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166:(655), and comprises a single figure of a nymph standing in a cavern or rocky niche by the side of a spring of clear water, and huddling to her chin an abundance of diaphanous white drapery, which, falling in front, conceals half the bearer's form, and leaves half uncovered. This is a pretty action, and has been expressed with taste and much spontaneity. The carnations lack a little of that inner golden tint which, when omitted, leaves the purer red and white too rosy and too pale. The drapery is beautiful in design and painting.
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The painting represents a small full-length figure facing the spectator; the River Dargle flows through
Powerscourt, and forms the waterfall here represented in the background, hence its name. The figure is remarkable for its Irish traits.
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calls it "the least eclectic of all
Leightons girl-beauties". Her carnations are pale; her arms are modestly crossed over her bosom. She is nearly nude: what draperies she has are creamy.
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Leighton had visited
Ireland to paint landscape in the summer of 1874, and possibly on other occasions in the 1870s. The first owner of the picture was
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314:. London: The Walter Scott Publishing Co., Ltd.; New York: Charles Scribner's Sons. pp. 116â118.
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The
Syracusan Bride leading Wild Animals in Procession to the Temple of Diana
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75 cm Ă 25 cm (29.5 in Ă 10 in)
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Frederic Lord
Leighton: An Illustrated Record of his Life and Work
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This article incorporates text from this source, which is in the
296:. Royal Academy of Arts, London: Harry N. Abrams, Inc. p. 192.
206:, one of the three goddesses of rocks, headlands and cliffs.
158:, was enthusiastic about the painting when it was shown:
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flows through the estate and forms many waterfalls.
105:, first exhibited in 1880. It is in the collection of
198:'stony'), was, together with her sisters
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305:. London: George Bell & Sons. pp. 42, 127.
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682:Mythological paintings by Frederic Leighton
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125:, was near to the landscape that inspired
465:The Arts of Industry as Applied to Peace
317:Stephens, Frederic George (1 May 1880).
162:The next picture is a small one, named
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457:The Arts of Industry as Applied to War
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319:"The Royal Academy. (First Notice.)"
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601:An Athlete Wrestling with a Python
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527:Crenaia, the Nymph of the Dargle
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94:Crenaia, the Nymph of the Dargle
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24:Crenaia, the Nymph of the Dargle
136:The picture, now also known as
441:Actaea, the Nymph of the Shore
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16:Painting by Frederic Leighton
433:Venus Disrobing for the Bath
387:Cimabue's Celebrated Madonna
293:Frederic Leighton, 1830â1896
274:Stephens 1 May 1880, p. 572.
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395:The Fisherman and the Syren
144:in 1880 under the title of
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311:Lord Leighton of Stretton
308:Staley, Edgcumbe (1906).
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697:Paintings of Greek myths
150:Frederic George Stephens
121:, whose Irish seat, the
107:Juan Antonio PĂ©rez SimĂłn
85:Juan Antonio PĂ©rez SimĂłn
410:The Painter's Honeymoon
140:, was exhibited at the
138:The Nymph of the Dargle
635:Alexandra Orr (sister)
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619:Leighton House Museum
566:Perseus and Andromeda
299:Rhys, Ernest (1900).
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142:Royal Academy of Arts
650:Dorothy Dene (model)
253:Staley 1906, p. 118.
640:Holland Park Circle
535:Cymon and Iphigenia
558:The Bath of Psyche
550:Captive Andromache
449:Acme and Septimius
123:Powerscourt Estate
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489:Winding the Skein
372:Frederic Leighton
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265:Rhys 1900, p. 42.
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103:Frederic Leighton
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129:. The little
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582:Flaming June
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155:The AthenĂŠum
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131:River Dargle
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99:oil painting
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543: 1884
512: 1878
497: 1878
418: 1864
403: 1858
210:Description
671:Categories
593:Sculptures
290:. (1996).
223:References
204:Cranaechme
73:Dimensions
655:Anna Risi
574:Lachrymae
522:(1879â80)
468:(1870â72)
460:(1870â72)
390:(1853â55)
379:Paintings
687:Nude art
519:Psamathe
504:Nausicaa
657:(model)
628:Related
281:Sources
237:Jones,
196:
171:Context
164:Crenaia
146:Crenaia
127:Crenaia
113:History
53: (
612:Museum
604:(1877)
585:(1895)
577:(1895)
569:(1891)
561:(1890)
553:(1888)
530:(1880)
484:(1877)
476:(1876)
452:(1868)
444:(1868)
436:(1867)
428:(1866)
200:Atthis
189:ÎÏÎ±ÎœÎŹÎ·
181:Cranaë
97:is an
63:Medium
38:Artist
288:et al
239:et al
81:Owner
202:and
194:lit.
109:.
55:1880
51:1880
48:Year
175:In
101:by
673::
540:c.
509:c.
494:c.
415:c.
400:c.
338:.
321:.
258:^
246:^
230:^
191:,
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413:(
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398:(
364:e
357:t
350:v
57:)
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