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The Creation of Adam

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678: 375: 2622: 61: 498: 522: 220: 692:, as he was trained in a Florentine workshop at a dynamic time in the art scene, when paper had become readily available in sufficient quantity. As follows, sketching was the first step in Michelangelo's artistic process, as it helped him plan his final paintings and sculptural pieces. Thus, Michelangelo's sketches provide a critical link between his creative vision and final compositions. This is especially evident through his sheets "filled with multiple figures and close studies of human anatomy." 745: 510: 2224: 2634: 2109: 1726:
Wright, Alison (1 June 2007) . "Michelangelo Drawings: Closer to the Master (British Museum, London 23 March–25 June 2006). Catalogue by Hugo Chapman. London: British Museum, 2005. 203 colour and 80 b&w illus., £25. ISBN 13 978-0-7141-2648-7 (hb), ISBN 0 7141-2648-9 (pb)". Reviews of exhibitions.
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In a well known study in red chalk in the British Museum, Adam is resting on earth, propped up by his forearm, with his thighs spread out and his torso slightly twisted to the side. Michelangelo employed a male model to capture this pose and used his red chalk to develop thick contours, in order to
420:, due to the figure's feminine appearance and gaze towards Adam, and the eleven other figures symbolically represent the souls of Adam and Eve's unborn progeny, the entire human race. This interpretation has been challenged, mainly on the grounds that the Catholic Church regards the teaching of the 812:
that is a 1st century BC Roman copy of an ancient Greek sculpture. Michelangelo historically used ancient, classical statuary as inspiration for the human physique in his great masterpieces. In 2015, the Belvedere Torso was displayed with Michelangelo's sketch in the "Defining Beauty: The Body in
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In Michelangelo's final fresco on the ceiling, Adam is physically beautiful, but spiritually still incomplete. The sketch prefaces this story, as it is also incomplete in the sense that the only complete component of the drawing is Adam's twisted torso. Adam's other limbs bleed off of the trimmed
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It was created in 1511 in dark red chalk, over a stylus under drawing. Red chalk was Michelangelo's preferred medium at this period of time, as it could be shaved to a finer point than black chalk. Michelangelo used this fine point to create a scintillating skin surface, that was unique for this
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an article where the images of the mantle and the postpartum uterus were overlapped. According to Enrico Bruschini (2004), "This is an interesting hypothesis that presents the Creation scene as an idealised representation of the physical birth of man ("The Creation"). It explains the
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Under the patronage of the Pope, Michelangelo experienced constant interruptions to his work on the tomb in order to accomplish numerous other tasks. Although Michelangelo worked on the tomb for 40 years, it was never finished to his satisfaction. It is located in the
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who lived in Rome while Michelangelo painted the ceiling. Evidence suggests that Michelangelo and Grimani were friends. This cameo offers an alternative theory for those scholars who have been dissatisfied with the theory that Michelangelo was mainly inspired by
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page in immature form. However, the work is not "unfinished", as it reached its purpose for Michelangelo, which was to work out the details of the torso in the medium of chalk, so he was confident in the composition when he began the actual, permanent
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on the triangular pendentives that supported the ceiling, and cover the central part of the ceiling with ornament. Michelangelo persuaded Pope Julius to give him a free hand and proposed a different and more complex scheme, representing the
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tradition that states Eve was created after Adam. There is significant evidence that Michelangelo radically disagreed with many Catholic traditions and had a tumultuous relationship with the commissioner of the ceiling,
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Alnwick Castle is in Northumberland, not Northampton, as the captions state. The Duke of Northumberland who owns the cameos discussed in the article has expressed his appreciation in a letter to the author.
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Many hypotheses have been formulated regarding the identity and meaning of the twelve figures around God. According to an interpretation that was first proposed by the English art critic
409:) to give the faithful speech. The two index fingers, however, are separated by a small gap , and some scholars think that it represents the unattainability of divine perfection by man. 284:, resented Michelangelo's commission for the Pope's tomb and convinced the Pope to commission him in a medium with which he was unfamiliar, in order that he might fail at the task. 311:, divided into three groups: God's creation of the world; God's creation of humankind and their fall from God's grace; and lastly, the state of humanity and sin as represented by 3578: 1506: 677: 1228: 276:
During the same period, Michelangelo painted the ceiling of the Sistine Chapel, which took approximately four years to complete (1508–1512). According to Condivi's account,
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The composition stretches over 45 ft. × 128 ft. (more than 500 square metres) of ceiling, and contains over 300 figures. At its centre are nine episodes from the
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into that of Adam, whose left arm is extended in a pose mirroring God's, a reminder that God said, "Let us make humankind in our image, according to our likeness" (
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in London, revealing Michelangelo's in depth planning process for the Sistine Chapel ceiling composition, and his serious attention to perspective and shadowing.
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study of the vaulted Sistine Chapel ceiling. The entire composition is 274 millimeters in height and 386 millimeters in width. The second sketch is titled
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Campos suggests that this extra rib inclusion was a way for Michelangelo to represent Adam and Eve being created side by side, which differs from the
4576: 4854: 3464: 977: 198:. The fresco is part of a complex iconographic scheme and is chronologically the fourth in the series of panels depicting episodes from Genesis. 323:(Erythraean, Delphic, Libyan, Cumaean, and Persian), prophetic women of the Classical world. Among the most famous paintings on the ceiling are 1828: 1432: 3317: 1132: 4148: 2191: 2014: 653:. Due to Michelangelo's in-depth knowledge of human anatomy, he insinuates that this rib outline is intentional, and represents the rib of 4994: 564: 3605: 2520: 546:
s highly original composition, many of them taking Michelangelo's well-documented expertise in human anatomy as their starting point.
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and his family. On the pendentives supporting the ceiling are painted twelve men and women who prophesied the coming of Jesus; seven
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particular sketch, and is not seen in his later works. The recto drawing is 193 millimeters in height and 259 millimeters in width.
