Come Taste the Band

1200:(who left the band just over two years prior), on the other hand, has stated that he does not view the album as a real Deep Purple album. Ritchie Blackmore has been generally positive when asked for his thoughts on the album, and praised Bolin as a guitarist. Lord praised the quality of the album years later in interviews, stating that "listening to it now, it's a surprisingly good album," while acknowledging, "the worst thing you can say about it, and it's not that bad, is that, in most people's opinion, it's not a Deep Purple album." 769: 441: 786:

about Blackmore's wife's infidelity. After the tour began, it was revealed that Bolin did not know Blackmore's songs properly. Along with them, the band performed all the songs from the new album at some point during the tour. Bolin and Lord also played long improvised guitar and keyboard solos, which, unlike before, were performed as separate solo numbers from the actual songs. In addition, the band performed the songs "Wild Dogs", "Marching Powder" and "Homeward Strut" from Bolin's

618:"Gettin' Tighter" is a guitar-driven and upbeat song sung by Hughes that featured more funk influences than any Deep Purple song ever before. The song originated from a riff invented by Bolin: "I duned it in one practice session. I just rolled... 'Damn, they would enjoy this' I started to feel them and they started to feel me, it was like... giving and taking, that is, musically." The finished composition was credited to Bolin and Hughes. Bolin had written the guitar riff in 1974 5470: 743:, Ian Paice said that the members were aware that the band's traditional audience would not like songs like "You Keep On Moving". Instead, the band wanted to reach a new, younger audience, which at the time of the release of the band's first hits had only been in childhood. Deep Purple's musical style had changed before. Traditionally, the band had marketed their albums through tours, the success of which had proven the viability of varying line-ups. 453:“He was a sight to behold – this exotic creature. He walked up to this line of amps - which had been pretty intimidating to whoever else had been there - and turned them all to eleven. Hit a chord, and the chord got everyone off their smug ass and started jamming – immediately. All his guitars were in hock – for whichever reason – so he had borrowed a guitar for the audition. It was quite an extraordinary, explosive audition.” 829:

one of the crew members were later arrested on suspicion of murder. The next morning, a judge in military uniform declared the incident an accident and ordered the detainees to redeem their passports for $ 2,000 (£900). Lord and Hughes later speculated that it was a murder to extort money from the band. When the band tried to leave Indonesia, another $ 10,000 (£4500) was demanded, citing fake airport expenses.

1172: 1076: 1018: 401:(bass) persuaded them to stay and hold auditions for a new guitarist, feeling that the band was not ready to give up from success for a few years. The management was very hopeful of the band's decision to continue. Coverdale suggested changing the name to "Purple" or "Good Company", but others disagreed. According to Coverdale and Lord, the reason behind the band's decision to continue was mainly royalties. 1167: 1162: 1157: 1152: 1071: 1066: 1061: 1056: 1013: 1008: 1003: 998: 1138: 1133: 1128: 1123: 1118: 875:, where Hughes apologized to the audience for the band's poor performance in a fake American accent. After the concert, Lord and Paice decided to end the band's activities and take a break from touring. After a while, Coverdale arrived in tears and announced that he was leaving, to which Lord and Paice replied that it was not possible because Deep Purple no longer existed. 670:"This Time Around" is a calm piano ballad, with Hughes singing over Lord's keyboard accompaniment. The song serves as the intro to Tommy Bolin's solo number "Owed to 'G'" instrumental. The composition originated from Bolin and Lord jamming into the double-jointed track. The letter G was a tribute to composer George Gershwin, whose compositions inspired Deep Purple's songs " 610:"Comin' Home" is followed by "Lady Luck" in a similar style. It was composed by Jeff Cook, and Bolin brought the song with him when he joined Deep Purple. Bolin had been performing it in his concerts for four years already, but the new band brought out "new aspects" of the composition. Coverdale finished the song and wrote the lyrics about the blue-eyed gypsy queen. 885:, who played in Deep Purple between 1969 and 1973 and again from 1984, pondered the matter: "Only when bands have failed is it possible to think about the causes of the problems. – Who knows where the band would have developed with Tommy Bolin? It could have become hugely popular. If that had happened, the attitude towards his composition could be different now." 812:

for one small concert. The group was paid a total of $ 11,000 (£4950; around £36,650 in 2023) for the Indonesian concerts, while the practical share of the box office revenue would have been around $ 750,000 (£338,000; around £2,500,000 in 2023), coming with more than 100,000 in attendance. Deep Purple tour manager Rob Cooksey told

863:. Coverdale was frustrated by Bolin's and Hughes' vocal parts, as well as the long instrumental parts, during which he had little to do as a singer. In addition, the members disagreed about the band's musical line: Coverdale, Lord, and Paice wanted to stick to rock, while Bolin and Hughes were more interested in funk. 855:

band was badly overworked. The original plan was to take a break and resume performances only in the summer. However, the managers arranged a five-concert tour in Britain for the band as early as March. Coverdale, Lord, and Paice were given six days of leave to rest, while Bolin and Hughes partied throughout.

807:

The managers decided to start the tour from the Far East so that the new line-up could gain experience and not hear about possible failures in Europe and America. The first concert was in Hawaii, after which the band moved to New Zealand and Australia. The concerts were very successful and especially

482:

in Munich, Germany from 3 August to 1 September 1975. Most of the album's material had already been composed before the recordings began. The songs were mainly written by Coverdale and Bolin. Bolin had a lot of usable material from his previous bands, many of which he had written with his friend Jeff

1272:

In the 35th Anniversary Edition review in 2010, BBC Music's Greg Moffitt gave a mixed reaction, replying that the album was "far from a disaster, particularly on its own terms," despite that the lineup was entirely "completed into an entirely different beast." He also added that it was underpowered

854:

At the beginning of 1976, Deep Purple went on a US tour. Since Bolin was playing in his home country, he was more confident about the show in America and hoped that it would go along well as planned. The tour, which lasted just under two months, included a total of 30 shows, and when they ended, the

1243:

was favorable of the record, praising Bolin as a more versatile guitarist than his predecessor, and the album's new stylistic directions as perfect territory conquests for Deep Purple. According to Nicholson, with the help of Bolin, Deep Purple had gotten rid of the predictability of their previous

811:

In December 1975, Deep Purple was slated to play in Indonesia. The band had been told that it would perform for around 7,000 to 10,000 people, but the actual venue was a stadium that held 125,000. In addition, the band was required to perform on two nights, even though it only received compensation

686:

The LP ends with "You Keep On Moving", in which Coverdale and Hughes perform their joint vocals for the only time on the album, which had played an important part in the previous two Deep Purple albums. Coverdale and Hughes composed the song back in 1974 before Bolin joined. This did not contribute

469:

Deep Purple's managers were concerned about Bolin's timing schedule amidst his personal ventures. In addition, Bolin had to record and promote his upcoming solo album. The band had come into an agreement to lightly step away from their tight working pace in order to give Bolin some time to focus on

352:

was commercially less successful than the previous Deep Purple albums, whilst the record was among the lowest in the American market compared to the band's 1970s albums. In the UK, the album peaked at number #19, while it only peaked at #43 in the US. However, it received favorable reviews, and the

878:

After tours for this album concluded, the public announcement for their breakup was not announced until July 1976, with then-manager Rob Cooksey issuing a statement: "The band will not record or perform together as Deep Purple again". Before this, Bolin had already told in an interview that he was

858:

The UK tour was controversial and the concert reviews were strongly negative. Because of Bolin's and Hughes' drug use, the level of concerts varied greatly, and Bolin's performance was further undermined by the audience's loud demand for Blackmore's return. The band's mood was also affected by the

828:

acted as orderlies. The first concert was chaotic and 20 minutes later, the band stopped playing. The latter eventually escalated into a huge riot. On the night between concerts, one of the band's bodyguards fell into an elevator shaft; he survived but died shortly after that. Hughes, Cooksey, and

601:

opening track "Comin' Home" combines Deep Purple's old and new style. Paice's drum intro starts the song that was used similar to the concerts of the band's previous line-up. Guitarist Tommy Bolin's playing style using effects brings something new to the song. The composition represents energetic,

785:

Conflicts arose between the members of Deep Purple even before the tour began. Bolin, who used to enjoy artistic freedom, became frustrated when he was asked to play Blackmore-era songs in the style of his predecessor. This was made especially bitter by the fact that Bolin had to testify in court

754:

were moderately successful, but did not do well compared to the previous albums alone. It did not top in any of the top spots in every country. In the UK, the album charted at #19 but held its placement for 4 weeks after its release. In the US, it only peaked at #43 by the second week of 1976 and

465:

The new lineup was positively well-received and motivated. The rest of the band got along with Bolin, who was cheerful and outgoing compared to Blackmore's personality, cited as argumentative and very difficult. Particularly, Bolin and Hughes became close friends. Blackmore had considered Bolin a

1268:

gave an enthusiastic response, according to Geoff Barton, that Bolin brought new energy to the band, as a result of which you can feel the joy of playing in the music for a long time. Bolin's playing is fluid but restrained, and the overall impression is more free-form and good-natured than Deep

530:

last song "You Keep On Moving". Along with Coverdale, Bolin also sings in the song "Dealer". The original version of the song was performed by Hughes, but after he had to withdraw, Coverdale recorded a new vocal track instead. Coverdale and Hughes also had a dispute over the division of singing

803:

symptoms. Bolin, on the other hand, used large amounts of heroin, which was revealed to the other members only after the tour had already started. In the Goldmine magazine, however, a person close to the band remarked: "The problem wasn't so much that Tommy liked drugs, but that the other band

38: 498:

and other effects in his playing and used the opportunities brought by the studio much more than Blackmore. On the album, for example, overlapping guitar tracks were frequently used. Keyboardist Jon Lord is in the background for much of the album, except for his solos on "Love Child" and the

461:

had no collection or even heard of the band's discography and their image before. Despite this, the audition went well in the process, and Bolin was asked to join immediately. Bolin admired the band's playing skills, but his decision to join was probably also influenced by the desire to gain

703:

The unfinished song "Same in LA" was left over from the recordings, which was possibly intended as a single. There are a few bars of vocals at the beginning of the song, but the rest of the recording consists of just the accompaniment. The song is included as a bonus track on some reissues,

502:

The recordings were made difficult by the members' substance abuse problems. Bolin was in Europe for the first time and headed to the nightclubs of Munich as soon as he arrived. Before leaving, he took the five sleeping pills given to the band due to the time difference. Bolin used

804:

members weren't into it. He was in his own worlds for a long time, and the others didn't understand at all what was going on." Conflicts were also caused by the band members' sexual infidelity: Bolin's girlfriend had an affair with Hughes, and Hughes' girlfriend with Lord.

353:

band's stylistic renewal was praised. However, the album's reputation has been mixed. The members of Mark IV have generally regarded the album as a functional entity, but, on the other hand, they have questioned the extent to which the line-up can be called Deep Purple.

759:

at the beginning of November before its official UK release. The album was in fact considered a commercial disappointment in Deep Purple studio album discography of the 1970s, particularly in America, where it has not attained any certification as of present.

523:, but the attempts were mostly unsuccessful. Drugs were smuggled to Bolin and Hughes, among other things, inside hollowed-out books. Hughes was sent to London for drug rehab after being beaten by a rowdy. The public was told that Hughes had a liver infection. 755:

continued to stay on the charts for 14 weeks. The only highest numbers the album charted were in New Zealand and Norway, peaking at #6. Despite this, the record earned a silver certification in their native country, selling over 60,000 copies by

531:

parts. Hughes had time to record most of the bass tracks before he left, but the song "Comin' Home" features Bolin on bass. After the recordings, the other members made Hughes' continuation in the band a condition that he take care of himself.

