Knowledge

Christian Kluttig

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received special support. According to Baumann, Kluttig stood for the "retention of Handel's dramaturgy" and had "new translations produced that were oriented towards the original text". In this way, Kluttig provided essential suggestions for a "New Handel Style Halle". Halle advanced to become an
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in 1974. In a later interview (1985), he stated that his Wagner work so far had proved to be "a great happiness" for him. At the same time, he regretted that he had hardly found the opportunity to interpret him. In 1975, he rose to the position of Musical Director. In 1979, he opened the
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of orchestral conducting in 1998, he was additionally offered a professorship in Leipzig in 2000. He also became the full-time director of the Leipzig HSO this time. His tenure included the opening of the Great Hall and the engagement of renowned guest conductors such as
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attested to Kluttig's combination of "modesty with the authority of the highly competent". He had "completed a huge opera repertoire" and was well known in the
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But then Kluttig suffered an irreversible hearing disorder, which forced him to end his conducting career in 2002. He has since been increasingly involved as a
212: 101: 417: 1802: 384:"East German centre of historical performance practice", as music journalist Michael Struck-Schloen put it. For musicologist Karin Zauft, Kluttig was 1114: 850: 660: 23: 754: 765:, Chamber choir with members of the Halle State Theatre Choir, the Halle Choral Soloists and the Collegium vocale, Handel Festival Orchestra Halle 1843: 866: 690: 562: 363:. Kluttig helped several singers socialised in Leipzig to get engagements in the Saale city, mainly on the recommendation of the singing teacher 1788: 1367: 510:(1999), on the other hand, he performed all Mahler symphonies. On the occasion of the 2000th anniversary of the city, he performed Mahler's 411:
In Halle, according to Gilbert Stöck, he was also responsible for "two nationally acclaimed productions of contemporary and at the same time
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was the second most performed Handel production in Halle. Kluttig received support regarding performance practice from the musicologist
393: 541:(Baroque) as well as in "the classics and in Mahler scores." Thus Kluttig's repertoire includes, in particular, orchestral works and 2142: 350: 1928: 631: 620: 481: 2046: 1485:
Experimentierlust und Phantasie im Einsatz fĂĽr neue Musik. Encounter with Union friend Bettina Otto, harpsichordist and pianist
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in the Saale city, which made him one of the most important protagonists in this field in the GDR. He also devoted himself to
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Handbuch der internationalen Konzertliteratur. Instrumental and vocal music = Manual of international concert literature
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Eine musikalische Heimkehr. On Sunday, an unusual song recital can be experienced in Radeberg. And an unusual gramophone
2152: 2137: 32: 1605: 261:(drama director) and Dieter Wardetzki (1st play director of the Sprechtheater). He also became chief conductor of the 1913: 1732: 1708: 1513: 1471: 1079: 934: 904: 608: 538: 405: 254: 54: 194: 577: 355:, according to opera director Andreas Baumann. In addition to Baumann, from 1981, he worked closely in Halle with 2167: 477: 1364:
The Search for Authentic Sound - Balancing Act between Subjectivity, Perception of Time and Historical Knowledge
