1785:
846:
814:
830:
734:
718:
749:
780:
387:
764:
798:
177:
235:, with her collaborator and husband, artist John Scott Williams. In the 1940s, Peck contributed to Catholic comic books distributed to parochial schools. She focused on watercolor painting in the 1950s and her work was exhibited in Europe and the United States. Her most notable illustrations and artwork were published in three books early in her career:
524:
292:
508:, the style consisted of "using flat, brightly colored figures boldly outlined and placed against a patterned background. They incorporated elements of the popular 1890s poster style and borrowed motifs from Walter Crane, Kate Greenaway, and the English Arts and Crafts movement style of illustration."
299:
In 1906, Peck married
British-born illustrator John Scott Williams (1877ā1975), and they produced two children together, Aynard and Conway. Peck and Williams shared similar styles, leading the two to occasionally collaborate on illustrations together. These works were signed with the first initials
557:
was launched in 1942 and produced in St. Paul, Minnesota. The comic book featured stories of courageous
Christians, Saints, and Biblical narratives, and by 1946, it had a circulation of over 600,000. Peck's work was distributed exclusively in parochial schools and appeared throughout most of the
951:
Chase was a teacher at the Art
Students League of New York (1878ā1896, returns in 1908), and the Brooklyn Art Association (1887, and 1891ā96). He also founded the Shinnecock Summer School of Art (1891) at his summer home near Southampton, Long Island, and the Chase School of Art in New York City
915:
were on the teaching faculty during this period. Beaux taught at the
Pennsylvania Academy of Fine Arts between 1895 and 1915. See: "The Pennsylvania Academy and its Women", 1850ā1920 / May 3 ā June 16, 1974 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Philadelphia, PA:
499:
describes Peck's style as "decorative in composition and sensitive in rendering". Artistic themes found in Peck's work include education, child psychology, and the expectant mother. The decorative style of the period was popularized by seminal
American illustrator
283:. Reminiscing about her early years, Peck said: "With me the desire to become an artist has been strong since childhood. Other members of the family in previous generations were artists, making the love and joy in creative expression a natural one to me."
318:(1882ā1951) and Harriet Repplier Boyd. The Boyds' house became a community center of artistic gatherings where many of Leonia's artists exhibited their works. The marriage between Peck and Williams came to an end, and J. Scott Williams remarried in 1930.
1654:"American Illustration: The Collection of the Delaware Art Museum", Wilmington, DE: Delaware Art Museum, 1991, p. 134. Hawkes, Elizabeth H., "American Painting and Sculpture, Delaware Art Museum", Wilmington, DE: Delaware Art Museum, 1975, p. 174
632:, and at the National Association of Women Artists and the New York Association of Women Painters and Sculptors where she won awards in 1920 and 1921. Posthumously, Peck's works were featured in the seminal 1976 New York exhibition,
1134:
Mattingly outlines the value of the Leonia art colony centered around Dunn as an important continuation of Howard Pyle's
Brandywine school and the emergence of the Leonia community as a significant suburban social and cultural
916:
Pennsylvania
Academy of the Fine Arts, 1974, p. 19; Goodyear, Jr., Frank H., et al., Cecilia Beaux: Portrait of an Artist. Pennsylvania Academy of the Fine Arts, 1974. Library of Congress Catalog No. 74-84248, p. 12;
1657:
623:
and others, Peck was one of the first 20 women to become a member of the
Society of Illustrators by 1922, representing about 10% of the total membership. In 1913, Peck's work was featured in exhibitions at the
362:
and color printing engendered the "Golden Age of
Illustration". In addition to illustrations, Peck created decorations and lettering designs for books. Notable works from this period include illustrations for
606:
Peck was a member of several art associations, including the
American Watercolor Society (1931ā1967), the National Association of Women Painters and Sculptors, National Association of Women Artists, the
188:(April 18, 1883 ā February 1968) was an American illustrator and painter known for her illustrations of women and children in the early 20th century. Peck received her arts education from the
1449:. By May Langdon White & Parker Hoysted Fillmore. World Book Co., 1914; Sheet music for "Mammy's Song" by Laura Spencer Portor & Harriet Ware, The John Church Company, 1910;
192:
and was employed as a magazine illustrator from 1906 to 1940. Peck's body of work encompasses a wide range, from popular women's magazines and children's books, works of fiction,
1683:
1823:
1340:
1649:
952:(1896) which became the New York School of Art in 1898. He also taught at the Pennsylvania Academy of the Fine Arts in Philadelphia (1896ā1909). Notable pupils included
300:
of their last names, "P W". Some of Peck's works are also credited as Clara Elsene Williams and the press sometimes referred to her as "Mrs. John Scott Williams".
