602:
44:
696:
1537:
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479:
727:—"Who lays so strict a sentence upon him? An error, is it worthy of such atonement?"). Only love of Agathe and fear of losing her had caused Max to stray from a life that was formerly without fault. Who is to raise the first stone? Who does not look into his own heart? Once he has completed a faultless probationary year, Max should be allowed to marry Agathe. To the exuberant joy of all the Prince accepts this judgement. After the probation, he himself will place the hand of Agathe in that of Max.
2646:
521:
669:
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581:—"Here in this vale of tears"). He had hoped to marry Agathe himself but she had rejected him and chosen Max. The marriage would make Max the heir of Kuno who would see Max as a son. Kaspar seeks revenge upon all three—his rival, his former sweetheart and her father. He hands Max his gun and Max, to his own astonishment, hits an eagle soaring at a great height. Kaspar explains that the gun had been loaded with his last
2694:
2682:
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716:—"See, oh see"). But her bridal wreath and the hermit behind her have deflected the bullet. It strikes Kaspar. Agathe revives from her faint and Kaspar, seeing a holy hermit by her side, realizes that he has failed. Samiel grasps him instead of Max, whereupon Kaspar expires, cursing hell and heaven.
207:
surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year followed by
Dresden, Leipzig, Hamburg, Munich, Karlsruhe, Königsberg, Prague, other German centres, Riga and Copenhagen. 1824 saw productions in four London theatres in four different
642:
As the bell chimes twelve Kaspar calls upon Samiel, the Black
Huntsman, for assistance in casting the magic bullets. Having already sold his own soul, which is due the next day, Kaspar offers Max’s soul in exchange for a prolongation of his soul of three years. Agathe is to be killed by Max's magic
588:
He persuades Max to meet him at midnight in the terrible Wolf's Glen to cast seven more of the magic bullets. (Six hit, but the seventh belongs to the Evil One who can guide it wherever he pleases.) He warns Max not to tell a soul about their purpose so as not to endanger them. Left alone, Kaspar
719:
Prince
Ottokar orders the corpse to be thrown into the Wolf's Glen. Then he demands an explanation from Max, who confesses to shooting with magic bullets. Regardless of pleas from Kuno, Agathe, peasants, and huntsmen, the infuriated Prince forbids the marriage and banishes Max from the country.
497:
258:
pleased me greatly by her wonderful rendition of Agathe's aria. The Wolf's Glen was staged not at all as splendidly as I had expected. The third act was curious because of the French brazenness with which they took the liberty, on the one hand, of inserting
562:
Max wants to marry Agathe, daughter of the head forester Kuno. In order to marry her and succeed her father as head forester, he has to prove his marksmanship and score in a shooting trial before
Ottokar, the sovereign prince, on the following day.
630:—"How did slumber approach me...Low, low"). Max arrives, acknowledging that while he has not been the victor, he has killed an eagle. Though the night is falling, he has to leave again to bring in a stag which he had shot in the Wolf's Glen (Trio:
646:
As Max arrives, the spirit of his mother warns him to abandon the project. But Samiel conjures up Agathe, seemingly drowning herself in despair, whereupon Max plunges into the glen. With demoniacal noise, the casting of the bullets begins.
2022:
495:
1971:
194:
is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score".
692:—"We wind round thee the bridal wreath"). But as they open it they find a funeral wreath. Recalling the hermit's promise that the white roses will protect her, Agathe proposes to twine them to the bridal wreath.
496:
614:
At the moment when Max shoots the magic bullet, a picture of Agathe's ancestor hanging on the wall falls to the floor, slightly wounding her. Agathe's cousin and companion Ännchen refastens the hook (Duet:
712:—"What excels the pleasures of the chase"). As a test, Max is ordered to shoot the dove pointed out to him. Max takes aim, fires and Agathe, who has just entered the scene, falls as if hit (Finale:
660:
Having split the seven bullets between them, Max has used three during the hunt in the morning. Kaspar spoils his three on a fox. Thus Max's remaining bullet is the seventh, the Devil's bullet.
247:
production of 1873 as "utterly incongruous", "tasteless" and "silly" because it inserted into the rustic opera an urban piece of music. In 1879 he again criticised a performance in Paris:
2333:
623:—"Comes a pretty boy this path"). Agathe, still disturbed, tells of her meeting with the hermit. He had indicated a danger from which his white consecrated roses would protect her.
