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of typography to govern the way that I "draw", which keeps me at a sensible distance from the story as well as being a visual analog to the way we remember and conceptualize the world. I figured out this way of working by learning from and looking at artists I admired and whom I thought came closest to getting at what seemed to me to be the "essence" of comics, which is fundamentally the weird process of reading pictures, not just looking at them. I see the black outlines of cartoons as visual approximations of the way we remember general ideas, and I try to use naturalistic color underneath them to simultaneously suggest a perceptual experience, which I think is more or less the way we actually experience the world as adults; we don't really "see" anymore after a certain age, we spend our time naming and categorizing and identifying and figuring how everything all fits together. Unfortunately, as a result, I guess sometimes readers get a chilled or antiseptic sensation from it, which is certainly not intentional, and is something I admit as a failure, but is also something I can't completely change at the moment.
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satirical comic-strips, turned the numbers 500 into skyscrapers looming over the continental United States. On the roofs, corporate bosses drink, dance, and sun themselves as a helicopter drops a shovelful of money down for them. Below, among signs reading "Credit
Default Swap Flea Market," "Greenspan Lube Pro," and "401K Cemetery," a helicopter scoops money out of the US Treasury with a shovel, cars pile up in Detroit, and flag-waving citizens party around a boiling tea kettle in the shape of an elephant. In the Gulf of Mexico, homes are sinking, while hooded prisoners sit in Guantanamo, a "Factory of Exploitation" keeps going in Mexico, China is tossing American dollars into the Pacific, and the roof of bankrupted Greece's Treasury has blown off. A spokesperson for the magazine only said that, as is their practice, they had commissioned a number of possible covers from different artists, including Ware. Brady wrote in his blog that Ware said at the panel he "accepted the job because it would be like doing the 1929 issue of the magazine".
482:, Quimby the Mouse is perhaps Ware's most autobiographical character. Quimby's relationship with a cat head named Sparky is by turns conflict-ridden and loving, and thus intended to reflect all human relationships. While Quimby exhibits mobility, Sparky remains immobile and helpless, subject to all the indignities Quimby visits upon him. Quimby also acts as a narrator for Ware's reminiscences of his youth, in particular his relationship with his grandmother. Sometimes illustrated as a two-headed mouse, Quimby embodies both Ware and his grandmother, and the duality of a young and old body. Quimby was presented in a series of smaller panels than most comics, almost providing the illusion of motion Ă la a
741:. The mural depicts "the parallel development of humans and their efforts at and motivations for communication, spoken and written." The 3.9m x 6m mural was applied by artisans to Ware’s specifications. Describing the work, Ware said "I didn’t want it to make anyone 'feel good', especially in that typically muralistic 'hands across the water' sort of way,"..."I especially wanted it to be something that people living in the neighbourhood could look at day after day and hopefully not tire of too quickly. I really hoped whomever might happen to come across it would find something that showed a respect for their intelligence, and didn’t force-feed them any 'message'."
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597:, starting in September 2014. The story follows a few people in Sandy Port, Michigan: Putnam Gray, a young boy caught up in his sci-fi and space fantasies; Sandy Grains, a young girl and classmate who is interested in Putnam; Rosie Gentry, a young girl and classmate with whom Putnam is infatuated; Mr. and Mrs. Gray and Mrs. Grains. The strip also features in the newspaper's Weekend magazine.
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I arrived at my way of "working" as a way of visually approximating what I feel the tone of fiction to be in prose versus the tone one might use to write biography; I would never do a biographical story using the deliberately synthetic way of cartooning I use to write fiction. I try to use the rules
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Although his precise, geometrical layouts may appear to some to be computer-generated, Ware works almost exclusively with manual drawing tools such as paper and ink, rulers and T-squares. He does, however, sometimes use photocopies and transparencies, and he employs a computer to color his strips.