1576:
1633:
1914:
1909:
1709:
898:
495:
Women and children in Peck's work were depicted with great sensitivity in a wide variety of roles and responsibilities. Art historian and illustrator
468:
1889:
1033:
314:
They lived in a house originally built by artist Charles Harry Eaton (American, 1850ā1901) on Crescent Avenue and were neighbors with artist-couple
974:
922:
515:
when the careers of illustrators suffered due to the poor economy. The output of magazine illustrations from Peck continued until at least 1935.
204:
later in her career. Peck worked during the "Golden Age of American Illustration" (1880sā1930s) contemporaneous with noted female illustrators
1934:
1538:
1836:
717:
329:. Towards the end of her life, art historian Helen Teri Caro located Peck and acquired over 100 pieces of her artwork on behalf of the
1794:
1679:
993:
1929:
1919:
1879:
1344:
1820:
578:'s European traveling exhibition; In 1958, Peck's work appeared at the Washington County Museum of Art, in a solo exhibition at
1874:
598:
host her paintings. Since 2000, a few landscape and portrait oil paintings sales have been recorded at various auction houses.
1846:
1244:
Mrs. J. Scott Williams, 84, artist and magazine illustrator who worked under the name of Clara Elsene Peck; in Gettysburg, Pa.
1029:
Who's Who on the Pacific Coast: A Biographical Dictionary of Leading Men and Women of the Pacific Coast and the Western States
1803:
813:
268:
81:
1924:
227:, and she received awards from the New York Association of Women Painters and Sculptors in the 1920s. Peck resided in an
1572:
1473:"For many years, women illustrators dominated the fantasy and fairy tale fields as well as the school reading textbooks."
845:
779:
1602:
1630:"Brandywine River Museum: Catalogue of the Collection, 1969ā1989" Chadds Ford, PA: Brandywine Conservancy, 1991, p. 216
1625:
911:
By the 1880s, the Pennsylvania Academy of Fine Arts had developed a significant female student body. Artists such as
562:
title, including a few episodes of "The Robinson's Rumpus Room" feature and the cover for Volume 2, Number 9 in 1946.
1884:
1154:
1112:
629:
272:
224:
86:
748:
733:
1904:
311:
in 1915, Peck and Williams moved to an artist colony in Leonia, joining a group of about 90 professional artists.
1899:
511:
Peck's career in illustration was active from the "Golden Age of American Illustration" through the onset of the
189:
829:
1894:
1705:
763:
492:. Peck also illustrated educational books, educational certificates, sheet music, fiction, and fairy tales.
405:
1027:
608:
571:
978:
918:
575:
350:
Peck's career in illustration began in the early 1900s with her work for publisher George W. Jacobs in
877:
Who's Who in the East: A Biographical Dictionary of Leading Men and Women of the Eastern United States
797:
957:
1457:(Publisher series: Sandman Stories). By Abbie Phillips Walker. New York: Harper & Brothers, 1925
625:
462:
326:
220:
67:
1546:
890:
612:
591:
587:
541:
410:
209:
1013:. Boston: The Bookshop for Boys and Girls, Women's Educational and Industrial Union. p. 55.
1833:
787:
376:
276:
155:
145:
1656:. Smithsonian American Art Museum's Inventories of American Painting and Sculpture Database.
1632:. Smithsonian American Art Museum's Inventories of American Painting and Sculpture Database.
1280:
616:
438:
280:
91:
558:
title's nine-year run. She also provided material for early issues of the similarly themed
1869:
1864:
1276:
473:
444:
428:
205:
8:
961:
953:
595:
505:
477:
422:
364:
264:
201:
1260:
583:
579:
322:
308:
232:
1780:
1150:
1108:
991:
481:
416:
256:
44:
504:
and his female students. According to Elizabeth H. Hawkes, curator emeritus of the
1789:
512:
456:
334:
1800:
1263:
to showcase their abilities in a burgeoning field of illustrated magazines such a
1107:. illustrated by Clara Elsene Williams. New York: Doubleday, Page, & Company.
1093:
1840:
1827:
1807:
1238:
1102:
997:
965:
620:
485:
315:
1776:
1432:
Advertisement illustrations include: Vogue, December 15, 1915, Vol. XLIV, No.7;
450:
330:
193:
1130:
Suburban Landscapes: Culture and Politics in a New York Metropolitan Community
1858:
1598:
1268:
969:
912:
383:(1909). Peck eventually illustrated at least four additional books by Bacon.
