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Competition from French, American, German, Danish, British and
Italian companies, distributing their country's wares to the eager Russians, developed, but the indigenous industry made such strides over the next five years that 129 fully Russian films - even if many of them were comparatively short -
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in Russia in 1914 sparked a change. Imports dropped drastically, especially insofar as films from
Germany and its allies left the market rapidly. Russian filmmakers early on turned to anti-German, "patriotic" films, often hastily made, even being filmed while the scripts were still being written,
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Nicholas gave some special assistance to the makers of "The Defence of Sevastopol" and a few similar films, but the industry was not nationalized nor governmentally subsidized or otherwise controlled. There were also only a few rules of censorship on a national level - such as not making the
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filling in the gap: in 1916, Russia produced 499 films, over three times the number of just three years earlier, and more of feature length. Russia's allies, in turn, began to import some of the more striking product, including further films by
Protazanov and
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and appointed an official Court
Cinematographer, although he is purported to have written in 1913 that film was "an empty matter...even something harmful...silliness...we should not attribute any significance to such trifles".
128:: Синематографъ Россійской Имперіи) roughly spans the period 1907 - 1920, during which time a strong infrastructure was created. From the over 2,700 art films created in Russia before 1920, around 300 remain to this day.
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by artist
Vladimir Sashin. After purchasing a Vitagraph projector, Sashin started to make short films, which by August 1896 were being demonstrated to theatre audiences after the theatre performance had ended.
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Tsars characters in a dramatized film - but the filmmakers were largely free to produce for the mass audience; local officials might be more stringent in censoring or banning films.
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to open offices, after the turn of the century, to make motion pictures on location for
Russian audiences. Theatres were already built, and film renting
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Film in Russia became a staple of fairs or rented auditoriums. After the Lumières came representatives from
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Yana
Hashamova, Pride and Panic: Russian Imagination of the West in Post-Soviet Film (Intellect Books, 2007)
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In 1907, the journal Kino was first published. Kino was the first
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would become the first new film release a year later, in the new country of the
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In April 1896, just four months after the first films were shown in
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Ironically, the last significant Russian film completed, in 1917,
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was established by the government to oversee the making of
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made the first Russian animated film (and the first
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48:. Unsourced material may be challenged and removed.
488:Historical Dictionary of Russian and Soviet Cinema
210:The first Russian movies were shown in the Moscow
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525:Russian and Soviet Cinema 1896-1953, A J Horton
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431:Russian Soviet Federative Socialist Republic
307:were produced in 1918 alone. In 1912, the
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108:Learn how and when to remove this message
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334:" ("Departure of the Grand Old Man"), a
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582:Cinema of the Russian Empire (pre-1917)
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587:Cinema of the Soviet Union (1917–1991)
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520:Early Russian Cinema, 1907-1918 (PDF)
235:had already replaced direct sales to
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46:adding citations to reliable sources
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355:were popular, and various forms of
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132:The beginning of cinema in Russia
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126:Pre-reform Russian orthography
57:"Cinema of the Russian Empire"
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270:puppet film with a story) in
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122:Cinema of the Russian Empire
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288:1917 October Revolution
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332:Ukhod Velikovo Startsa
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486:Rollberg, P. (2009).
369:as Father Sergius in
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314:was operational, and
299:Defence of Sevastopol
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255:Alexander Khanzhonkov
1541:United Arab Emirates
324:Oborona Sevastopolya
42:improve this article
2090:& transnational
419:February Revolution
1942:Dominican Republic
415:Russian Revolution
413:And then came the
400:Skobolev Committee
392:psychological film
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257:began to operate.
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151:. You can help by
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