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that the background figures and shapes portrayed behind the figure of God appeared to be an anatomically accurate picture of the
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God is depicted as an elderly white-bearded man, wrapped in a swirling cloak while Adam, on the lower left, is completely
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Campos, Deivis de (2019). "A hidden rib found in Michelangelo Buonarroti's fresco The Creation of Adam".
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visitor could clearly recognize the muscular body from standing on the floor, 68 feet below the ceiling.
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represents an idealization of the male form, "symbolic of the perfection of God's creation before
4964: 4033: 4001: 3960: 3879: 3768: 3642: 3403: 2759: 2135: 1620: 1507:"Michelangelo's secret message in the Sistine Chapel: A juxtaposition of God and the human brain" 1317: 1277: 1124: 614: 4472: 2840: 2006: 1896: 1547:. The International Behavioural and Social Sciences Library; Classics from the Tavistock Press. 4917: 4907: 4840: 4658: 4608: 4504: 4217: 3950: 3408: 3233: 2927: 2872: 2825: 2596: 2288: 2277: 1538: 982: 469: 293: 281: 240: 214: 165: 723:, in the Creation of Adam scene. Michelangelo sketched this over a previous brown, lead point 4833: 4727: 4711: 3993: 3930: 3900: 3812: 3669: 3637: 3541: 3521: 3471: 3097: 3072: 2986: 2745: 2657: 1556: 887: 804:
Michelangelo's inspiration for the torso in the British Museum sketch, is believed to be the
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of souls as heretical. Consequently, the figure behind God has also been suggested to be the
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280 cm × 570 cm (9 ft 2 in × 18 ft 8 in)
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Alternatively, it has been observed that the red cloth around God has the shape of a human
253: 1492: 416:(1839–1894) and is now widely accepted, the person protected by God's left arm represents 8: 4902: 4847: 4105: 3940: 3516: 3056: 3049: 2626: 2580: 2263: 1511: 301: 3393: 3111: 4928: 4826: 4771: 4679: 4592: 4340: 4267: 4140: 4025: 3985: 3629: 3388: 3368: 3167: 3042: 2993: 2917: 2638: 1959: 1951: 1801: 1752: 1697: 1548: 1400: 1392: 1376: 1334: 959:"Michelangelo as the Creator. The self-portrait of the Buonarroti Archive, XIII, 111 r" 713:
Scheme for the Decoration of the Vault of the Sistine Chapel: Studies of Arms and Hands
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Scheme for the Decoration of the Vault of the Sistine Chapel: Studies of Arms and Hands
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The painting has been reproduced in countless imitations and parodies. Michelangelo's
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of Israel (Joël, Ezekiel, Jonah, Daniel, Jeremiah, Zechariah, and Isaiah) and five
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in his artistic career, and over time became captivated by the male torso. In his
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Models of wax and clay used by Michelangelo in making his sculpture and paintings
1634: 1584: 1542: 1267: 1206: 1167: 1098: 1094: 1067: 881: 805: 661: 589: 449: 429: 308: 288: 183: 4616: 4448: 4427: 4393: 4249: 4175: 4167: 4132: 3854: 3802: 3546: 3221: 3063: 2737: 2612: 2184: 2159: 1466: 1220: 1202: 814: 757: 705: 609: 465: 461: 433: 394:). The inspiration for Michelangelo's treatment of the subject may come from a 365: 333: 236: 224: 123: 1939: 1372: 1113:
from my university's off-site collection if that would be helpful to someone.)
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Studies of a Reclining Male Nude: Adam in the Fresco "The Creation of Man."
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Coughlan, p. 112. (Based on limited Google Books search previews of
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Michelangelo heavily studied the human body and dissected numerous
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Michelangelo completed two sketches in Rome in preparation for the
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Barolsky, Paul (2001). "The Imperfection of Michelangelo's Adam".
1616:"The "Delivery" of Adam: A Medical Interpretation of Michelangelo" 2606: 1495:
via Mental Health & Illness.com. Retrieved 21 September 2010.
777: 689: 436:), the personified human soul, or "an angel of masculine build". 316: 227:; the work took approximately four years to complete (1508–1512). 105: 3874: 3849: 3753: 3661: 3579:
Lives of the Most Excellent Painters, Sculptors, and Architects
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Michelangelo's Finger. An Exploration of Everyday Transcendence
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is one of the most replicated religious paintings of all time.