213:
1255:
Developments in halftone and color printing allowed leading artists such as
1284:
1272:
666:. By Minna Thomas Antrim. Philadelphia: George W. Jacobs and Company, 1905.
657:
400:
355:
351:
105:
879:. Vol. 8. Boston: Larkin, Roosevelt & Larkin. 1962. p. 1321.
570:
Peck participated in several exhibitions in the 1950s, beginning with the
1568:
1264:
1256:
696:. By Atkinson Kimball. New York: Heart's International Library Co., 1914.
501:
304:
975:"William Merritt Chase | Biography | Hollis Taggart Galleries"
672:. By Sara Hawks Sterling. Philadelphia: George W. Jacobs & Co, 1905.
1453:. By Mary L. Booth. New York, London: Harper & Brothers, 1927 and
804:
550:
532:
489:
228:
197:
165:
New York Association of Women Painters and Sculptors, Prize, 1920, 1921
113:
690:. By Katharine Holland Brown. New York: Charles Scribner's Sons, 1912.
678:. By Sara Hawks Sterling. Philadelphia: George W Jacobs and Co., 1907.
386:
496:
1098:. illustrated by Clara Elsene Williams. Chicago: FG Browne & Co.
546:
359:
260:
1132:. Baltimore: The Johns Hopkins University Press. pp. 117ā33.
118:
684:. By Josephine Daskam Bacon. New York: Doubleday Page, 1909.
523:
291:
176:
472:
in the early 1920s and worked as a commercial artist on
1543:
Religious Comic Books in the Forties. Volume 2, Issue 2
889:
1599:"Index to Comic Art Collection: "Pebble" to "Pedwick""
358:. This was a period when technological innovations in
1008:
295:
A collaborative illustration with John Scott Williams
527:"Waiting Winter Storage", oil/canvasboard, (c. 1950)
1523:As an example of her work during this period, see:
702:. By Charlotte Hirsch. Chicago: A.C. McClurg, 1917.
660:. Philadelphia: George W. Jacobs and Company, 1904.
1394:For examples of her work during this period, see:
1365:For examples of her work during this period, see:
466:. She contributed several cover illustrations to
1650:"Cover for The Homemaker, Sept. 1932, (painting)"
1022:
1020:
1856:
1735:. New York: Society of Illustrators. p. 22.
1500:. New York: Society of Illustrators. p. 12.
1312:. New York: Appleton-Century Company, Inc., 1936
943:Brandywine River Museum 1991, p. 216; See also:
1763:. New York: Society of Illustrators. p. 9.
1567:
1471:. New York: Society of Illustrators. p. 8.
1306:The Room on the Roof, A Mystery Novel for Girls
398:By 1908, Peck had designed her first cover for
1207:. Madison, CT: Sound View Press. p. 2557.
1205:Who was who in American Art: 1564ā1975, Vol. 3
1017:
1915:National Association of Women Artists members
1573:"Who's Who of American Comic Books 1928ā1999"
1032:(2 ed.). Boston: A.N. Marquis Co. 1951.
1011:Contemporary Illustrators of Children's Books
647:
640:exhibition in New York; And, in 1986, at the
436:. Peck's magazine illustrations appeared in
307:founded the Leonia School of Illustration in
219:Peck's work appeared in exhibitions from the
16:20th-century American illustrator and painter
1910:Pennsylvania Academy of the Fine Arts alumni
1761:America's Great Women Illustrators 1850ā1950
1733:America's Great Women Illustrators 1850ā1950
1498:America's Great Women Illustrators 1850ā1950
1469:America's Great Women Illustrators 1850ā1950
1308:. New York: Appleton-Century Company, 1935;
1304:, New York: Appleton-Century Company, 1934;
1298:The Luck o Lady Joan: a fairy tale for women
1095:The Luck o Lady Joan: A Fairy Tale for Women
638:America's Great Women Illustrators 1850ā1950
408:during the 1910s and 1920s, contributing to
337:. Peck died in Gettysburg in February 1968.
1216:
1214:
1198:
1196:
1194:
1192:
1009:Mahoney, Bertha E.; Elinor Whitney (1930).
901:: Brandywine Conservancy. pp. 216ā217.
574:. From 1956 to 1957, Peck was part of the
263:on April 18, 1883. Peck spent her youth in
601:
286:
1423:For example: Theatre Magazine, March 1922
1341:"The Golden Age of American Illustration"
1127:
1061:
1059:
1057:
1055:
1053:
1051:
140:(1907), both by Sara Hawks Sterling; and
1682:. AskART ā The artists' Bluebook. 2009.
