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22:
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66:, and it was his desire to encourage an Australian film industry that provided the impetus for Cinesound to develop. Doyle appointed his then personal assistant, Ken Hall, to the position of General Manager of Cinesound, and also put him in charge as supervisor of production. In this role, Ken Hall directed all but one of the seventeen films that Cinesound produced and also handled the business affairs of the company. Hall continued to lead Cinesound until 1956.
81:. The Centennial Roller Skating Rink was purchased by Australasian Films/Union Theatres at 65 Ebley Street Bondi Junction in 1925 and began making silent films. The income from the rink was still required to subsidise the film making so the site was used by skaters at night and for filmmaking at night. The Bondi Junction location was known as Studio no. 1 with an additional two studios located in Rushcutters Bay and St. Kilda.
323:
Cinesound was affected by an amendment to the
Cinematograph Films Act 1938 British film legislation which meant that Australian films no longer counted as "British" under the local quota. This saw the loss of a guaranteed market for Cinesound films, which normally sold for £6,500 – £7,500 to Britain,
99:
lines promoting the idea that
Cinesound was a "little Hollywood". It was this dedication to showmanship that led to all but one of Cinesound's feature films making a profit from the first release, and all of the films eventually at least broke even. In 1939 Hall said that the budgets of Cinesound
2580:"AUSTRALIAN film production received two heavy blows last week. Cinesound Ltd. was refused permission to raise capital to make a film of "Robbery Under Arms"; and Ealing Studios oi Britain decided to stop making films in Australia. MUST OUR FILM INDUSTRY DIE?"
84:
Both Doyle and Hall were very committed to the notion of showmanship, which encompassed ideas relating to the type of entertainment the public would want to enjoy, and how to effectively publicise that entertainment to the masses. The publicity campaign for
488:
In
February 1939 a company was registered, Cinesound Features Pty. Ltd., a subsidiary of Cinesound Productions Pty. Ltd, to produce the feature productions of the parent company. The directors of the new company were the same as Cinesound Productions:
144:. It was proposed Cinesound would make 12 movies a year in the first year of the quota: four "super productions", four "quota specials", and four independent Cinesound productions. There was also talk of establishing a studio in Melbourne at St Kilda.
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1349:
1334:
527:
Cinesound
Productions produced feature films until the Second World War, when it was considered that feature films were too great a financial risk to undertake. Cinesound then concentrated on producing the
36:
that covered all facets of the film process, from production to distribution and exhibition. Cinesound
Productions established a film studio as a subsidiary of Greater Union Theatres Pty Ltd based on the
3366:
547:, whilst discouraging local feature production. Hence Cinesound never regained its place as a major local film producer, and Australian film production was almost non-existent for the next two decades.
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505:(who acted in many Cinesound films), it offered training in "deportment, enunciation, miming, microphone technique and limbering." By 1940 the school had had over 200 students, including
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After the war Hall tried to produce the film independently but was unable to secure the necessary funds. As late as 1952, Cinesound almost raised money for a coproduction with
1021:(for a reported £1,500) and a script prepared. The film was meant to be Cinesound's third feature and was announced on 20 March 1933. There were plans to shoot it in colour.
586:
as a means of repatriating frozen currency held in
Australia due to wartime restrictions, Greater Union Theatres decided not to resume post-war production through Cinesound.
568:
productions in
Australian cinemas on a commercial basis. Similar arrangements existed for the release of general sponsored documentaries produced by Movietone and Cinesound.
1444:
554:. In the same year Cinesound abandoned feature production for the duration of the war. By this stage it was estimated Cinesound films had earned £400,000 at the box office.
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were the major figures involved in the establishment of
Cinesound in 1931. Stuart Doyle was the Managing Director of Greater Union Theatres, which stemmed from
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140:, as well as several films produced in Queensland over the next two years, one set in the cattle industry, another in the cane fields and a third on the
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In 1933 Doyle announced he hoped to make 16 films at their various studios over the next 18 months. This never happened although the success of
32:
Pty Ltd was an
Australian feature film production company. Established in June 1931, Cinesound developed out of a group of companies centred on
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In 1940 the
Australian Government decided to channel news footage to the public through the existing newsreel companies, Cinesound and
1578:
907:(1934) – this was to be one of a series of naturalistic films from Hurley written by Wilkinson – this plan was abandoned by April 1936
100:
films were usually between £10,000 and £20,000, and estimated that his first fourteen films had earned £350,000 at the box office.