488:
684:—"Though clouds obscure"), her doubts having returned owing to a dream of ill omen where she was a white dove which Max shot. Ännchen tries to cheer her with a ghost tale (Aria:
1968:
1458:
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1930:
2751:
1586:
Weber added a romanza to the third act ("Einst träumte meiner sel'gen Base") especially for
Johanna Eunike, which she performed to great acclaim at the premiere.
2095:
566:
As Max has had ill luck for several days, he muses upon his prospects of losing Agathe by failing the shooting test (Trio of Kuno, Kaspar, and Max; chorus:
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2002:
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1950:
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Weber's overture and the "Huntsmen's Chorus" from act 3 ("With princely enjoyment and manly employment") are often performed as concert pieces.
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643:
bullet, despair will then make Max and Kuno the Devil's. Samiel agrees ambiguously: "So be it—By the gates of hell! Tomorrow he or you!"
601:
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At a shooting contest, the second assistant forester, Max, loses to a peasant, Kilian, who is proclaimed "King of marksmen" (Chorus:
43:
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with the most stupid dances, and, on the other, of cutting out the role of the hermit who appears at the end for the dénouement.
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31:
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included an arrangement of the duet "Schelm, halt fest!" (Ännchen and Agathe) in his L'art du chant appliqué au piano (Op.70).
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235:– who greatly admired the opera and feared other arrangers might do worse – which incorporated his orchestration of Weber's
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Catalogue for exhibition at
Victoria and Albert Museum for Berlioz centenary. Art Council, London, 1969, p. 84.
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afforded me great pleasure; in many places in the first act my eyes were moist with tears. In the second act
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though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German
120:
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1371:
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940:
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688:—"My deceased cousin had a dream"). The bridesmaids bring the box with the bridal wreath (Song:
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2023:
POETS Radio. Irene Gavala, Exclusive interview | Matthias
Laurenz Graeff | Ζωγραφίζοντας., 2018
1938:
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Kaspar, the first assistant forester, falsely tries to imbue Max with wine and courage (
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painted a triptych "Garser Wein 2014 - Der
Freischütz - Eros, Pathos, Agape" about
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of Carl Maria von Weber (1786–1826)." See also p. 284 n. 2: "Indeed from Weber's
1404:
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1263:
626:
Left alone, Agathe awaits Max with the news of his success (Recitative and aria:
244:
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Wer legt auf ihn so strengen Bann! Ein
Fehltritt, ist er solcher Büssung wert?
520:
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570:—"O this sun"). Left alone in deep melancholy, he recalls happy days (Aria:
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872:
619:—"Rogue, hold fast!"). She endeavours to cheer Agathe with jests (Ännchen:
209:
2226:
Tusa, Michael C. (2006). "Cosmopolitanism and the
National Opera: Weber's
1918:
1898:
1613:
Not a video of a stage production, but instead designated a "film opera".
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668:
555:—"Victory! Long live the master"). Kilian mocks him good-naturedly (
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759:
321:
144:
1479:
814:
779:
771:
763:
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534:
353:
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Berlioz's arrangement again underlay the production at the Paris
1931:"K. A. Craeyvanger Introduction & Variations: On Theme from
738:
The opera is scored for a standard-sized orchestra composed of:
48:
Costume designs for Samiel and Kaspar in the original production
1969:
Newspaper article: NÖN, "Streit um nackte Muse auf Weinetikett"
1720:(College ed.). Oxford University Press, Inc. p. 527.
818:
787:
409:
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822:
795:
791:
399:
208:
adaptations, as well as an inadequate adaptation by François
2693:
1695:, p. 339: "The German Romantic opera really began with
708:
Prince Ottokar awaits Max at his tent (Chorus of foresters:
755:
1703:(1821) one can date the beginning of musical Romanticism."
2317:
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239:
to serve as a ballet, another Paris Opera requirement.
699:
Design for the act 3 finale (original 1821 production)
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1468:
wrote an introduction and variations on a theme from
1686:
1734:
1674:
1861:
1859:
1857:
1855:
1595:This motive is omitted in the English translation.
1849:. Opéra-Comique season book 2010–2011, pp. 37–38.
1604:This scene is omitted in the English translation.
