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think she was singing much around that time. I don't know what she was doing, really. I guess the polite way to say it is that she was an 'international consort'. She was a pretty girl, and
Martinelli was head over heels about her. Everybody knew it, and some of us thought it was affecting his singing. I never thought he was quite the same after that. His range was still okay, but there was a hardness in his tone from then on.
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410:, who she met in 1934. Taylor traveled with D'Arville to the Basque Country in 1936, and in a private letter to his ex-wife Mary Kennedy from March 1936 he wrote about his intention to propose marriage to her. His opinion of her was tempered after he discovered that she was having relations regularly with
422:
He wasn't singing too well, no, but that wasn't the problem I'm talking about. His life had gotten complicated around then. He was having this affair with
Colette D'Arville. She had been a singer—she did light things, I think, at the Opéra-Comique. I met her and got to know her a little, but I don't
152:
in Paris during the 1930s, and periodically appeared in operas with
American companies from 1931 to 1942 in addition to performing on American radio and in concerts and recitals. She was particularly associated with the title role in Bizet's
580:
Estelle
Liebling: An exploration of her pedagogical principles as an extension and elaboration of the Marchesi method, including a survey of her music and editing for coloratura soprano and other voices
436:
when the German Army invaded the city in June 1940. She succeeded in making her way to unoccupied territory, and managed to return to New York City. She portrayed the title role in
Massenet's
226:
They marketed her as 18 years of age at the time, but in reality she was 26. She made her
American theatre debut as Claudette Pernier in the Roger Wolfe Kahn, Joseph Meyer, and
187:
to Emile and Jeanne
Cescosse in 1902. She began her performance career in Europe using the stage name Colette Etchery. Before going to America she was committed to the
1109:
901:"'A Spring in Old Vienna' Will Be Given To Aid Housing Association Tuesday; Deems Taylor Will Be Toastmaster at Ceremony – Dancing and Musical Features Arrange"
346:
fervor she threw herself into the role. Her acting was of a high order and an attractive personality enhanced the thrilling operatic picture presented by her.
342:
D'Arville, singing the role in French, was entirely in her element. Her voice is a dramatic soprano with coloratura range and vivid in interpretation. With
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at the
Crescent Theatre in Trenton, New Jersey, for her first foray into opera in the United States. That same year she made her New York recital debut at
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370:'s Light Opera Troupe which performed operettas and musical theatre material on the radio. In 1936 she was one of the founding members of the
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last night when an appreciative audience enjoyed her wiles and witcheries and realistic portrayal of the cigarette girl of Old
Seville
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D'Arville died in New York City in 1944 at the age of 42. She had one son, Gaston
Etienne Cescosse, who was born out of wedlock.
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from 1922 to 1927 where she established herself as a comedienne and soprano in French operetta. Initially trained as a singer in
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159:. While principally active in live performance on the stage and radio, she starred as Chichita in the 1935 musical film
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304:. She publicized Linit Bath Soaps in 1932 radio commercials for the product. That same year she gave a recital at the
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316:. She toured the United States as Carmen with the Cosmopolitan Grand Opera Company in 1932, earning rave reviews in
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said the following about the impact Martinelli's affair with Colette had on his singing and his personal life,
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D'Arville went to the United States in 1928 when the talent agents Edward S. Keller and Sam Shannon of the
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and D'Arville were lovers during the 1930s and 1940s. She was also simultaneously involved with composer
260:. After that production closed on 20 June 1928, she performed the role of Trini in the national tour of
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in Philadelphia. In 1939 she was a featured performer in a concert hosted by composer
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circuit; and it is at this time that she adopted the stage name Colette D'Arville.
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Colette D'Arville was a gay, bewitching, whimsical coquette in Bizet's opera
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in Paris during the 1930s. In 1931, she portrayed the title role in Bizet's
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with Martinelli. She also volunteered her talents for performances at the
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George Rosen (24 November 1931). "Times Square: Chatter - Trenton".
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Revell, Nellie (22 May 1935). "Radio: New York Radio Parade".
761:"Society Matrons on Commercial Airings 'Just for Publicity'".
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Jay Robert Nash; Robert Connelly; Stanley Ralph Ross (1985).
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119:
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978:. Vol. 150, no. 1. 17 March 1943. pp. 1, 41.
865:. Vol. 124, no. 10. 18 November 1936. p. 64.
972:"See Met Opera Touring Camps; Martinelli at Camp Kilmer".
716:. Vol. 40, no. 50. 15 December 1928. p. 19.
271:
Later that year she was put under contract as a singer on
767:. Vol. 105, no. 2. 22 December 1931. p. 1.
623:. Vol. 40, no. 7. 18 February 1928. p. 13.