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magazine's "Fortune 500" issue, but it was rejected. Ware had mentioned the work at a panel at the
Chicago Comic and Entertainment Expo on April 16, as first noted in an April 20 blog post by Matthew J. Brady. The cover, featuring the circle-shaped humans common in Ware's more broadly socially
185:(2019). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
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focuses on the titular character, examining his life in the present and through flashbacks of his childhood, focusing on his arrested development and attachment to cultural objects. As the story expands, it diverges into multiple storylines about Brown's father's early life in the 1950s as a
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focused on the non-comic work of five contemporary cartoonists. The exhibition, titled "UnInked: Paintings, Sculpture and
Graphic Works by Five Cartoonists", ran from April 21 through August 19. Ware also edited and designed the catalog for the exhibition.
631:. The influence of the music and the graphics of its era can be seen in Ware's work, especially in regard to logos and layout. Ware has designed album covers and posters for such ragtime performers as the Et Cetera String Band, Virginia Tichenor,
575:. The entire narrative was published as a boxed set of books by Pantheon in October 2012. The boxed set holds 14 different works, in various sizes and forms, weaving through the life of an unnamed brown haired woman.
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described it as "a grand tomb in the
Egyptian mold, whose contents will tell anyone who breaks into it what this person’s life was like," adding that "it seems almost an invasion of privacy to enter this crypt."
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The serialization has now apparently ended after 54 instalments. The bottom right-hand corner of the last page has a note that says, "END, PART ONE", but as of 2020, there appears to be no indication from
400:, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists
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490:". Ware's ingenuity is neatly shown in this willingness to break from the confines of the page. Quimby the Mouse appears in the logo of a Chicago-based bookstore "
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his work while maintaining a relationship with
Fantagraphics for distribution and storage. This was a return to Ware's early career, self-publishing such books as
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defied comics publishing conventions with every issue. The series featured a combination of new material as well as reprints of work Ware had done for the
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Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable
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has said, "Chris really changed the playing field. After him, a lot of really started to scramble and go, 'Holy , I think I have to try harder.'"
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In recent years he has also been involved in editing (and designing) several books and book series, including the new reprint series of
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was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like
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Kashtan, Aaron (2015-09-03). ""And it Had
Everything in it": Building Stories, Comics, and the Book of the Future".
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and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist
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1409:"From loose to boxed fragments and back again. Seriality and archive in Chris Ware's Building Stories"
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appeared. It is a part-memoir, part-scrapbook retrospective of his career to that point. The
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gave him confidence and inspired him to explore printing techniques and self-publishing. His
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838:); Best Colorist of 1996, 1998, 2001 and 2006; Best Publication Design in 1995, 1996, 1997 (
591:, a "comic novella," began appearing online every Friday at the website of the UK newspaper
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2032:"Festival de la bande dessinée d'Angoulême : Chris Ware, un Grand Prix très proustien"
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2208:– comics-form adaptation of a panel featuring Chris Ware, Seth and moderator Ivan Brunetti
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as a major influence on his use of non-linear narratives. Ware has said of his own style:
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including Best
Continuing or Limited Series in 2000 and 2001; Best Cartoonist in 2006 (
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commissioned Ware to design the mural for the facade of San
Francisco literacy project
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was serialized in a host of different venues. It first appeared as a monthly strip in
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1601:"Graphic novelist Chris Ware discusses the leitmotif of Ragtime in his life and work"
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877:); and Special Award for Excellence in Presentation in 1996, 1997, 1998, 1999, 2000 (
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and also contributed to the show as a color consultant. Ware created poster art for
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1815:"Vulture Premieres the Poster for Cannes Hit Uncle Boonmee, Designed by Chris Ware"
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was later published as a book and DVD. In 2007-08, he produced animations for the
196:, to be among the best currently working in the medium; Canadian graphic-novelist
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for
Outstanding Graphic Novel. And it won the prize for best album at the 2003
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paraphernalia and occasionally publishes a journal devoted to the music titled
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820:); Best Artist/Writer-Drama in 2008; Best Continuing Series in 1996 and 2000 (
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about
Samuelson and the preservation of Chicago's old buildings, particularly
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from September 18, 2005 until April 16, 2006. A full chapter was published in
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He has also designed covers and posters for non-ragtime performers such as
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and 5ive Style. In October 2005 Ware designed the elaborate cover art for
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In 2002, Ware became the first comics artist to be invited to exhibit at
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Ware's art reflects early 20th-century American styles of cartooning and
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517:) and his best friend Chalky White's adult home life. The first part of
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In 2011, Ware created the poster for the U.S. release of the 2010 film
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543:. Installments later appeared in a number of publications, including
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Over the years his work garnered several awards, including the 1999
269:, the influential anthology magazine Spiegelman was co-editing with
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1772:"C2E2 2010: The Pantheon panel, featuring Chris Ware and Dash Shaw"
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UnInked: Paintings, Sculpture and Graphic Work by Five Cartoonists
121:: 1995, 1996, 1997, 1998, 2000, 2001, 2002, 2006, 2008, 2009, 2013
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The Acme Novelty Datebook: Sketches and Diary Pages in Facsimile
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and Chicago historian Tim Samuelson to illustrate and design
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to design the inner machinations of the bird on the cover of
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While still a sophomore at UT, Ware came to the attention of
494:", although their shared name was originally a coincidence.