2718:
1642:
1380:(Recording of a live concert performance at the
589:triumphs and boasts of his insidiousness (Aria:
227:'s ban on spoken text, a version in French with
2752:Opera world premieres at the Berlin State Opera
1852:
528:depicting the opening scene with Max and Kilian
723:The hermit seeks to appease the Prince (Aria:
574:—"Through the forests, through the meadows").
275:soon became a concert piece in its own right.
2368:
1893:Zürich, 1999. Blu-ray: Arthaus Musik (2016),
1712:
2160:Proceedings of the Royal Musical Association
730:In the end, all join in a prayer of thanks.
672:
112:
22:
1913:film, 2010. Blu-ray: Arthaus Musik (2013),
503:Performed by the Skidmore College Orchestra
2375:
2361:
2222:, pp. 77–90. Dodd, Mead & Company
1639:, London: Oxford University Press, p. 219.
628:Wie nahte mir der Schlummer...Leise, leise
42:
2622:Hochschule für Musik Carl Maria von Weber
2286:International Music Score Library Project
1958:International Music Score Library Project
605:Design for the Wolf's Glen (1822, Weimar)
2382:
2093:
1680:
694:
667:
600:
593:—"Silence! So that nobody warns you.").
519:
243:criticised Berlioz's arrangement in the
2078:. London: Macmillan. pp. 296–299.
2719:
2037:
1752:
1692:
1637:The Concise Oxford Dictionary of Music
463:Hunters, peasants, spirits, attendants
198:
165:. It premiered on 18 June 1821 at the
139:with spoken dialogue in three acts by
2356:
2110:
2059:
1799:Berlioz and the Romantic Imagination.
1740:
1648:
1542:Garser Wein - Der Freischütz - Pathos
288:Roles, voice types, and premiere cast
2233:Journal of Interdisciplinary History
1554:Garser Wein - Der Freischütz - Agape
176:The opera's plot is mainly based on
169:. It is considered the first German
16:German opera by Carl Maria von Weber
2157:: Conceptions and Misconceptions".
2102:. L'Almanacco di Gherardo Casaglia
1718:The Oxford History of Western Music
1530:Garser Wein - Der Freischütz - Eros
1437:
621:Kommt ein schlanker Bursch gegangen
539:Time: shortly after the end of the
13:
2632:Carl-Maria-von-Weber-Gesamtausgabe
2143:
1442:
733:
591:Schweig’! damit dich niemand warnt
477:
14:
2768:
2528:Concertino for Horn and Orchestra
2273:
2128:. New York: G. P. Putnam's Sons.
2075:The New Grove Dictionary of Opera
1517:in combination with a female nude
1026:Bavarian Radio Symphony Orchestra
690:Wir winden dir den Jungfern-Kranz
686:Einst träumte meiner sel'gen Base
674:Wir winden dir den Jungfern-Kranz
2704:
2692:
2680:
2654:
2645:
2644:
2417:Peter Schmoll und seine Nachbarn
1716:; Gibbs, Christopher H. (2013).
1547:
1535:
1523:
1455:of the overture in 1846 (S.575).
572:Durch die Wälder, durch die Auen
559:—"Let him gaze on me as king").
557:Schau der Herr mich an als König
553:Viktoria! Der Meister soll leben
511:Problems playing this file? See
493:
2016:
2005:from the original on 2015-01-29
1984:
1962:
1944:
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1904:
1887:
1873:
1840:
1822:
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2727:Operas by Carl Maria von Weber
1867:"Announcement of the Premiere"
1789:. Fayard, 2003, pp. 1726–1727.
1764:
1746:
1706:
1654:
1626:
1577:Sometimes anglicized as "Cuno"
271:in 2011. His orchestration of
1:
2613:(compiler of Jähns catalogue)
2198:. Opera Journeys Publishing.
1937:, score, Chanterelle Verlag (
1758:Berlioz: The Man and His Work
1559:
829:
682:Und ob die Wolke sie verhülle
634:—"What? What? Oh, horror!").
2293:, opera-guide.ch (in German)
2001:(in German). 27 April 2014.
1620:
1496:
1459:Carolus Arnoldus Craeyvanger
1114:CD: EMI Electrola Collection
579:Hier im ird'schen Jammerthal
7:
2627:Carl Maria von Weber Museum
2212:Singleton, Esther (1899). "
2045:. London: Faber and Faber.
