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Connect (Charles Tolliver album)

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485:, Kevin Le Gendre described the album as "a fine consolidation of the vocabulary the trumpeter has devised over five decades, which is a deeply touching take on hard bop and modal jazz whereby the themes are soulfully yearning." He commented: "At the age of 78, Tolliver has deserved elder statesman status, and this is the kind of cultured work, with intellect and emotion in symbiosis, that befits an artist who has contributed a great deal to modern music during a lengthy, eventful career." 417: 379: 341: 336: 303: 412: 407: 402: 397: 374: 369: 364: 359: 331: 326: 321: 298: 293: 288: 283: 267: 262: 257: 252: 247: 29: 442:
stated that the album "stands out in large part based on the quality of compositions," which "tend to balance syncopated elements as if they were structural beams." He wrote: "The drums, the piano and bass, the horns: Each scribbles out its own pattern, contrasting with the others and occasionally
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s Filipe Freitas remarked: "Spreading sheer joy while demonstrating athleticism, the group members show an innate, nearly telepathic way of communication... Tolliver knows he doesn't need ultra-modern aesthetics to make his music sound beautifully. With tremendous breadth and maturity, this is an
501:, Adam Sieff called the album "a blast," and wrote: "the energy everyone creates here is incredible. I haven't been able to stop listening to this, it's some of the most exciting and vital music I've heard for some time. Great tunes, fantastic playing, beautifully recorded." 452:
s John Murph praised the album's "rugged amalgam of hard-bop swagger, backbeat funk and steely Afrocentric sense of determination," and stated that Tolliver's playing "reveals a weathered beauty that best can be compared to the emotive prowess of singers like
510:, Chris May stated: "the album finds Tolliver still at the top of his game in a recording career which began in the mid 1960s... The lineup... is a killer combination... He chooses his projects with care and his quality control is spot on. So the release of 472:"an intimate, intensely expressive album that works as a dynamic counterpoint to large-ensemble productions," and noted that it is the presence of a "kind of rousing group aesthetic and unified intensity that makes 521:
commented: " If you don't get hooked by the first track, I'd urge you to pick another genreβ€”this is modern jazz at its best. It's accessible, well played and beautifully recorded."
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remarked: "As an example of contemporary jazz in the classic tradition from the 40s onwards, this is a sterling session, original, well played and extremely well recorded."
985: 696: 1109: 864: 1117: 1101: 1093: 1042: 178: 141: 669: 1050: 1145: 978: 725: 190:, Tolliver's first release as a leader for the label. On the album, Tolliver is joined by saxophonists 971: 580: 568: 425: 199: 191: 942: 644: 890: 783: 838: 1140: 1077: 812: 8: 528:
album where we can reconnect with his music and rediscover his singular points of view."
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Years given are for the recording(s), not first release, unless stated otherwise.
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in London, and was issued on CD, vinyl, and via digital download in 2020 by
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such a vital small-group companion to Tolliver's big-band work."
