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Colette D'Arville

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think she was singing much around that time. I don't know what she was doing, really. I guess the polite way to say it is that she was an 'international consort'. She was a pretty girl, and Martinelli was head over heels about her. Everybody knew it, and some of us thought it was affecting his singing. I never thought he was quite the same after that. His range was still okay, but there was a hardness in his tone from then on.
1054: 1042: 410:, who she met in 1934. Taylor traveled with D'Arville to the Basque Country in 1936, and in a private letter to his ex-wife Mary Kennedy from March 1936 he wrote about his intention to propose marriage to her. His opinion of her was tempered after he discovered that she was having relations regularly with 422:
He wasn't singing too well, no, but that wasn't the problem I'm talking about. His life had gotten complicated around then. He was having this affair with Colette D'Arville. She had been a singer—she did light things, I think, at the Opéra-Comique. I met her and got to know her a little, but I don't
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in Paris during the 1930s, and periodically appeared in operas with American companies from 1931 to 1942 in addition to performing on American radio and in concerts and recitals. She was particularly associated with the title role in Bizet's
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Estelle Liebling: An exploration of her pedagogical principles as an extension and elaboration of the Marchesi method, including a survey of her music and editing for coloratura soprano and other voices
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when the German Army invaded the city in June 1940. She succeeded in making her way to unoccupied territory, and managed to return to New York City. She portrayed the title role in Massenet's
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They marketed her as 18 years of age at the time, but in reality she was 26. She made her American theatre debut as Claudette Pernier in the Roger Wolfe Kahn, Joseph Meyer, and
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to Emile and Jeanne Cescosse in 1902. She began her performance career in Europe using the stage name Colette Etchery. Before going to America she was committed to the
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fervor she threw herself into the role. Her acting was of a high order and an attractive personality enhanced the thrilling operatic picture presented by her.
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D'Arville, singing the role in French, was entirely in her element. Her voice is a dramatic soprano with coloratura range and vivid in interpretation. With
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at the Crescent Theatre in Trenton, New Jersey, for her first foray into opera in the United States. That same year she made her New York recital debut at
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last night when an appreciative audience enjoyed her wiles and witcheries and realistic portrayal of the cigarette girl of Old Seville
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D'Arville died in New York City in 1944 at the age of 42. She had one son, Gaston Etienne Cescosse, who was born out of wedlock.
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from 1922 to 1927 where she established herself as a comedienne and soprano in French operetta. Initially trained as a singer in
921: 323: 159:. While principally active in live performance on the stage and radio, she starred as Chichita in the 1935 musical film 1104: 536: 188: 131: 304:. She publicized Linit Bath Soaps in 1932 radio commercials for the product. That same year she gave a recital at the 1089: 935: 511: 371: 316:. She toured the United States as Carmen with the Cosmopolitan Grand Opera Company in 1932, earning rave reviews in 503: 383: 1084: 418:
said the following about the impact Martinelli's affair with Colette had on his singing and his personal life,
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D'Arville went to the United States in 1928 when the talent agents Edward S. Keller and Sam Shannon of the
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and D'Arville were lovers during the 1930s and 1940s. She was also simultaneously involved with composer
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in Philadelphia. In 1939 she was a featured performer in a concert hosted by composer
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circuit; and it is at this time that she adopted the stage name Colette D'Arville.
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Colette D'Arville was a gay, bewitching, whimsical coquette in Bizet's opera
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in Paris during the 1930s. In 1931, she portrayed the title role in Bizet's
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with Martinelli. She also volunteered her talents for performances at the