1834:en.tchaikovsky-research.net
1816:en.tchaikovsky-research.net
656:The meeting of the marksmen
470:
159:from their 1810 collection
10:
2773:
2250:10.1162/002219506774929809
2125:The New Kobbé's Opera Book
2094:Casaglia, Gherardo (2005).
2031:
1978:; accessed 7 August 2015.
1954:, Op. 127 (Stephen Heller)
856:Opera house and orchestra
710:Was gleicht wohl auf Erden
223:In order to get round the
2640:
2597:
2572:
2543:
2496:
2479:
2408:
2390:
1372:London Symphony Orchestra
1321:London Symphony Orchestra
680:Agathe is praying (Aria:
461:
395:second assistant forester
85:
77:
67:
53:
41:
30:
21:
2340:, details and synopsis,
2195:Weber's 'Der Freischütz'
2043:An Introduction to Music
1564:
1422:Frankfurt Radio Symphony
650:
638:The Wolf's Glen at night
596:
546:
524:An 1822 illustration of
457:Henriette Reinwald etc.
381:first assistant forester
281:
241:Pyotr Ilyich Tchaikovsky
231:was prepared in 1841 by
2611:Friedrich Wilhelm Jähns
2587:Invitation to the Dance
2522:Concertino for Clarinet
2516:Clarinet Concerto No. 2
2510:Clarinet Concerto No. 1
2192:Fisher, Burton (2002).
1992:"Weinetiketten zu sexy"
1770:"Carl Maria von Weber:
1669:Encyclopædia Britannica
1384:in London on 21 April)
1337:Blu-ray: Arthaus Musik
1195:Bavarian Radio Symphony
1159:CD: Deutsche Grammophon
1031:CD: Deutsche Grammophon
237:Invitation to the Dance
2737:German-language operas
2153:(1983–1984). "Weber's
2060:Brown, Clive (1992). "
1939:Musikverlag Zimmermann
1830:"Carl Maria von Weber"
1504:Matthias Laurenz Gräff
1472:for guitar in c. 1851.
1376:London Symphony Chorus
1288:Blu-ray: Arthaus Musik
704:The marksmanship trial
700:
677:
673:
606:
529:
482:
265:
151:, based on a story by
113:
90:18 June 1821
23:
2177:10.1093/jrma/110.1.79
1239:Staatskapelle Dresden
1150:Staatskapelle Dresden
1066:Chorus and orchestra
941:WDR Rundfunkchor Köln
937:WDR Rundfunkorchester
698:
671:
604:
523:
481:
333:a hereditary forester
273:Invitation à la valse
261:Invitation à la valse
249:
167:Schauspielhaus Berlin
101:Schauspielhaus Berlin
2557:Grand Duo Concertant
2400:List of compositions
2384:Carl Maria von Weber
2349:, opera.stanford.edu
2219:A Guide to the Opera
2169:Taylor & Francis
2116:The Earl of Harewood
1333:DVD: Constantin Film
1279:Nikolaus Harnoncourt
1109:Bavarian State Opera
1068:Deutsche Oper Berlin
632:Wie? Was? Entsetzen!
414:the 'Black Huntsman'
326:Gottlieb Rebenstein
309:Carl Maria von Weber
141:Carl Maria von Weber
36:Carl Maria von Weber
2605:Max Maria von Weber
1812:"The Italian Opera"
1660:Betsy Schwarm,
1107:Chor and orchestra
986:Berlin Philharmonic
976:Karl-Christian Kohn
893:Vienna Philharmonic
888:Wilhelm Furtwängler
838:
290:
199:Performance history
2757:The Devil in opera
2580:Piano Sonata No. 2
2336:2016-10-17 at the
1974:2014-05-07 at the
1952:Freischütz Studien
1869:(in German). 1893.
1787:Mille et un opéras
1490:Sigismond Thalberg
1325:Berlin Radio Choir
1227:Ekkehard Wlaschiha
947:radio production)
897:Vienna State Opera
834:
701:
678:
617:Schelm, halt fest!
607:
530:
483:
432:Johann Georg Gern
421:Joseph Hillebrand
317:a sovereign prince
286:
218:Théâtre de l'Odéon
153:Johann August Apel
2732:Romantische Opern
2668:
2667:
2551:Clarinet Quintet
2299:, opera-arias.com
2135:978-0-399-14332-8
2085:978-1-56159-228-9
2052:978-0-571-09149-2
1881:"Heinrich Stümer"
1754:Turner, Walter J.
