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on May 9 and 10, 1961. The stereo version was MS 6566 and the monophonic version was ML 5966. There was a sequel released in 1998 on the New World label titled
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released in 1964. It was the recording of a concert performed at the McMillin
Theater (later renamed the Miller Theater) at
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generators. Luening's composition combines solo violin with RCA Synthesizer sound followed by tape manipulation.
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The Arel composition is completely electronic, with articulated signals over a continuous background texture.
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134:'s composition, an "electronic drama," has a text drawn from the epic of
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Columbia-Princeton
Electronic Music Center 1961–1973
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127:is the only artist who appears on both albums.
232:Columbia–Princeton Electronic Music Center
155:. Davidovsky created a work manipulating
107:Columbia-Princeton Electronic Music Center
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22:Columbia-Princeton Electronic Music Center
238:. Retrieved 01:43, 2 December 2020 (UTC).
184:: Stereo Electronic Music No. 1 – 10:28
244:
16:1964 live album by various artists
209:: Composition for Synthesizer – 10:36
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215:: Electronic Study No. 1 – 5:50
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257:Columbia Records live albums
190:: Leiyla and the Poet – 5:20
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196:: Creation—Prologue – 8:09
151:of the Columbia-Princeton
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262:Live electronic albums
153:Computer Music Center
194:Vladimir Ussachevsky
97:Columbia Masterworks
117:Columbia University
221:: Gargoyles – 9:21
58:May 9 and 10, 1961
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252:1961 live albums
213:Mario Davidovsky
136:Layla and Majnun
113:electronic music
111:was an album of
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69:Electronic music
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149:RCA Synthesizer
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219:Otto Luening
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182:Bülent Arel
165:white noise
161:square wave
141:Enuma Elish
125:Bülent Arel
246:Categories
226:References
37:Live album
157:sine wave
236:AllMusic
201:Side two
176:Side one
55:Recorded
47:Released
39: by
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75:Length
92:Label
64:Genre
50:1964
234:at
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