1248:

instead of volume. "The obvious desire for experimentation has expanded the band's music outside the heavy metal prison", and Nicholson hopes the band will rediscover the progressiveness of their early days, which it had lost after

879:

waiting for the band to start working on the next Deep Purple album. Along with the drug problem, the group's breakup was influenced by the harsh work schedule and the managers' reluctance to organize vacations for the members.

1203:

According to Dave Thompson, "it didn't get rave reviews, it didn't have any weak songs and it wasn't a bad record, but it didn't...sound like Deep Purple". However, reviews from professional critics were mostly positive.

958:

Released on 25 October 2010, the 2-CD Deluxe 35th Anniversary edition includes the original album in remastered form plus a rare US single edit of "You Keep On Moving" on the first disc, a full album remix produced by

361:

In the mid-1970s, Deep Purple was one of the best-known rock bands in the world. However, at the same time, the group personnel and atmosphere had often changed. Musically, their approach shifted from heavy rock to

832:

While touring in Indonesia, Bolin spiked his hand with low-quality heroin, as a result of which the hand became numb and Bolin could not play properly. To the other members of the band, he claimed that he had a

687:

to the composition, but his guitar playing is heavily featured in the song. "You Keep On Moving" was released in the UK as the album's only single, and many contemporary critics considered it the album's best.

1185:

was met with some critical reassessment "on its own merits", in part due to Bolin's contributions to the album, ranging from widespread critical acclaim from journalists and mainstream publications, including

626:"Dealer" lyrically has a dark tone. Its context shows the story of Coverdale's attempt to talk some sense into Hughes to curb him from addiction. The song also features a couple of bars of Bolin's vocals. 847:, on 16 March 1977. The live album would only become a success in Japan, but Hughes called it an "awful record," blaming Bolin's heroin addiction for his mediocre playing. At this point, Bolin had to use 718:. While drinking wine, Bol's invention turns this into "come taste the band". The cover art was developed by Castle, Chappell & Partners, who were also responsible for the cover of Deep Purple's 526:

Due to his absence, Hughes sings significantly less on the album than on the previous two Deep Purple albums. His and Coverdale's joint singing, which colored previous albums, can only be heard on

582:, on the other hand, has almost no such parts. According to AllMusic, the genres of the album are listed as arena rock, hard rock and heavy metal. According to 963:, and two unissued tracks on the second disc: "Same in LA" a three-minute out-take from the final release in 1975, and "Bolin/Paice Jam" a five-minute instrumental jam with Bolin and Ian Paice. 820:

that "it was a set-up...as we were on our way from Australia to Japan and had our own plane, it seemed like a good way to pick up some extra money." 6,000 police officers equipped with

4819: 642:

The B-side starts with the fast-paced "Drifter", which had already been completed during the Pirate studio's rehearsals. The song's riff is a bit reminiscent of Blackmore's song "

2795: 1269:

Purple's previous albums. He added that it was clearly an "above-average rock album". However, Barton questioned whether it was good enough to guarantee the band's longetivity.

1273:

and way "too relaxed for its own good." However, to finish it off with a positive response, saying that it is a "harmless little sparkler where once there was a ton of TNT."

5174: 837:

about sleeping on his hand. The problems continued in Japan by the end of December, where the band played four concerts, ultimately would later release their live album,

634:

In the last song of the A-side, "I Need Love", Coverdale sings about sex, a topic that had already become his trademark. The song also features a female backup singer.

4612: 944:

Overall, Deep Purple's split would last for eight years until the reformation of the 'Mark II' lineup that would eventually produce the band's 1984 comeback album,

5430: 795:

Problems on the tour were caused by the drug problems of the members. During rehab, Hughes had reduced his cocaine use, but at the same time became dependent on

565:, the album was a "radical and brave... attempt to completely reform". Despite this, the whole is more rock-style than the band's previous album 3784: 3267:""It appeared that he had fallen down an elevator shaft, but we knew that he was murdered": the traumatic story of Deep Purple's visit to Indonesia in 1975" 330:

on bass guitar/vocals. Due to Bolin's drug addiction, the band was solely dependent on his condition largely throughout the album's tour, alongside Hughes'

2661: 575: style had divided the band's fans, and Coverdale had already promised before Bolin joined that the band would return to rock on their next album. 544:. Both Hughes and Lord contributed to the album, although they are not credited. During Deep Purple's hiatus, Lord composed and recorded his solo album 511:

irregularly but often. The other members at that time did not know the seriousness of the situation. Hughes, on the other hand, had been addicted to

2499: 925:. Members from the Deep Purple 'Mark I-IV' lineup, Lord and Paice joined Coverdale's group not long during the period of early Whitesnake's albums: 4791: 902:. However, his contentment was short-lived as Bolin died of multiple drug intoxication on 4 December 1976 caused by heroin, alcohol, cocaine, and 5202: 462:

visibility and money to promote his solo career. After weeks of rumors, the band announced Blackmore's departure and Bolin joining in June 1975.

2999:

Viinilaseja tarvittiin lopulta kaksi, sillä ensimmäiseen albumin nimi oli kirjoitettu väärin ”Come & Taste The Band”. Casey 2010, p. 16–17.

386:

remarked that Blackmore invited him to join his band, but his thoughts on his attempted involvement were very uncomfortable and inappropriate.

378:

was heavily against the idea of incorporating the latter two musical elements, resulting in him departing the group and forming his own band,

5167: 4882: 4647: 314:

It was the final Deep Purple studio record prior to the band's initial disbandment in 1976, therefore making it the only studio album by the

4805: 586:

contemporary assessment, the album continues the funk style of the band's previous two albums but also has an aspiration back to the

4896: 4077: 4114: 3456: 2809: 909:

Coverdale then retreated to his permanent residence in Germany, where he embarked on a solo career, releasing two of his solo albums,

4784: 2261: 3980: 3740: 3628: 5504: 3430: 3896: 3365: 3344: 4577: 4065: 3095: 2252: 3508: 5100: 4244: 3526: 3495: 2443: 2415: 2370: 5005: 2139: 5437: 4889: 5223: 5209: 4861: 4738: 4731: 4675: 4570: 2205: 409:

The search for a guitarist has turned out to be difficult in the process. Coverdale's recommendations in the band were

808:

in New Zealand the band gathered record audiences. A documentary about the band was also filmed for local television.

4812: 4542: 4099: 4050: 3940: 3414: 3240: 2386: 1285:

about "psychic dislocations" of rock life. In a more negative approach, Steve Peacock, writing for British magazine,

772:

Deep Purple Mark IV in 1976. Standing left to right: David Coverdale, Ian Paice; seated left to right: Glenn Hughes,

5125: 4535: 3861: 2969: 2718: 2504: 2115: 898: 736:. The record spawned only two singles separately: "You Keep On Moving" in the UK, and "Gettin' Tighter" in the US. 338:

shortly after the breakup in that same year. To date, it is the only album by the band to feature neither vocalist

4180: 5160: 5026: 4826: 4661: 4640: 5519: 5514: 5250: 4935: 4777: 4200: 3696: 578:

In the practice sessions of the first weeks of Mark IV, the band has played long and free-form improvisations.

561: differs from Deep Purple's previous output due to its strong funk and blues influence. According to 4942: 4854: 3401: 3099: 2912: 2334: 2287: 756: 434: 4847: 4833: 4496: 4164: 2655: 5494: 5407: 4963: 4921: 4475: 3018: 315: 562: 483:

Cook. The band members allowed Bolin to compose quite freely, satisfying him. The album was produced by

5012: 4903: 4798: 4654: 4633: 4626: 927: 834: 787: 781:"We traveled the world and destroyed Deep Purple's reputation everywhere we played." - Jon Lord (1995)" 712:

The name of the album is a translation of the statement "come taste the wine" appearing in the musical

539: 678:". In some circumstance, the title is split in separate tracks themselves in some reissued pressings. 5509: 5240: 4433: 4237: 3160:

Järvinen 2018, p. 287–288: Heino 2004, p. 57–58; Charlesworth 1983 (Mark IV June 1975 to April 1976).

946: 193: 4126: 307:, released on 7 November 1975. It was co-produced and engineered by the band and longtime associate 5245: 5107: 4412: 3996: 3068: 2077: 872: 3266: 5402: 5386: 5316: 5181: 5146: 5019: 4998: 4605: 4440: 4326: 4184: 4168: 4142: 4130: 3865: 3638: 3633: 3540: 3276: 3271: 3047: 3022: 2224: 2209: 2166: 1967: 1389: 1264: 1047: 675: 398: 327: 311:. Musically, the record consists of stronger influences of funk than the band's previous albums. 3470: 5086: 4875: 4591: 4563: 4454: 4405: 3960: 3928: 688: 437:

impressed band members, was then asked to audition. Coverdale recalled the audition by saying:

3785:"Gillan Has 'No Interest' In Deep Purple Mk III, Says Glenn Hughes Is 'Copying Stevie Wonder'" 3601: 5371: 5255: 5216: 5195: 5188: 5153: 5132: 4956: 4868: 4724: 4717: 4696: 4556: 4363: 3396: 839: 724:

album. For the cover, the band used a wine glass engraved with calligraphy, by Ken Cooper.

429:

auditioned for the band but did not become Blackmore's replacement. Bolin, whose playing on

5499: 5473: 5336: 5033: 4840: 4710: 4419: 4398: 4370: 4230: 4150: 3512: 3073: 1217: 566: 261: 175: 3661:"Julian Cope Presents Head Heritage - Unsung - Reviews - Deep Purple: Come Taste the Band" 1297:

said that the single "Gettin' Tighter" "shows the group at its best: rockin' up a storm."

16:"Gettin' Tighter" redirects here. For the song by Tom Robinson & the Voice Squad, see 8: 5423: 5331: 4977: 4970: 4703: 4689: 4584: 4482: 4384: 4377: 3406: 2065: 1953: 1232: 911: 379: 279: 3434: 3043: 5346: 5286: 5281: 5276: 5079: 4984: 4668: 4619: 4447: 4009: 813: 520: 2962:"Deep Purple – Come Taste The Band 35th Anniversary Due in October; Details Available" 2500:"WHEN TOMMY BOLIN JOINED DEEP PURPLE "HE WAS A SIGHT TO BEHOLD, THIS EXOTIC CREATURE"" 5455: 5351: 5093: 5072: 4598: 4306: 4095: 4046: 3992: 3936: 3725: 3550: 3450: 3410: 3236: 2439: 2411: 2366: 2151: 2041: 1277: 1258: 1109: 714: 658:

songs, and the guitar riff in the chorus is borrowed from Bolin's previous band, The

643: 545: 479: 343: 84: 3660: 3103: 5443: 5366: 5139: 4991: 4510: 4391: 3789: 1939: 1245: 740: 732:

The album was released on 7 November 1975 by their own alliance-distributed label,

720: 587: 375: 382:, in 1975, with speculations that Deep Purple would break up indefinitely. Singer 5321: 5065: 4770: 4756: 4468: 4336: 4321: 4014: 2162: 2090: 1935: 1918: 1348: 1306: 800: 519:

tried to prevent drug use by hiding the drugs supplied to members and beating up

383: 323: 248: 141: 17: 739:

Deep Purple's fans were mostly teenagers and young adults. In an interview with

5449: 5417: 5412: 5311: 5291: 4928: 4763: 4549: 2647: 2643: 889: 844: 733: 440: 414: 211: 134: 3826: 3812: 5488: 5356: 5326: 5296: 5058: 5051: 4682: 4461: 4293: 3701: 3670: 3665: 3527:

Legends of rock guitar: the essential reference of rock's greatest guitarists

3232: 2805: 2800: 2431: 2391: 2358: 2220: 2178: 2009: 1282: 1188: 1097: 1085: 960: 768: 583: 422: 3762: 3575: 5271: 4341: 4272: 1990: 1293: 938: 888:

After the disbandment, Bolin formed his own band that toured in support of

882: 692: 655: 495: 484: 430: 308: 149: 129: 4028:

Set "Tipo" on "Album". Then, in the "Artista" field, search "Deep Purple".

