35:
185:
393:
338:
She plays in the Trío Clásico de Buenos Aires, together with Oleg Pishénin (violin) and Carlos Nozzi (cello).
456:
416:
167:
297:
324:(Argentina), and Fernando Hasaj (Uruguay). Together with violoncellist Eduardo Vassallo, she premiered
141:
377:
302:
130:
364:, . Recital del dúo que forman el violonchelista Eduardo Vassallo y la pianista Cristina Filoso.
354:
134:
461:
192:
335:’s sonatas for piano and cello. In England, she always plays with the Birmingham Ensemble.
41:
8:
273:
92:
285:
73:
306:
420:
361:
325:
281:
253:
156:
431:
426:
440:
317:
313:
321:
292:
265:
332:
277:
269:
82:
413:
62:
155:
from the article and its talk page, especially if potentially
284:. In 1992, she was awarded the first prize at the
309:several times, and the Symphonic of Mexico City.
438:
50:Learn how and when to remove these messages
394:Los tríos de Mozart, en encomiable versión
148:about living persons that is unsourced or
259:
237:Learn how and when to remove this message
219:Learn how and when to remove this message
439:
387:
276:and then continued her studies with
110:
56:
15:
432:Beethoven - Sonata 5 - 2nd movement
427:Beethoven - Sonata 5 - 1st movement
371:
348:
13:
14:
483:
407:
378:Beethoven, recreado con idoneidad
31:This article has multiple issues.
115:
61:
20:
467:21st-century classical pianists
39:or discuss these issues on the
423:, with Oleg Pishenin (YouTube)
1:
414:Cristina Filoso official site
341:
447:Argentine classical pianists
355:Una jornada para el recuerdo
298:Teatro Argentino de La Plata
264:Cristina Filoso was born in
126:biography of a living person
7:
472:21st-century women pianists
153:must be removed immediately
10:
488:
303:Buenos Aires Philharmonic
452:Argentine women pianists
76:, as no other articles
260:Music career and works
140:Please help by adding
457:Classical piano duos
146:Contentious material
274:Vincenzo Scaramuzza
272:. She studied with
419:2018-07-18 at the
360:2018-07-18 at the
95:for suggestions.
85:to this page from
247:
246:
239:
229:
228:
221:
203:
168:"Cristina Filoso"
129:needs additional
109:
108:
54:
479:
401:
391:
385:
375:
369:
352:
286:Alberto Williams
252:is an Argentine
242:
235:
224:
217:
213:
210:
204:
202:
161:
142:reliable sources
119:
118:
111:
104:
101:
90:
88:related articles
65:
57:
46:
24:
23:
16:
487:
486:
482:
481:
480:
478:
477:
476:
437:
436:
421:Wayback Machine
410:
405:
404:
392:
388:
376:
372:
362:Wayback Machine
353:
349:
344:
326:Astor Piazzolla
282:Nikita Magaloff
262:
254:concert pianist
250:Cristina Filoso
243:
232:
231:
230:
225:
214:
208:
205:
162:
160:
139:
120:
116:
105:
99:
96:
86:
83:introduce links
66:
25:
21:
12:
11:
5:
485:
475:
474:
469:
464:
459:
454:
449:
435:
434:
429:
424:
409:
408:External links
406:
403:
402:
386:
370:
346:
345:
343:
340:
261:
258:
245:
244:
227:
226:
150:poorly sourced
123:
121:
114:
107:
106:
93:Find link tool
69:
67:
60:
55:
29:
28:
26:
19:
9:
6:
4:
3:
2:
484:
473:
470:
468:
465:
463:
462:Living people
460:
458:
455:
453:
450:
448:
445:
444:
442:
433:
430:
428:
425:
422:
418:
415:
412:
411:
399:
395:
390:
383:
379:
374:
367:
363:
359:
356:
351:
347:
339:
336:
334:
329:
327:
323:
319:
318:Vadim Brodski
315:
314:chamber music
310:
308:
307:Colón Theatre
304:
300:
299:
294:
289:
288:Competition.
287:
283:
279:
275:
271:
267:
257:
255:
251:
241:
238:
223:
220:
212:
201:
198:
194:
191:
187:
184:
180:
177:
173:
170: –
169:
165:
164:Find sources:
158:
154:
151:
147:
143:
137:
136:
132:
127:
122:
113:
112:
103:
94:
89:
84:
80:
79:
75:
70:This article
68:
64:
59:
58:
53:
51:
44:
43:
38:
37:
32:
27:
18:
17:
400:, 2006-6-12.
397:
389:
384:, 2004-9-23.
381:
373:
368:, 2002-11-6.
365:
350:
337:
330:
322:Alberto Lysy
311:
296:
290:
266:Buenos Aires
263:
249:
248:
233:
215:
206:
196:
189:
182:
175:
163:
152:
135:verification
128:
100:January 2019
97:
71:
47:
40:
34:
33:Please help
30:
441:Categories
342:References
320:(Poland),
209:April 2011
179:newspapers
91:; try the
78:link to it
36:improve it
398:La Nación
382:La Nación
366:La Nación
333:Beethoven
278:Earl Wild
270:Argentina
131:citations
81:. Please
42:talk page
417:Archived
358:Archived
157:libelous
305:at the
293:soloist
193:scholar
301:, the
195:
188:
181:
174:
166:
74:orphan
72:is an
312:As a
200:JSTOR
186:books
124:This
280:and
172:news
133:for
443::
396:,
380:,
268:,
256:.
144:.
45:.
240:)
234:(
222:)
216:(
211:)
207:(
197:·
190:·
183:·
176:·
159:.
138:.
102:)
98:(
52:)
48:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