1211:
1189:
1128:Mattingly, Paul H. (November 15, 2001).
522:
385:
290:
1536:
1504:
1334:
1332:
1330:
1100:
949:. New York: Collins Design. p. 65.
863:
1857:
1672:
1660:from the original on February 17, 2012
1636:from the original on February 17, 2012
1579:from the original on September 4, 2011
1495:
1476:
1300:, Chicago: F G Brown & co., 1913;
1225:. Calgary: Glenbow Museum. p. 15.
1220:
1144:
1048:
925:from the original on December 13, 2004
895:Catalogue of the Collection, 1969ā1989
1890:American children's book illustrators
1814:
1730:
1708:. American Watercolor Society. 2009.
1512:The Illustrator in America: 1860ā2000
1484:The Illustrator in America: 1860ā2000
1402:, September 15, 1917, Vol. 60, No.1;
1338:
1091:
1067:The Illustrator in America: 1860ā2000
1036:from the original on October 30, 2021
947:The Illustrator in America: 1860ā2000
1935:20th-century American women painters
1758:
1648:Peck, Clara Elsene Williams (2004).
1647:
1624:Peck, Clara Elsene Williams (2004).
1623:
1466:
1327:
1202:
944:
1786:Works by or about Clara Elsene Peck
1698:
1591:
1545:. NostalgiaZone.com. Archived from
1414:, November 24, 1910, Vol. 84, No.47
1373:, December 1927, Vol. LXXXV, No.6;
921:. Smithsonian American Art Museum.
13:
1747:200 Years of American Illustration
1712:from the original on June 28, 2009
1605:from the original on March 5, 2016
1571:; Hames Ware; et al. (2006).
1539:"Hey! That Ain't Funny!' (Part 2)"
1455:Sandman's Once-Upon-A-Time Stories
1203:Falk, Peter Hastings, ed. (1999).
1149:. Arcadia Publishing. p. 83.
634:200 Years of American Illustration
14:
1946:
1770:
1706:"First One Hundred Years Members"
1686:from the original on May 25, 2011
1377:, June 1921, Vol. XXXVIII, No.6;
1343:. American Artist. Archived from
1242:. February 27, 1968. p. A8.
630:Pennsylvania Academy of Fine Arts
273:Pennsylvania Academy of Fine Arts
225:Pennsylvania Academy of Fine Arts
87:Pennsylvania Academy of Fine Arts
1410:, April 1927, Vol. XXIII, No.7;
1398:, November 1914, Vol. 89, No.1;
1385:, December 1935, Vol. 35, No.12.
1092:Bacon, Josephine Daskam (1913).
844:
828:
812:
796:
778:
762:
747:
732:
725:Phases, Mazes and Crazes of Love
716:
700:The Diary of an Expectant Mother
654:Phases, Mazes and crazes of love
175:
1752:
1739:
1724:
1617:
1561:
1530:
1517:
1489:
1460:
1439:
1426:
1417:
1400:Collier's ā The National Weekly
1388:
1369:, May 1928, Vol. LXXXIV,No. 5;
1359:
1315:
1290:
1249:
1229:
1223:American Illustration 1890ā1925
1176:
1163:
1138:
1121:
642:American Illustration 1890ā1925
531:In the 1940s, Peck worked as a
345:
269:Minneapolis School of Fine Arts
190:Minneapolis School of Fine Arts
82:Minneapolis School of Fine Arts
1930:20th-century American painters
1920:People from Leonia, New Jersey
1880:American female comics artists
1085:
1072:
1002:
937:
905:
883:
869:
255:Clara Elsene Peck was born in
132:Illustrations/decorations for
1:
1875:People from Allegan, Michigan
1795:Auction records at askart.com
1527:, Vol. 35, #12, December 1935
1496:Hawkes, Elizabeth H. (1985).
1447:The Story Reader's First Year
1310:Girl wanted!: a mystery story
755:A Lady of King Arthur's Court
740:A Lady of King Arthur's Court
676:A Lady of King Arthur's Court
518:
373:A Lady of King Arthur's Court
267:and later studied art at the
250:
241:A Lady of King Arthur's Court
138:A Lady of King Arthur's Court
1797:Retrieved September 27, 2008
1436:, July 1917, Vol. XLIV, No.7
1396:The Century Monthly Magazine
1339:Parks, John A. (June 2006).
644:exhibition held in Calgary.