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Die halleschen Händel-Opern-Pioniere sollen im Erinnerung bleiben. Prof. Christian Kluttig on his 70th birthday
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Die halleschen Händel-Opern-Pioniere sollen im Gedächtnis bleiben. Prof. Christian Kluttig on his 70th birthday
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Historical Performance Practice and its Perspectives. XXXth Scientific Workshop, Michaelstein, 10-12 May 2002
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Die halleschen Händel-Opern-Pioniere sollen im Gedächtnis bleiben. Prof. Christian Kluttig zum 70. Geburtstag
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With his Dresden qualifications, he moved in 1969 to Karl-Marx-Stadt (now Chemnitz), where he became First
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Comparison and Stimulation. The 1988 GDR Music Days begin today Talk with Union friend Christian Kluttig
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Neue Musik in den Bezirken Halle und Magdeburg zur Zeit der DDR. Compositions, Politics, Institutions
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Aller Glamour kommt von oben. Musical quality and scenic routine at the 47th Handel Festival in Halle
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MT-Journal. Zeitschrift der Hochschule fĂĽr Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
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MT-Journal. Zeitschrift der Hochschule fĂĽr Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
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MT-Journal. Zeitschrift der Hochschule fĂĽr Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
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MT-Journal. Zeitschrift der Hochschule fĂĽr Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
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and took over all George Frideric Handel productions in Halle from 1979 to 1990. Thus he directed
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Christian Kluttig at the Hochschule fĂĽr Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
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Classical Music in the 20th Century. Instrumentalists, Singers, Conductors, Orchestras, Choirs
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Auftakt. Conversations with Conductors: Christian Kluttig in conversation with Wolfgang Lange
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Auftakt. Conversations with Conductors: Christian Kluttig in conversation with Wolfgang Lange
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Klassische Musik im 20. Jahrhundert. Instrumentalisten, Sänger, Dirigenten, Orchester, Chöre
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Entschiedener Impulsgeber - Der in Dresden geborene Dirigent Christian Kluttig wird 70
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Nach Höhenflug nun glückliche Landung. Encounter with the conductor Stefan Sanderling
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Zur Geschichte der Händel-Pflege in Halle Wiederentdeckung des historischen Klanges
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Auftakt. Gespräche mit Dirigenten: Christian Kluttig im Gespräch mit Wolfgang Lange
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KĂĽrschners Musiker-Handbuch. Soloists, conductors, composers, university teachers
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Neuerungen mĂĽssen nicht radikal sein. The conductor Titus Engel in conversation
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KĂĽrschners Musiker-Handbuch. Solisten, Dirigenten, Komponisten, Hochschullehrer
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StĂĽck-Anregungen von den BĂĽhnen der Welt. Efforts for sophisticated stage art