1727:978-0-19-509762-7
1714:Taruskin, Richard
1633:Scholes, Percy A.
1478:composed 4 piano
1435:
1434:
1248:CD: Decca/Philips
1170:Hildegard Behrens
1062:Lovro von Matačić
961:Elisabeth Grümmer
912:Elisabeth Grümmer
868:Elisabeth Grümmer
541:Thirty Years' War
498:
468:
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451:Four bridesmaids
446:August Wiedemann
439:a wealthy peasant
212:in French, named
203:The reception of
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2504:Bassoon Concerto
2480:Orchestral works
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2310:Creative Commons
2297:English libretto
2284:: Scores at the
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2151:Finscher, Ludwig
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2039:Boyden, David D.
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1956:: Scores at the
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1486:themes (Op. 127)
1467:
1438:Derivative works
1431:Cat: PTC5186788
1418:MDR Rundfunkchor
1346:Christine Brewer
1304:Regula Mühlemann
1243:MDR Rundfunkchor
1229:
1221:Francisco Araiza
1154:MDR Rundfunkchor
1125:Gundula Janowitz
1001:Irmgard Seefried
990:CD: EMI Classics
981:Joseph Keilberth
901:CD: EMI Classics
839:
837:
833:
714:Schaut, o schaut
676:
664:Agathe's chamber
610:Agathe's chamber
500:
499:
480:
404:Heinrich Stümer
367:a young relative
359:Caroline Seidler
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2563:Trio in G minor
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2465:Die drei Pintos
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2338:Wayback Machine
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2191:
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2144:Further reading
2136:
2103:
2100:, 18 June 1821"
2086:
2066:The Freeshooter
2062:Freischütz, Der
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1976:Wayback Machine
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1845:
1841:
1828:
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1823:
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1809:
1805:
1797:
1793:
1778:
1776:Kamiński, Piotr
1769:
1765:
1751:
1747:
1739:
1735:
1728:
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1691:
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1562:
1555:
1552:
1543:
1540:
1531:
1528:
1513:with the theme
1499:
1461:
1445:
1443:Classical music
1440:
1430:
1416:
1408:
1405:Andreas Schager
1403:
1401:
1388:
1379:
1370:
1359:
1354:
1349:
1336:
1334:
1332:
1319:
1309:
1307:
1302:
1289:
1282:
1272:
1267:
1264:Malin Hartelius
1262:
1249:
1237:
1225:
1224:
1219:
1214:
1201:
1193:
1183:
1178:
1173:
1161:Cat: 457 736–2
1160:
1148:
1138:
1133:
1128:
1115:
1106:
1096:
1091:
1086:
1074:Cat: 7791-2-RG
1073:
1065:
1055:
1050:
1045:
1033:Cat: 000459302
1032:
1024:
1014:
1009:
1004:
991:
984:
974:
969:
964:
951:
950:CD: Opera D'Oro
935:
925:
920:
915:
902:
891:
881:
876:
871:
855:
850:
848:
846:
835:
832:
736:
734:Instrumentation
653:
599:
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509:
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505:
504:
501:
494:
491:
484:
478:
473:
388:Heinrich Blume
374:Johanna Eunike
308:
306:
303:
302:Premiere cast,
287:
284:
245:Bolshoi Theatre
201:
133:The Freeshooter
104:
103:
98:
93:
91:
62:The Freeshooter
49:
17:
12:
11:
5:
2770:
2760:
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2531:
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2519:
2513:
2507:
2500:
2498:
2494:
2493:
2491:
2490:
2487:Symphony No. 1
2483:
2481:
2477:
2476:
2474:
2473:
2468:(completed by
2461:
2453:
2445:
2441:Der Freischütz
2437:
2429:
2421:
2412:
2410:
2406:
2405:
2403:
2402:
2397:
2395:List of operas
2391:
2388:
2387:
2380:
2379:
2372:
2365:
2357:
2351:
2350:
2344:
2325:Der Freischütz
2321:
2305:Der Freischütz
2303:Recordings of
2300:
2294:
2288:
2281:Der Freischütz
2275:
2274:External links
2272:
2271:
2270:
2228:Der Freischütz
2223:
2214:Der Freischütz
2210:
2204:
2189:
2145:
2142:
2141:
2140:
2134:
2120:Antony Peattie
2108:
2098:Der Freischütz
2091:
2084:
2057:
2051:
2033:
2030:
2028:
2027:
2015:
1998:Bezirksblätter
1983:
1961:
1943:
1933:Der Freischutz
1923:
1911:Hunter's Bride
1903:
1886:
1872:
1851:
1839:
1821:
1803:
1791:
1772:Der Freischütz
1763:
1745:
1743:, p. 958.