127:: 1995, 1996, 1997, 1998, 2000, 2001, 2002, 2004, 2006, 2013
1703:"Chris Ware's new mural tells the story of the human race"
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Ware, Chris (Summer 2006). "Richard McGuire and 'Here'".
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during his career including Best Artist/Writer in 2009 (
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The Comics of Chris Ware: Drawing Is a Way of Thinking
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1934:. London: Guardian News and Media Limited. 2001-12-06
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977:In 2006, Ware received a USA Hoi Fellow grant from
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Acme Novelty Library Annual Report for Shareholders
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358:, which is devoted to comics. He was the editor of
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362:, the second installment devoted to comics in the
4199:Skowhegan School of Painting and Sculpture alumni
1009:was nominated for the PEN/Jean Stein Book Award.
4144:Eisner Award winners for Best Letterer/Lettering
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2158:"Words and Pictures: Graphic novels come of age"
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273:. Ware has acknowledged that being included in
2124:. Monographics Series. Yale University Press.
2079:David M. Ball, Martha B. Kuhlman, ed. (2010).
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303:before he moved on to his current "home", the
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1532:(Press release). Pantheon Books. May 21, 2012
826:); Best Graphic Album: New in 2000 and 2013 (
605:or from Ware that there is to be a Part Two.
244:. This was eventually published in 1988 as a
2221:Chris Ware's mural for 826 Valencia's facade
1790:Magazine Rejects Satirical Chris Ware Cover"
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371:In 2007, Ware curated an exhibition for the
4149:Eisner Award winners for Best Writer/Artist
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772:Uncle Boonmee Who Can Recall His Past Lives
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167:series (begun 1994) and the graphic novels
4204:Grand Prix de la ville d'AngoulĂŞme winners
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2202:: Unofficial database of the works of Ware
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2310:Jimmy Corrigan, the Smartest Kid on Earth
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1883:"Exhibitions: Masters of American Comics"
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1062:Jimmy Corrigan: The Smartest Kid on Earth
959:Jimmy Corrigan, the Smartest Kid on Earth
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352:by Fantagraphics; and the 13th volume of
170:Jimmy Corrigan, the Smartest Kid on Earth
4154:Harvey Award winners for Best Cartoonist
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1975:USA Fellows 2006 Visual Arts: Chris Ware
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832:); Best Graphic Album: Reprint in 2001 (
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157:(born December 28, 1967) is an American
2182:"Ragtime: No Longer a Novelty in Sepia"
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1575:"Ragtime: No Longer A Novelty In Sepia"
1554:(Press release). Random House. May 2012
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1223:"Building Stories: PRAISE & AWARDS"
972:AngoulĂŞme International Comics Festival
4159:Harvey Award winners for Best Colorist
4139:Eisner Award winners for Best Coloring
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1530:"Chris Ware Building Stories revealed"
521:was published in book form in 2019 by
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2363:Timothy McSweeney's Quarterly Concern
2303:Floyd Farland - Citizen of the Future
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2239:"Chris Ware, The Art of Comics No. 2"
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1954:"Firecracker Alternative Book Awards"
1928:"Graphic novel wins First Book Award"
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1631:Archive. Retrieved November 26, 2012.