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Mitteilungen des Freundes- und Förderkreises des Händel-Hauses zu Halle e.V.
1820:"Christian Kluttig at the Hochschule fĂĽr Musik Carl Maria von Weber Dresden" 1297:
Mitteilungen des Freundes- und Förderkreises des Händel-Hauses zu Halle e.V.
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Mitteilungen des Freundes- und Förderkreises des Händel-Hauses zu Halle e.V.
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Mitteilungen des Freundes- und Förderkreises des Händel-Hauses zu Halle e.V.
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probably ultimately led to the resignation of the Kluttig and Baumann team.
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in 1967. There, he was active as an opera conductor for the first time with
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Das Dirigieren lässt mich nicht los - Interview mit Prof. Christian Kluttig
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In Zuerich getroffen. Christian Kluttig – Haendel-Spezialist nach der Wende
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even before the fall of the Wall. (1989–1993, 1995, 2000/01) und zu den
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by Tchaikovsky. At the Opera House, he conducted the premiere of the
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1969: Support Prize at the Dresden Carl Maria von Weber Competition.
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After a guest appearance, he was from 1991 to 1998 in succession to
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Conducting won't let me go - Interview with Prof. Christian Kluttig
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Conducting won't let me go - Interview with Prof. Christian Kluttig
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by Mozart. In 1969, he also conducted his first Handel opera with
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as musical director. The new management team continued to include
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Kluttig was born in Dresden as a son of the cantor and subsequent
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Die beste aller möglichen Welten: Bredemeyer's Candide (1981/82).
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one of the pioneers of historical performance practice in the GDR
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Schriftenreihe des Internationalen Arbeitskreises Frau und Musik
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1998: Honorary Member of the Richard Wagner Association Koblenz.
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The opera ensemble made guest appearances both in the so-called
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Finally, in 1979, artistic director Ulf Keyn brought him to the
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Mitteldeutscher Rundfunk. The history of the symphony orchestra
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Händel aus Halle. Kissingen in summer - prelude to the festival
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music" premiered. Guest conducting engagements took him to the
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interpreter rendered special services to the implementation of
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Jahrbuch der Hochschule fĂĽr Musik Carl Maria von Weber Dresden
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in 1969. In this capacity he studied among others the operas
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Academic staff of the University of Music and Theatre Leipzig
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in 2003/04, he took over the conducting post again until his