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Several hypotheses have been put forward about the meaning of
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Michelangelo's main source of inspiration for his Adam in his
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When Souls Had Wings. Pre-Mortal Existence in Western Thought
978:"The Measure of Genius: Michelangelo's Sistine Chapel at 500" 826: 646: 620: 320: 176: 1315:: A Chronology of the Picture's Reluctant Self-Revelation". 3763: 3746: 3741: 3715: 2027:
Highlighted in Frontispiece Volume 11, Issue 2– Spring 2019
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limp hand, before it is ignited with the gift of life from
716: 642: 624: 398: 312: 191: 1425:"[1st comment on] Michelangelo's Creation of Adam" 1125:"Veni, Creator Spiritus / Come Holy Spirit, Creator Blest" 3720: 720: 654: 650: 417: 300:, the Promise of Salvation through the prophets, and the 195: 1555:, an imprint of the Taylor & Francis Group. p.  883:
Gardner's Art Through the Ages. A Concise Global History
1163:"Buonarroti, Michelangelo: The Creation of Adam (1510)" 405:", which asks the 'finger of the paternal right hand' ( 2011:
Hektoen International: A Journal of Medical Humanities
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Thesaurus Precum Latinarum / Treasury of Latin Prayers
612:. In 2015 a group of Italian researchers published on 287:
Michelangelo was originally commissioned to paint the
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Doraemon: Nobita's Diary on the Creation of the World
938:(Complete ed.). London & New York: Phaidon. 251:
in Rome and is most famous for his central figure of
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by Robert Coughlan, published by Time, Inc. in 1966
1056:. Masters of Italian Art. H.F. Ullmann Publishing. 737: 1981:"Michelangelo Paintings, Sculptures & Artwork" 635:Additionally, in 2019 Deivis Campos noted in the 599: 580:in the inner and outer surface of the brain, the 4956: 4855:Daesong Heavy Industries II: Return to Innocence 3465:Study of a Kneeling Nude Girl for The Entombment 3446: 1303: 1301: 1299: 1297: 936:Michelangelo: Paintings, Sculpture, Architecture 432:(the personification of wisdom mentioned in the 2044:"The Vatican's Belvedere Torso Heads to London" 1894: 549: 378:God (right) is depicted as a white-bearded man. 2343:The Fall and Expulsion from the Garden of Eden 1311:(December 1992). "Who's who in Michelangelo's 876: 370:Apophatic theology § Western Christianity 235:was invited back to Rome by the newly elected 3677: 2665: 2157: 2143: 1452: 1450: 1294: 1254: 1252: 1250: 1248: 41: 4149:The Creation of the World and Other Business 1854: 1772:"Michelangelo, Study for the Sistine 'Adam'" 1145:Tr. (?). The indulgence may be found in the 933: 27:Fresco by Michelangelo in the Sistine Chapel 1818: 565:Journal of the American Medical Association 3684: 3670: 3606:Restoration of the Sistine Chapel frescoes 2672: 2658: 2521:Restoration of the Sistine Chapel frescoes 2150: 2136: 2072: 1544:Michelangelo: A Study in the Nature of Art 1457:Meshberger, Frank Lynn (10 October 1990). 1456: 1447: 1422: 1357:"Cameo Appearances on the Sistine Ceiling" 1354: 1245: 1049: 1010:"20 of the World's Most Famous Art Pieces" 969: 839:The Renaissance: Studies in Art and Poetry 59: 3247:The Creation of the Sun, Moon, and Plants 2320:The Creation of the Sun, Moon, and Plants 2007:"The Anatomy of Michelangelo (1475-1564)" 1633: 1582: 1307: 1050:Bartz, Gabriele; König, Eberhard (2013). 956: 630: 1925: 1613: 743: 676: 373: 223:Michelangelo painted the ceiling of the 218: 4537:The Garden of Eden with the Fall of Man 2041: 1769: 1423:Sutherland, Bruce (11 December 2012) . 1160: 1078: 808:. The Belvedere Torso is a fragmentary 14: 4957: 4687:Let's Give Adam and Eve Another Chance 3885:Allegorical interpretations of Genesis 3808:Tree of the knowledge of good and evil 3425:Santa Maria degli Angeli e dei Martiri 2004: 1725: 1663: 1537: 1504: 1258: 1201: 870: 756:establish a definitive form, so every 695: 3665: 3445: 3346: 3141: 2712: 2653: 2313:The Separation of Light from Darkness 2131: 2085:from the original on 13 November 2023 2037: 2035: 2017:from the original on 13 November 2023 1975: 1973: 1890: 1888: 1886: 1884: 1882: 1850: 1848: 1846: 1831:from the original on 13 November 2023 1721: 1719: 1717: 1715: 1713: 1711: 1659: 1657: 1655: 1653: 1578: 1576: 1435:from the original on 1 September 2023 1350: 1348: 280:, who was working on the building of 3029:Giuliano de' Medici, Duke of Nemours 1907:from the original on 2 February 2020 1135:from the original on 2 December 2023 1103:The World of Michelangelo, 1475-1564 1045: 1043: 1041: 1039: 1037: 1035: 1020:from the original on 3 December 2023 975: 929: 927: 925: 923: 921: 919: 917: 915: 672: 4348:Conflict of Adam and Eve with Satan 2206:The Punishment of the Sons of Korah 1928:Source: Notes in the History of Art 1770:Dodgson, Campbell (December 1926). 