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Dean wrote that "All the discussions deal with the social, political, and philosophical backgrounds that either inhabit or inhibit the literature." Mather wrote that the book has "expected chapters on the development of prose and poetry, history, drama and fiction, with an analysis of distinctive genres within each of these categories" but that it "devotes considerable additional space to less expected subjects". Topics include relationship between art and literature, classics, classical
49:
The book has 1,342 pages, comprising 55 chapters written by 45 contributors. Because this book is a history of literature and not an anthology, the only actual portions of
Chinese literature in the work are occasional short quotations. Prominent specialists in their fields are the authors of most of
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stated that the book is "a monumental contribution to the field of
Chinese literary studies", and that the "thoroughness and general soundness of its treatment of all periods and genres will doubtless remain the most comprehensive single source for students of Chinese literature of all periods for
88:
There are seven main sections, within which chapters are in chronological order: Foundations; Poetry; Prose; Fiction; Drama; Commentary, Criticism, and
Interpretation; and Popular and Peripheral Manifestations. The time ranges of these chapters stretch from the first millennium B.C. to the present.
113:
Fuehrer stated that "nobody with a serious interest in
Chinese literature can possibly disregard this comprehensive and most inspiring volume." He argued that what he would have wanted to see was "more detailed pointers to reference and source material" and he also argued that the lack of "focused
40:
in 2002. The topics include all genres and periods of poetry, prose, fiction, and drama but also areas not traditionally thought of as literature, such as wit and humour, proverbs and rhetoric, historical and philosophical writings, classical exegesis, literary theory and criticism, traditional
114:
and detailed" endnotes and/or footnotes are not made up by the presence of the further reading suggestions, and that "the lack of source references makes it difficult to trace a particular author's views and to contextualise them in the wider framework of
Sinological scholarship."
71:
There is also an index and a list of books that are suggested further reading. The suggested further reading list includes specialized and technical studies in
European and Asian languages. There is also an associated online bibliography that is a companion to the book.
79:
wrote that compared to previous histories of
Chinese literature, this book included "a yet greater number of essays on cultural issues" as well as an exploration of gender in literature, "While still basically privileging literary genres in its organization".
109:
wrote that even though the book's main text has a lack of
Chinese characters and that "everything is translated" it is "difficult reading" because of the "many transliterated titles, authors' names, and dates". However, she "ighly recommended" the book.
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fiction commentary, as well as popular culture, the impact of religion upon literature, the role of women, and the relationship with non-Chinese languages and ethnic minorities. There are also chapters on
Chinese literature in Korea, Japan, and Vietnam.
304:
Vitello, Giovanni (2013-01-01). "The
Cambridge History of Chinese Literature. Two volumes. The Cambridge History of Chinese Literature, Volume I: To 1375. The Cambridge History of Chinese Literature, Volume II: From 1375".
93:, folk tales, humor and wit, literary criticism, literature by ethnic minorities, literature by women, myths, religious texts, supernatural elements, and reception of Chinese literature in Japan, Korea, and Vietnam.
375:, 11/2001, p. 70. "Chinese titles include The Columbia History of Chinese Literature, edited by Victor H. Mair, the first comprehensive history of its kind in English, and Mistress and Maid (Jiaohongji..."
68:. There are no footnotes but there are references in the text. Three glossaries give Chinese characters for terms, proper names, and titles for books, sections of books, and articles.
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