150:
In the end the quotas did not prove effective enough to support such a program, although Cinesound kept making movies until 1940.
3396:
1622:'THE TRAGEDY OF CINESOUND'S STRUGGLE A Brave Rearguard Action-Fought Over 10 Years Has Ended Because the Odds Were Too Great',
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2010:
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These plans were postponed by the advent of World War II and Cinesound's withdrawal from feature film production in 1940.
270:. Stuart Doyle announces Cinesound's films will earn 60% of their money in Australia and New Zealand, and 40% in England.
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1149:
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showed this cost time so the film was postponed again. Another reason is that Cinesound had trouble with the censor on
1014:
was the most frequently discussed – Ken G. Hall later described it as "the film I wanted to make more than any other".
1028:
signed to play Captain Starlight. A budget of £20,000 was allocated with filming to take place in Burraganong Valley.
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In 1935 it was announced the film would be one of four movies made by Cinesound in response to the New South Wales
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1131:. They were ultimately prevented by restrictions on capital investment and the closing of Pagewood Studios.
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In 1936 they announced they would make six films a year, with one unit devoted to shooting outdoor movies.
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38:
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All of Greater Union's divisions suffered a loss during this period. In June 1937 Stuart Doyle resigns.
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3340:
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95:, was particularly imbued with this concept. They were also interested in creating a star system along
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In 1946 arrangements were made with the commercial film distribution companies to distribute selected
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to prepare newsreels for viewing to American troops in the South West Pacific theatre of the war.
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Other Australian producers were almost totally deprived of access to commercial cinema screens.
122:, saw Cinesound become bullish about expansion. They increased the size of their studio to make
1109:
and his wife were bought out to Australia in 1939 to work on projects for Cinesound, including
565:
2772:
2584:
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1971:
823:
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543:, and used the theatre chain primarily to exhibit British films, including those from the
8:
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at a budget of £15,000. However this was abandoned because Cinesound were unsure whether
1037:
761:
266:
78:
790:
Various films were announced for production by Cinesound that were not made, including:
501:
Cinesound established a talent school for young actors in 1938. Run by George Cross and
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532:, a newsreel that they had been generating to exhibit alongside their feature films.
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69:
By 1934, Cinesound had three film studios in Australia, the original location at
55:
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1063:
1053:; Hall said he would not make the film until the censor had passed the script.
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2221:. Adelaide. 16 September 1933. p. 6 Section: "Candida's" Women's Section
2212:
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1966:
1938:
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1307:
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1146:
1041:. Shooting was meant to start after that but it was winter and experience of
872:
540:
502:
33:
1530:
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1099:
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964:
911:
898:
724:
628:
511:
490:
377:
244:
130:
2729:"The History of an Australian Film Production Company: Cinesound, 1932–70"
2708:
2011:"The History of an Australian Film Production Company: Cinesound, 1932–70"
903:
892:
557:
In 1942 Cinesound provided the operational base for the film unit of the
249:
59:
2693:
1156:– Society of Motion Picture and Television Engineers (Australia Section)
3386:
3237:
3232:
3197:
3177:
1086:
1056:
It was then announced the film would be made the next year following
975:
was to co-star. However the war caused these plans to be pushed back.
1085:). The film was announced again in late 1936 and late 1937. In 1938
1626:, Saturday 13 July 1940 Supplement: The Argus Week-end Magazine p 2
2417:(DAILY ed.). Launceston, Tasmania. 1 November 1935. p. 9
914:
about an expedition to the South Pole partially shot in Antarctica
897:
film written by Kenneth Wilkinson about koalas to be directed by
2185:""THE SILENCE OF DEAN MAITLAND" FILMED IN RECORD TIME IN SYDNEY"
1384:'UNION THEATRES PROFITS AND PROSPECTS DETAILS OF ORGANISATION',
128:(1934), and announced a series of future productions, including
1975:. No. 2180. Western Australia. 5 November 1939. p. 5
971:– announced September 1939, film meant to start in June 1940.