1733:
1726:
1705:
1697:Der Freischütz
1685:
1673:
1663:Der Freischütz
1653:
1641:
1624:
1622:
1619:
1616:
1615:
1606:
1597:
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1579:
1569:
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1556:
1553:
1546:
1544:
1541:
1534:
1532:
1529:
1522:
1519:
1518:
1515:Der Freischütz
1498:
1495:
1494:
1493:
1487:
1476:Stephen Heller
1473:
1470:Der Freischütz
1456:
1451:wrote a piano
1444:
1441:
1439:
1436:
1433:
1432:
1424:
1413:Marek Janowski
1410:
1395:
1391:
1390:
1385:
1363:
1351:Sally Matthews
1343:
1339:
1338:
1330:Hunter's Bride
1327:
1316:Daniel Harding
1313:
1308:Michael König,
1296:
1292:
1291:
1286:
1276:
1274:Matti Salminen
1269:Peter Seiffert
1256:
1252:
1251:
1246:
1230:
1211:Karita Mattila
1208:
1204:
1203:
1198:
1190:Rafael Kubelík
1187:
1167:
1163:
1162:
1157:
1145:Carlos Kleiber
1142:
1135:Peter Schreier
1122:
1118:
1117:
1112:
1100:
1083:Birgit Nilsson
1080:
1076:
1075:
1070:
1059:
1039:
1035:
1034:
1029:
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998:
994:
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827:
826:
803:
735:
732:
652:
649:
598:
595:
548:
545:
544:
543:
537:
526:Der Freischütz
508:
502:
492:
487:
486:
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476:
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466:
465:
459:
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397:
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369:
362:
361:
356:
351:
344:
343:
340:
335:
328:
327:
324:
319:
312:
311:
300:
295:
283:
280:
252:Der Freischütz
233:Hector Berlioz
214:Robin des Bois
205:Der Freischütz
200:
197:
187:Gespensterbuch
171:Romantic opera
162:Gespensterbuch
157:Friedrich Laun
149:Friedrich Kind
135:) is a German
114:Der Freischütz
106:
105:
99:
89:
87:
83:
82:
79:
75:
74:
72:Friedrich Kind
69:
65:
64:
55:
51:
50:
47:
39:
38:
28:
27:
24:Der Freischütz
15:
9:
6:
4:
3:
2:
2769:
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2555:
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2549:
2548:
2546:
2544:Chamber music
2542:
2535:
2532:
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2526:
2523:
2520:
2517:
2514:
2511:
2508:
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2342:Naxos Records
2339:
2335:
2332:
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2319:
2315:
2312:-licensed in
2311:
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2205:1-930841-56-6
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2113:
2112:Kobbé, Gustav
2109:
2101:
2099:
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2081:
2077:
2076:
2071:
2070:Stanley Sadie
2067:
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2040:
2036:
2035:
2024:
2019:
2004:
2000:
1999:
1993:
1987:
1977:
1973:
1970:
1965:
1959:
1955:
1953:
1947:
1940:
1936:
1935:(Guitar Solo)
1934:
1927:
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1916:
1912:
1907:
1900:
1896:
1890:
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1848:
1847:Le Freischütz
1843:
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1825:
1817:
1813:
1807:
1800:
1795:
1788:
1782:
1777:
1773:
1767:
1760:. p. 69.