3956: 2330: 1970:– bass guitar, co-vocals (all but track 1), lead vocals (tracks 3 & 8) 921:. After that, he put his arrangements together with his band, later named 499:

keyboard-driven "This Time Around" on which he plays all the instruments.

5376: 5306: 4949: 4489: 4346: 4331: 4316: 4253: 3606: 2639: 1961: 1943: 1931: 1927: 1344: 1036: 903: 848: 821: 773: 671: 458: 418: 319: 304: 162: 92: 50: 2961: 5361: 5341: 5301: 4279: 2016: 1684: 1197: 933: 922: 917: 659: 426: 371: 339: 37: 4311: 4286: 4265: 3813:"Ritchie Blackmore Interview on Melbourne Radio November 21 1976 mp3" 3579: 2053: 1973: 1352: 1193: 1026: 893: 825: 516: 488: 410: 394: 104: 99: 2956: 2954: 2331:"British album certifications – Deep Purple – Come Taste The Band" 421:. Auditions were held at Robert Simon's Pirate Studio in Hollywood. 5381: 4301: 3545: 2739:

Heino 2004, p. 54–56; Casey 2010, s. 14; Järvinen 2018, p. 278–280.

2127: 2005:

Remastered by Dave Schultz and Bill Inglot at Digiprep, Los Angeles

1977: 1949: 1509: 990: 796: 390: 335: 3763:"Deep Purple Come Taste the Band: 35th Anniversary Edition Review" 3741:"Album Of The Week Club Review: Deep Purple - Come Taste The Band" 3629:"Album Of The Week Club Review: Deep Purple - Come Taste The Band" 3576:"Deep Purple Come Taste the Band: 35th Anniversary Edition Review" 2467:

Heino 2004, p. 13, 21, 38–40; Järvinen 2018, s. 247, 265–266, 270.

4503: 3830: 2951: 1922: 512: 331: 3935:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. 4820:

Knocking at Your Back Door: The Best of Deep Purple in the 80's

4042: 2103: 508: 504: 4222: 3096:"BPI Certified Awards Database: search for Artist Deep Purple" 1957: 691:

has described it as "an eerily gallant ballad with a hint of

363: 45: 346:, with every other album involving at least one of the two. 4059: 1289:, criticized the formulaic songs and their "banal" lyrics. 367: 4094:(in Spanish) (1st ed.). Spain: Fundación Autor-SGAE. 3974: 4613:

King Biscuit Flower Hour Presents: Deep Purple in Concert

4517: 4078:"Norwegiancharts.com – Deep Purple – Come Taste the Band" 3993:"Offiziellecharts.de – Deep Purple – Come Taste the Band" 3723:

Perry, Neil (October 1990). "The Original Purple Power".

1223: 571:, which was heavily influenced by black music. 5175:

Classic Albums: Deep Purple – The Making of Machine Head

2476:

Bloom 2009, p. 211, 219–220; Järvinen 2018, p. 246, 270.

2353: 2351: 4115:"Swedishcharts.com – Deep Purple – Come Taste the Band" 3986: 2796:"Deep Purple: Come Taste The Band : Music Reviews" 662:. Jon Lord's keyboard work is also a significant part. 4108: 4071: 397:(drums) intended to quit the group, but Coverdale and 4718:

Live at Montreux 2006: They All Came Down to Montreux

3529:

p.65. Hal Leonard Corporation. Retrieved 2 March 2012

3019:"Come Taste the Band - Deep Purple - Official Charts" 2485:

Heino 2004, p. 47–52; Järvinen 2018, p. 266, 270–273.

2348: 5431:

Re-Machined: A Tribute to Deep Purple's Machine Head

3981:"Dutchcharts.nl – Deep Purple – Come Taste the Band" 3957:"Danske Hitliter: Come Taste the Band - Deep Purple" 3295: 3293: 322:

on guitar, and the final of three albums to feature

4039:

Oricon Album Chart Book: Complete Edition 1970–2005

3983:(in Dutch). Hung Medien. Retrieved March 25, 2024. 2537: 896:, including the recording of his second solo album 851:and Jon Lord played the guitar parts on his organ. 404: 334:problems. Bolin died of multiple-drug intoxication 1909:Credits are adapted from the album's liner notes. 3602:"Music Review: Deep Purple - Come Taste the Band" 3290: 2493: 2491: 2251: 871:The tour's final concert was on 15 March 1976 in 5486: 4792:When We Rock, We Rock, and When We Roll, We Roll 3356:Järvinen 2018, p. 294–295; Heino 2004, p. 61–62. 3255:Järvinen 2018, p. 288–291; Heino 2004, p. 58–59. 3222: 3220: 3205:Järvinen 2018, p. 287–288: Heino 2004, p. 57–58. 2674:Järvinen 2018, s. 276–278; Heino 2004, p. 54–55. 4181:"Official Rock & Metal Albums Chart Top 40" 4066:"Charts.nz – Deep Purple – Come Taste the Band" 3827:"Deep Purple "Come Taste the Band" Documentary" 3569: 3567: 3347:p.198. Omnibus Press. Retrieved 23 October 2011 3299:Charlesworth (Mark IV June 1975 to April 1976). 2660:: CS1 maint: others in cite AV media (notes) ( 2438:(2nd ed.). Wymer Publishing. p. 194. 2410:(1st ed.). Wymer Publishing. p. 177. 2365:(2nd ed.). Wymer Publishing. p. 187. 2303:Shipments figures based on certification alone. 665: 303:is the tenth studio album by English rock band 4136: 2630: 2628: 2626: 2624: 2609:Bloom 2009, p. 236–237; Järvinen 2018, p. 277. 2488: 1149: 1053: 995: 5168:In Concert with The London Symphony Orchestra 4883:Winning Combinations: Deep Purple and Rainbow 4648:In Concert with The London Symphony Orchestra 4238: 4158: 3217: 1115: 750:In its commercial outlook, sales numbers for 473: 4806:Deepest Purple: The Very Best of Deep Purple 3690: 3688: 3564: 3395: 3226: 866: 4174: 3318: 3316: 3314: 2984: 2876: 2874: 2872: 2719:"Tommy Bolin: the story of a doomed genius" 2694: 2692: 2690: 2688: 2686: 2684: 2682: 2680: 2621: 1552: 747:tour, on the other hand, failed miserably. 4245: 4231: 4120: 3541:"Deep Purple - Come Taste the Band review" 3496:Knocking on Heaven's Door: Rock Obituaries 3069:"Deep Purple Chart History: Billboard 200" 2935: 2933: 727: 36: 4117:. Hung Medien. Retrieved March 25, 2024. 4089: 4080:. Hung Medien. Retrieved March 25, 2024. 4068:. Hung Medien. Retrieved March 25, 2024. 3694: 3685: 3366:Smoke on the Water: The Deep Purple Story 3249: 2793: 1881:"Bolin/Paice Jam" (previously unreleased) 792:album. Bolin sang his solo song himself. 4165:"Official Scottish Albums Chart Top 100" 3311: 3302: 3145: 2906: 2904: 2869: 2860: 2837: 2835: 2833: 2831: 2829: 2827: 2677: 2612: 2596: 2594: 2573: 2528: 767: 439: 3862:"Deep Purple: Exit The Man In Black..." 3599: 3573: 3525:Pete Prown, Harvey P. Newquist (1997). 2942: 2930: 2894: 2892: 2890: 2888: 2886: 2853: 2851: 2849: 2847: 2716: 1999:Final mix by Martin Birch and Ian Paice 704:particularly the 30th-anniversary set. 5487: 5203:History, Hits & Highlights '68–'76 4195: 4193: 3923: 3921: 3455:: CS1 maint: archived copy as title ( 3229:Deep Purple: The Illustrated Biography 2430: 2357: 1877: 1863: 1849: 1679: 818:Deep Purple: The Illustrated Biography 494:Unlike Blackmore, Bolin used a lot of 487:in collaboration with the band, while 4592:In the Absence of Pink: Knebworth '85 4226: 3722: 3538: 3402:The Guinness Who's Who of Heavy Metal 3330: 3328: 2910: 2901: 2824: 2778: 2757:Heino 2004, p. 54; Casey 2010, p. 14. 2603: 2591: 2405: 2325: 2323: 2321: 1891: 1831: 1817: 1803: 1789: 1775: 1761: 1747: 1733: 1719: 1668: 1653: 1642: 1631: 1620: 1609: 1598: 1587: 1576: 1539: 1522: 1497: 1480: 1463: 1418: 1401: 1381: 1364: 1337: 976: 966: 937:was released, with longtime producer 681: 4031: 3927: 3695:Nicholson, Kris (12 February 1976). 3380: 3181: 2883: 2844: 2794:Nicholson, Kris (12 February 1976). 1867:"Same in LA" (previously unreleased) 1244:albums and now relied on melody and 25:1975 studio album by Deep Purple 4862:Smoke on the Water & Other Hits 4785:The Deep Purple Singles A's and B's 4190: 3918: 3697:"Deep Purple - Come Taste the Band" 3509:Deep Purple: 'Surprise Of The Year' 3088: 2913:"Deep Purple - Come Taste the Band" 2002:Cover photography by Peter Williams 1946:(track 1), co-lead vocals (track 4) 1559:Disc One: Original Album Remastered 1151: 1055: 997: 553: 13: 3889: 3859: 3600:Bowling, David (6 December 2011). 3325: 3264: 3061: 3036: 2318: 1117: 613: 318:line-up of Deep Purple, featuring 14: 5531: 4092:Sólo éxitos: año a año, 1959–2002 3368:p. 191. Retrieved 23 October 2011 2970:Brave Words & Bloody Knuckles 2497: 2236: 1300: 538:, Bolin completed his solo album 491:joined Birch to mix the record., 5469: 5468: 5126:Concerto for Group and Orchestra 4536:Concerto for Group and Orchestra 4083: 4041:(in Japanese). Roppongi, Tokyo: 1170: 1165: 1160: 1155: 1150: 1136: 1131: 1126: 1121: 1116: 1074: 1069: 1064: 1059: 1054: 1016: 1011: 1006: 1001: 996: 843:recorded on 15 December 1975 at 590: of the band's early days. 405:Bolin's introduction and changes 5505:Albums produced by Martin Birch 5027:Sometimes I Feel Like Screaming 4827:Smoke on the Water: The Best Of 4662:This Time Around: Live in Tokyo 4252: 4127:"Official Albums Chart Top 100" 4002: 3949: 3933:Australian Chart Book 1970–1992 3880: 3853: 3844: 3819: 3805: 3777: 3755: 3733: 3716: 3653: 3621: 3593: 3532: 3519: 3501: 3488: 3463: 3423: 3389: 3371: 3359: 3350: 3345:Black Knight: Ritchie Blackmore 3337: 3258: 3208: 3199: 3190: 3172: 3163: 3154: 3136: 3127: 3118: 3011: 3002: 2993: 2787: 2769: 2760: 2751: 2742: 2733: 2710: 2701: 2668: 2582: 2564: 2555: 2546: 2519: 2012:at The Cave, Malibu, California 698: 654:"Love Child" is reminiscent of 470:his solo career during breaks. 5251:The Songs That Built Rock Tour 4207:. 17 November 1979. p. 70 3906:. 21 February 1976. p. 12 3743:. loudersound.com. 14 May 2018 3516:. p.41. Retrieved 2 March 2012 2479: 2470: 2461: 2452: 2424: 2399: 2379: 1870:Coverdale, Hughes, Paice, Lord 1704: 1657:"This Time Around / Owed to 'G 1564: 1501:"This Time Around / Owed to 'G 1445: 1319: 629: 593: 466:good choice as his successor. 1: 4855:Days May Come and Days May Go 4676:Inglewood: Live in California 3100:British Phonographic Industry 3044:"Deep Purple Official Charts" 2543:Charlesworth 1983, June 1975. 2335:British Phonographic Industry 2311: 649: 356: 5161:Total Abandon: Australia '99 5140:Deep Purple Rises Over Japan 4848:The Very Best of Deep Purple 4834:30: Very Best of Deep Purple 4641:Total Abandon: Australia '99 4187:. Retrieved March 25, 2024. 4171:. Retrieved March 25, 2024. 4155:. Retrieved March 25, 2024. 4143:"Deep Purple Chart History ( 4133:. Retrieved March 25, 2024. 4090:Salaverri, Fernando (2005). 3999:. Retrieved March 25, 2024. 3498:p.42-43. Omnibus Press, 2006 3227:Charlesworth, Chris (1983). 2911:Twort, Jamie (13 May 2010). 2229: 2214: 2185: 2171: 2156: 2144: 2132: 2120: 2108: 2096: 2082: 2070: 2058: 2046: 1904: 666:This Time Around/Owed to 'G' 605: 444:Tommy Bolin performing with 239:Released: 12 March 1976 (UK) 230:Released: February 1976 (US) 7: 3196:Järvinen 2018, p. 287, 295. 2561:Järvinen 2018, p. 275, 281. 76:3 August – 1 September 1975 10: 5536: 5013:Knocking at Your Back Door 4936:River Deep – Mountain High 4799:The Mark II Purple Singles 4655:Live at the Rotterdam Ahoy 4627:Mk III: The Final Concerts 3886:Järvinen 2018, p. 281–283. 3729:. No. 4. p. 129. 3142:Järvinen 2018, p. 287–288. 3008:Thompson 2013, p. 222–224. 2525:Järvinen 2018, p. 272–273. 2221:UK Rock & Metal Albums 1996:Engineered by Martin Birch 953: 906:. Bolin was 25 years old. 763: 707: 637: 474:Songwriting and production 15: 5464: 5395: 5264: 5241:Deep Purple European Tour 5233: 5117: 5043: 4913: 4748: 4527: 4355: 4260: 3507:Billboard (18 May 1985). 3377:Heino 2004, p. 38, 61–62. 2300: 2285: 2274: 2259: 2248: 2245: 2219: 2204: 2176: 2161: 2149: 2137: 2125: 2113: 2101: 2087: 2075: 2063: 2051: 2039: 2022: 1714: 1711: 1708: 1703: 1571: 1568: 1563: 1458: 1455: 1452: 1449: 1444: 1332: 1329: 1326: 1323: 1318: 984: 981: 941:worked on their records. 867:Disbandment and aftermath 816:writing in his 1983 book 799:, which is used to treat 621: 478:Recordings took place at 292: 255: 247: 221: 210: 206: 169: 161: 140: 128: 112: 91: 80: 72: 61:7 November 1975 57: 44: 35: 30: 5246:Rapture of the Deep tour 5108:Vavoom: Ted the Mechanic 3997:GfK Entertainment Charts 1553:35th Anniversary Edition 873:Liverpool Empire Theatre 534:After the completion of 5387:Black Country Communion 5147:Come Hell or High Water 4897:The Platinum Collection 4634:Live at The Olympia '96 4606:Come Hell or High Water 4441:The House of Blue Light 4185:Official Charts Company 4169:Official Charts Company 4131:Official Charts Company 3048:Official Charts Company 2408:The Road of Golden Dust 1991:Martin "The Wasp" Birch 1923:lead and backing vocals 1371:Jeffrey Cook, Coverdale 728:Marketing and promotion 457:Bolin, who only played 5087:When a Blind Man Cries 4904:BBC Sessions 1968–1970 4876:Listen, Learn, Read On 4564:Deep Purple in Concert 4455:The Battle Rages On... 4406:Who Do We Think We Are 3961:Royal Library, Denmark 3574:Moffitt, Greg (2010). 