3447:
1297:(Brisbane) Thursday 13 July 1939 Section: Second Section. p 6
120:
introduction of quotas for Australian films in the mid-1930s
2712:
920:, a story about the pearling trade – this may have become
25:
1931 Cinesound Studio 1 in Bondi Junction, Sydney and Crew
324:
and forced the studio to make more broad-based comedies.
1430:'AMALGAMATED PICTURES. Results of Operating Companies',
1024:
It was pushed back to be Cinesound's fourth feature and
1708:(HOME (FINAL) ed.). Perth. 1 July 1932. p. 9
1093:
in Hollywood; Hall reminded that he had the rights to
248:. Cinesound stops production for six months to enable
1637:
Vagg, Stephen (10 August 2019). "Unmade Cinesound".
1496:"Finance, Commerce and Markets GREATER UNION GROW."
1035:
The movie was then pushed back to enable filming of
986:
Hall intended to cast overseas stars in the lead of
931:– a "thrilling tale of Australian sport and manhood"
297:Profits earned for a six-month period, partly from
2644:(FIRST ed.). Perth. 15 March 1947. p. 11
1354:, Thursday 9 August 1934 Edition: HOME EDITION p 5
1089:announced plans to make a bushranger story called
574:Despite the success of Ken G Hall's last feature,
47:(1932), which was an enormous financial success.
3526:
3264:Australian Academy of Cinema and Television Arts
1660:(Perth) 20 Feb 1933: 8, accessed 7 December 2011
1350:'AUSTRALIAN FILMS Company Increases Equipment',
1923:"Cinesound Starts Production on Mahoney Film".
1593:'Australians Seek Fame, 200 in Starlet School'
1947:. No. 31, 720. 30 August 1939. p. 15
1147:UNESCO HONOURS CINESOUND MOVIETONE PRODUCTIONS
2758:
1650:
1648:
1607:'NO MORE FEATURE FILMS. Cinesound Decision',
1510:
1508:
1460:
1458:
1456:
1363:
1361:
1293:'KEN HALL SAYS A WORD FOR AUSTRALIAN FILMS',
2549:"CinesoundStarts Production on Mahoney Film"
1271:"Cinesound: from roller rink to sound stage"
3550:Mass media companies disestablished in 1952
2699:Cinesound Productions – partial filmography
1169:Ken G Hall Award goes to the late Tom Nurse
879:– It is likely this project was bumped for
3489:Film and television financing in Australia
2765:
2751:
2680:– via National Library of Australia.
2652:– via National Library of Australia.
2624:– via National Library of Australia.
2596:– via National Library of Australia.
2574:
2572:
2565:– via National Library of Australia.
2557:. Hobart, Tasmania. 1 July 1939. p. 5
2537:– via National Library of Australia.
2509:– via National Library of Australia.
2481:– via National Library of Australia.
2453:– via National Library of Australia.
2425:– via National Library of Australia.
2397:– via National Library of Australia.
2369:– via National Library of Australia.
2341:– via National Library of Australia.
2313:– via National Library of Australia.
2285:– via National Library of Australia.
2257:– via National Library of Australia.
2229:– via National Library of Australia.
2201:– via National Library of Australia.
2173:– via National Library of Australia.
2145:– via National Library of Australia.
2117:– via National Library of Australia.
2089:– via National Library of Australia.
2048:– via National Library of Australia.
1983:– via National Library of Australia.
1955:– via National Library of Australia.
1912:– via National Library of Australia.
1858:– via National Library of Australia.
1830:– via National Library of Australia.
1802:– via National Library of Australia.
1716:– via National Library of Australia.
1645:
1505:
1453:
1445:'GREATER UNION GROUP Half-year's Profit',
1358:
1324:– via National Library of Australia.
1239:"nesound: from roller rink to sound stage"
836:(1926) which had been made by Australasian
252:to study production methods in Hollywood.
1049:and were worried about censor trouble on
3555:Australian companies established in 1931
3545:Mass media companies established in 1931
2705:, an Australian Film Commission resource
1694:
1692:
1164:
1162:
1113:, although Hall was still to direct it.