1759:
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1681:Casaglia 2005
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1471:
1465:
1460:
1457:
1454:
1453:transcription
1450:
1447:
1446:
1429:
1425:
1423:
1419:
1414:
1411:
1406:
1402:Sofia Fomina,
1399:
1398:Lise Davidsen
1396:
1393:
1392:
1386:
1383:
1377:
1373:
1368:
1364:
1362:
1357:
1356:Simon O'Neill
1352:
1347:
1344:
1341:
1340:
1335:Cat: HC087848
1331:
1328:
1326:
1322:
1317:
1314:
1312:
1311:Michael Volle
1305:
1300:
1299:Juliane Banse
1297:
1294:
1293:
1290:Cat: 8556882
1287:
1285:
1280:
1277:
1275:
1270:
1265:
1260:
1257:
1254:
1253:
1247:
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1240:
1235:
1231:
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1222:
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1212:
1209:
1206:
1205:
1199:
1196:
1191:
1188:
1186:
1181:
1176:
1171:
1168:
1165:
1164:
1158:
1155:
1151:
1146:
1143:
1141:
1136:
1131:
1126:
1123:
1120:
1119:
1116:Cat: 7235482
1113:
1110:
1104:
1101:
1099:
1094:
1093:Nicolai Gedda
1089:
1084:
1081:
1078:
1077:
1071:
1069:
1063:
1060:
1058:
1057:Gottlob Frick
1053:
1052:Rudolf Schock
1048:
1047:Lotte Schädle
1043:
1042:Claire Watson
1040:
1037:
1036:
1030:
1027:
1022:
1019:
1017:
1012:
1007:
1002:
999:
996:
995:
989:
987:
982:
979:
977:
972:
971:Rudolf Schock
967:
962:
959:
956:
955:
949:
946:
942:
938:
933:
932:Erich Kleiber
930:
928:
923:
918:
913:
910:
907:
906:
900:
898:
894:
889:
886:
884:
879:
874:
869:
866:
863:
862:
858:
853:
845:Cast (Agathe,
844:
841:
840:
824:
820:
816:
812:
808:
804:
801:
797:
793:
789:
785:
781:
777:
773:
769:
765:
761:
757:
753:
749:
745:
744:orchestra pit
741:
740:
739:
731:
728:
726:
721:
717:
715:
711:
706:
705:
697:
693:
691:
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661:
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657:
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629:
624:
622:
618:
612:
611:
603:
594:
592:
586:
584:
580:
575:
573:
569:
568:O diese Sonne
564:
560:
558:
554:
542:
538:
536:
532:
531:
527:
522:
516:
514:
490:
464:
460:
456:
453:
450:
449:
445:
442:
440:
436:
435:
431:
428:
425:
424:
420:
417:
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411:
408:
407:
403:
401:
398:
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391:
387:
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378:
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364:
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350:
346:
345:
341:
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336:
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329:
325:
323:
320:
318:
314:
313:
301:
299:
296:
293:
292:
279:
276:
274:
270:
269:Opéra-Comique
264:
262:
257:
253:
248:
246:
242:
238:
234:
230:
226:
221:
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215:
211:
206:
196:
193:
189:
188:
183:
180:'s tale "Der
179:
174:
172:
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134:
130:
126:
122:
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88:
84:
80:
76:
73:
70:
66:
63:
59:
56:
52:
45:
40:
37:
33:
29:
25:
20:
2585:
2534:Konzertstück
2463:
2455:
2447:
2440:
2439:
2431:
2423:
2415:
2329:The Marksman
2328:
2324:
2304:
2280:
2237:
2231:
2227:
2218:
2213:
2194:
2164:
2158:
2154:
2123:
2104:(in Italian)
2097:
2073:
2065:
2061:
2042:
2018:
2007:. Retrieved
1995:
1986:
1964:
1951:
1946:
1932:
1926:
1910:
1906:
1889:
1883:(in German).