496: 159:. In Dresden, he learned a lot from guest conductors such as 104:. Furthermore, he took part in conducting courses given by 123:
After he had also undergone piano training in Dresden with
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Von der "Orchesterschule" zum Hochschul-Sinfonieorchester
22:(born 17 August 1943) is a German conductor, pianist and 1596:, musik-institut-koblenz.de, retrieved 22 January 2021. 1013:
With modesty and cordiality - Christian Kluttig turns 70
375:, JĂĽrgen Trekel and Tomas Möwes. He repeatedly invited 1757:, No. 25 (2008), pp. 44–46, here p. 44. 1632:, No. 25 (2008), pp. 44–46, here p. 46. 1179:, No. 25 (2008), pp. 44–46, here p. 45. 2093: 1779:, No. 26 (2009), Supplement, pp. 1-5, here p. 5. 877:. 46. Ausgabe 2007/08, Schmidt-Römhild, LĂĽbeck 2007, 651:. After an interim period with his former assistant 623:. He presented several radio and record productions. 553:, for example, he brought the 1972 Piano Concerto by 26:. From 1979 to 1990, he was chief conductor of the 2025:
Wagner-Verband bedankt sich bei Kluttig und Stracke
1981:, 18 November 1971, Jg. 27, Ausgabe 273, p. 4. 1458:In Michael Berg, Albrecht von Massow, Nina Noeske: 659:in 2007. He also conducted several courses of the 257:(opera director), Karin Zauft (chief dramaturge), 2014:, 6 October 1983, Jg. 39, Ausgabe 236, p. 2. 1880:, 11 August 1990, Vol. 46, Issue 186, p. 11. 1767: 1765: 1763: 1745: 1743: 1741: 1671:, 19 February 1988, vol. 44, issue 42, p. 4. 1195:, 14 October 1974, vol. 29, issue 284, p. 4. 529:as his artistic role model. For the music critic 102:Hochschule fĂĽr Musik Carl Maria von Weber Dresden 2129: 1809:, dirigentenforum.de, retrieved 22 January 2021. 1584:, 21 March 1991, vol. 47, issue 68, p. 13. 1460:Between Power and Freedom. Neue Musik in the GDR 1167: 1165: 1163: 1066: 1064: 1062: 1060: 1058: 1056: 1054: 811:(Deutsche Schallplatten, 1996) – Nils Giesecke, 244:Theater des Friedens, Landestheater Halle (1986) 1687:, 4 October 1972, vol. 28, issue 235, p. 4 1228:Festliches Konzert zum Beginn der Schumann-Tage 1217:10/1985, pp. 28–30, here p. 29. 1048:10/1985, pp. 28–30, here p. 28. 983:10/1985, pp. 28–30, here p. 30. 545:by George Frideric Handel, as well as works by 1998:1/2012, pp. 20–25, here p. 24. 1965:, 8 July 1969, Jg. 25, Ausgabe 157, p. 4. 1760: 1738: 1618: 1491:, 6 April 1985, Vol. 41, Issue 81, p. 10. 1299:1/2014, pp. 33–35, here p. 35. 1157:1/2014, pp. 33–35, here p. 34. 607:, 1997). He also worked among others with the 379:as a guest. The first "in-house" countertenor 41:in 1983, he worked as such at the theatres in 1406:, 25 May 1985, Jg. 40, Ausgabe 121, p. 6 1256:, 1 March 1980, Vol. 36, Issue 52, p. 4. 1236:, 9 June 1979, vol. 34, issue 134, p. 4. 1160: 1051: 1615:, dmv-online.com, retrieved 22 January 2021. 1566:, lmr-rp.de, retrieved 22 January 2021 2020. 1400:Mit "Flondante" beim Prager FrĂĽhling zu Gast 1269:Mitteldeutscher Verlag, Halle (Saale) 2001, 163:and Igor Markevitch during orchestral work. 1429: 1427: 1425: 1287: 1285: 1283: 792:, 1994) – Rundfunksinfonieorchester Leipzig 127:, he received his first engagement as solo 2063: 1576:Chief Conductor from Halle Goes to Koblenz 1396:Guesting with "Flondante" at Prague Spring 1244: 1242: 1203: 1201: 1189:Meistersinger"-Premiere in Karl-Marx-Stadt 1145: 1143: 1141: 1139: 1137: 1135: 1110: 1108: 394:Prague Spring International Music Festival 2047:Literature by and about Christian Kluttig 1660: 1658: 1106: 1104: 1102: 1100: 1098: 1096: 1094: 1092: 1090: 1088: 1034: 1032: 1030: 1028: 1026: 823:, Staatsorchester Rheinische Philharmonie 484:and, as it were, Musical Director of the 336:(1990). With 41 performances, the opera 1422: 1386:, pp. 55–58, here p. 56. 1280: 1267:Handel and the Handel Festival in Halle. 238: 1935:, hfmdd. de, retrieved 22 January 2021. 