1519:from the original on 24 August 2023 1367:(2). Ars Brevis Foundation: 12–18. 1361:Source: Notes in the History of Art 782:treatises on painting and sculpture 239:. He was commissioned to build the 24: 4995:Works based on the Book of Genesis 4553:Adam and Eve in the Garden of Eden 2077:. Culture > Art > Features. 2073:Montgomery, Hugh (21 March 2015). 2032: 1970: 1879: 1867:from the original on 9 August 2020 1843: 1821:"Michelangelo: Mind of the Master" 1708: 1650: 1573: 1505:Fields, R. Douglas (27 May 2010). 1345: 1183:from the original on 30 April 2023 1122: 25: 5011: 4694:Man Gave Names to All the Animals 4585:Expulsion from the Garden of Eden 4441:Expulsion from the Garden of Eden 4410:The Rise and Fall of Adam and Eve 4010:The Private Lives of Adam and Eve 3240:Separation of Light from Darkness 2101: 2054:from the original on 22 June 2023 2042:Cascone, Sarah (8 January 2015). 1355:Sutherland, Bruce (Winter 2013). 1032: 990:from the original on 21 June 2023 912: 260:Heroic Captive / Rebellious Slave 4633:The Serpent Chooses Adam and Eve 3691: 3612:The Titan: Story of Michelangelo 3347: 2679: 2632: 2620: 2326:The Separation of Land and Water 2222: 2107: 1863:. Museum number: 1859,0625.567. 1741:10.1111/j.1477-4658.2007.00414.x 1480:10.1001/jama.1990.03450140059034 749:Studies of a Reclining Male Nude 739:Studies of a Reclining Male Nude 520: 508: 496: 2066: 1998: 1919: 1812: 1763: 1607: 1531: 1498: 1416: 1195: 1161:Lubbock, Tom (5 January 2007). 1154: 813:Ancient Greek Art" show at the 4465:The Garden of Earthly Delights 3318:The Crucifixion of Saint Peter 2713: 1903:. Museum number: 1926,1009.1. 1819:kmagerkurth (11 March 2019) . 1116: 1087: 1002: 950: 841:, "The Poetry of Michelangelo" 600:Portrayal of the birth process 562:Frank Meshberger noted in the 468:. The cameo used to belong to 359: 249:Church of S. Pietro in Vincoli 13: 1: 4289:Book of the Penitence of Adam 3142: 2725: 1109:I can request a hard-copy of 1074:– via Internet Archive. 934:Goldscheider, Ludwig (1967). 863: 853:List of works by Michelangelo 821:Fair as the young men of the 169: 81: 4652:Dese Bones G'wine Rise Again 3479:Studies for the Libyan Sibyl 3447:Works on paper, milieu, etc. 3161:The Torment of Saint Anthony 2257:The Vocation of the Apostles 2213:Testament and Death of Moses 2199:The Descent from Mount Sinai 1784:(3): 60–61 and Plate XXXII. 1777:The British Museum Quarterly 1635:10.1016/j.mayocp.2015.02.007 976:Katz, Jamie (9 April 2009). 880:; Kleiner, Fred S. (2016) . 799: 704:scene. They are both in the 688:Michelangelo was a prolific 649:contains an extra concealed 550:Portrayal of the human brain 7: 3916:Adam in rabbinic literature 3585:Michelangelo and the Medici 3415:San Giovanni dei Fiorentini 2192:The Crossing of the Red Sea 2005:Pearce, JMS (Spring 2018). 1593:: Edizioni Musei Vaticani. 1586:Masterpieces of the Vatican 1409:University of Chicago Press 1147:Enchiridion Indulgentiarium 957:Marinazzo, Adriano (2022). 846: 534: 266:Dying Captive / Dying Slave 160:painting by Italian artist 10: 5016: 5000:Genesis creation narrative 4944:Ransom theory of atonement 4913:Adam and Eve cylinder seal 4497:Eve, the Serpent and Death 4386:Extracts from Adam's Diary 3707:Genesis creation narrative 3568:Art patronage of Julius II 3493:Pietà for Vittoria Colonna 2516:Art patronage of Julius II 1614:Di Bella, Stefano (2015). 1583:Bruschini, Enrico (2004). 858:Sistine Chapel of Football 771: 588:, the basilar artery, the 439: 363: 212: 208: 175:–1512. It illustrates the 164:, which forms part of the 4970:Paintings of Adam and Eve 4890: 4871: 4819: 4787: 4759: 4738: 4703: 4643: 4420: 4260: 4202: 4159: 4116: 3969: 3906:Adam and Eve in Mormonism 3893: 3785: 3729: 3699: 3620:The Agony and the Ecstasy 3560: 3509: 3456: 3452: 3441: 3381: 3357: 3353: 3342: 3307: 3220: 3199: 3152: 3148: 3137: 3089: 3019:Christ Carrying the Cross 3010: 2926: 2850: 2809: 2769: 2723: 2719: 2708: 2687: 2552: 2542:The Agony and the Ecstasy 2508: 2490: 2472: 2422: 2366: 2302: 2287: 2250:The Temptations of Christ 2231: 2220: 2166: 2114:Sistine Chapel ceiling - 2046:. Art & Exhibitions. 