20:
3397:Film Critics Circle of Australia Awards
2588:. Melbourne. 1 February 1952. p. 2
2569:
2473:. Adelaide. 2 December 1937. p. 51
2277:. Adelaide. 13 January 1934. p. 17
1876:. Brisbane. 20 November 1936. p. 6
1335:'QUEENSLAND FILMS Production Planned',
1097:. (Roach made an original story called
535:After the war, the British businessman
3540:Film production companies of Australia
3527:
2672:. Adelaide. 21 January 1952. p. 3
2529:. Melbourne. 12 April 1939. p. 12
1515:"Greater Union Results Best To Date."
1223:: CS1 maint: archived copy as title (
1140:
817:, which had been previously filmed by
375:Last Cinesound feature film produced,
2746:
2213:"Soviet Seeking Outside Film Markets"
1994:"'Jack Lester Plans New Perth Show',
1904:. Adelaide. 9 August 1938. p. 21
1689:
1481:'GREATER UNION Net Profit Increase',
1159:
1001:
3296:Australian Guild of Screen Composers
1636:
519:, Natalie Raine, and Mary Sinclair.
103:
3560:1952 disestablishments in Australia
3270:Australian Cinematographers Society
2081:. Adelaide. 11 June 1935. p. 4
2040:. Brisbane. 26 June 1939. p. 2
13:
3494:Film industry in Western Australia
3301:Australian Production Design Guild
2636:"Ealing will make more films here"
2249:. Perth. 11 August 1933. p. 3
1967:"Jack Lester Plans New Perth Show"
1563:"Film Group's Steady Net Profit."
1316:. Perth. 11 August 1933. p. 3
493:, Edwin Geach, and John Goulston.
16:Australian film production company
14:
3571:
3223:South Australian Film Corporation
2687:
2501:. NSW. 2 December 1938. p. 4
2445:. Vic. 8 December 1936. p. 9
2193:. Perth. 16 March 1934. p. 3
1927:. Hobart. 1 July 1939. p. 5.
1403:20 November 1936 7 Edition: DAILY
1064:the ban against bushranging films
800:, which was previously filmed by
539:bought a controlling interest in
509:and Yvonne East, who featured in
184:Enormously successful release of
3321:Film Critics Circle of Australia
2792:
2774:
2726:
2361:. Perth. 17 May 1934. p. 14
2008:
1531:"RECORD PROFITS FROM PICTURES."
1372:(Melbourne) 20 November 1936: 11
797:For the Term of His Natural Life
589:
496:
153:
118:(1933), along with the proposed
50:
41:model. The first production was
3291:Australian Classification Board
2722:National Film and Sound Archive
2656:
2628:
2600:
2541:
2513:
2485:
2457:
2429:
2401:
2373:
2345:
2317:
2289:
2261:
2233:
2205:
2177:
2149:
2121:
2093:
2065:
2052:
2024:
2002:
1987:
1959:
1931:
1916:
1896:"FIVE AUSTRALIAN FILMS IN YEAR"
1888:
1862:
1834:
1806:
1778:
1762:
1736:
1720:
1663:
1630:
1615:
1600:
1597:(Perth), Sunday 30 June 1940 p6
1587:
1572:
1556:
1540:
1524:
1489:
1474:
1449:, Wednesday 4 January 1939 p 10
1438:
1423:
1417:Townsville Daily Bulletin (Qld)
1408:
1392:
1377:
1368:"SIX FEATURE FILMS EACH YEAR."
785:
134:and an adaptation of the novel
3183:Commonwealth Film Laboratories
2736:Australian National University
2165:. Qld. 6 March 1934. p. 6
2018:Australian National University
1998:, Sunday 5 November 1939 p 5".