1363:from the original on 22 November 2006
752:In 2010, Ware designed the cover for
355:Timothy McSweeney's Quarterly Concern
329:and an unnamed potato-like creature.
299:. Ware's work appeared originally in
241:Floyd Farland - Citizen of the Future
4174:University of Texas at Austin alumni
1573:Wondrich, David (January 21, 2001).
1413:Journal of Graphic Novels and Comics
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635:, the Paragon Ragtime Orchestra and
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263:, who invited Ware to contribute to
33:Ware at the 2019 Texas Book Festival
2083:. University Press of Mississippi.
2068:"The Depressing Joy of Chris Ware."
1885:. The Jewish Museum. Archived from
940:Museum of Contemporary Art, Chicago
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309:. Beginning with the 16th issue of
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2141:"The Smartest Cartoonist on Earth"
1599:Melton, Larry (October 27, 2019).
1510:. Pantheon Books. October 13, 2011
1014:Grand Prix de la ville d'AngoulĂŞme
996:Jan Michalski Prize for Literature
986:2013 Lynd Ward Graphic Novel Prize
968:Firecracker Alternative Book Award
608:
14:
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1642:"Haruki Murakami at Random House"
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791:'s Award for Best Comic Book for
4134:American comic strip cartoonists
1345:Chris Ware - On Cartooning | PBS
1276:"Being Chris Ware | Sarah Boxer"
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795:and Award for Graphic Novel for
458:Recurring characters and stories
4169:Artists from Oak Park, Illinois
2665:Eisner Award for Best Lettering
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2017:"2020 PEN/Jean Stein Finalists"
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1407:Crucifix, Benoît (2017-03-27).
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1244:Chris Ware bio at Fantagraphics
1153:. Drawn & Quarterly. 2013.
1121:. Drawn & Quarterly. 2007.
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613:Ware is an ardent collector of
553:, and most notably, the Sunday
293:) and the Chicago weekly paper
230:, the student newspaper of the
2439:Eisner Award for Best Coloring
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2206:Stripped Books: A Comics Panel
2139:Raeburn, Daniel (1999-07-04).
2099:"Visual Tribute to Chris Ware"
2030:Potet, Frédéric (2021-06-23).
1727:. 826 Valencia. Archived from
1386:. Knopf Doubleday Publishing.
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1016:for his lifelong achievement.
904:Whitney Museum of American Art
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1:
2371:The Best American Comics 2007
1909:"See You in the Funny Papers"
1844:Glaser, Sheila (2011-05-23).
1425:10.1080/21504857.2017.1303619
1200:
1086:. Fantagraphics Books. 2003.
680:In 2003-04, Ware worked with
360:The Best American Comics 2007
232:University of Texas at Austin
1280:The New York Review of Books
1185:. New York: Pantheon. 2019.
1104:. New York: Pantheon. 2005.
1012:In 2021, he was awarded the
1000:Los Angeles Times Book Prize
789:National Cartoonists Society
130:National Cartoonists Society
7:
4194:American Book Award winners
2169:"The inimitable Chris Ware"
1167:. New York: Rizzoli. 2017.
984:In 2013, Ware received the
238:serial in the paper titled
10:
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4189:The New Yorker cartoonists
4124:American graphic novelists
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1997:. Jan Michalski Foundation
1357:"Quimby's :: Mission"
906:biennial exhibition. With
674:The Wind-Up Bird Chronicle
644:Andrew Bird's Bowl of Fire
407:Little Nemo in Slumberland
140:USA Hoi Fellow grant, 2006
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2287:
1313:February 5, 2009, at the
1264:, Retrieved March 2, 2010
1225:(Press release). May 2012
964:Guardian First Book Award
777:Apichatpong Weerasethakul
663:Ware was commissioned by
319:Lonely Comics and Stories
203:
135:Guardian First Book Award
114:
75:
63:
42:Franklin Christenson Ware
38:
26:
21:
2349:The Ragtime Ephemeralist
2212:Interview and evaluation
2120:Raeburn, Daniel (2004).
1701:Thompson, David (2001).