36: 865:"Billie Eilish's Isolation Awakening, and 8 More New Songs" 552:"Blue Soul (edit)" – 6:07 (bonus track on digital download) 81: 697:"Charles Tolliver Releases 'Connect' with Buster Williams" 670:"Charles Tolliver announces first album in 13 years" 1132: 356: 244: 979: 394: 318: 280: 986: 972: 862: 613: 611: 609: 182:, it was recorded during November 2019 at 27: 16:2020 studio album by Charles Tolliver 940: 694: 606: 1133: 941:Freitas, Filipe (September 30, 2020). 863:Russonello, Giovanni (July 31, 2020). 781: 176:. Arriving over a decade after 2009's 172:is an album by trumpeter and composer 967: 888: 810: 752: 719: 717: 223: 1118:Emperor March: Live at the Blue Note 1102:Live at the Loosdrecht Jazz Festival 993: 914: 806: 804: 777: 775: 748: 746: 179:Emperor March: Live at the Blue Note 142:Emperor March: Live at the Blue Note 723: 577:– tenor saxophone (tracks 3 and 4) 358: 246: 13: 714: 617: 14: 1157: 801: 782:Ansell, Derek (October 5, 2020). 772: 743: 695:Johnson, Kevin (August 3, 2020). 396: 320: 282: 915:Hart, Bill (November 22, 2020). 836: 531: 415: 410: 405: 400: 395: 377: 372: 367: 362: 357: 339: 334: 329: 324: 319: 301: 296: 291: 286: 281: 265: 260: 255: 250: 245: 934: 908: 882: 856: 891:"Charles Tolliver – 'Connect'" 839:"Grade List: Charles Tolliver" 830: 753:Murph, John (September 2020). 688: 662: 637: 536:Composed by Charles Tolliver. 1: 889:Sieff, Adam (July 27, 2020). 599: 943:"Charles Tolliver - Connect" 724:May, Chris (July 17, 2020). 645:"Charles Tolliver - Connect" 556: 213: 7: 813:"Charles Tolliver: Connect" 784:"Charles Tolliver: Connect" 755:"Charles Tolliver: Connect" 726:"Charles Tolliver: Connect" 620:"Charles Tolliver: Connect" 10: 1162: 917:"Charles Tolliver-Connect" 1069: 1010: 1001: 231: 228: 135: 127: 117: 103: 87: 75: 64: 56: 48: 35: 26: 21: 514:... is doubly welcome." 461:in their latter years." 1146:Charles Tolliver albums 543:"Emperor March" – 13:32 436:Giovanni Russonello of 843:Tom Hull – on the Web 468:, Matt Collar called 426:Tom Hull – on the Web 1078:The New Wave in Jazz 219:Professional ratings 649:Jazz Music Archives 220: 869:The New York Times 811:Le Gendre, Kevin. 549:"Suspicion" – 9:59 546:"Copasetic" – 6:07 540:"Blue Soul" – 9:38 504:In an article for 439:The New York Times 218: 1128: 1127: 434: 433: 202:, double bassist 165: 164: 161: 160: 1153: 995:Charles Tolliver 988: 981: 974: 965: 964: 958: 957: 955: 953: 938: 932: 931: 929: 927: 912: 906: 905: 903: 901: 895:London Jazz News 886: 880: 879: 877: 875: 860: 854: 853: 851: 849: 834: 828: 827: 825: 823: 808: 799: 798: 796: 794: 779: 770: 769: 767: 765: 750: 741: 740: 738: 736: 721: 712: 711: 709: 707: 692: 686: 685: 683: 681: 676:. April 23, 2020 666: 660: 659: 657: 655: 641: 635: 634: 632: 630: 615: 571:– alto saxophone 563:Charles Tolliver 499:London Jazz News 488:Derek Ansell of 464:In a review for 420: 419: 418: 414: 413: 409: 408: 404: 403: 399: 398: 382: 381: 380: 376: 375: 371: 370: 366: 365: 361: 360: 344: 343: 342: 338: 337: 333: 332: 328: 327: 323: 322: 306: 305: 304: 300: 299: 295: 294: 290: 289: 285: 284: 270: 269: 268: 264: 263: 259: 258: 254: 253: 249: 248: 221: 217: 174:Charles Tolliver 137: 136: 129:Charles Tolliver 99: 98: 94: 42:Charles Tolliver 31: 19: 18: 1161: 1160: 1156: 1155: 1154: 1152: 1151: 1150: 1131: 1130: 1129: 1124: 1065: 1006: 997: 992: 962: 961: 951: 949: 939: 935: 925: 923: 921:The Vinyl Press 913: 909: 899: 897: 887: 883: 873: 871: 861: 857: 847: 845: 835: 831: 821: 819: 809: 802: 792: 790: 780: 773: 763: 761: 751: 744: 734: 732: 722: 715: 705: 703: 693: 689: 679: 677: 668: 667: 663: 653: 651: 643: 642: 638: 628: 626: 616: 607: 602: 587:Buster Williams 559: 534: 519:The Vinyl Press 497:Commenting for 416: 411: 406: 401: 378: 373: 368: 363: 340: 335: 330: 325: 302: 297: 292: 287: 266: 261: 256: 251: 216: 204:Buster Williams 188:Gearbox Records 154: 145: 123:Darrel Sheinman 112: 96: 92: 91: 44: 17: 12: 11: 5: 1159: 1149: 1148: 1143: 1126: 1125: 1123: 1122: 1114: 1106: 1098: 1090: 1086:Live at Slugs' 1082: 1073: 1071: 1067: 1066: 1064: 1063: 1055: 1047: 1039: 1031: 1023: 1014: 1012: 1008: 1007: 1002: 999: 998: 991: 990: 983: 976: 968: 960: 959: 933: 907: 881: 855: 829: 800: 771: 742: 730:All About Jazz 713: 687: 661: 636: 618:Collar, Matt. 604: 603: 601: 598: 597: 596: 590: 584: 578: 575:Binker Golding 572: 566: 558: 555: 554: 553: 550: 547: 544: 