7:
1925:American women illustrators
1626:"Berry Pickers, (painting)"
723:An early illustration from
664:Knocks, Witty Wise and ____
609:New York Watercolor Society
572:American Watercolor Society
565:
10:
1951:
1806:September 8, 2019, at the
1777:Works by Clara Elsene Peck
919:"Cecilia Beaux, biography"
706:
648:Selected illustrated books
576:Metropolitan Museum of Art
404:. Peck began illustrating
271:. She took classes at the
1843:by Josephine Daskam Bacon
1830:by Josephine Daskam Bacon
1434:The Womans Home Companion
1236:"Obituary 3 ā No Title".
1101:Kipling, Rudyard (1909).
958:Charles Webster Hawthorne
688:The Hallowell Partnership
340:
174:
169:
161:
151:
126:
99:
75:
52:
30:
23:
1885:American fantasy artists
1221:Larson, Judy L. (1986).
996:August 22, 2009, at the
670:Shakespeare's Sweetheart
626:Art Institute of Chicago
369:Shakespeare's Sweetheart
327:Gettysburg, Pennsylvania
275:where she studied under
237:Shakespeare's Sweetheart
221:Art Institute of Chicago
134:Shakespeare's Sweetheart
68:Gettysburg, Pennsylvania
1905:Artists from New Jersey
1810:Retrieved July 10, 2008
1375:The Ladies Home Journal
891:Brandywine River Museum
613:Society of Illustrators
602:Awards and distinctions
592:Brandywine River Museum
588:New Canaan, Connecticut
287:Marriage and later life
210:Elizabeth Shippen Green
1900:Artists from Minnesota
1847:The Prince of Mercuria
1839:April 7, 2020, at the
1826:April 7, 2020, at the
1537:Carlson, Mark (2006).
1525:The Household Magazine
1451:Laboulaye's Fairy Book
1383:The Household Magazine
1302:The Girl at the Window
1145:Karels, Carol (2002).
819:Illustrated cover for
694:The Prince of Mercuria
528:
476:for companies such as
395:
377:Josephine Daskam Bacon
321:Peck later resided in
296:
277:American Impressionist
200:, and comic books and
156:American Impressionism
146:Josephine Daskam Bacon
1895:Artists from Michigan
1834:In the Border Country
1731:Brown, Terry (1985).
1281:Saturday Evening Post
1104:Actions and Reactions
682:In the Border Country
617:Florence Scovel Shinn
526:
474:advertising campaigns
463:The Youth's Companion
439:St. Nicholas Magazine
389:
381:In the Border Country
294:
281:William Merritt Chase
245:In the Border Country
142:In the Border Country
92:William Merritt Chase
1801:Bio at Ortakales.com
1412:The Youths Companion
864:Notes and references
478:Procter & Gamble
445:The Century Magazine
316:John Rutherford Boyd
279:painter and teacher
206:Jessie Willcox Smith
1849:by Atkinson Kimball
1759:Reed, Walt (1985).
1680:"Clara Elsene Peck"
1467:Reed, Walt (1985).
1184:Suburban Landscapes
1171:Suburban Landscapes
954:Patrick Henry Bruce
945:Reed, Walt (2003).
788:Scribner's Magazine
658:Minna Thomas Antrim
596:Delaware Art Museum
586:Art Center, and in
506:Delaware Art Museum
423:Ladies Home Journal
365:Sara Hawks Sterling
265:St. Paul, Minnesota
202:watercolor painting
1815:Book illustrations
1347:on October 8, 2009
1261:Edwin Austin Abbey
981:on January 5, 2009
803:Advertisement for
785:Illustration from
580:Gettysburg College
529:
434:Household Magazine
396:
323:Brooklyn, New York
309:Leonia, New Jersey