1875:
1846:
1842:
1833:
1824:
1815:
1806:
1798:
1794:
1786:
1771:
1766:
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1736:
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1708:
1700:
1696:
1688:
1676:
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1662:
1656:
1644:
1636:
1628:
1609:
1600:
1591:
1582:
1573:
1514:
1507:
1483:
1469:
1387:CD: LSO Live
1329:
1284:Zürich Opera
1259:Inga Nielsen
1250:Cat: 478015
1202:Cat: 417119
1175:Helen Donath
1130:Edith Mathis
1103:Robert Heger
1098:Walter Berry
1072:CD: Eurodisc
1021:Eugen Jochum
1011:Richard Holm
1006:Rita Streich
927:Max Proebstl
917:Rita Streich
873:Rita Streich
737:
729:
724:
722:
718:
713:
709:
707:
703:
702:
689:
685:
681:
679:
663:
662:
659:
655:
654:
645:
641:
637:
636:
631:
627:
625:
620:
616:
613:
609:
608:
590:
587:
583:magic bullet
578:
576:
571:
567:
565:
561:
556:
552:
550:
525:
510:
462:
438:
413:
394:
380:
366:
349:his daughter
348:
332:
316:
304:18 June 1821
277:
272:
266:
260:
251:
250:
222:
213:
210:Castil-Blaze
204:
202:
185:
175:
160:
132:
129:The Marksman
128:
111:
110:
109:
61:
58:The Marksman
57:
2742:1821 operas
2573:Piano music
2565:(1818–1819)
2497:Concertante
2489:(1806–1807)
2347:Discography
2244:: 483–506.
1996:Newspaper:
1980:(in German)
1779: [
1693:Boyden 1959
1462: [
1449:Franz Liszt
1420:, Leipzig,
1367:Colin Davis
1234:Colin Davis
1197:and chorus
1185:Peter Meven
1028:and Chorus
992:Cat: 69342
903:Cat: 67419
805:Onstage: 1
800:double bass
342:Carl Wauer
307:Conductor:
229:recitatives
225:Paris Opera
184:" from the
178:August Apel
54:Translation
2721:Categories
2433:Abu Hassan
2155:Freischütz
2009:2014-12-29
1741:Kobbé 1997
1701:Freischütz
1649:Brown 1992
1560:References
1484:Freischütz
1409:Alan Held
1389:Cat: 0726
1361:Lars Woldt
1245:, Leipzig
1180:René Kollo
1156:, Leipzig
1088:Erika Köth
1016:Kurt Böhme
952:Cat: 7038
883:Kurt Böhme
854:Conductor,
836:Recordings
830:Recordings
790:I and II,
513:media help
298:Voice type
192:folk music
182:Freischütz
94:1821-06-18
68:Librettist
2449:Euryanthe
2266:144738574
2242:MIT Press
2171:: 79–90.
1919:857678779
1899:990952043
1621:Citations
1511:wine 2014
1497:Fine arts
1428:Pentatone
1200:CD: Decca
1140:Theo Adam
966:Lisa Otto
922:Hans Hopf
878:Hans Hopf
776:trombones
760:clarinets
443:baritone
365:Ännchen,
315:Ottokar,
2650:Category
2334:Archived
2291:Libretto
2122:(eds.).
2114:(1997).
2041:(1959).
2003:Archived
1972:Archived
1756:(1934).
1635:, 1952,
1382:Barbican
1216:Eva Lind
851:Caspar)
847:Ännchen,
807:clarinet
772:trumpets
764:bassoons
748:piccolos
489:Overture
471:Synopsis
454:soprano
437:Kilian,
379:Caspar,
371:soprano
347:Agathe,
322:baritone
145:libretto
86:Premiere
78:Language
2673:Portals
2598:Related
2472:, 1888)
2425:Silvana
2320:formats
2258:3656477
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2068:)". In
2032:Sources
2025:(Greek)
1941:), 2011
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784:strings
780:timpani
742:In the
535:Bohemia
533:Place:
426:Hermit
418:spoken
354:soprano
216:at the
143:with a
92: (
2747:Operas
2590:(1819)
2582:(1816)
2559:(1816)
2553:(1811)
2536:(1821)
2530:(1815)
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2512:(1811)
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2470:Mahler
2460:(1826)
2457:Oberon
2452:(1823)
2444:(1821)
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2409:Operas
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1480:études
859:Label
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788:violin
752:flutes
410:Samiel
331:Kuno,
256:Krauss
81:German
2711:Music
2699:Opera
2660:Audio
2607:(son)
2262:S2CID
2254:JSTOR
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2181:JSTOR
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1565:Notes
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1394:2019
1342:2012
1295:2010
1255:1999
1207:1990
1166:1980
1121:1973
1079:1969
1038:1967
997:1959
957:1959
908:1955
864:1954
842:Year
811:horns
796:cello
792:viola
768:horns
756:oboes
651:Act 3
597:Act 2
547:Act 1
429:bass
400:tenor
393:Max,
385:bass
294:Role
282:Roles
137:opera
123:277,
32:Opera
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