1794:. 14 December 1935. p. 12
1485:, Wednesday 25 August 1943 p 5
1343:
1328:
1300:
1287:
1263:
1231:
1185:
1008:Of all these an adaptation of
963:, a biopic about opera singer
732:
515:(1940), plus Valerie Scanlon,
1:
3346:Sydney Filmmakers Cooperative
2389:. 20 October 1934. p. 20
2305:. 15 February 1934. p. 6
1850:. 22 January 1936. p. 11
1750:. 26 October 1935. p. 21
1583:, Tuesday 14 February 1939 p8
1419:, Thursday 6 January 1938 p 3
1178:– Australian Film Commission
1134:
1017:Film rights were bought from
757:(weekly newsreel) (1931–1975)
3428:Australian Multiplex Cinemas
2073:"Film Industry in Australia"
1047:The Silence of Dean Maitland
613:The Silence of Dean Maitland
582:(1946), which was backed by
229:The Silence of Dean Maitland
7:
3275:Australian Costumers' Guild
2694:Cinesound Movietone Website
2664:"Pagewood Studios To Close"
2608:"AUSTRALIAN FILM PROSPECTS"
2062:, Lansdowne Press, 1977 p93
1870:""BIG PLANS FOR 'TALKIES'""
1434:, Thursday 28 July 1938 p 8
1388:, Saturday 6 July 1935 p 20
1352:Barrier Miner (Broken Hill)
1339:, Monday 6 August 1934 p 20
1337:The Courier-Mail (Brisbane)
945:an adaptation of the novel
207:plus successful release of
10:
3576:
3341:Screen Producers Australia
3316:Casting Guild of Australia
3280:Australian Directors Guild
2616:. 27 March 1947. p. 4
2333:. 3 March 1934. p. 10
2109:. 21 March 1933. p. 8
1822:. 30 April 1936. p. 5
3481:
3415:
3354:
3311:Australian Writers' Guild
3306:Australian Screen Editors
3285:Australian Film Institute
3256:
3243:Village Roadshow Pictures
3168:
2878:
2802:
2787:
2613:The Sydney Morning Herald
2386:The Sydney Morning Herald
2330:The Sydney Morning Herald
2302:The Sydney Morning Herald
2162:Townsville Daily Bulletin
2137:. 3 June 1933. p. 13
2134:The Sydney Morning Herald
2106:The Sydney Morning Herald
1944:The Sydney Morning Herald
1847:The Sydney Morning Herald
1819:The Sydney Morning Herald
1791:The Sydney Morning Herald
1775:accessed 15 December 2011
1748:The Sydney Morning Herald
1733:accessed 15 December 2011
1727:"AUSTRALIAN PRODUCTIONS"
1677:. 16 June 1932. p. 9
1675:The Sydney Morning Herald
1611:, Friday 28 June 1940 p 9
1609:The Sydney Morning Herald
1581:The Sydney Morning Herald
1569:accessed 12 December 2011
1565:The Sydney Morning Herald
1553:accessed 12 December 2011
1549:The Sydney Morning Herald
1537:accessed 12 December 2011
1521:accessed 12 December 2011
1517:The Sydney Morning Herald
1502:accessed 12 December 2011
1498:The Sydney Morning Herald
1483:The Sydney Morning Herald
1471:accessed 12 December 2011
1447:The Sydney Morning Herald
1432:The Sydney Morning Herald
1405:accessed 15 December 2011
1374:accessed 29 November 2011
1123:, who were going to make
693:Dad and Dave Come to Town
347:Dad and Dave Come to Town
234:box office disappointment
3248:Village Roadshow Studios
3188:Disney Studios Australia
645:Orphan of the Wilderness
522:
203:Continued receipts from
3535:Australian film studios
3203:Kennedy Miller Mitchell
2727:Pike, Andrew Franklin.
2521:"A Film Critic's Diary"
2269:"IN AUSTRALIAN STUDIOS"
2060:Directed by Ken G. Hall
2009:Pike, Andrew Franklin.
1769:"Notes on the Screen."
1465:"GREATER UNION GROUP."
982:to be made in the 1960s
717:Mr. Chedworth Steps Out
605:The Squatter's Daughter
210:The Squatter's Daughter
116:The Squatter's Daughter
88:The Squatter's Daughter
77:in New South Wales and
2493:"STORY PIRACY ALLEGED"
2437:"Six Australian Films"
2409:"BIG AUSTRALIAN FILMS"
2032:"LACK OF FILM PLAYERS"
1939:"FILM OF MELBA'S LIFE"
1731:(Perth) 14 Jul 1933: 2
1579:'Cinesound Features',
1152:2 January 2004 at the
566:Commonwealth Film Unit
338:Successful release of
226:Successful release of
34:Greater Union Theatres
26:
2718:Cinesound Productions
2709:Cinesound Productions
2465:"NEWS of the TALKIES"
2442:Shepparton Advertiser
2353:"CENSORSHIP MODIFIED"
1771:The Argus (Melbourne)
1624:The Argus (Melbourne)
1547:"GTR. UNION PROFIT."