699:. Vol. 40, no. 48. 1 December 1928. p. 9.
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radio in New York City, and was put under contract with
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Colette D'Arville was born Marie Marthe Cescosse in the
998:. Vol. 56, no. 6. 5 February 1944. p. 5.
961:. Vol. 146, no. 7. 22 April 1942. p. 38.
848:. Vol. 122, no. 6. 22 April 1936. p. 65.
693:"The Week on Broadway; Personals; D'Arville, Colette".
682:. Vol. 92, no. 6. 22 August 1928. p. 54.
398:
Relationships with Giovanni Martinelli and Deems Taylor
252:
on 1 May 1928, and was produced by Alex. A. Aarons and
644:. Vol. 40, no. 15. 14 April 1928. p. 8.
603:. Vol. 103, no. 2. 23 June 1931. p. 43.
567:. Vol. 40, no. 25. 23 June 1928. p. 12.
16:
French soprano and musical theatre actress (1902–1944)
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710:"Signs Colette D'Arville For M-G-M Sound Subjects".
655:
Abel (9 May 1928). "Legitimate: Plays on Broadway –
727:Franken, Jerry (25 May 1935). "Radio: AIR BRIEFS".
859:"Legitimate-Concert: 20 to 60 Cents Per Concert".
495:
442:with the Newark Civic Grand Opera in April 1942.
1110:French expatriate actresses in the United States
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374:. That same year she performed in recitals with
179:Early life and initial career as Colette Etchery
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167:. She was romantically involved with composer
110:(1902 – 16 December 1944) was a French
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617:"Keller and Shannon Join Hands To Produce".
382:. In 1937 D'Arville portrayed Carmen at the
211:Pre-World War II career as Colette D'Arville
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445:In 1943, she sang in "camp shows" with the
118:actress who had an international career in
676:"Legitimate: Colette D'Arville in "Air"".
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240:in Boston on 23 April 1928, for a week of
195:by Berton, she later studied singing with
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831:. Vol. 118, no. 10. p. 39.
750:. Vol. 104, no. 11. p. 39.
537:"Colette D'Arville, Soprano, 42, Is Dead"
733:. Vol. 47, no. 21. p. 11.
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126:from the 1920s through the 1940s. Born
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134:from 1922 to 1927 with the stage name
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561:"Musical Comedy: Colette D'Arville".
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414:. In an interview famous Met soprano
366:. That same year she was a member of
923:Rosa Ponselle: A Centenary Biography
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350:In 1935, D'Arville starred opposite
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394:entitled "A Spring in Old Vienna".
13:
842:"Concert: Guild for Concert Biz".
506:. pp. 203–208, 239–240, 378.
428:Work during World War II and death
358:as Chichita which was directed by
219:agency booked her on the American
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597:"Times Square: Chatter – Paris".
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432:D'Arville was visiting family in
372:American Guild of Musical Artists
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244:performances. The work opened on
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799:. 9 January 1932. p. 12.
780:Concerts: Successful Musicale
578:Dean Fowler, Alandra (1994).
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189:Théâtre des Bouffes-Parisiens
132:Théâtre des Bouffes-Parisiens
447:United Service Organizations
268:which began in August 1928.
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782:. Vol. 16. p. 54.
496:James A. Pegolotti (2003).
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1026:Internet Broadway Database
778:Sallie (26 January 1932).
451:United States Armed Forces
148:. She was active with the
78:16 December 1944 (aged 42)
1105:20th-century French women
814:. Cinebooks. p. 660.
679:Broadcasting, Telecasting
499:Deems Taylor: A Biography
439:Le jongleur de Notre-Dame
434:Paris during World War II
326:in January of that year:
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308:which featured songs by
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306:New York Biltmore Hotel
236:which premiered at the
199:, the voice teacher of
37:Colette D'Arville, 1937
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584:University of Arizona
465:during World War II.
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412:Solomon R. Guggenheim
392:Waldorf Astoria Hotel
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256:with choreography by
185:French Basque Country
128:Marie Marthe Cescosse
61:French Basque Country
47:Marie Marthe Cescosse
354:in the musical film
889:. 24 November 1937.
796:The Washington Post
545:. 17 December 1944.
404:Giovanni Martinelli
380:Giovanni Martinelli
319:The Washington Post
277:Metro-Goldwyn-Mayer
173:Giovanni Martinelli
81:New York City, U.S.
906:The New York Times
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542:The New York Times
463:Stage Door Canteen
376:Metropolitan Opera
364:Paramount Pictures
250:Broadhurst Theatre
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951:"Concerts-Opera:
634:"Musical Comedy:
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636:Here's Howe
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264:'s musical
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145:Here's Howe
1069:Categories
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472:References
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95:Occupation
74:1944-12-16
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