3494:Nick Talevski (2006). 3386:Thompson 2013, p. 232. 3334:Järvinen 2018, p. 294. 3214:Järvinen 2018, p. 287. 3187:Thompson 2013, p. 225. 3169:Järvinen 2018, p. 280. 3133:Järvinen 2018, p. 293. 2990:Järvinen 2018, p. 283. 2898:Thompson 2013, p. 223. 2857:Thompson 2013, p. 220. 2775:Järvinen 2018, p. 282. 2570:Järvinen 2018, p. 270. 2552:Järvinen 2018, p. 275. 2458:Järvinen 2018, p. 203. 2436:The Deep Purple Family 2363:The Deep Purple Family 783: 777: 602:straightforward rock. 455: 449: 5520:Purple Records albums 5515:Warner Records albums 5372:Hughes Turner Project 5256:The Long Goodbye Tour 5217:Live at Montreux 2011 5196:Around the World Live 5189:Live at Montreux 2006 5182:Live in Concert 72/73 5154:Live at Montreux 1996 5133:Live in California 74 4957:Strange Kind of Woman 4869:The Soundboard Series 4725:Live at Montreux 2011 4697:Live at Montreux 1996 4557:Last Concert in Japan 4364:Shades of Deep Purple 3322:Heino 2004, p. 60–61. 3308:Heino 2004, p. 59–60. 3178:Casey 2010, p. 17–18. 3151:Heino 2004, p. 57–58. 2880:Heino 2004, p. 55–56. 2698:Heino 2004, p. 54–56. 2618:Heino 2004, p. 53–54. 2579:Heino 2004, p. 52–53. 2534:Heino 2004, p. 51–52. 2406:Bloom, Jerry (2015). 2387:"Come Taste the Band" 1683:"You Keep On Moving ( 1515:Hughes / Instrumental 1262:, later published as 840:Last Concert in Japan 779: 771: 745:Come Taste the Band's 599:Come Taste the Band's 528:Come Taste the Band's 451: 443: 4711:Live in Denmark 1972 4371:The Book of Taliesyn 4043:Oricon Entertainment 3343:Bloom, Jerry (2008) 2114:New Zealand Albums ( 1793:"You Keep On Moving" 1699:Disc Two: 2010 Remix 1672:"You Keep On Moving" 1526:"You Keep On Moving" 1239:Kris Nicholson from 972:Professional ratings 236:"You Keep On Moving" 216:Come Taste the Band 5424:Deep Purple Tribute 4704:Live in Montreux 69 4690:Live in Europe 1993 4585:Scandinavian Nights 4483:Rapture of the Deep 4427:Come Taste the Band 4385:Deep Purple in Rock 3437:on 11 December 2017 3407:Guinness Publishing 3405:(Second ed.). 2866:Heino 2004, s. 118. 2656:cite AV media notes 2636:Come Taste the Band 2242: 2040:Australian Albums ( 1700: 1560: 1441: 1315: 1305:All lead vocals by 1251:Deep Purple in Rock 1233:Deep Purple in Rock 1230:s their best since 1213:Come Taste the Band 1183:Come Taste the Band 973: 861:Come Taste the Band 752:Come Taste the Band 580:Come Taste the Band 559:Come Taste the Band 536:Come Taste the Band 515:for some time. The 350:Come Taste the Band 326:on lead vocals and 300:Come Taste the Band 271:Come Taste the Band 185:Come Taste the Band 31:Come Taste the Band 5495:Deep Purple albums 5282:The Flower Pot Men 5101:Soldier of Fortune 4985:Smoke on the Water 4749:Compilation albums 4669:Live in Paris 1975 4620:California Jamming 4448:Slaves and Masters 3673:. 24 November 1976 2972:. 6 September 2010 2948:Casey 2010, p. 17. 2939:Casey 2010, p. 11. 2841:Heino 2004, p. 55. 2784:Heino 2004, p. 48. 2766:Casey 2010, p. 23. 2748:Casey 2010, p. 18. 2600:Heino 2004, p. 57. 2241: 2126:Norwegian Albums ( 2078:Offizielle Top 100 2030:Chart (1975-1976) 1821:"This Time Around" 1698: 1558: 1439: 1313: 971: 967:Critical reception 814:Chris Charlesworth 778: 682:You Keep On Moving 450: 5482: 5481: 5456:Bogus Deep Purple 5352:Paice Ashton Lord 5337:Blackmore's Night 5006:Perfect Strangers 4599:Gemini Suite Live 4434:Perfect Strangers 4307:Ritchie Blackmore 3850:Casey 2010, p. 2. 3793:. 15 January 2009 3551:All Media Network 3539:Henderson, Alex. 3409:. pp. 60/1. 2707:Casey 2010, p. 9. 2445:978-1-908724-42-7 2417:978-1-908724-23-6 2372:978-1-908724-42-7 2309: 2308: 2304: 2234: 2233: 2190: 2189: 2152:Sverigetopplistan 2102:Japanese Albums ( 2042:Kent Music Report 1901: 1900: 1751:"Gettin' Tighter" 1694: 1693: 1602:"Gettin' Tighter" 1549: 1548: 1532:Coverdale, Hughes 1529:Coverdale, Hughes 1435: 1434: 1385:"Gettin' Tighter" 1215:their best since 1179: 1178: 947:Perfect Strangers 835:nervous breakdown 480:Musicland Studios 389:Original members 344:Ritchie Blackmore 296: 295: 288: 287: 227:"Gettin' Tighter" 202: 201: 194:Perfect Strangers 5527: 5510:Funk rock albums 5472: 5471: 5444:Rock Aid Armenia 5438:The Purple Album 5396:Related articles 5367:Yngwie Malmsteen 5020:Call of the Wild 4992:Woman from Tokyo 4841:Shades 1968–1998 4578:Nobody's Perfect 4511:Turning to Crime 4247: 4240: 4233: 4224: 4223: 4217: 4216: 4214: 4212: 4197: 4188: 4178: 4172: 4162: 4156: 4140: 4134: 4124: 4118: 4112: 4106: 4105: 4087: 4081: 4075: 4069: 4063: 4057: 4056: 4035: 4029: 4027: 4025: 4023: 4006: 4000: 3990: 3984: 3978: 3972: 3971: 3969: 3967: 3953: 3947: 3946: 3925: 3916: 3915: 3913: 3911: 3901: 3893: 3887: 3884: 3878: 3877: 3875: 3873: 3857: 3851: 3848: 3842: 3841: 3839: 3837: 3823: 3817: 3816: 3809: 3803: 3802: 3800: 3798: 3790:Blabbermouth.net 3781: 3775: 3774: 3772: 3770: 3759: 3753: 3752: 3750: 3748: 3737: 3731: 3730: 3720: 3714: 3713: 3711: 3709: 3692: 3683: 3682: 3680: 3678: 3657: 3651: 3650: 3648: 3646: 3625: 3619: 3618: 3616: 3614: 3597: 3591: 3590: 3588: 3586: 3571: 3562: 3561: 3559: 3557: 3536: 3530: 3523: 3517: 3505: 3499: 3492: 3486: 3485: 3483: 3481: 3467: 3461: 3460: 3454: 3446: 3444: 3442: 3433:. Archived from 3427: 3421: 3420: 3393: 3387: 3384: 3378: 3375: 3369: 3363: 3357: 3354: 3348: 3341: 3335: 3332: 3323: 3320: 3309: 3306: 3300: 3297: 3288: 3287: 3285: 3283: 3262: 3256: 3253: 3247: 3246: 3224: 3215: 3212: 3206: 3203: 3197: 3194: 3188: 3185: 3179: 3176: 3170: 3167: 3161: 3158: 3152: 3149: 3143: 3140: 3134: 3131: 3125: 3124:Kean 2007, p. 5. 3122: 3116: 3115: 3113: 3111: 3102:. Archived from 3092: 3086: 3085: 3083: 3081: 3065: 3059: 3058: 3056: 3054: 3040: 3034: 3033: 3031: 3029: 3015: 3009: 3006: 3000: 2997: 2991: 2988: 2982: 2981: 2979: 2977: 2958: 2949: 2946: 2940: 2937: 2928: 2927: 2925: 2923: 2908: 2899: 2896: 2881: 2878: 2867: 2864: 2858: 2855: 2842: 2839: 2822: 2821: 2819: 2817: 2808:. Archived from 2791: 2785: 2782: 2776: 2773: 2767: 2764: 2758: 2755: 2749: 2746: 2740: 2737: 2731: 2730: 2728: 2726: 2714: 2708: 2705: 2699: 2696: 2675: 2672: 2666: 2665: 2659: 2651: 2632: 2619: 2616: 2610: 2607: 2601: 2598: 2589: 2588:Kean 2007, p. 4. 2586: 2580: 2577: 2571: 2568: 2562: 2559: 2553: 2550: 2544: 2541: 2535: 2532: 2526: 2523: 2517: 2516: 2514: 2512: 2495: 2486: 2483: 2477: 2474: 2468: 2465: 2459: 2456: 2450: 2449: 2428: 2422: 2421: 2403: 2397: 2396: 2383: 2377: 2376: 2355: 2346: 2345: 2343: 2341: 2327: 2302: 2286:United Kingdom ( 2243: 2240: 2192: 2191: 2150:Swedish Albums ( 2138:Spanish Albums ( 2088:Italian Albums ( 2027: 2026: 1964:, backing vocals 1936:acoustic guitars 1894: 1838: 1706: 1701: 1697: 1687:)" (bonus track) 1660: 1566: 1561: 1557: 1542: 1504: 1487:Bolin, Coverdale 1470:Bolin, Coverdale 1447: 1442: 1438: 1425:Bolin, Coverdale 1411:Coverdale, Bolin 1408:Bolin, Coverdale 1321: 1316: 1312: 1229: 1211:s review called 1210: 1181:In recent years 1175: 1174: 1173: 1169: 1168: 1164: 1163: 1159: 1158: 1154: 1153: 1141: 1140: 1139: 1135: 1134: 1130: 1129: 1125: 1124: 1120: 1119: 1079: 1078: 1077: 1073: 1072: 1068: 1067: 1063: 1062: 1058: 1057: 1021: 1020: 1019: 1015: 1014: 1010: 1009: 1005: 1004: 1000: 999: 974: 970: 859:poor success of 741:Radio Luxembourg 588:progressive rock 554:Music and lyrics 376:Richie Blackmore 257: 256: 240: 237: 231: 228: 171: 170: 124: 123: 119: 68: 66: 40: 28: 27: 5535: 5534: 5530: 5529: 5528: 5526: 5525: 5524: 5485: 5484: 5483: 5478: 5460: 5391: 5322:Ian Gillan Band 5260: 5229: 5113: 5080:Maybe I'm a Leo 5039: 4909: 4890:The Early Years 4771:24 Carat Purple 4764:Mark I & II 4757:Purple Passages 4744: 4523: 4351: 4337:Joe Lynn Turner 4322:David Coverdale 4256: 4251: 4221: 4220: 4210: 4208: 4199: 4198: 4191: 4179: 4175: 4163: 4159: 4141: 4137: 4125: 4121: 4113: 4109: 4102: 4088: 4084: 4076: 4072: 4064: 4060: 4053: 4037: 4036: 4032: 4021: 4019: 4015:Musica e Dischi 4008: 4007: 4003: 3991: 3987: 3979: 3975: 3965: 3963: 3955: 3954: 3950: 3943: 3926: 3919: 3909: 3907: 3899: 3895: 3894: 3890: 3885: 3881: 3871: 3869: 3860:Barton, Geoff. 