1908:. Vol. 4). Furore-Verlag, Kassel 2003, 1564:Staatsorchester Rheinische Philharmonie 1419:. Bad Kissingen o. J., p. 75. 1239: 1198: 1132: 1003: 1001: 999: 997: 995: 993: 991: 989: 632:University of Music and Theatre Leipzig 630:brought him to teach conducting at the 621:Saint Petersburg Philharmonic Orchestra 482:Staatsorchester Rheinische Philharmonie 2130: 2001: 1947:, hfmdd.de, retrieved 22 January 2021. 1655: 1540: 1538: 1474:, pp. 141–156, p. 142. 1085: 1023: 967: 549:and Gustav Mahler. He also championed 1606:Bestes Konzertprogramm der Spielzeit 986: 855:Christian Kluttig zum 70. Geburtstag 400:, guest appearances took him to the 1535: 1378:. Vol. 67). WiĂźner, Augsburg 2007, 1207:Christian Kluttig, Wolfgang Lange: 1038:Christian Kluttig, Wolfgang Lange: 973:Christian Kluttig, Wolfgang Lange: 777:Rundfunk-Sinfonie-Orchester Leipzig 346:Georg-Friedrich-Händel-Gesellschaft 88:. In his hometown, he attended the 13: 1771:Christian Fanghänel, Heike Bronn: 1074:. 5th edition, Saur, Munich 2006, 895:. 2nd completely revised edition, 867:Wer ist wer? The German Who’'s Who 844: 704:(born 1968) is also a conductor. 263:Orchestra of the Halle Opera House 14: 2179: 2040: 1309:We congratulate Christian Kluttig 757:, 1982 / Berlin Classics 1997) – 609:Rundfunk-Sinfonieorchester Berlin 539:Historically informed performance 406:Innsbruck Festival of Early Music 55:Historically informed performance 2143:German performers of early music 2115: 2103: 1902:Europäischer Dirigentinnenreader 1749:Christian Kluttig, Heike Bronn: 1624:Christian Kluttig, Heike Bronn: 1376:Michaelsteiner Konferenzberichte 1171:Christian Kluttig, Heike Bronn: 578:Leipzig Radio Symphony Orchestra 2017: 2008:Ehrentitel an verdiente Musiker 1984: 1968: 1950: 1938: 1919: 1883: 1866: 1837: 1812: 1793: 1782: 1714: 1690: 1674: 1635: 1599: 1587: 1569: 1557: 1519: 1494: 1477: 1448: 1409: 1389: 1356: 1337: 1318: 1302: 1259: 1220: 520:Deutscher Musikverleger-Verband 28:Orchester des Opernhauses Halle 1182: 964:, 19 October 2017, p. 16. 948: 367:. Among the new recruits were 195:Die Meistersinger von NĂĽrnberg 131:with conducting duties at the 1: 2085:in Autorenverzeichnis of the 2077:Christian Kluttig (Conductor) 1992:Chronologie des Händelpreises 1889:Internationaler Arbeitskreis 1313:Magazin der Händel-Festspiele 941: 918:1/2014, pp. 33–35. 741: 730:1983:Conferment of the title 557:, a work commissioned by the 1129:, 17 August 2013, p. 9. 1126:Dresdner Neueste Nachrichten 1070:Axel SchiederjĂĽrgen (Red.): 921:Axel SchiederjĂĽrgen (Red.): 147:by Carl Maria von Weber and 16:German conductor and pianist 7: 1532:, 28 March 1990, p. 2. 1526:Halle Music Council Founded 1415:Stadt Bad Kissingen (ed.): 591:and Dresden as well as the 589:Staatsoper Unter den Linden 445:'s Symphony No. 5 and 1985 10: 2184: 1860:Neue Zeitschrift fĂĽr Musik 1652:, 7 July 1989, p. 12. 1642:Wolf-Eberhard von Lewinski 1437:. Schröder, Leipzig 2008, 1353:, 1 July 1998, p. 14. 531:Wolf-Eberhard von Lewinski 2153:German classical pianists 2138:German conductors (music) 750:Ode for St. Cecilia's Day 707: 514:a festive concert in the 437:. On the occasion of the 222:with Schumann's oratorio 138:Le postillon de Lonjumeau 2079:on Bach Cantatas Website 1343:Michael Struck-Schloen: 747:Georg Friedrich Händel: 2051:German National Library 897:dtv Verlagsgesellschaft 801:Die Heirat wider Willen 718:Mendelssohn Scholarship 547:Wolfgang Amadeus Mozart 480:Chief Conductor of the 425:was staged and in 1986 398:Dresden Music Festivals 192:production of Wagner's 125:Ingeborg Finke-Siegmund 72: 2168:Musicians from Dresden 1530:Mitteldeutsche Zeitung 1331:Mitteldeutsche Zeitung 572:), and in 1983 at the 463:Das verschenkte Weinen 423:Karl Ottomar Treibmann 246: 39:General Music Director 1891:Archiv Frau und Musik 1500:Wilhelm Buschkötter, 796:Engelbert Humperdinck 613:Dresdner Philharmonie 559:Staatskapelle Dresden 242: 225:Paradise and the Peri 112:in Weimar as well as 86:Johann Sebastian Bach 1551:Neue ZĂĽrcher Zeitung 1417:25. Kissinger Sommer 864:Walter Habel (ed.): 732:Generalmusikdirektor 682:and Ines Schreiner. 