1467:The Argus (Melbourne)
1401:Examiner (Launceston)
1386:The Argus (Melbourne)
811:Con of the South Seas
794:a talking version of
30:Cinesound Productions
24:
3208:Limelight Department
3169:Production companies
2241:"AUSTRALIAN TALKIES"
1996:Sunday Times (Perth)
1972:Sunday Times (Perth)
1399:"AUSTRALIAN FILMS."
1308:"AUSTRALIAN TALKIES"
1283:on 19 February 2015.
1174:22 December 2003 at
918:Pearl of Great Price
858:Rudd's New Selection
824:The Adorable Outcast
813:based on a novel by
242:, and popularity of
3509:Australian New Wave
3407:Screen Music Awards
2781:Cinema of Australia
2381:"BONUSES FOR FILMS"
2358:The West Australian
2246:The West Australian
2190:The West Australian
1773:6 November 1935: 10
1744:""CINESOUND FILMS""
1729:The West Australian
1658:The West Australian
1313:The West Australian
1251:on 17 December 2015
1205:on 19 February 2015
1182:. 27 November 2003.
1043:Squatter's Daughter
1038:Cinesound Varieties
901:along the lines of
889:Gold Dust and Ashes
762:Cinesound Varieties
79:St. Kilda, Victoria
3514:Australian Western
3402:Inside Film Awards
2325:"AUSTRALIAN FILMS"
2101:"AUSTRALIAN FILMS"
1814:"AUSTRALIAN FILMS"
1700:"AUSTRALIAN FILMS"
1671:"AUSTRALIAN FILMS"
1655:"AUSTRALIAN FILMS"
1533:The Canberra Times
1125:Robbery Under Arms
1111:Robbery Under Arms
1095:Robbery Under Arms
1083:Lovers and Luggers
1032:wrote the script.
1011:Robbery Under Arms
1003:Robbery Under Arms
992:Robbery Under Arms
988:Overland Telegraph
948:Robbery Under Arms
941:Overland Telegraph
923:Lovers and Luggers
875:from the novel by
819:Australasian Films
802:Australasian Films
778:South West Pacific
669:Lovers and Luggers
142:Great Barrier Reef
137:Robbery Under Arms
64:Australasian Films
27:
3522:
3521:
3228:Screen Queensland
3164:
3163:
2703:Australian Screen
2498:The Newcastle Sun
2297:"AUSTRALIAN FILM"
2129:"FILMS IN COLOUR"
1786:"CINESOUND FILMS"
1415:'FILM FINANCES',
1180:News & Events
1073:(the others were
969:Marjorie Lawrence
953:a version of the
939:the story of the
935:The Haunted House
871:from a script by
851:The Fatal Wedding
815:Beatrice Grimshaw
677:The Broken Melody
584:Columbia Pictures
545:Rank Organisation
486:
485:
104:Corporate history
3567:
3336:Screen Australia
3213:Pagewood Studios
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2037:The Courier-Mail
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2015:
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1991:
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1886:
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1874:The Courier-Mail
1866:
1860:
1859:
1857:
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1842:"CAPTAIN HURLEY"
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1291:
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1276:. Archived from
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1250:
1244:. Archived from
1243:
1235:
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1228:
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1212:
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1204:
1198:. Archived from
1197:
1189:
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1166:
1157:
1144:
1107:William Freshman
1091:Captain Midnight
1019:Raymond Longford
891:from a story by
877:William Hatfield
863:On Our Selection
755:Cinesound Review
701:Gone to the Dogs
685:Let George Do It
597:On Our Selection
530:Cinesound Review
341:Let George Do It
205:On Our Selection
187:On Our Selection
158:
157:
111:On Our Selection
44:On Our Selection
3575:
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3569:
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3566:
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3525:
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3518:
3477:
3468:Village Cinemas
3463:Reading Cinemas
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1195:
1193:"Archived copy"
1191:
1190:
1186:
1167:
1160:
1154:Wayback Machine
1145:
1141:
1137:
1129:Eureka Stockade
1066:still applied.
1006:
996:Erueka Stockade
955:Eureka Stockade
788:
770:100,000 Cobbers
740:Thar She Blows!