303:After illustrator
297:
233:Leonia, New Jersey
196:for products like
1781:Project Gutenberg
1406:, December 1917;
1381:, December 1917;
1379:Today's Housewife
1371:Good Housekeeping
1324:(October 3, 1908)
1279:, as well as the
1080:Today's Housewife
773:(October 3, 1908)
636:; In 1985 at the
482:Metropolitan Life
429:Today's Housewife
417:Good Housekeeping
406:women's magazines
186:Clara Elsene Peck
183:
182:
45:Allegan, Michigan
25:Clara Elsene Peck
1942:
1790:Internet Archive
1765:
1764:
1756:
1750:
1743:
1737:
1736:
1728:
1722:
1721:
1719:
1717:
1702:
1696:
1695:
1693:
1691:
1676:
1670:
1669:
1667:
1665:
1645:
1643:
1641:
1621:
1615:
1614:
1612:
1610:
1595:
1589:
1588:
1586:
1584:
1565:
1559:
1558:
1556:
1554:
1549:on July 22, 2011
1534:
1528:
1521:
1515:
1508:
1502:
1501:
1493:
1487:
1480:
1474:
1472:
1464:
1458:
1443:
1437:
1430:
1424:
1421:
1415:
1408:Pictorial Review
1392:
1386:
1363:
1357:
1356:
1354:
1352:
1336:
1325:
1319:
1313:
1294:
1288:
1253:
1247:
1246:
1233:
1227:
1226:
1218:
1209:
1208:
1200:
1187:
1180:
1174:
1167:
1161:
1160:
1142:
1136:
1133:
1125:
1119:
1118:
1099:
1089:
1083:
1076:
1070:
1063:
1046:
1045:
1043:
1041:
1024:
1015:
1014:
1006:
1000:
990:
988:
986:
977:. Archived from
962:Georgia O'Keeffe
950:
941:
935:
934:
932:
930:
909:
903:
902:
887:
881:
880:
873:
848:
832:
821:Theatre Magazine
816:
800:
782:
766:
751:
736:
720:
513:Great Depression
469:Theatre Magazine
457:Pictorial Review
392:Theatre Magazine
335:Calgary, Alberta
179:
129:
63:
61:
40:
38:
21:
20:
1950:
1949:
1945:
1944:
1943:
1941:
1940:
1939:
1855:
1854:
1841:Wayback Machine
1828:Wayback Machine
1817:
1808:Wayback Machine
1773:
1768:
1757:
1753:
1744:
1740:
1729:
1725:
1715:
1713:
1704:
1703:
1699:
1689:
1687:
1678:
1677:
1673:
1663:
1661:
1639:
1637:
1622:
1618:
1608:
1606:
1597:
1596:
1592:
1582:
1580:
1575:. Jerry Bails.
1566:
1562:
1552:
1550:
1535:
1531:
1522:
1518:
1509:
1505:
1494:
1490:
1481:
1477:
1465:
1461:
1444:
1440:
1431:
1427:
1422:
1418:
1393:
1389:
1364:
1360:
1350:
1348:
1337:
1328:
1320:
1316:
1295:
1291:
1254:
1250:
1239:Chicago Tribune
1235:
1234:
1230:
1219:
1212:
1201:
1190:
1181:
1177:
1168:
1164:
1157:
1143:
1139:
1126:
1122:
1115:
1090:
1086:
1082:, December 1917
1077:
1073:
1064:
1049:
1039:
1037:
1026:
1025:
1018:
1007:
1003:
998:Wayback Machine
984:
982:
973:
966:Charles Sheeler
942:
938:
928:
926:
917:
910:
906:
899:Chadds Ford, PA
888:
884:
875:
874:
870:
866:
861:
860:
859:
856:
849:
840:
833:
824:
817:
808:
801:
792:
783:
774:
767:
758:
752:
743:
737:
728:
721:
709:
650:
604:
568:
521:
486:Aeolian Company
394:, November 1921
348:
343:
289:
253:
127:
71:
65:
59:
57:
48:
42:
36:
34:
26:
17:
12:
11:
5:
1948:
1938:
1937:
1932:
1927:
1922:
1917:
1912:
1907:
1902:
1897:
1892:
1887:
1882:
1877:
1872:
1867:
1851:
1850:
1844:
1831:
1816:
1813:
1812:
1811:
1798:
1792:
1783:
1772:
1771:External links
1769:
1767:
1766:
1751:
1738:
1723:
1697:
1671:
1616:
1590:
1560:
1529:
1516:
1503:
1488:
1475:
1459:
1438:
1425:
1416:
1404:The Delineator
1387:
1358:
1326:
1314:
1289:
1248:
1228:
1210:
1188:
1175:
1162:
1155:
1137:
1120:
1113:
1084:
1071:
1047:
1016:
1001:
936:
904:
882:
867:
865:
862:
858:
857:
853:Treasure Chest
850:
843:
841:
837:Treasure Chest
834:
827:
825:
818:
811:
809:
802:
795:
793:
784:
777:
775:
768:
761:
759:
753:
746:
744:
738:
731:
729:
722:
715:
712:
711:
710:
708:
705:
704:
703:
697:
691:
685:
679:
673:
667:
661:
649:
646:
603:
600:
567:
564:
560:Treasure Chest
545:, a series of
542:Treasure Chest
520:
517:
451:The Delineator
347:
344:
342:
339:
331:Glenbow Museum
288:
285:
252:
249:
194:commercial art
181:
180:
172:
171:
167:
166:
163:
159:
158:
153:
149:
148:
130:
124:
123:
122:
121:
116:
111:
108:
101:
100:Known for
97:
96:
95:
94:
89:
84:
77:
73:
72:
66:
64:(aged 84)
54:
50:
49:
43:
41:April 18, 1883
32:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1947:
1936:
1933:
1931:
1928:
1926:
1923:
1921:
1918:
1916:
1913:
1911:
1908:
1906:
1903:
1901:
1898:
1896:
1893:
1891:
1888:
1886:
1883:
1881:
1878:
1876:
1873:
1871:
1868:
1866:
1863:
1862:
1860:
1853:
1848:
1845:
1842:
1838:
1835:
1832:
1829:
1825:
1822:
1819:
1818:
1809:
1805:
1802:
1799:
1796:
1793:
1791:
1787:
1784:
1782:
1778:
1775:
1774:
1762:
1755:
1748:
1742:
1734:
1727:
1711:
1707:
1701:
1685:
1681:
1675:
1659:
1655:
1651:
1635:
1631:
1627:
1620:
1604:
1600:
1594:
1578:
1574:
1570:
1564:
1548:
1544:
1540:
1533:
1526:
1520:
1513:
1507:
1499:
1492:
1485:
1479:
1470:
1463:
1456:
1452:
1448:
1442:
1435:
1429:
1420:
1413:
1409:
1405:
1401:
1397:
1391:
1384:
1380:
1376:
1372:
1368:
1362:
1346:
1342:
1335:
1333:
1331:
1323:
1318:
1311:
1307:
1303:
1299:
1293:
1286:
1282:
1278:
1274:
1270:
1266:
1262:
1258:
1252:
1245:
1241:
1240:
1232:
1224:
1217:
1215:
1206:
1199:
1197:
1195:
1193:
1185:
1179:
1172:
1166:
1158:
1156:0-7385-0973-6
1152:
1148:
1141:
1131:
1124:
1116:
1114:9781534793897
1110:
1106:
1105:
1097:
1096:
1088:
1081:
1075:
1068:
1062:
1060:
1058:
1056:
1054:
1052:
1035:
1031:
1030:
1023:
1021:
1012:
1005:
999:
995:
992:
980:
976:
971:
970:Martha Walter
967:
963:
959:
955:
948:
940:
924:
920:
914:
913:Cecilia Beaux
908:
900:
896:
892:
886:
878:
872:
868:
854:
847:
842:
838:
831:
826:
822:
815:
810:
806:
799:
794:
790:
789:
781:
776:
772:
765:
760:
756:
750:
745:
741:
735:
730:
726:
719:
714:
713:
701:
698:
695:
692:
689:
686:
683:
680:
677:
674:
671:
668:
665:
662:
659:
655:
652:
651:
645:
643:
639:
635:
631:
627:
622:
618:
615:. Along with
614:
610:
599:
597:
593:
589:
585:
581:
577:
573:
563:
561:
556:
552:
548:
544:
543:
538:
534:
525:
516:
514:
509:
507:
503:
498:
493:
491:
487:
483:
479:
475:
471:
470:
465:
464:
459:
458:
453:
452:
447:
446:
441:
440:
435:
431:
430:
425:
424:
419:
418:
413:
412:
407:
403:
402:
393:
388:
384:
382:
378:
374:
370:
366:
361:
357:
353:
338:
336:
332:
328:
324:
319:
317:
312:
310:
306:
301:
293:
284:
282:
278:
274:
270:
266:
262:
258:
248:
246:
242:
238:
234:
230:
226:
222:
217:
215:
214:Violet Oakley
211:
207:
203:
199:
195:
191:
187:
178:
173:
168:
164:
160:
157:
154:
150:
147:
143:
139:
135:
131:
125:
120:
117:
115:
112:
109:
107:
104:
103:
102:
98:
93:
90:
88:
85:
83:
80:
79:
78:
74:
69:
56:February 1968
55:
51:
46:
33:
29:
22:
19:
1852:
1821:Girl Wanted!