3858: 3854: 3849: 3845: 3835: 3833: 3825: 3824: 3820: 3811: 3810: 3806: 3796: 3794: 3783: 3782: 3778: 3768: 3766: 3761: 3760: 3756: 3746: 3744: 3739: 3738: 3734: 3721: 3717: 3707: 3705: 3693: 3686: 3676: 3674: 3659: 3658: 3654: 3644: 3642: 3627: 3626: 3622: 3612: 3610: 3598: 3594: 3584: 3582: 3572: 3565: 3555: 3553: 3537: 3533: 3524: 3520: 3506: 3502: 3493: 3489: 3479: 3477: 3471:"SHOOTING STAR" 3469: 3468: 3464: 3448: 3447: 3440: 3438: 3431:"Archived copy" 3429: 3428: 3424: 3417: 3394: 3390: 3385: 3381: 3376: 3372: 3364: 3360: 3355: 3351: 3342: 3338: 3333: 3326: 3321: 3312: 3307: 3303: 3298: 3291: 3281: 3279: 3265:Fraser, Lewry. 3263: 3259: 3254: 3250: 3243: 3225: 3218: 3213: 3209: 3204: 3200: 3195: 3191: 3186: 3182: 3177: 3173: 3168: 3164: 3159: 3155: 3150: 3146: 3141: 3137: 3132: 3128: 3123: 3119: 3109: 3107: 3094: 3093: 3089: 3079: 3077: 3067: 3066: 3062: 3052: 3050: 3042: 3041: 3037: 3027: 3025: 3017: 3016: 3012: 3007: 3003: 2998: 2994: 2989: 2985: 2975: 2973: 2960: 2959: 2952: 2947: 2943: 2938: 2931: 2921: 2919: 2909: 2902: 2897: 2884: 2879: 2870: 2865: 2861: 2856: 2845: 2840: 2825: 2815: 2813: 2792: 2788: 2783: 2779: 2774: 2770: 2765: 2761: 2756: 2752: 2747: 2743: 2738: 2734: 2724: 2722: 2715: 2711: 2706: 2702: 2697: 2678: 2673: 2669: 2653: 2652: 2634: 2633: 2622: 2617: 2613: 2608: 2604: 2599: 2592: 2587: 2583: 2578: 2574: 2569: 2565: 2560: 2556: 2551: 2547: 2542: 2538: 2533: 2529: 2524: 2520: 2510: 2508: 2496: 2489: 2484: 2480: 2475: 2471: 2466: 2462: 2457: 2453: 2446: 2429: 2425: 2418: 2404: 2400: 2385: 2384: 2380: 2373: 2356: 2349: 2339: 2337: 2329: 2328: 2319: 2314: 2253:Certified units 2239: 2206:Scottish Albums 2199: 2091:Musica e Dischi 2076:German Albums ( 2052:Danish Albums ( 2034: 2025: 1993:and Deep Purple 1919:David Coverdale 1907: 1902: 1892: 1836: 1695: 1658: 1555: 1550: 1540: 1502: 1436: 1307:David Coverdale 1303: 1227: 1208: 1171: 1166: 1161: 1156: 1137: 1132: 1127: 1122: 1075: 1070: 1065: 1060: 1017: 1012: 1007: 1002: 969: 956: 869: 766: 730: 710: 701: 684: 668: 652: 640: 632: 624: 616: 614:Gettin' Tighter 608: 596: 556: 476: 407: 384:David Coverdale 359: 324:David Coverdale 283: 274: 265: 249:David Coverdale 243: 238: 235: 234: 229: 226: 225: 197: 188: 179: 157: 121: 117: 116: 64: 62: 53: 26: 21: 18:Getting Tighter 12: 11: 5: 5533: 5523: 5522: 5517: 5512: 5507: 5502: 5497: 5480: 5479: 5477: 5476: 5465: 5462: 5461: 5459: 5458: 5453: 5450:Green Bullfrog 5446: 5441: 5434: 5427: 5420: 5418:Funky Junction 5415: 5413:Purple Records 5410: 5405: 5399: 5397: 5393: 5392: 5390: 5389: 5384: 5379: 5374: 5369: 5364: 5359: 5354: 5349: 5347:Coverdale–Page 5344: 5339: 5334: 5329: 5324: 5319: 5314: 5312:Captain Beyond 5309: 5304: 5299: 5294: 5289: 5284: 5279: 5274: 5268: 5266: 5262: 5261: 5259: 5258: 5253: 5248: 5243: 5237: 5235: 5231: 5230: 5228: 5227: 5224:Live in Verona 5220: 5213: 5210:Phoenix Rising 5206: 5199: 5192: 5185: 5178: 5171: 5164: 5157: 5150: 5143: 5136: 5129: 5121: 5119: 5115: 5114: 5112: 5111: 5104: 5097: 5090: 5083: 5076: 5073:Space Truckin' 5069: 5062: 5055: 5047: 5045: 5041: 5040: 5038: 5037: 5030: 5023: 5016: 5009: 5002: 4995: 4988: 4981: 4974: 4967: 4960: 4953: 4946: 4939: 4932: 4929:Kentucky Woman 4925: 4917: 4915: 4911: 4910: 4908: 4907: 4900: 4893: 4886: 4879: 4872: 4865: 4858: 4851: 4844: 4837: 4830: 4823: 4816: 4809: 4802: 4795: 4788: 4781: 4774: 4767: 4760: 4752: 4750: 4746: 4745: 4743: 4742: 4739:Live in Verona 4735: 4732:Phoenix Rising 4728: 4721: 4714: 4707: 4700: 4693: 4686: 4679: 4672: 4665: 4658: 4651: 4644: 4637: 4630: 4623: 4616: 4609: 4602: 4595: 4588: 4581: 4574: 4571:Live in London 4567: 4560: 4553: 4550:Made in Europe 4546: 4539: 4531: 4529: 4525: 4524: 4522: 4521: 4514: 4507: 4500: 4493: 4486: 4479: 4472: 4465: 4458: 4451: 4444: 4437: 4430: 4423: 4416: 4409: 4402: 4395: 4388: 4381: 4374: 4367: 4359: 4357: 4353: 4352: 4350: 4349: 4344: 4339: 4334: 4329: 4324: 4319: 4314: 4309: 4304: 4298: 4297: 4290: 4283: 4276: 4269: 4261: 4258: 4257: 4250: 4249: 4242: 4235: 4227: 4219: 4218: 4189: 4173: 4157: 4135: 4119: 4107: 4100: 4082: 4070: 4058: 4051: 4030: 4001: 3985: 3973: 3948: 3941: 3917: 3897:"Single Picks" 3888: 3879: 3852: 3843: 3818: 3804: 3776: 3754: 3732: 3715: 3684: 3652: 3620: 3592: 3563: 3531: 3518: 3500: 3487: 3462: 3422: 3415: 3399:, ed. (1995). 3388: 3379: 3370: 3358: 3349: 3336: 3324: 3310: 3301: 3289: 3257: 3248: 3241: 3216: 3207: 3198: 3189: 3180: 3171: 3162: 3153: 3144: 3135: 3126: 3117: 3087: 3060: 3035: 3010: 3001: 2992: 2983: 2966:Bravewords.com 2950: 2941: 2929: 2900: 2882: 2868: 2859: 2843: 2823: 2812:on 5 July 2008 2786: 2777: 2768: 2759: 2750: 2741: 2732: 2709: 2700: 2676: 2667: 2650:1975. PR 2895. 2620: 2611: 2602: 2590: 2581: 2572: 2563: 2554: 2545: 2536: 2527: 2518: 2487: 2478: 2469: 2460: 2451: 2444: 2432:Popoff, Martin 2423: 2416: 2398: 2378: 2371: 2359:Popoff, Martin 2347: 2316: 2315: 2313: 2310: 2307: 2306: 2298: 2297: 2294: 2291: 2283: 2282: 2279: 2276: 2272: 2271: 2268: 2265: 2257: 2256: 2250: 2247: 2238: 2237:Certifications 2235: 2232: 2231: 2228: 2217: 2216: 2213: 2202: 2201: 2196: 2188: 2187: 2184: 2174: 2173: 2170: 2159: 2158: 2155: 2147: 2146: 2143: 2135: 2134: 2131: 2123: 2122: 2119: 2111: 2110: 2107: 2099: 2098: 2095: 2085: 2084: 2081: 2073: 2072: 2069: 2064:Dutch Albums ( 2061: 2060: 2057: 2049: 2048: 2045: 2037: 2036: 2031: 2024: 2021: 2020: 2019: 2013: 2008:2010 remix by 2006: 2003: 2000: 1997: 1994: 1986: 1985: 1981: 1980: 1971: 1965: 1947: 1940:backing vocals 1925: 1915: 1914: 1906: 1903: 1899: 1898: 1895: 1889: 1888: 1885: 1882: 1879: 1875: 1874: 1871: 1868: 1865: 1861: 1860: 1857: 1854: 1851: 1847: 1846: 1843: 1840: 1833: 1829: 1828: 1825: 1822: 1819: 1815: 1814: 1811: 1808: 1805: 1801: 1800: 1797: 1794: 1791: 1787: 1786: 1783: 1780: 1777: 1773: 1772: 1769: 1766: 1763: 1759: 1758: 1755: 1752: 1749: 1745: 1744: 1741: 1738: 1735: 1731: 1730: 1727: 1724: 1721: 1717: 1716: 1713: 1710: 1707: 1696: 1692: 1691: 1688: 1681: 1677: 1676: 1673: 1670: 1666: 1665: 1662: 1655: 1651: 1650: 1647: 1644: 1640: 1639: 1636: 1633: 1629: 1628: 1625: 1622: 1618: 1617: 1614: 1611: 1607: 1606: 1603: 1600: 1596: 1595: 1592: 1589: 1585: 1584: 1581: 1578: 1574: 1573: 1570: 1567: 1556: 1554: 1551: 1547: 1546: 1543: 1537: 1536: 1533: 1530: 1527: 1524: 1520: 1519: 1516: 1513: 1506: 1499: 1495: 1494: 1491: 1488: 1485: 1482: 1478: 1477: 1474: 1471: 1468: 1465: 1461: 1460: 1457: 1454: 1451: 1448: 1437: 1433: 1432: 1429: 1426: 1423: 1420: 1416: 1415: 1412: 1409: 1406: 1403: 1399: 1398: 1395: 1392: 1386: 1383: 1379: 1378: 1375: 1372: 1369: 1366: 1362: 1361: 1358: 1355: 1342: 1339: 1335: 1334: 1331: 1328: 1325: 1322: 1311: 1309:unless noted. 1302: 1301:Track listings 1299: 1177: 1176: 1147: 1143: 1142: 1113: 1105: 1104: 1101: 1093: 1092: 1089: 1081: 1080: 1051: 1043: 1042: 1039: 1033: 1032: 1029: 1023: 1022: 993: 987: 986: 983: 979: 978: 968: 965: 955: 952: 890:Peter Frampton 868: 865: 845:Nippon Budokan 765: 762: 734:Purple Records 729: 726: 709: 706: 700: 697: 683: 680: 667: 664: 651: 648: 639: 636: 631: 628: 623: 620: 615: 612: 607: 604: 595: 592: 573:Stormbringer's 555: 552: 475: 472: 415:Rory Gallagher 406: 403: 358: 355: 342:nor guitarist 294: 293: 290: 289: 286: 285: 276: 267: 253: 252: 245: 244: 242: 241: 232: 222: 219: 218: 208: 207: 204: 203: 200: 199: 190: 181: 167: 166: 159: 158: 156: 155: 152: 146: 144: 138: 137: 132: 126: 125: 114: 110: 109: 108: 107: 102: 95: 89: 88: 82: 78: 77: 74: 70: 69: 59: 55: 54: 49: 42: 41: 33: 32: 24: 9: 6: 4: 3: 2: 5532: 5521: 5518: 5516: 5513: 5511: 5508: 5506: 5503: 5501: 5498: 5496: 5493: 5492: 5490: 5475: 5467: 5466: 5463: 5457: 5454: 5452: 5451: 5447: 5445: 5442: 5440: 5439: 5435: 5433: 5432: 5428: 5426: 5425: 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5401: 5400: 5398: 5394: 5388: 5385: 5383: 5380: 5378: 5375: 5373: 5370: 5368: 5365: 5363: 5360: 5358: 5357:Black Sabbath 5355: 5353: 5350: 5348: 5345: 5343: 5340: 5338: 5335: 5333: 5330: 5328: 5325: 5323: 5320: 5318: 5315: 5313: 5310: 5308: 5305: 5303: 5300: 5298: 5295: 5293: 5290: 5288: 5285: 5283: 5280: 5278: 5275: 5273: 5270: 5269: 5267: 5265:Related bands 5263: 5257: 5254: 5252: 5249: 5247: 5244: 5242: 5239: 5238: 5236: 5234:Concert tours 5232: 5226: 5225: 5221: 5219: 5218: 5214: 5212: 5211: 5207: 5205: 5204: 5200: 5198: 5197: 5193: 5191: 5190: 5186: 5184: 5183: 5179: 5177: 5176: 5172: 5170: 5169: 5165: 5163: 5162: 5158: 5156: 5155: 5151: 5149: 5148: 5144: 5142: 5141: 5137: 5135: 5134: 5130: 5128: 5127: 5123: 5122: 5120: 5116: 5109: 5105: 5102: 5098: 5095: 5091: 5088: 5084: 5081: 5077: 5074: 5070: 5067: 5063: 5060: 5059:Child in Time 5056: 5053: 5052:Mandrake Root 5049: 5048: 5046: 5042: 5035: 5034:Vincent Price 5031: 5028: 5024: 5021: 5017: 5014: 5010: 5007: 5003: 5000: 4996: 4993: 4989: 4986: 4982: 4979: 4975: 4972: 4968: 4965: 4961: 4958: 4954: 4951: 4947: 4944: 4940: 4937: 4933: 4930: 4926: 4923: 4919: 4918: 4916: 4912: 4906: 4905: 4901: 4899: 4898: 4894: 4892: 4891: 4887: 4885: 4884: 4880: 4878: 4877: 4873: 4871: 4870: 4866: 