617:Berliner Symphoniker 516:Sporthalle Oberwerth 461:'s orchestral music 209:Robert Schumann Days 79:Kirchenmusikdirektor 1863:1/2007, p. 60. 1697:Steffen Lieberwirth 1650:SĂĽddeutsche Zeitung 1502:HansjĂĽrgen Schaefer 1350:SĂĽddeutsche Zeitung 1315:(2014), p. 25. 1226:GĂĽnther Wendekamm: 1020:, 3 September 2013. 782:Christfried Schmidt 581:Christfried Schmidt 525:Kluttig once named 471:Peaceful Revolution 439:Hallische Musiktage 373:Hendrikje Wangemann 251:Landestheater Halle 230:Dmitri Shostakovich 213:Stadthalle Chemnitz 185:The Queen of Spades 1975:Kulturelle Umschau 1957:Kulturelle Umschau 1931:2021-01-24 at the 1872:Livia Neugebauer: 1805:2019-08-10 at the 1800:Artistic Directors 1681:Kulturelle Umschau 1611:2020-02-23 at the 1324:Johannes Killyen: 961:Sächsische Zeitung 826:RĂłbert Wittinger: 672:Deutscher Musikrat 593:Landestheater Linz 576:together with the 465:. In 1990, at the 415:operas": In 1984, 247: 198:with Kammersänger 2083:Christian Kluttig 2071:Christian Kluttig 2057:Christian Kluttig 1445:, p. 269/Fn. 496. 1443:978-3-926196-50-7 1404:Neues Deutschland 1384:978-3-89639-545-0 1275:978-3-89812-085-2 1233:Neues Deutschland 1193:Neues Deutschland 927:K. G. Saur Verlag 883:978-3-7950-2044-6 838:Konzertante Werke 680:Stefan Sanderling 649:Herbert Blomstedt 601:Theater OsnabrĂĽck 431:Reiner Bredemeyer 371:, Juliane Claus, 361:theatre directors 357:Peter Konwitschny 141:by Adolphe Adam, 133:Saxon State Opera 82:Gottfried Kluttig 63:Reiner Bredemeyer 20:Christian Kluttig 2175: 2120: 2119: 2118: 2108: 2107: 2106: 2099: 2088:Theater der Zeit 2067: 2034: 2033:, 17 April 1998. 2021: 2015: 2005: 1999: 1990:Christoph Rink: 1988: 1982: 1972: 1966: 1954: 1948: 1942: 1936: 1923: 1917: 1899: 1887: 1881: 1870: 1864: 1852: 1841: 1835: 1834: 1832: 1831: 1822:. Archived from 1816: 1810: 1797: 1791: 1786: 1780: 1769: 1758: 1747: 1736: 1718: 1712: 1694: 1688: 1678: 1672: 1662: 1653: 1639: 1633: 1622: 1616: 1603: 1597: 1591: 1585: 1581:Berliner Zeitung 1573: 1567: 1561: 1555: 1542: 1533: 1523: 1517: 1498: 1492: 1481: 1475: 1452: 1446: 1431: 1420: 1413: 1407: 1393: 1387: 1360: 1354: 1341: 1335: 1322: 1316: 1306: 1300: 1291:Manfred Rätzer: 1289: 1278: 1263: 1257: 1246: 1237: 1224: 1218: 1214:Theater der Zeit 1205: 1196: 1186: 1180: 1169: 1158: 1149:Manfred Rätzer: 1147: 1130: 1112: 1083: 1068: 1049: 1045:Theater der Zeit 1036: 1021: 1018:Musik in Dresden 1005: 984: 980:Theater der Zeit 971: 965: 954:Jens Fritzsche: 952: 910:Manfred Rätzer: 875: 809: 763:Eberhard BĂĽchner 699: 669: 599:, 1981) and the 571: 402:Kissinger Sommer 354: 271: 255:Martin Schneider 221: 179:Simon Boccanegra 36: 2183: 2182: 2178: 2177: 2176: 2174: 2173: 2172: 2128: 2127: 2126: 2116: 2114: 2110:Classical music 2104: 2102: 2094: 2059:discography at 2043: 2038: 2037: 2022: 2018: 2006: 2002: 1989: 1985: 1973: 1969: 1955: 1951: 1945:Friends Society 1943: 1939: 1933:Wayback Machine 1924: 1920: 1893: 1888: 1884: 1871: 1867: 1846: 1842: 1838: 1829: 1827: 1818: 1817: 1813: 1807:Wayback Machine 1798: 1794: 1787: 1783: 1770: 1761: 1748: 1739: 1719: 1715: 1695: 1691: 1679: 1675: 1663: 1656: 1640: 1636: 1623: 1619: 1613:Wayback Machine 1604: 1600: 1592: 1588: 1574: 1570: 1562: 1558: 1554:, 2 April 1993. 1543: 1536: 1524: 1520: 1499: 1495: 1483:Mantred Meier: 1482: 1478: 1466:, Weimar 2004, 1453: 1449: 1433:Gilbert Stöck: 1432: 1423: 1414: 1410: 1394: 1390: 1361: 1357: 1342: 1338: 1323: 1319: 1307: 1303: 1290: 1281: 1264: 1260: 1248:Georg Antosch: 1247: 1240: 1225: 1221: 1206: 1199: 1187: 1183: 1170: 1161: 1148: 1133: 1115:Andreas Baumann 1113: 1086: 1082:, p. 239. 