541: 533: 530: 507:All About Jazz 432: 431: 428: 422: 421: 392: 384: 383: 354: 346: 345: 316: 308: 307: 278: 272: 271: 242: 239:All About Jazz 234: 233: 230: 226: 225: 215: 212: 206:, and drummer 196:Binker Golding 163: 162: 159: 158: 156: 147: 133: 132: 125: 124: 121: 115: 114: 107: 101: 100: 89: 85: 84: 79: 73: 72: 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 1158: 1147: 1144: 1142: 1139: 1138: 1136: 1120: 1119: 1115: 1112: 1111: 1110:Live in Tokyo 1107: 1104: 1103: 1099: 1096: 1095: 1091: 1088: 1087: 1083: 1080: 1079: 1075: 1074: 1072: 1068: 1061: 1060: 1056: 1053: 1052: 1048: 1045: 1044: 1040: 1037: 1036: 1032: 1029: 1028: 1024: 1021: 1020: 1016: 1015: 1013: 1011:Studio albums 1009: 1005: 1000: 996: 989: 984: 982: 977: 975: 970: 969: 966: 948: 944: 937: 922: 918: 911: 896: 892: 885: 870: 866: 859: 844: 840: 833: 818: 814: 807: 805: 789: 785: 778: 776: 760: 756: 749: 747: 731: 727: 720: 718: 702: 698: 691: 675: 671: 665: 650: 646: 640: 625: 621: 614: 612: 610: 605: 594: 591: 589:– double bass 588: 585: 582: 579: 576: 573: 570: 567: 564: 561: 560: 551: 548: 545: 542: 539: 538: 537: 532:Track listing 529: 526: 522: 520: 517:Bill Hart of 515: 513: 509: 508: 502: 500: 495: 493: 492: 486: 484: 483: 477: 475: 471: 467: 462: 460: 459:Sarah Vaughan 456: 451: 449: 444: 441: 440: 429: 427: 424: 423: 393: 391: 390: 386: 385: 355: 353: 352: 348: 347: 317: 315: 314: 310: 309: 279: 277: 274: 273: 243: 241: 240: 236: 235: 227: 224:Review scores 222: 211: 209: 205: 201: 197: 193: 189: 185: 181: 180: 175: 171: 170: 157: 153: 152: 148: 144: 143: 139: 138: 134: 130: 126: 122: 120: 116: 111: 108: 106: 102: 90: 86: 83: 80: 78: 74: 70: 67: 63: 60:November 2019 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1116: 1108: 1100: 1092: 1084: 1076: 1058: 1057: 1049: 1041: 1033: 1025: 1017: 1003: 952:February 27, 950:. 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Retrieved 623: 535: 524: 523: 518: 516: 511: 505: 503: 498: 496: 491:Jazz Journal 489: 487: 480: 479:Writing for 478: 473: 469: 463: 446: 445: 437: 435: 387: 351:Jazz Journal 349: 311: 237: 177: 168: 167: 166: 150: 149: 140: 37:Studio album 1141:2020 albums 1070:Live albums 837:Hull, Tom. 593:Lenny White 581:Keith Brown 569:Jesse Davis 525:Jazz Trail' 455:Jimmy Scott 208:Lenny White 200:Keith Brown 192:Jesse Davis 184:RAK Studios 69:RAK Studios 1135:Categories 1035:Music Inc. 1027:The Ringer 947:Jazz Trail 600:References 443:uniting." 198:, pianist 131:chronology 1051:With Love 1019:Paper Man 701:No Treble 565:– trumpet 557:Personnel 214:Reception 817:Jazzwise 759:DownBeat 674:The Wire 624:AllMusic 482:Jazzwise 466:AllMusic 448:DownBeat 389:Jazzwise 313:DownBeat 276:AllMusic 119:Producer 71:, London 57:Recorded 49:Released 39: by 1059:Connect 595:– drums 583:– piano 512:Connect 474:Connect 470:Connect 169:Connect 155:(2020) 151:Connect 146:(2009) 110:Gearbox 22:Connect 1121:(2008) 1113:(1973) 1105:(1972) 1097:(1972) 1094:Impact 1089:(1970) 1081:(1965) 1062:(2019) 1054:(2006) 1046:(1975) 1043:Impact 1038:(1970) 1030:(1969) 1022:(1968) 232:Rating 229:Source 113:GB1561 88:Length 65:Studio 105:Label 77:Genre 954:2024 928:2024 902:2024 876:2024 850:2024 824:2024 795:2024 766:2024 737:2024 708:2024 682:2024 656:2024 631:2024 194:and 82:Jazz 52:2020 457:or 1137:: 945:. 919:. 893:. 867:. 841:. 815:. 803:^ 786:. 774:^ 757:. 745:^ 728:. 716:^ 699:. 672:. 647:. 622:. 608:^ 430:B+ 210:. 97:25 93:39 987:e 980:t 973:v 956:. 930:. 904:. 878:. 852:. 826:. 797:. 768:. 739:. 710:. 684:. 658:. 633:. 450:' 95::

Index


Studio album
Charles Tolliver
RAK Studios
Genre
Jazz
Label
Gearbox
Producer
Charles Tolliver
Emperor March: Live at the Blue Note
Charles Tolliver
Emperor March: Live at the Blue Note
RAK Studios
Gearbox Records
Jesse Davis
Binker Golding
Keith Brown
Buster Williams
Lenny White
All About Jazz
AllMusic
DownBeat
Jazz Journal
Jazzwise
Tom Hull – on the Web
The New York Times
DownBeat
Jimmy Scott
Sarah Vaughan

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