4864: 4863: 4859: 4857: 4856: 4852: 4850: 4849: 4845: 4843: 4842: 4838: 4836: 4835: 4831: 4829: 4828: 4824: 4822: 4821: 4817: 4815: 4814: 4813:The Anthology 4810: 4808: 4807: 4803: 4801: 4800: 4796: 4794: 4793: 4789: 4787: 4786: 4782: 4780: 4779: 4775: 4773: 4772: 4768: 4766: 4765: 4761: 4759: 4758: 4754: 4753: 4751: 4747: 4741: 4740: 4736: 4734: 4733: 4729: 4727: 4726: 4722: 4720: 4719: 4715: 4713: 4712: 4708: 4706: 4705: 4701: 4699: 4698: 4694: 4692: 4691: 4687: 4685: 4684: 4683:Perks and Tit 4680: 4678: 4677: 4673: 4671: 4670: 4666: 4664: 4663: 4659: 4657: 4656: 4652: 4650: 4649: 4645: 4643: 4642: 4638: 4636: 4635: 4631: 4629: 4628: 4624: 4622: 4621: 4617: 4615: 4614: 4610: 4608: 4607: 4603: 4601: 4600: 4596: 4594: 4593: 4589: 4587: 4586: 4582: 4580: 4579: 4575: 4573: 4572: 4568: 4566: 4565: 4561: 4559: 4558: 4554: 4552: 4551: 4547: 4545: 4544: 4543:Made in Japan 4540: 4538: 4537: 4533: 4532: 4530: 4526: 4520: 4519: 4515: 4513: 4512: 4508: 4506: 4505: 4501: 4499: 4498: 4494: 4492: 4491: 4487: 4485: 4484: 4480: 4478: 4477: 4473: 4471: 4470: 4466: 4464: 4463: 4462:Purpendicular 4459: 4457: 4456: 4452: 4450: 4449: 4445: 4443: 4442: 4438: 4436: 4435: 4431: 4429: 4428: 4424: 4422: 4421: 4417: 4415: 4414: 4410: 4408: 4407: 4403: 4401: 4400: 4396: 4394: 4393: 4389: 4387: 4386: 4382: 4380: 4379: 4375: 4373: 4372: 4368: 4366: 4365: 4361: 4360: 4358: 4356:Studio albums 4354: 4348: 4345: 4343: 4340: 4338: 4335: 4333: 4330: 4328: 4325: 4323: 4320: 4318: 4315: 4313: 4310: 4308: 4305: 4303: 4300: 4299: 4296: 4295: 4294:Simon McBride 4291: 4289: 4288: 4284: 4282: 4281: 4277: 4275: 4274: 4270: 4268: 4267: 4263: 4262: 4259: 4255: 4248: 4243: 4241: 4236: 4234: 4229: 4228: 4225: 4206: 4202: 4196: 4194: 4186: 4182: 4177: 4170: 4166: 4161: 4154: 4153: 4148: 4146: 4139: 4132: 4128: 4123: 4116: 4111: 4103: 4101:84-8048-639-2 4097: 4093: 4086: 4079: 4074: 4067: 4062: 4054: 4052:4-87131-077-9 4048: 4044: 4040: 4034: 4017: 4016: 4011: 4010:"Classifiche" 4005: 3998: 3995:(in German). 3994: 3989: 3982: 3977: 3962: 3959:(in Danish). 3958: 3952: 3944: 3942:0-646-11917-6 3938: 3934: 3930: 3924: 3922: 3905: 3898: 3892: 3883: 3868: 3867: 3863: 3856: 3847: 3832: 3828: 3822: 3814: 3808: 3792: 3791: 3786: 3780: 3764: 3758: 3742: 3736: 3728: 3727: 3719: 3704: 3703: 3702:Rolling Stone 3698: 3691: 3689: 3672: 3671:Head Heritage 3668: 3667: 3666:Head Heritage 3662: 3656: 3641:. 14 May 2018 3640: 3636: 3635: 3630: 3624: 3609: 3608: 3603: 3596: 3581: 3577: 3570: 3568: 3552: 3548: 3547: 3542: 3535: 3528: 3522: 3515: 3514: 3510: 3504: 3497: 3491: 3476: 3475:Angelfire.com 3472: 3466: 3458: 3452: 3436: 3432: 3426: 3418: 3416:0-85112-656-1 3412: 3408: 3404: 3403: 3398: 3392: 3383: 3374: 3367: 3362: 3353: 3346: 3340: 3331: 3329: 3319: 3317: 3315: 3305: 3296: 3294: 3278: 3274: 3273: 3268: 3261: 3252: 3244: 3242:9780711901742 3238: 3234: 3233:Omnibus Press 3230: 3223: 3221: 3211: 3202: 3193: 3184: 3175: 3166: 3157: 3148: 3139: 3130: 3121: 3106:on 1 May 2013 3105: 3101: 3097: 3091: 3076: 3075: 3070: 3064: 3049: 3045: 3039: 3024: 3020: 3014: 3005: 2996: 2987: 2971: 2967: 2963: 2957: 2955: 2945: 2936: 2934: 2918: 2914: 2907: 2905: 2895: 2893: 2891: 2889: 2887: 2877: 2875: 2873: 2863: 2854: 2852: 2850: 2848: 2838: 2836: 2834: 2832: 2830: 2828: 2811: 2807: 2806:Rolling Stone 2803: 2802: 2801:Rolling Stone 2797: 2790: 2781: 2772: 2763: 2754: 2745: 2736: 2720: 2717:Preto, Greg. 2713: 2704: 2695: 2693: 2691: 2689: 2687: 2685: 2683: 2681: 2671: 2663: 2657: 2649: 2645: 2641: 2637: 2631: 2629: 2627: 2625: 2615: 2606: 2597: 2595: 2585: 2576: 2567: 2558: 2549: 2540: 2531: 2522: 2507: 2506: 2501: 2498:Prato, Greg. 2494: 2492: 2482: 2473: 2464: 2455: 2447: 2441: 2437: 2433: 2427: 2419: 2413: 2409: 2402: 2394: 2393: 2392:Rolling Stone 2388: 2382: 2374: 2368: 2364: 2360: 2354: 2352: 2336: 2332: 2326: 2324: 2322: 2317: 2305: 2299: 2295: 2292: 2289: 2284: 2280: 2277: 2273: 2269: 2266: 2263: 2258: 2254: 2249:Certification 2244: 2226: 2222: 2218: 2211: 2207: 2203: 2197: 2195:Chart (2010) 2194: 2193: 2183: 2181: 2175: 2168: 2164: 2160: 2153: 2148: 2141: 2136: 2129: 2124: 2117: 2112: 2105: 2100: 2093: 2092: 2086: 2079: 2074: 2067: 2066:Album Top 100 2062: 2055: 2050: 2043: 2038: 2032: 2029: 2028: 2018: 2014: 2011: 2010:Kevin Shirley 2007: 2004: 2001: 1998: 1995: 1992: 1988: 1987: 1983: 1982: 1979: 1975: 1972: 1969: 1966: 1963: 1959: 1955: 1951: 1948: 1945: 1941: 1937: 1933: 1929: 1926: 1924: 1920: 1917: 1916: 1912: 1911: 1910: 1896: 1893:Total length: 1890: 1886: 1883: 1880: 1876: 1872: 1869: 1866: 1862: 1858: 1855: 1852: 1848: 1844: 1841: 1834: 1830: 1826: 1823: 1820: 1816: 1812: 1809: 1806: 1802: 1798: 1795: 1792: 1788: 1784: 1781: 1779:"I Need Love" 1778: 1774: 1770: 1767: 1764: 1760: 1756: 1753: 1750: 1746: 1742: 1739: 1736: 1732: 1728: 1725: 1723:"Comin' Home" 1722: 1718: 1702: 1689: 1686: 1682: 1678: 1674: 1671: 1667: 1663: 1656: 1652: 1648: 1645: 1641: 1637: 1634: 1630: 1626: 1624:"I Need Love" 1623: 1619: 1615: 1612: 1608: 1604: 1601: 1597: 1593: 1590: 1586: 1582: 1580:"Comin' Home" 1579: 1575: 1562: 1544: 1541:Total length: 1538: 1534: 1531: 1528: 1525: 1521: 1517: 1514: 1511: 1507: 1500: 1496: 1492: 1489: 1486: 1483: 1479: 1475: 1472: 1469: 1466: 1462: 1443: 1430: 1427: 1424: 1422:"I Need Love" 1421: 1417: 1413: 1410: 1407: 1404: 1400: 1396: 1393: 1391: 1387: 1384: 1380: 1376: 1373: 1370: 1367: 1363: 1359: 1356: 1354: 1350: 1346: 1343: 1341:"Comin' Home" 1340: 1336: 1317: 1310: 1308: 1298: 1296: 1295: 1290: 1288: 1284: 1283:concept album 1281:gave it as a 1280: 1279: 1274: 1270: 1267: 1266: 1261: 1260: 1256:UK magazine, 1254: 1252: 1247: 1242: 1241:Rolling Stone 1237: 1235: 1234: 1226: 1225: 1220: 1219: 1214: 1207: 1201: 1199: 1195: 1191: 1190: 1189:Rolling Stone 1184: 1148: 1145: 1144: 1114: 1112: 1111: 1107: 1106: 1102: 1100: 1099: 1098:Rolling Stone 1095: 1094: 1090: 1088: 1087: 1086:Head Heritage 1083: 1082: 1052: 1050: 1049: 1045: 1044: 1040: 1038: 1035: 1034: 1030: 1028: 1025: 1024: 994: 992: 989: 988: 980: 977:Review scores 975: 964: 962: 961:Kevin Shirley 951: 949: 948: 942: 940: 936: 935: 930: 929: 924: 920: 919: 914: 913: 907: 905: 901: 900: 895: 891: 886: 884: 880: 876: 874: 864: 862: 856: 852: 850: 846: 842: 841: 836: 830: 827: 823: 819: 815: 809: 805: 802: 798: 793: 791: 790: 782: 775: 770: 761: 758: 753: 748: 746: 742: 737: 735: 725: 723: 722: 717: 716: 705: 696: 694: 690: 689:Dave Thompson 679: 677: 673: 663: 661: 657: 647: 645: 635: 627: 619: 611: 603: 600: 591: 589: 585: 584:Rolling Stone 581: 576: 574: 570: 569: 564: 563:Mika Järvinen 560: 551: 549: 548: 543: 542: 537: 532: 529: 524: 522: 518: 514: 510: 506: 500: 497: 496:effect pedals 492: 490: 486: 481: 471: 467: 463: 460: 454: 447: 442: 438: 436: 432: 428: 424: 423:Clem Clempson 420: 416: 412: 402: 400: 396: 393:(organs) and 392: 387: 385: 381: 377: 373: 369: 365: 354: 351: 347: 345: 341: 337: 333: 329: 325: 321: 317: 312: 310: 306: 302: 301: 291: 282: 281: 277: 273: 272: 268: 264: 263: 259: 258: 254: 250: 246: 233: 224: 223: 220: 217: 213: 209: 205: 196: 195: 191: 187: 186: 182: 178: 177: 173: 172: 168: 164: 160: 153: 151: 148: 147: 145: 143: 139: 136: 133: 131: 127: 115: 111: 106: 103: 101: 98: 97: 96: 94: 90: 86: 83: 79: 75: 71: 60: 56: 52: 47: 43: 39: 34: 29: 23: 19: 5448: 5436: 5429: 5422: 5272:The Artwoods 5222: 5215: 5208: 5201: 5194: 5187: 5180: 5173: 5166: 5159: 5152: 5145: 5138: 5131: 5124: 5118:Video albums 4978:Highway Star 4971:Never Before 4902: 4895: 4888: 4881: 4874: 4867: 4860: 4853: 4846: 4839: 4832: 4825: 4818: 4811: 4804: 4797: 4790: 4783: 4776: 4769: 4762: 4755: 4737: 4730: 4723: 4716: 4709: 4702: 4695: 4688: 4681: 4674: 4667: 4660: 4653: 4646: 4639: 4632: 4625: 4618: 4611: 4604: 4597: 4590: 4583: 4576: 4569: 4562: 4555: 4548: 4541: 4534: 4516: 4509: 4502: 4495: 4488: 4481: 4474: 4467: 4460: 4453: 4446: 4439: 4432: 4426: 4425: 4420:Stormbringer 4418: 4411: 4404: 4399:Machine Head 4397: 4390: 4383: 4376: 4369: 4362: 4342:Joe Satriani 4327:Glenn Hughes 4292: 4285: 4278: 4273:Roger Glover 4271: 4264: 4209:. Retrieved 4204: 4201:"Czech Gold" 4176: 4160: 4151: 4144: 4138: 4122: 4110: 4091: 4085: 4073: 4061: 4038: 4033: 4020:. Retrieved 4018:(in Italian) 4013: 4004: 3988: 3976: 3964:. Retrieved 3951: 3932: 3908:. Retrieved 3904:Record World 3903: 3891: 3882: 3870:. Retrieved 3866:Classic Rock 3864: 3855: 3846: 3834:. Retrieved 3821: 3807: 3795:. Retrieved 3788: 3779: 3767:. Retrieved 3757: 3745:. Retrieved 3735: 3724: 3718: 3706:. Retrieved 3700: 3675:. Retrieved 3664: 3655: 3643:. Retrieved 3639:Classic Rock 3634:Classic Rock 3632: 3623: 3611:. Retrieved 3605: 3595: 3583:. Retrieved 3554:. Retrieved 3544: 3534: 3521: 3511: 3503: 3490: 3478:. Retrieved 3474: 3465: 