735:
709:Come Up Smiling
621:Strike Me Lucky
592:
559:US Signal Corps
525:
517:Lorna Westbrook
499:
280:Loss of £5,254
239:Strike Me Lucky
156:
125:Strike Me Lucky
106:
93:Jocelyn Howarth
91:, and its star
75:Rushcutters Bay
56:Stuart F. Doyle
53:
17:
12:
11:
5:
3573:
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3552:
3547:
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3506:
3501:
3499:Bushranger ban
3496:
3491:
3485:
3483:
3479:
3478:
3476:
3475:
3473:Wallis Cinemas
3470:
3465:
3460:
3458:Palace Cinemas
3455:
3453:Ozone Theatres
3450:
3445:
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3333:
3331:Salvation Army
3328:
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3313:
3308:
3303:
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3277:
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3258:
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3245:
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3235:
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3205:
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3195:
3193:Film Australia
3190:
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3180:
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2715:
2706:
2696:
2689:
2688:External links
2686:
2684:
2683:
2669:The Advertiser
2655:
2641:The Daily News
2627:
2599:
2568:
2540:
2512:
2484:
2456:
2428:
2400:
2372:
2344:
2316:
2288:
2260:
2232:
2204:
2176:
2157:"STAGE ASIDES"
2148:
2120:
2092:
2064:
2051:
2023:
2020:. p. 216.
2001:
1986:
1958:
1930:
1915:
1901:The Advertiser
1887:
1861:
1833:
1805:
1777:
1761:
1735:
1719:
1705:The Daily News
1688:
1662:
1644:
1629:
1614:
1599:
1586:
1571:
1555:
1551:27 Aug 1948: 5
1539:
1535:29 Aug 1947: 4
1523:
1519:29 Aug 1947: 6
1504:
1500:30 Aug 1944: 5
1488:
1473:
1469:30 Apr 1941: 2
1452:
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1342:
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1299:
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1262:
1230:
1184:
1158:
1138:
1136:
1133:
1121:Ealing Studios
1071:Film Quota Act
1030:Edmund Barclay
1005:
1000:
984:
983:
978:adaptation of
976:
958:
951:
943:
937:
932:
926:
915:
908:
895:
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866:
860:, a sequel to
855:
846:
837:
828:
808:
787:
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783:
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774:
766:
758:
752:
748:That's Cricket
744:
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537:J. Arthur Rank
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71:Bondi Junction
52:
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9:
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3:
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3446:
3444:
3443:Grand Cinemas
3441:
3439:
3438:Event Cinemas
3436:
3434:
3433:Dendy Cinemas
3431:
3429:
3426:
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3259:
3257:Organisations
3255:
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2471:
2470:The Chronicle
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2135:
2130:
2124:
2108:
2107:
2102:
2096:
2080:
2079:
2074:
2068:
2061:
2058:Ken G. Hall,
2055:
2039:
2038:
2033:
2027:
2019:
2012:
2005:
1997:
1990:
1974:
1973:
1968:
1962:
1946:
1945:
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3171:and studios
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1925:The Mercury
1880:29 November
1754:15 December
1209:19 February
904:Man of Aran
893:Ion Idriess
842:Tall Timber
733:Short films
264:Release of
250:Ken G. Hall
114:(1932) and
60:Ken G. Hall
3529:Categories
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3372:ADG Awards
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3238:Screenwest
3233:Screen NSW
1979:16 October
1951:16 October
1681:9 December
1320:29 January
1255:5 November
1135:References
1127:following
973:John Boles
869:Big Timber
3198:VicScreen
3178:Cinesound
2803:By decade
2585:The Argus
2526:The Argus
2393:10 August
2044:16 August
1908:15 August
1854:12 August
1826:12 August
1798:12 August
1370:The Argus
1087:Hal Roach
967:starring
552:Movietone
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2078:The News
1712:4 August
1219:cite web
1172:Archived
1150:Archived
980:Tusitala
335:£10,010
220:30 June
197:30 June
178:30 June
3266:(AACTA)
2879:By year
1639:Filmink
1051:Robbery
480:£3,355
467:£6,012
454:£1,433
441:£1,392
428:£7,223
415:£4,973
403:£5,018
391:£1,242
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320:£7,647
317:2 July
294:£2,788
223:£4,220
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181:£4,010
167:Profit
3482:Topics
3355:Awards
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170:Notes
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2014:(PDF)
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