1940:10.1086/sou.20.4.23206730 1373:10.1086/sou.32.2.23292907 407:digitus paternae dexterae 119: 111: 100: 90: 77: 67: 58: 39: 34: 3486:The Punishment of Tityus 2271:The Delivery of the Keys 1895:Michelangelo (c. 1511). 1217:London Borough of Camden 1084:Bartz and König, p. 134. 815:British Museum in London 638:Clinical Anatomy Journal 166:Sistine Chapel's ceiling 4569:The Koren Picture-Bible 4018:El pecado de Adán y Eva 3961:Our Lady of Endor Coven 3643:Michelangelo quadrangle 3373:Basilica of San Lorenzo 2627:Vatican City portal 2358:The Drunkenness of Noah 2264:The Sermon on the Mount 2178:Moses Leaving for Egypt 2013:. East Yorks, England. 1825:Cleveland Museum of Art 1621:Mayo Clinic Proceedings 1278:Oxford University Press 615:Mayo Clinic Proceedings 460:. This cameo is now at 456:riding sidesaddle on a 4980:Sistine Chapel ceiling 4918:Genealogies of Genesis 4908:Cave of the Patriarchs 4841:Simpsons Bible Stories 3951:Tree of Jiva and Atman 3394:Piazza del Campidoglio 3325:The Conversion of Saul 3201:Salone dei Cinquecento 2873:Piccolomini Altarpiece 2753:Battle of the Centaurs 2639:Catholicism portal 2597:Bartolomeo della Gatta 1429:ItalianRenaissance.org 844: 752: 685: 641:that the left side of 631:Portrayal of Eve's Rib 379: 228: 215:Sistine Chapel ceiling 145: 42: 4990:God the Father in art 4834:Probe 7, Over and Out 4728:Snakes for the Divine 4712:The Cainian Chronicle 4303:El amigo de Él y Ella 3813:Serpents in the Bible 3638:Michelangelo (crater) 3542:Sebastiano del Piombo 3522:Tommaso dei Cavalieri 3472:Male Back with a Flag 2987:The Genius of Victory 2746:Madonna of the Stairs 2348:The Sacrifice of Noah 2243:The Baptism of Christ 1855:Michelangelo (1508). 888:Stamford, Connecticut 819: 786:Leon Battista Alberti 747: 680: 403:Veni Creator Spiritus 377: 222: 4788:Story within a story 4489:The Haywain Triptych 4481:The Creation of Adam 4434:Tapestry of Creation 4330:Life of Adam and Eve 3956:Tree of life (Quran) 3404:St. Peter's Basilica 3254:The Creation of Adam 2778:Arca di San Domenico 2576:Domenico Ghirlandaio 2526:Sistine Chapel Choir 2332:The Creation of Adam 2119:at Wikimedia Commons 1985:www.michelangelo.net 983:Smithsonian Magazine 541:The Creation of Adam 325:The Creation of Adam 137:The Creation of Adam 35:The Creation of Adam 4903:Generations of Adam 4848:In-A-Gadda-Da-Leela 4402:The Book of Genesis 3941:Mashya and Mashyana 3517:Cecchino dei Bracci 3011:Florence, 1516–1534 2851:Florence, 1501–1505 2338:The Creation of Eve 1729:Renaissance Studies 1512:Scientific American 1123:Martin, Michael W. 1016:. 14 October 2023. 696:Preliminary studies 302:genealogy of Christ 282:St Peter's Basilica 153:The Creation of Man 4929:Legend of the Rood 4772:Y-chromosomal Adam 4680:In-A-Gadda-Da-Vida 4673:The Garden of Eden 4593:The First Mourning 4341:Testimony of Truth 4268:Apocalypse of Adam 4141:The Tragedy of Man 4090:The Tragedy of Man 4026:La Biblia en pasta 3986:Good Morning, Eve! 3631:A Season of Giants 3614:(1950 documentary) 3389:Capitoline Museums 3369:Laurentian Library 3168:Manchester Madonna 2918:Rothschild Bronzes 2770:Bologna, 1494–1495 2185:The Youth of Moses 1808:– via JSTOR. 1549:Abingdon-on-Thames 1211:. Ormond House in 1101:, I think this is 753: 686: 380: 229: 180:creation narrative 147:Creazione di Adamo 43:Creazione di Adamo 4975:Paintings of gods 4952: 4951: 4880:Demon: The Fallen 4767:Mitochondrial Eve 4457:The Last Judgment 4363:Adam lay ybounden 4356:Old Saxon Genesis 4336:Testament of Adam 4323:Harrowing of Hell 4296:Cave of Treasures 4042:Second Time Lucky 3901:Adam–God doctrine 3865:Seed of the woman 3835:Figs in the Bible 3659: 3658: 3655: 3654: 3651: 3650: 3437: 3436: 3433: 3432: 3338: 3337: 3334: 3333: 3298:The Last Judgment 3226:(ceiling gallery) 3210:Battle of Cascina 3189:Leda and the Swan 3133: 3132: 3129: 3128: 2928:Tomb of Julius II 2871:Additions to the 2866:Madonna of Bruges 2776:Additions to the 2647: 2646: 2566:Sandro Botticelli 2481:The Last Judgment 2468: 2467: 2112:Media related to 1600:978-8-881-17088-3 1566:978-1-136-44293-3 1287:978-0-190-91448-6 1260:Givens, Terryl L. 1238:978-1-848-87552-4 1173:Northcliffe House 1063:978-3-8480-0557-4 905:978-1-305-57780-0 673:Critical sketches 556:Anderson, Indiana 