124:, when Jesus saved a woman taken in adultery from those who wanted to stone her. Jesus appears at the center of the composition, having the adulteress, wearing a red veil with eyes closed and breasts visible, with her hands folded, begging for mercy, at his feet. They are surrounded by several angry people, including soldiers, only three of whose faces are visible. One of them, behind a fence at the left, carries two rocks on his hands, while another, at the right, is pointing to the woman. Some carry spears. The presence of soldiers can be interpreted as an anti-war reference, since they are not in the Gospel's narrative.
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hand, shaped like an elongated Gothic arch, defends the sinner, pushing back insults and menaces. These gently energetic, almost elegant hands are counterpointed by the passive, soft hands of the adulteress praying in quiet confidence. The mocking, cruelly aggressive forefinger of the clownish scoffer; the rude fists shaking furiously in the air on the left; the lancer's hands bent back by the impact of the crowd's hatred – this is an assembly of characters in the shape of hands.
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This picture could almost be called "a drama of hands." The variety and expressiveness of these hands and their gestures are incredible. If one could see nothing but Jesus' right hand, one would know that here a poor soul is being received into the mild, deep space of divine protection. Christ's left
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from the artist in 1919, and remained in that collection until 1937. It was seized during the purge of modern art by the Nazi regime in 1927, and shown the same year in the so-called
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The piece is representative of the change in
Beckmann's style that occurred after his experiences in
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149.2 cm Ă— 126.7 cm (58.7 in Ă— 49.9 in)
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Christ and the Woman Taken in
Adultery, Saint Louis Art Museum Official Website
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Christ and the Woman Taken in
Adultery, Saint Louis Art Museum Official Website
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140:. It was one of the first paintings that he did after being discharged.
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The painting was influenced by
Beckmann's study of German
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exhibition. It was bought to the
Buchholz Gallery, in
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Christ and the Woman Taken in
Adultery, The Artchive
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Paintings of Christ and the woman taken in adultery
183:"Beckmann's Christ and the Woman Taken in Adultery"
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232:. Encyclopædia Britannica. 8 August 2014
181:Southgate, Therese (13 February 2002).
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321:Christ and the Woman Taken in Adultery
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108:Description and analysis
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329:Descent from the Cross
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102:Saint Louis Art Museum
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369:Quappi in Pink Jumper
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116:painters, especially
305:Young Men by the Sea
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190:. Retrieved
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98:Max Beckmann
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40:Max Beckmann
401:Falling Man
380:(1932–1935)
372:(1932–1934)
348:(1918–1919)
138:World War I
114:Renaissance
450:Categories
168:References
164:in 1955.
144:Provenance
64:Dimensions
377:Departure
345:The Night
297:Paintings
80:St. Louis
236:14 March
192:14 March
158:New York
72:Location
412:Related
404:(1950)
396:(1943)
388:(1936)
364:(1928)
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188:. JAMA
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186:(PDF)
238:2016
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