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George Rosen (24 November 1931). "Times Square: Chatter - Trenton".
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Revell, Nellie (22 May 1935). "Radio: New York Radio Parade".
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Jay Robert Nash; Robert Connelly; Stanley Ralph Ross (1985).
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Later that year she was put under contract as a singer on
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radio in New York City, and was put under contract with
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Colette D'Arville was born Marie Marthe Cescosse in the
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Relationships with Giovanni Martinelli and Deems Taylor
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on 1 May 1928, and was produced by Alex. A. Aarons and
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French soprano and musical theatre actress (1902–1944)
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Abel (9 May 1928). "Legitimate: Plays on Broadway –
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Vol. 47, no. 21. p. 11. 612: 610: 491: 489: 487: 485: 483: 481: 290:D'Arville performed periodically at the 1100:People from the Northern Basque Country 665:. Vol. 91, no. 4. p. 69. 126:from the 1920s through the 1940s. Born 1067: 824: 793:"Colette D'Arville Scores as Carmen". 777: 531: 529: 527: 525: 523: 134:from 1922 to 1927 with the stage name 607: 561:"Musical Comedy: Colette D'Arville". 478: 414:. In an interview famous Met soprano 366:. That same year she was a member of 923:Rosa Ponselle: A Centenary Biography 654: 556: 554: 552: 350:In 1935, D'Arville starred opposite 520: 394:entitled "A Spring in Old Vienna". 13: 842:"Concert: Guild for Concert Biz". 506:. pp. 203–208, 239–240, 378. 428:Work during World War II and death 358:as Chichita which was directed by 219:agency booked her on the American 14: 1121: 1006: 597:"Times Square: Chatter – Paris". 549: 432:D'Arville was visiting family in 372:American Guild of Musical Artists 322:when the troupe performed at the 244:performances. The work opened on 1095:French musical theatre actresses 1052: 1040: 982: 965: 944: 913: 893: 877:"Philadelphia Opera Opens With 869: 852: 835: 818: 803: 786: 771: 754: 737: 720: 703: 686: 504:University Press of New England 669: 648: 627: 590: 130:, she began her career at the 1: 799:. 9 January 1932. p. 12. 780:Concerts: Successful Musicale 578:Dean Fowler, Alandra (1994). 471: 189:Théâtre des Bouffes-Parisiens 132:Théâtre des Bouffes-Parisiens 447:United Service Organizations 268:which began in August 1928. 7: 782:. Vol. 16. p. 54. 496:James A. Pegolotti (2003). 10: 1126: 1026:Internet Broadway Database 778:Sallie (26 January 1932). 451:United States Armed Forces 148:. She was active with the 78:16 December 1944 (aged 42) 1105:20th-century French women 814:. Cinebooks. p. 660. 679:Broadcasting, Telecasting 499:Deems Taylor: A Biography 439:Le jongleur de Notre-Dame 434:Paris during World War II 326:in January of that year: 94: 86: 67: 42: 30: 23: 1090:French operatic sopranos 812:The Motion Picture Guide 308:which featured songs by 990:"American Theatre Wing" 920:James A. Drake (1997). 306:New York Biltmore Hotel 236:which premiered at the 199:, the voice teacher of 37:Colette D'Arville, 1937 425: 348: 1085:French film actresses 1022:Colette D'Arville 1013:Colette D'Arville 584:University of Arizona 465:during World War II. 459:American Theatre Wing 420: 412:Solomon R. Guggenheim 392:Waldorf Astoria Hotel 328: 256:with choreography by 185:French Basque Country 128:Marie Marthe Cescosse 61:French Basque Country 47:Marie Marthe Cescosse 354:in the musical film 889:. 24 November 1937. 796:The Washington Post 545:. 17 December 1944. 404:Giovanni Martinelli 380:Giovanni Martinelli 319:The Washington Post 277:Metro-Goldwyn-Mayer 173:Giovanni Martinelli 81:New York City, U.S. 906:The New York Times 886:The New York Times 542:The New York Times 463:Stage Door Canteen 376:Metropolitan Opera 364:Paramount Pictures 250:Broadhurst Theatre 165:Paramount Pictures 951:"Concerts-Opera: 634:"Musical Comedy: 108:Colette D'Arville 105: 104: 25:Colette D'Arville 1117: 1057: 1056: 1045: 1044: 1043: 1036: 1000: 999: 986: 980: 979: 969: 963: 962: 948: 942: 941: 917: 911: 910: 909:. 19 March 1939. 897: 891: 890: 873: 867: 866: 856: 850: 849: 839: 833: 832: 822: 816: 815: 807: 801: 800: 790: 784: 783: 775: 769: 768: 758: 752: 751: 741: 735: 734: 724: 718: 717: 707: 701: 700: 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Index


French Basque Country
soprano
soprano
musical theatre
operas
musicals
Théâtre des Bouffes-Parisiens
Broadway
Here's Howe
Opéra-Comique
Carmen
Paramount Pictures
Deems Taylor
Giovanni Martinelli
French Basque Country
Théâtre des Bouffes-Parisiens
Paris
Estelle Liebling
Beverly Sills
New York City
K-A-O
vaudeville
Irving Caesar
Here's Howe
Shubert Theatre
tryout
Broadway
Broadhurst Theatre
Vinton Freedley

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