269:, are now in the 150:), also known as 133: 132: 16:(Redirected from 5007: 4923:Carnal knowledge 4827:"Adam & Eve" 4561:The Four Seasons 4500:(1510s or 1520s) 4378:Le Dernier Homme 4365:" (15th century) 4192:Children of Eden 4184:Up from Paradise 4034:The Annunciation 4002:The Original Sin 3786:Related theology 3686: 3679: 3672: 3663: 3662: 3598:Replicas of the 3552:Luigi del Riccio 3527:Vittoria Colonna 3454: 3453: 3443: 3442: 3355: 3354: 3344: 3343: 3275:Prophet Jeremiah 3150: 3149: 3139: 3138: 3112:Palestrina Pietà 3105:Florentine Pietà 2945:Rebellious Slave 2730: 2729: 1488–1492 2727: 2721: 2720: 2710: 2709: 2674: 2667: 2660: 2651: 2650: 2637: 2636: 2625: 2624: 2623: 2581:Biagio d'Antonio 2499:Raphael Cartoons 2438:Erythraean Sibyl 2300: 2299: 2226: 2152: 2145: 2138: 2129: 2128: 2116:Creation of Adam 2111: 2095: 2094: 2092: 2090: 2070: 2064: 2063: 2061: 2059: 2039: 2030: 2029: 2024: 2022: 2002: 1996: 1995: 1993: 1991: 1977: 1968: 1967: 1923: 1917: 1916: 1914: 1912: 1892: 1877: 1876: 1874: 1872: 1852: 1841: 1840: 1838: 1836: 1816: 1810: 1809: 1767: 1761: 1760: 1723: 1706: 1705: 1678:10.1002/ca.23363 1666:Clinical Anatomy 1661: 1648: 1647: 1637: 1611: 1605: 1604: 1580: 1571: 1570: 1535: 1529: 1528: 1526: 1524: 1502: 1496: 1491: 1463: 1454: 1445: 1444: 1442: 1440: 1420: 1414: 1412: 1352: 1343: 1342: 1318:The Art Bulletin 1313:Creation of Adam 1305: 1292: 1291: 1256: 1243: 1242: 1199: 1193: 1192: 1190: 1188: 1158: 1152: 1151: 1142: 1140: 1120: 1114: 1091: 1085: 1082: 1076: 1075: 1047: 1030: 1029: 1027: 1025: 1014:HistoryLists.org 1006: 1000: 999: 997: 995: 973: 967: 966: 965:(13–14): 99–107. 954: 948: 947: 931: 910: 909: 892:Cengage Learning 886:(4th ed.). 874: 842: 751:, British Museum 702:Creation of Adam 684:, British Museum 623:that appears on 545: 524: 512: 500: 482:Creation of Adam 478:Lorenzo Ghiberti 473:Domenico Grimani 448:may have been a 446:Creation of Adam 203:Creation of Adam 174: 171: 86: 83: 63: 53: 45: 32: 31: 21: 18:Creation of Adam 5015: 5014: 5010: 5009: 5008: 5006: 5005: 5004: 4955: 4954: 4953: 4948: 4886: 4867: 4815: 4783: 4755: 4746:Adam-ondi-Ahman 4734: 4720:Visions of Eden 4699: 4666:Forbidden Fruit 4659:Adam-ondi-Ahman 4639: 4545:The Fall of Man 4521:The Fall of Man 4416: 4358:" (9th century) 4278:Book of Abraham 4256: 4198: 4155: 4112: 3965: 3936:Manu (Hinduism) 3889: 3845:Adamic language 3818:Forbidden fruit 3781: 3725: 3711:Book of Genesis 3695: 3690: 3660: 3647: 3573:Casa Buonarroti 3556: 3537:Gherardo Perini 3532:Ascanio Condivi 3505: 3448: 3429: 3409:Tor San Michele 3399:Palazzo Farnese 3377: 3349: 3330: 3303: 3224: 3216: 3195: 3153:Panel paintings 3144: 3125: 3120:Rondanini Pietà 3090:Rome, 1534–1564 3085: 3006: 2980:Awakening Slave 2922: 2846: 2810:Rome, 1496–1500 2805: 2784:Saint Petronius 2765: 2728: 2715: 2704: 2683: 2678: 2648: 2643: 2631: 2621: 2619: 2609: 2592:Luca Signorelli 2587:Piero di Cosimo 2583: 2571:Cosimo Rosselli 2561:Pietro Perugino 2548: 2504: 2486: 2464: 2418: 2362: 2304: 2291: 2283: 2278:The Last Supper 2227: 2218: 2162: 2156: 2104: 2099: 2098: 2088: 2086: 2079:The Independent 2071: 2067: 2057: 2055: 2040: 2033: 2020: 2018: 2003: 1999: 1989: 1987: 1979: 1978: 1971: 1924: 1920: 1910: 1908: 1893: 1880: 1870: 1868: 1853: 1844: 1834: 1832: 1817: 1813: 1790:10.2307/4420761 1768: 1764: 1724: 1709: 1662: 1651: 1612: 1608: 1601: 1581: 1574: 1567: 1541:, ed. 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3172: 3170: 3169: 3165: 3163: 3162: 3158: 3157: 3155: 3151: 3147: 3140: 3136: 3122: 3121: 3117: 3114: 3113: 3109: 3107: 3106: 3102: 3100: 3099: 3095: 3094: 3092: 3088: 3082: 3081: 3080:Crouching Boy 3077: 3075: 3074: 3070: 3066: 3065: 3061: 3059: 3058: 3054: 3052: 3051: 3047: 3045: 3044: 3040: 3038: 3037: 3033: 3031: 3030: 3026: 3025: 3023: 3021: 3020: 3016: 3015: 3013: 3009: 3003: 3002: 2998: 2996: 2995: 2991: 2989: 2988: 2984: 2982: 2981: 2977: 2975: 2974: 2970: 2968: 2967: 2966:Bearded Slave 2963: 2961: 2960: 2956: 2954: 2953: 2949: 2947: 2946: 2942: 2940: 2939: 2935: 2934: 2932: 2929: 2925: 2919: 2916: 2914: 2913: 2912:Saint Matthew 2909: 2907: 2906: 2902: 2900: 2899: 2895: 2891: 2887: 2883: 2879: 2876: 2875: 2874: 2870: 2868: 2867: 2863: 2861: 2860: 2856: 2855: 2853: 2849: 2843: 2842: 2838: 2835: 2834: 2830: 2828: 2827: 2823: 2820: 2819: 2815: 2814: 2812: 2808: 2800: 2799: 2795: 2793: 2792: 2788: 2786: 2785: 2781: 2780: 2779: 2775: 2774: 2772: 2768: 2762: 2761: 2757: 2755: 2754: 