1069: 1052: 1037: 1024: 1006: 987: 972: 968: 953: 949: 944: 929:, Munich 2006, 899:, Munich 1997, 869: 851:Andreas Baumann 847: 845:Further reading 803: 775:(NOVA, 1988) – 744: 710: 693: 663: 661:Dirigentenforum 626:In 1984 Rector 619:as well as the 565: 486:Theater Koblenz 369:Annette Markert 348: 265: 245: 215: 150:Die Zauberflöte 110:Igor Markevitch 75: 47:Theater Koblenz 30: 24:Hochschullehrer 17: 12: 11: 5: 2181: 2171: 2170: 2165: 2160: 2155: 2150: 2145: 2140: 2125: 2124: 2112: 2092: 2091: 2080: 2074: 2068: 2054: 2042: 2041:External links 2039: 2036: 2035: 2016: 2000: 1983: 1967: 1949: 1937: 1918: 1916:, p. 161. 1882: 1865: 1836: 1811: 1792: 1781: 1759: 1737: 1735:, p. 411. 1713: 1711:, p. 187. 1689: 1673: 1654: 1634: 1617: 1598: 1586: 1568: 1556: 1534: 1518: 1516:, p. 247. 1493: 1476: 1447: 1421: 1408: 1388: 1355: 1336: 1317: 1301: 1279: 1258: 1238: 1219: 1197: 1181: 1159: 1131: 1084: 1050: 1022: 985: 966: 946: 945: 943: 940: 939: 938: 925:. 5. Ausgabe, 919: 908: 907:, p. 411. 886: 885:, p. 688. 862: 846: 843: 842: 841: 831: 828:Sinfonia no. 5 824: 817:Peter Edelmann 793: 779: 766: 759:Monika Frimmer 743: 740: 739: 738: 735: 728: 721: 714: 709: 706: 702:Roland Kluttig 653:Michael Köhler 628:Gustav Schmahl 574:New Gewandhaus 527:Claudio Abbado 512:Symphony No. 8 478:James Lockhart 459:GĂĽnter Neubert 443:Avet Terterian 413:socialy critic 305:Il pastor fido 243: 144:Der FreischĂĽtz 118:Witold Rowicki 114:Hans Swarowsky 106:ArvÄ«ds Jansons 94:Rudolf Neuhaus 74: 71: 15: 9: 6: 4: 3: 2: 2180: 2169: 2166: 2164: 2163:Living people 2161: 2159: 2156: 2154: 2151: 2149: 2146: 2144: 2141: 2139: 2136: 2135: 2133: 2123: 2113: 2111: 2101: 2100: 2097: 2090: 2089: 2084: 2081: 2078: 2075: 2072: 2069: 2066: 2062: 2058: 2055: 2052: 2048: 2045: 2044: 2032: 2031: 2030:Rhein-Zeitung 2026: 2020: 2013: 2009: 2004: 1997: 1993: 1987: 1980: 1976: 1971: 1964: 1963: 1958: 1953: 1946: 1941: 1934: 1930: 1927: 1926:Alumni-Verein 1922: 1915: 1914:3-927327-55-7 1911: 1907: 1903: 1897: 1892: 1886: 1879: 1875: 1869: 1862: 1861: 1856: 1850: 1845: 1844:Meret Forster 1840: 1826:on 2016-04-22 1825: 1821: 1815: 1808: 1804: 1801: 1796: 1790: 1785: 1778: 1774: 1768: 1766: 1764: 1756: 1752: 1746: 1744: 1742: 1734: 1733:3-423-32501-1 1730: 1726: 1722: 1717: 1710: 1709:3-930550-09-1 1706: 1702: 1698: 1693: 1686: 1682: 1677: 1670: 1666: 1661: 1659: 1651: 1647: 1643: 1638: 1631: 1627: 1621: 1614: 1610: 1607: 1602: 1595: 1590: 1583: 1582: 1577: 1572: 1565: 1560: 1553: 1552: 1547: 1541: 1539: 1531: 1527: 1522: 1515: 1514:3-11-013905-7 1511: 1507: 1503: 1497: 1490: 1486: 1480: 1473: 1472:3-412-10804-9 1469: 1465: 1464:Böhlau Verlag 1461: 1457: 1454:Nina Noeske: 1451: 1444: 1440: 1436: 1430: 1428: 1426: 1418: 1412: 1405: 1401: 1397: 1392: 1385: 1381: 1377: 1373: 1369: 1365: 1362:Karin Zauft: 1359: 1352: 1351: 1346: 1340: 1334:, 5 May 2001. 1333: 1332: 1327: 1321: 1314: 1310: 1305: 1298: 1294: 1288: 1286: 1284: 1277:, p. 57. 1276: 1272: 1268: 1265:Karin Zauft: 1262: 1255: 1251: 1245: 1243: 1235: 1234: 1229: 1223: 1216: 1215: 1210: 1204: 1202: 1194: 1190: 1185: 1178: 1174: 1168: 1166: 1164: 1156: 1152: 1146: 1144: 1142: 1140: 1138: 1136: 1128: 1127: 1122: 1121: 1116: 1111: 1109: 1107: 1105: 1103: 1101: 1099: 1097: 1095: 1093: 1091: 1089: 1081: 1080:3-598-24212-3 1077: 1073: 1067: 1065: 1063: 1061: 1059: 1057: 1055: 1047: 1046: 1041: 1035: 1033: 1031: 1029: 1027: 1019: 1015: 1014: 1009: 1004: 1002: 1000: 998: 996: 994: 992: 990: 982: 981: 976: 970: 963: 962: 957: 951: 947: 937:, p. 39. 