1760:
1754:
1746:
1741:
1732:
1726:
1714:. Retrieved
1700:
1688:. Retrieved
1674:
1662:. Retrieved
1653:
1638:. Retrieved
1629:
1619:
1609:November 23,
1607:. Retrieved
1593:
1581:. Retrieved
1569:Bails, Jerry
1563:
1551:. Retrieved
1547:the original
1542:
1532:
1524:
1519:
1511:
1506:
1497:
1491:
1483:
1478:
1468:
1462:
1454:
1450:
1446:
1441:
1433:
1428:
1419:
1411:
1407:
1403:
1399:
1395:
1390:
1382:
1378:
1374:
1370:
1367:Cosmopolitan
1366:
1361:
1349:. Retrieved
1345:the original
1321:
1317:
1309:
1305:
1301:
1297:
1292:
1251:
1243:
1237:
1231:
1222:
1204:
1183:
1178:
1170:
1165:
1146:
1140:
1129:
1123:
1103:
1094:
1087:
1079:
1074:
1066:
1038:. Retrieved
1028:
1010:
1004:
983:. Retrieved
979:the original
946:
939:
927:. Retrieved
907:
894:
885:
876:
871:
852:
851:A page from
836:
820:
786:
770:
754:
739:
724:
699:
693:
687:
681:
675:
669:
663:
653:
641:
637:
633:
621:Rose O'Neill
605:
569:
559:
555:Topix Comics
554:
540:
537:Topix Comics
536:
530:
510:
494:
467:
461:
455:
449:
443:
437:
433:
427:
421:
415:
411:Cosmopolitan
409:
399:
397:
391:
380:
375:(1907), and
372:
368:
356:Pennsylvania
352:Philadelphia
349:
346:Illustration
320:
313:
302:
298:
254:
244:
243:(1907), and
240:
236:
218:
185:
184:
144:, (1909) by
141:
137:
133:
128:Notable work
106:Illustration
18:
1870:1883 births
1865:1968 deaths
1749:, pp. 12ā13
1277:The Century
1257:Howard Pyle
1182:Mattingly,
1169:Mattingly,
1040:October 21,
551:comic books
502:Howard Pyle
371:(1905) and
305:Harvey Dunn
1859:Categories
1269:Scribner's
1135:influence.
985:August 10,
805:Ivory Soap
533:cartoonist
519:Cartooning
490:Ivory Soap
390:Cover for
251:Early life
229:art colony
198:Ivory soap
114:watercolor
37:1883-04-18
1716:August 2,
1690:August 2,
1664:August 6,
1640:August 6,
1583:August 4,
1553:August 4,
1351:August 2,
1322:Collier's
1285:Collier's
1273:McClure's
929:August 2,
835:Cover to
771:Collier's
769:Cover to
582:, at the
497:Walt Reed
401:Collier's
170:Signature
76:Education
1837:Archived
1824:Archived
1804:Archived
1710:Archived
1684:Archived
1658:Archived
1634:Archived
1603:Archived
1577:Archived
1514:, p. 163
1265:Harper's
1186:, p. 222
1173:, p. 315
1069:, p. 111
1034:Archived
994:Archived
972:. See:
923:Archived
893:(1991).
628:and the
611:and the
594:and the
566:Painting
549:-themed
547:Catholic
360:halftone
261:Michigan
247:(1909).
239:(1905),
152:Movement
136:(1905),
110:painting
1788:at the
1486:, p. 87
707:Gallery
257:Allegan
223:to the
119:etching
60:1968-03
58: (
1745:Pitz,
1510:Reed,
1482:Reed,
1153:
1147:Leonia
1111:
1065:Reed,
968:, and
855:(1947)
839:(1946)
823:(1922)
807:(1918)
791:(1915)
757:(1907)
742:(1907)
727:(1904)
590:. The
488:, and
484:, the
460:, and
454:, the
432:, and
341:Career
162:Awards
70:, U.S.
47:, U.S.
1445:See:
1078:See:
656:. By
1718:2009
1692:2009
1666:2009
1642:2009
1611:2011
1585:2009
1555:2009
1353:2009
1296:See
1283:and
1259:and
1151:ISBN
1109:ISBN
1042:2016
987:2009
931:2009
584:York
539:and
535:for
325:and
212:and
53:Died
31:Born
1779:at
553:.
379:'s
367:'s
333:in
231:in
1861::
1652:.
1646:;
1628:.
1601:.
1541:.
1329:^
1275:,
1271:,
1267:,
1213:^
1191:^
1050:^
1019:^
964:,
960:,
956:,
897:.
619:,
480:,
448:,
442:,
426:,
420:,
414:,
354:,
259:,
216:.
208:,
1720:.
1694:.
1668:.
1644:.
1613:.
1587:.
1557:.
1355:.
1287:.
1159:.
1117:.
1044:.
989:.
933:.
62:)
39:)
35:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