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and Eve 4623: 4615: 4609:Adam and Eve 4607: 4601:Adam and Eve 4599: 4591: 4583: 4575: 4567: 4559: 4551: 4543: 4535: 4529:Adam and Eve 4527: 4519: 4513:Adam and Eve 4511: 4505:Adam and Eve 4503: 4495: 4487: 4480: 4479: 4473:Adam and Eve 4471: 4463: 4455: 4447: 4439: 4408: 4400: 4392: 4384: 4376: 4368: 4346: 4328: 4321: 4314: 4308: 4294: 4287: 4248: 4240: 4232: 4224: 4211:The Creation 4209: 4203:Compositions 4190: 4182: 4174: 4166: 4147: 4139: 4131: 4123: 4104: 4098:Adam and Dog 4096: 4088: 4080: 4074:The Last Eve 4072: 4064: 4056: 4048: 4040: 4032: 4024: 4016: 4008: 4000: 3992: 3984: 3976: 3946:Serpent seed 3880:Tree of life 3798:Original sin 3693:Adam and Eve 3630: 3622:(1961 novel, 3619: 3611: 3599: 3591: 3590:Replicas of 3577: 3498: 3491: 3484: 3477: 3470: 3463: 3365:New Sacristy 3348:Architecture 3323: 3316: 3296: 3287: 3282:Prophet Joel 3280: 3273: 3266: 3259: 3253: 3252: 3245: 3238: 3208: 3187: 3180: 3173: 3166: 3159: 3118: 3110: 3103: 3096: 3078: 3071: 3062: 3055: 3048: 3041: 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Retrieved 2078: 2068: 2056:. Retrieved 2047: 2026: 2019:. Retrieved 2010: 2000: 1988:. Retrieved 1984: 1931: 1927: 1921: 1909:. Retrieved 1900: 1869:. Retrieved 1860: 1833:. Retrieved 1824: 1814: 1781: 1775: 1765: 1732: 1728: 1669: 1665: 1625: 1619: 1609: 1591:Vatican City 1585: 1543: 1533: 1521:. Retrieved 1510: 1500: 1471: 1465: 1437:. Retrieved 1428: 1418: 1407:– via 1364: 1360: 1322: 1316: 1312: 1268: 1207: 1197: 1185:. Retrieved 1166: 1156: 1149:, 1999, #26. 1146: 1144: 1137:. Retrieved 1128: 1118: 1106: 1102: 1099:d6tPAAAAMAAJ 1095:0zmv8qpFvKcC 1089: 1080: 1053:Michelangelo 1052: 1022:. Retrieved 1013: 1004: 992:. Retrieved 981: 971: 962: 952: 935: 882: 872: 838: 835:Walter Pater 820: 803: 789: 775: 762: 754: 748: 738: 728: 712: 710: 701: 699: 687: 681: 659: 636: 634: 613: 603: 594:optic chiasm 586:frontal lobe 563: 553: 540: 538: 481: 445: 443: 414:Walter Pater 411: 406: 381: 351: 344: 339: 330:Adam and Eve 328: 324: 306: 286: 275: 264: 258: 252: 245: 233:Michelangelo 230: 202: 200: 194:, the first 162:Michelangelo 152: 151: 146: 136: 135: 134: 128:Vatican City 72:Michelangelo 40: 29: 4898:Pre-Adamite 4751:Tomb of Eve 4572:(1692–1696) 4394:Eve's Diary 3793:Fall of man 2973:Atlas Slave 2959:Young Slave 2952:Dying Slave 2930:, 1505–1545 2898:Pitti Tondo 2545:(1965 film) 2303:Scenes from 2158:Art of the 2048:artnet News 1223:. pp.  1111:OCLC 711977 570:human brain 554:In 1990 in 426:Virgin Mary 360:Composition 298:Fall of Man 241:Pope's tomb 173: 1508 85: 1512 4959:Categories 4820:Television 4261:Literature 3840:Adam's ale 3625:1965 film) 3182:Doni Tondo 2724:Florence, 2714:Sculptures 2491:Tapestries 2473:Altar wall 2089:6 December 2058:6 December 2021:6 December 1990:6 December 1934:(4): 6–8. 1911:6 December 1871:6 December 1835:6 December 1439:9 December 1264:"Prologue" 1213:Bloomsbury 1177:Kensington 894:. p.  864:References 582:brain stem 364:See also: 168:, painted 112:Dimensions 4739:Geography 4556:(c. 1650) 4532:(c. 1550) 4316:Genesis B 4310:Genesis A 4218:structure 3931:Endowment 3730:Offspring 3420:Porta Pia 3143:Paintings 2400:Zechariah 2353:The Flood 1964:191374246 1948:0737-4453 1798:0007-151X 1757:162184919 1749:1477-4658 1702:196529248 1686:1098-2353 1553:Routledge 1411:Journals. 1405:191382624 1389:0737-4453 1381:2328-207X 690:draftsman 560:physician 515:The hands 458:Capricorn 392:Gen. 1:26 231:In 1505, 186:in which 182:from the 4985:Nude art 4836:" (1963) 4696:" (1979) 4689:" (1970) 4682:" (1968) 4675:" (1956) 4668:" (1915) 4661:" (1835) 4160:Musicals 4082:Year One 4050:Adipapam 3921:Al-A'raf 3870:Shamsiel 3828:Fig leaf 3500:Epifania 3358:Florence 2760:Crucifix 2382:Jeremiah 2367:Prophets 2232:Life of 2167:Life of 2083:Archived 2052:Archived 2015:Archived 1956:23206730 1905:Archived 1865:Archived 1829:Archived 1694:30820963 1644:25841253 1517:Archived 1433:Archived 1397:23292907 1262:(2009). 1205:(2010). 1187:26 April 1181:Archived 1139:15 March 1133:Archived 1072:9348545M 1018:Archived 994:15 March 988:Archived 847:See also 832:—  794:the fall 778:cadavers 662:Catholic 592:and the 578:cerebrum 535:Analysis 470:cardinal 396:medieval 350:and the 347:Jeremiah 345:Prophet 317:prophets 294:Creation 278:Bramante 263:and the 177:Biblical 120:Location 104:Ceiling 4760:Biology 4564:(1660s) 4214:(1798) 4106:Tropico 3778:Jumella 3709:in the 3561:Related 3371:in the 3234:Ceiling 2890:Gregory 2826:Bacchus 2607:Raphael 2509:Related 2388:Ezekiel 2305:Genesis 2294:Gallery 2289:Ceiling 1806:4420761 1493:Excerpt 1488:2205727 1339:3045910 1024:23 July 800:Sources 772:Context 768:panel. 