936: 935:3-598-24212-3 932: 928: 924: 920: 917: 913: 909: 906: 905:3-423-32501-1 902: 898: 894: 890: 887: 884: 880: 876: 873: 868: 863: 860: 856: 852: 849: 848: 839: 835: 832: 829: 825: 822: 818: 814: 813:Simone Kermes 810: 807: 802: 797: 794: 791: 787: 783: 780: 778: 774: 770: 769:Gerd Domhardt 767: 764: 760: 756: 752: 751: 746: 745: 736: 733: 729: 726: 722: 719: 715: 712: 711: 705: 703: 697: 692: 691:Liedbegleiter 688: 687:chamber music 683: 681: 677: 673: 667: 662: 658: 654: 650: 646: 642: 637: 633: 629: 624: 622: 618: 614: 610: 606: 602: 598: 594: 590: 586: 582: 579: 575: 569: 564: 563:Gerhard Berge 560: 556: 555:Manfred Weiss 552: 548: 544: 540: 536: 532: 528: 523: 521: 517: 513: 509: 505: 504: 499: 498: 493: 492: 491:Giulio Cesare 487: 483: 479: 474: 472: 468: 464: 460: 456: 455:Gerd Domhardt 452: 448: 447:PrimoĹľ Ramovš 444: 440: 436: 432: 428: 424: 420: 419: 414: 409: 407: 403: 399: 395: 391: 387: 382: 378: 377:Simone Kermes 374: 370: 366: 362: 358: 352: 347: 343: 339: 335: 334: 329: 328: 323: 322: 317: 316: 311: 307: 306: 301: 300: 295: 294: 289: 288: 283: 282: 277: 276: 269: 264: 260: 256: 252: 241: 237: 235: 234:Gustav Mahler 231: 227: 226: 219: 214: 210: 205: 201: 197: 196: 191: 187: 186: 182:by Verdi and 181: 180: 175: 171: 170: 169:Kapellmeister 164: 162: 158: 157: 152: 151: 146: 145: 140: 139: 134: 130: 126: 121: 119: 115: 111: 107: 103: 99: 98:Horst Förster 95: 91: 87: 83: 80: 70: 68: 64: 61:, premiering 60: 56: 52: 48: 44: 40: 34: 29: 25: 21: 2086: 2028: 2024: 2019: 2011: 2007: 2003: 1995: 1991: 1986: 1978: 1974: 1970: 1960: 1956: 1952: 1940: 1921: 1905: 1901: 1885: 1877: 1873: 1868: 1858: 1854: 1839: 1828:. 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Appointed 19: 18: 2158:1943 births 2073:on Allmusic 1894: [ 1847: [ 1721:Alain Pâris 1008:Peter GĂĽlke 889:Alain Pâris 870: [ 834:Louis Spohr 804: [ 786:Munch-Musik 773:2. Sinfonie 694: [ 676:Titus Engel 664: [ 641:Fabio Luisi 566: [ 535:Peter GĂĽlke 506:(1997) and 396:and at the 381:Axel Köhler 349: [ 330:(1988) and 310:Terpsichore 266: [ 216: [ 200:Konrad Rupf 120:in Vienna. 90:Kreuzschule 31: [ 2132:Categories 1830:2021-01-22 942:References 742:Recordings 645:Kurt Masur 561:(soloist: 551:Neue Musik 299:Floridante 293:Alessandro 204:Hans Sachs 129:rĂ©pĂ©titeur 59:Neue Musik 2053:catalogue 2027:. In the 2012:Neue Zeit 1979:Neue Zeit 1962:Neue Zeit 1878:Neue Zeit 1685:Neue Zeit 1683:. In the 1669:Neue Zeit 1648:. In the 1578:. In the 1528:. In the 1489:Neue Zeit 1254:Neue Zeit 1123:. In the 958:. In the 636:professor 543:oratorios 508:Tamerlano 453:works by 435:premiered 418:Der Preis 333:Tamerlano 315:Partenope 281:Agrippina 190:Carl Riha 65:'s opera 1929:Archived 1803:Archived 1609:Archived 720:1971/72. 657:emeritus 615:and the 500:(1993), 494:(1989), 324:(1987), 318:(1985), 312:(1985), 302:(1984), 296:(1983), 290:(1981), 284:(1980), 278:(1979), 156:Deidamia 2122:Germany 2096:Portals 2061:Discogs 2049:in the 1900:(ed.): 1699:(ed.): 1594:Chronik 1370:(ed.): 861:(2013). 670:at the 451:open to 427:Candide 338:Rinaldo 321:Rinaldo 211:in the 172:at the 100:at the 67:Candide 1912:  1731:  1707:  1544:thg.: 1512:  1470:  1441:  1402:). In 1382:  1273:  1078:  977:. In: 933:  903:  881:  755:ETERNA 723:1981: 716:1971: 708:Awards 611:, the 605:Alcina 503:Alcina 327:Oreste 51:Handel 49:. The 2010:. In 1994:. In 1977:. In 1959:. In 1898:] 1876:. In 1857:. In 1851:] 1775:. In 1753:. In 1667:. In 1628:. In 1548:. In 1487:. In 1366:. In 1347:. In 1328:. In 1311:. In 1295:. In 1252:. 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Index

Hochschullehrer
Orchester des Opernhauses Halle
de
General Music Director
Halle
Theater Koblenz
Handel
Historically informed performance
Neue Musik
Reiner Bredemeyer
Kirchenmusikdirektor
Gottfried Kluttig
Johann Sebastian Bach
Kreuzschule
Rudolf Neuhaus
Horst Förster
Hochschule fĂĽr Musik Carl Maria von Weber Dresden
Arvīds Jansons
Igor Markevitch
Hans Swarowsky
Witold Rowicki
Ingeborg Finke-Siegmund
répétiteur
Saxon State Opera
Le postillon de Lonjumeau
Der FreischĂĽtz
Die Zauberflöte
Deidamia
Rudolf Kempe
Kapellmeister

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