3439:. Retrieved 3435:the original 3425: 3400: 3397:Colin Larkin 3391: 3382: 3373: 3361: 3352: 3339: 3304: 3280:. Retrieved 3277:Classic Rock 3272:Classic Rock 3270: 3260: 3251: 3228: 3210: 3201: 3192: 3183: 3174: 3165: 3156: 3147: 3138: 3129: 3120: 3108:. Retrieved 3104:the original 3090: 3078:. Retrieved 3072: 3063: 3051:. Retrieved 3038: 3026:. Retrieved 3013: 3004: 2995: 2986: 2974:. Retrieved 2965: 2944: 2920:. Retrieved 2917:Sputnikmusic 2916: 2862: 2814:. Retrieved 2810:the original 2799: 2789: 2780: 2771: 2762: 2753: 2744: 2735: 2723:. Retrieved 2712: 2703: 2670: 2648:Warner Bros. 2635: 2614: 2605: 2584: 2575: 2566: 2557: 2548: 2539: 2530: 2521: 2509:. Retrieved 2503: 2481: 2472: 2463: 2454: 2435: 2426: 2407: 2401: 2390: 2381: 2362: 2338:. Retrieved 2301: 2179: 2089: 2015:Mastered by 1989:Produced by 1968:Glenn Hughes 1908: 1884:Bolin, Paice 1807:"Love Child" 1646:"Love Child" 1484:"Love Child" 1304: 1294:Record World 1292: 1291: 1286: 1276: 1275: 1271: 1265:Classic Rock 1263: 1257: 1255: 1250: 1240: 1238: 1231: 1222: 1218:Machine Head 1216: 1212: 1205: 1202: 1187: 1182: 1180: 1146:Sputnikmusic 1108: 1103:(favourable) 1096: 1091:(favourable) 1084: 1048:Classic Rock 1046: 957: 945: 943: 939:Martin Birch 932: 926: 916: 910: 908: 904:barbiturates 899:Private Eyes 897: 887: 883:Roger Glover 881: 877: 870: 860: 857: 853: 838: 831: 822:machine guns 817: 810: 806: 794: 788: 784: 780: 751: 749: 744: 738: 731: 719: 713: 711: 702: 699:Same in L.A. 685: 669: 656:Led Zeppelin 653: 641: 633: 625: 617: 609: 598: 597: 579: 577: 572: 568:Stormbringer 567: 558: 557: 546: 540: 535: 533: 527: 525: 521:drug dealers 501: 493: 485:Martin Birch 477: 468: 464: 456: 452: 445: 431:Billy Cobham 408: 399:Glenn Hughes 388: 374:. Guitarist 360: 349: 348: 328:Glenn Hughes 313: 309:Martin Birch 299: 298: 297: 278: 270: 269: 262:Stormbringer 260: 215: 192: 184: 183: 176:Stormbringer 174: 150:Martin Birch 46:Studio album 22: 5500:1975 albums 5403:Discography 5377:Living Loud 5307:Dixie Dregs 5287:Episode Six 5277:The Outlaws 5044:Other songs 4950:Black Night 4528:Live albums 4378:Deep Purple 4347:Steve Morse 4332:Tommy Bolin 4317:Nick Simper 4254:Deep Purple 3929:Kent, David 3797:22 February 3708:21 February 3613:21 February 3607:Blogcritics 3585:21 February 3556:21 February 3480:12 November 3441:18 February 3110:21 February 2976:10 February 2922:21 February 2725:17 November 2640:Deep Purple 2638:(booklet). 2260:Australia ( 1962:synthesizer 1944:bass guitar 1928:Tommy Bolin 1913:Deep Purple 1835:"Owed to 'G 1737:"Lady Luck" 1685:Single edit 1591:"Lady Luck" 1456:Lead Vocals 1368:"Lady Luck" 1330:Lead Vocals 1287:Street Life 1037:Blogcritics 912:White Snake 849:open tuning 774:Tommy Bolin 672:Black Night 630:I Need Love 594:Comin' Home 459:fusion jazz 446:Deep Purple 419:Tommy Bolin 320:Tommy Bolin 305:Deep Purple 280:White Snake 163:Deep Purple 154:Deep Purple 51:Deep Purple 5489:Categories 5362:Gary Moore 5342:Whitesnake 5302:James Gang 5094:Mistreated 4943:Hallelujah 4778:Powerhouse 4490:Now What?! 4280:Ian Gillan 3836:20 October 3080:5 February 3053:5 February 2505:Bravewords 2312:References 2017:Bob Ludwig 1984:Production 1198:Ian Gillan 934:Lovehunter 923:Whitesnake 918:Northwinds 826:Dobermanns 801:withdrawal 776:, Jon Lord 660:James Gang 650:Love Child 644:Mistreated 507:and other 427:Humble Pie 357:Background 340:Ian Gillan 251:chronology 165:chronology 65:1975-11-07 4312:Rod Evans 4287:Don Airey 4266:Ian Paice 4205:Billboard 4152:Billboard 4145:Billboard 3872:5 January 3769:16 August 3747:16 August 3677:6 January 3645:6 January 3580:BBC Music 3513:Billboard 3282:6 January 3074:Billboard 3028:5 January 2816:5 January 2511:5 January 2200:position 2180:Billboard 2163:UK Albums 2054:Hitlisten 2035:position 1974:Ian Paice 1954:keyboards 1905:Personnel 1853:"Drifter" 1712:Writer(s) 1635:"Drifter" 1467:"Drifter" 1453:Writer(s) 1349:Coverdale 1327:Writer(s) 1194:BBC Music 1041:(average) 1027:BBC Music 894:Jeff Beck 606:Lady Luck 547:Sarabande 517:road crew 489:Ian Paice 411:Jeff Beck 395:Ian Paice 105:funk rock 100:Hard rock 85:Musicland 5474:Category 5382:WhoCares 5317:Warhorse 5066:The Mule 4964:Fireball 4497:Infinite 4392:Fireball 4302:Jon Lord 4211:16 March 4045:. 2006. 4022:25 March 3966:25 March 3931:(1993). 3546:AllMusic 3451:cite web 2721:. Louder 2434:(2016). 2361:(2016). 2340:16 March 2128:VG-lista 1950:Jon Lord 1765:"Dealer" 1613:"Dealer" 1508:Hughes, 1440:Side two 1405:"Dealer" 1314:Side one 1246:dynamics 991:AllMusic 797:diazepam 721:Fireball 448:in 1975. 435:Spectrum 391:Jon Lord 336:overdose 142:Producer 87:(Munich) 73:Recorded 58:Released 48: by 5408:Members 5332:Rainbow 5292:Trapeze 4914:Singles 4504:Whoosh! 4476:Bananas 4469:Abandon 3910:8 March 3831:YouTube 2296:60,000 2293:Silver 2281:50,000 2270:20,000 2255:/sales 2246:Region 1512:/ Bolin 1388:Bolin, 1206:Fanfare 1031:(mixed) 954:Reissue 928:Trouble 764:Touring 715:Cabaret 708:Artwork 674:" and " 638:Drifter 513:cocaine 509:opioids 380:Rainbow 332:cocaine 316:Mark IV 284:(1977) 275:(1975) 266:(1974) 212:Singles 198:(1984) 189:(1975) 180:(1974) 63: ( 5327:Gillan 5297:Zephyr 4098: 4049: 3939: 3726:Select 3413: 3239: 2644:Purple 2442: 2414: 2369: 2275:Czech 2104:Oricon 2023:Charts 1934:& 1856: 1842: 1824: 1810: 1796: 1782: 1768: 1754: 1740: 1726: 1715:Length 1572:Length 1490: 1473: 1459:Length 1428: 1394:Hughes 1390:Hughes 1374: 1357: 1333:Length 1278:Circus 1259:Sounds 1110:Select 985:Rating 982:Source 789:Teaser 622:Dealer 541:Teaser 505:heroin 417:, and 370:, and 135:Purple 113:Length 81:Studio 4147:200)" 3900:(PDF) 3765:. BBC 2278:Gold 2267:Gold 2140:AFYVE 1978:drums 1958:piano 1897:90:30 1837:' 1709:Title 1659:' 1569:Title 1545:37:16 1503:' 1450:Title 1353:Paice 1345:Bolin 1324:Title 1228:' 1209:' 693:Queen 425:from 364:blues 214:from 130:Label 93:Genre 4999:Burn 4922:Hush 4413:Burn 4213:2020 4096:ISBN 4047:ISBN 4024:2024 3968:2024 3937:ISBN 3912:2023 3874:2024 3838:2014 3799:2017 3771:2018 3749:2018 3710:2017 3679:2024 3647:2024 3615:2017 3587:2017 3558:2017 3482:2019 3457:link 3443:2013 3411:ISBN 3284:2024 3237:ISBN 3112:2017 3082:2017 3055:2017 3030:2024 2978:2012 2924:2017 2818:2024 2727:2020 2662:link 2513:2024 2440:ISBN 2412:ISBN 2367:ISBN 2342:2020 2262:ARIA 2198:Peak 2116:RMNZ 2033:Peak 1932:lead 1887:5:47 1873:3:19 1859:3:59 1845:2:56 1827:3:24 1813:3:05 1799:5:18 1785:5:16 1771:3:55 1757:4:23 1743:2:46 1729:4:08 1690:4:32 1675:5:22 1664:6:13 1649:3:07 1638:4:05 1627:4:24 1616:3:53 1605:3:36 1594:2:48 1583:3:54 1535:5:19 1518:6:10 1510:Lord 1493:3:08 1476:4:02 1431:4:23 1414:3:50 1397:3:37 1377:2:48 1360:3:55 1221:and 1192:and 931:and 915:and 892:and 824:and 676:Burn 372:soul 368:funk 3023:OCC 2288:BPI 2225:OCC 2215:89 2210:OCC 2186:43 2182:200 2177:US 2172:19 2167:OCC 2157:16 2145:17 2109:14 2083:29 2071:12 2059:18 2047:11 1878:12. 1864:11. 1850:10. 1705:No. 1680:10. 1565:No. 1446:No. 1320:No. 1224:NME 757:BPI 695:." 646:". 433:'s 5491:: 4518:=1 4203:. 4192:^ 4183:. 4167:. 4149:. 4129:. 4012:. 3920:^ 3902:. 3829:. 3787:. 3699:. 3687:^ 3669:. 3663:. 3637:. 3631:. 3604:. 3578:. 3566:^ 3549:. 3543:. 3473:. 3453:}} 3449:{{ 3327:^ 3313:^ 3292:^ 3275:. 3269:. 3235:. 3231:. 3219:^ 3098:. 3071:. 3046:. 3021:. 2968:. 2964:. 2953:^ 2932:^ 2915:. 2903:^ 2885:^ 2871:^ 2846:^ 2826:^ 2804:. 2798:. 2679:^ 2658:}} 2654:{{ 2646:, 2642:. 2623:^ 2593:^ 2502:. 2490:^ 2389:. 2350:^ 2333:. 2320:^ 2290:) 2264:) 2230:8 2227:) 2212:) 2169:) 2154:) 2142:) 2133:6 2130:) 2121:6 2118:) 2106:) 2097:7 2094:) 2080:) 2068:) 2056:) 2044:) 1976:– 1960:, 1956:, 1952:– 1942:; 1938:, 1930:– 1921:– 1832:9. 1818:8. 1804:7. 1790:6. 1776:5. 1762:4. 1748:3. 1734:2. 1720:1. 1669:9. 1654:8. 1643:7. 1632:6. 1621:5. 1610:4. 1599:3. 1588:2. 1577:1. 1523:9. 1498:8. 1481:7. 1464:6. 1419:5. 1402:4. 1382:3. 1365:2. 1351:, 1347:, 1338:1. 1253:. 1236:. 1196:. 950:. 550:. 413:, 366:, 122:16 118:37 5110:" 5106:" 5103:" 5099:" 5096:" 5092:" 5089:" 5085:" 5082:" 5078:" 5075:" 5071:" 5068:" 5064:" 5061:" 5057:" 5054:" 5050:" 5036:" 5032:" 5029:" 5025:" 5022:" 5018:" 5015:" 5011:" 5008:" 5004:" 5001:" 4997:" 4994:" 4990:" 4987:" 4983:" 4980:" 4976:" 4973:" 4969:" 4966:" 4962:" 4959:" 4955:" 4952:" 4948:" 4945:" 4941:" 4938:" 4934:" 4931:" 4927:" 4924:" 4920:" 4246:e 4239:t 4232:v 4215:. 4104:. 4055:. 4026:. 3970:. 3945:. 3914:. 3876:. 3840:. 3815:. 3801:. 3773:. 3751:. 3712:. 3681:. 3649:. 3617:. 3589:. 3560:. 3484:. 3459:) 3445:. 3419:. 3286:. 3245:. 3114:. 3084:. 3057:. 3032:. 2980:. 2926:. 2820:. 2729:. 2664:) 2515:. 2448:. 2420:. 2395:. 2375:. 2344:. 2223:( 2208:( 2165:( 1839:" 1661:" 1505:" 120:: 67:) 20:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

Come Taste the Band

Index