576:of the 440:Sources 332:in the 209:History 156:, is a 142:Italian 106:plaster 50:Italian 4883:(2002) 4829:(1992) 4731:(2010) 4723:(2006) 4715:(1996) 4704:Albums 4636:(1958) 4628:(1932) 4620:(1931) 4612:(1909) 4604:(1905) 4596:(1888) 4588:(1828) 4548:(1628) 4540:(1617) 4524:(1550) 4516:(1550) 4508:(1528) 4492:(1516) 4484:(1512) 4476:(1507) 4468:(1504) 4460:(1482) 4444:(1425) 4430:(1015) 4413:(2017) 4405:(2009) 4397:(1905) 4389:(1904) 4381:(1805) 4373:(1667) 4253:(2001) 4250:Lilith 4245:(1945) 4237:(1875) 4229:(1809) 4195:(1991) 4187:(1973) 4179:(1972) 4171:(1966) 4152:(1972) 4144:(1861) 4136:(1808) 4109:(2013) 4101:(2011) 4093:(2011) 4085:(2009) 4077:(2005) 4069:(2000) 4061:(1992) 4053:(1988) 4045:(1984) 4037:(1984) 4029:(1984) 4021:(1969) 4013:(1960) 4005:(1948) 3997:(1937) 3989:(1934) 3981:(1921) 3875:Lilith 3850:Camael 3758:Luluwa 3754:Aclima 3700:Source 3510:Milieu 3098:Brutus 3073:Apollo 2994:Rachel 2423:Sibyls 2413:Daniel 2406:Isaiah 2234:Christ 1962:  1954:  1946:  1804:  1796:  1755:  1747:  1700:  1692:  1684:  1642:  1597:  1563:  1523:9 June 1486:  1403:  1395:  1387:  1379:  1337:  1284:  1235:  1070:  1060:  944:987446 942:  902:  766:fresco 758:chapel 725:stylus 717:Adam's 606:uterus 584:, the 490:Detail 430:Sophia 343:, the 340:Deluge 337:, the 321:Sibyls 296:, the 271:Louvre 158:fresco 101:Medium 95:Fresco 68:Artist 46:  4891:Other 4872:Games 4644:Songs 4117:Plays 3823:Apple 3774:Azura 3600:Pietà 3592:David 3036:Night 2938:Moses 2859:David 2841:Pietà 2798:Angel 2701:†lost 2375:Jonah 2169:Moses 1960:S2CID 1952:JSTOR 1802:JSTOR 1753:S2CID 1698:S2CID 1462:(PDF) 1401:S2CID 1393:JSTOR 1377:eISSN 1335:JSTOR 827:satyr 790:Study 647:torso 621:navel 574:sulci 544:' 450:cameo 384:naked 254:Moses 4313:and 4176:Dude 4066:Babs 4058:Adam 3970:Film 3769:Awan 3764:Seth 3747:Abel 3742:Cain 3716:Adam 3382:Rome 3367:and 3057:Dawn 3050:Dusk 3001:Leah 2888:and 2886:Pius 2882:Paul 2394:Joel 2091:2019 2060:2019 2023:2019 1992:2019 1944:ISSN 1913:2019 1873:2019 1837:2019 1794:ISSN 1745:ISSN 1690:PMID 1682:ISSN 1640:PMID 1595:ISBN 1561:ISBN 1525:2016 1484:PMID 1467:JAMA 1441:2023 1385:ISSN 1282:ISBN 1233:ISBN 1189:2023 1141:2023 1097:and 1058:ISBN 1026:2018 996:2023 940:OCLC 900:ISBN 643:Adam 625:Adam 503:Adam 399:hymn 368:and 313:Noah 192:Adam 91:Type 78:Year 4617:Eve 4421:Art 4234:Ève 3721:Eve 3043:Day 2559:: 2557:Key 1936:doi 1786:doi 1737:doi 1674:doi 1630:doi 1476:doi 1472:264 1369:doi 1327:doi 896:285 796:". 721:God 655:Eve 651:rib 645:'s 527:God 418:Eve 401:, " 196:man 188:God 4961:: 2884:, 2880:, 2726:c. 2081:. 2050:. 2034:^ 2025:. 1983:. 1972:^ 1958:. 1950:. 1942:. 1932:20 1930:. 1899:. 1881:^ 1859:. 1845:^ 1827:. 1823:. 1800:. 1792:. 1780:. 1774:. 1751:. 1743:. 1733:21 1731:. 1710:^ 1696:. 1688:. 1680:. 1670:32 1668:. 1652:^ 1638:. 1626:90 1624:. 1618:. 1589:. 1575:^ 1559:. 1557:89 1551:: 1515:. 1482:. 1470:. 1464:. 1449:^ 1431:. 1427:. 1399:. 1391:. 1383:. 1375:. 1365:32 1363:. 1359:. 1347:^ 1333:. 1323:74 1321:. 1296:^ 1280:. 1276:: 1272:. 1266:. 1247:^ 1231:. 1229:vi 1219:: 1215:, 1179:. 1175:, 1171:. 1165:. 1143:. 1131:. 1127:. 1068:OL 1066:. 1034:^ 1012:. 986:. 980:. 961:. 914:^ 898:. 890:: 837:, 817:. 784:, 657:. 596:. 558:, 484:. 464:, 428:, 356:. 327:, 273:. 170:c. 144:: 126:, 82:c. 4864:" 4860:" 4857:" 4853:" 4850:" 4846:" 4843:" 4839:" 4832:" 4692:" 4685:" 4678:" 4671:" 4664:" 4657:" 4654:" 4650:" 4361:" 4354:" 4305:" 4301:" 3685:e 3678:t 3671:v 3411:✻ 3213:† 3192:† 3115:✻ 2836:† 2821:† 2741:† 2673:e 2666:t 2659:v 2296:) 2292:( 2151:e 2144:t 2137:v 2093:. 2062:. 1994:. 1966:. 1938:: 1915:. 1875:. 1839:. 1788:: 1782:1 1759:. 1739:: 1704:. 1676:: 1646:. 1632:: 1603:. 1569:. 1527:. 1490:. 1478:: 1443:. 1371:: 1341:. 1329:: 1290:. 1241:. 1227:- 1225:v 1191:. 1107:. 1028:. 998:. 946:. 908:. 140:( 52:) 48:( 20:)

Index

Creation of Adam
Italian

Michelangelo
Fresco
plaster
Sistine Chapel
Vatican City
Italian
fresco
Michelangelo
Sistine Chapel's ceiling
Biblical
creation narrative
Book of Genesis
God
Adam
man
Sistine Chapel ceiling

Sistine Chapel
Michelangelo
Pope Julius II
Pope's tomb
Church of S. Pietro in Vincoli
Moses
Heroic Captive / Rebellious Slave
Dying Captive / Dying Slave
Louvre
Bramante

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