1508:"New Chris Ware project"
1136:. Pantheon Books. 2012.
1102:The Acme Novelty Library
620:The Ragtime Ephemeralist
515:Acme Novelty Library #19
391:
385:New York Review of Books
4184:American male novelists
4119:Alternative cartoonists
4056:Maryelizabeth Yturralde
2237:Jeet Heer (Fall 2014).
2055:"The Art of Melancholy"
1984:, United States Artists
1755:April 28, 2010, at the
1308:Pantheon Graphic Novels
1260:March 11, 2008, at the
585:Ware's latest project,
565:New York Times Magazine
563:appeared weekly in the
556:New York Times Magazine
2468:and Reuben Rude (1994)
2110:"Chris Ware's ANL #20"
1980:July 18, 2011, at the
944:University of Nebraska
863:Ware has won multiple
804:Ware has won numerous
730:Mural for 826 Valencia
467:
451:
346:; a reprint series of
216:, Ware resides in the
4179:Writers from Nebraska
4129:Artists from Nebraska
3234:Arnold Schwarzenegger
1478:10.1353/sdn.2015.0034
1119:Acme Novelty Datebook
994:and was finalist for
979:United States Artists
948:Sheldon Museum of Art
891:Acme Novelty Datebook
875:Acme Novelty Datebook
706:television series on
465:
446:
379:In 2017, Ware's book
340:Drawn & Quarterly
321:as well as miniature
192:and writers, such as
4209:Inkpot Award winners
2901:Brian Michael Bendis
2296:Acme Novelty Library
2214:of Ware by designer
2200:Acme Novelty Archive
2177:, September 2, 2005.
2075:, November 27, 2001.
1907:Kimmelman, Michael.
1629:Acme Novelty Library
1605:The Syncopated Times
1466:Studies in the Novel
1382:Ware, Chris (2019).
1041:adding missing items
880:Acme Novelty Library
870:Acme Novelty Library
841:Acme Novelty Library
823:Acme Novelty Library
811:Acme Novelty Library
793:Acme Novelty Library
633:Reginald R. Robinson
623:. He also plays the
569:Acme Novelty Library
325:of stories based on
311:Acme Novelty Library
283:Acme Novelty Library
164:Acme Novelty Library
147:Franklin Christenson
86:Acme Novelty Library
2983:Anna-Marie Villegas
2188:, January 21, 2001.
2164:, October 17, 2005.
2156:Schjeldahl, Peter.
2105:, January 11, 2008.
1183:Rusty Brown, Part I
942:in 2006 and at the
424:'s post-WWII strip
3982:Rafael Albuquerque
3768:Christopher Priest
3478:Katherine Morrison
3459:Michael T. Gilbert
2778:David Mazzucchelli
2526:Patricia Mulvihill
2484:Matt Hollingsworth
2389:Krazy & Ignatz
2186:The New York Times
2063:, October 31, 2005
1917:, October 13, 2006
1914:The New York Times
1850:The New York Times
1579:The New York Times
1552:"Building Stories"
1039:; you can help by
720:and her 2018 film
704:This American Life
687:This American Life
468:
373:Phoenix Art Museum
4101:
4100:
3653:Richard Starkings
3174:Peter F. Hamilton
3079:Richard A. Lupoff
2906:Berkeley Breathed
2847:
2846:
2631:
2630:
2405:
2404:
2226:The Last Saturday
2180:Wondrich, David.
2131:978-0-300-10291-8
2090:978-1-60473-443-0
1057:
1056:
783:Awards and honors
775:by Thai director
650:' new edition of
588:The Last Saturday
580:The Last Saturday
144:
143:
132:Award: 1999, 2013
51:December 28, 1967
4216:
4019:Jonathan Hickman
3944:Nichelle Nichols
3926:Deborah Harkness
3837:Jonathan Maberry
3786:Satoshi Yamamoto
3658:Kazuki Takahashi
3532:Brian Stelfreeze
3353:Elliot S! Maggin
3252:Trevor Von Eeden
3247:Michael E. Uslan
3097:Steven Spielberg
2926:Charlaine Harris
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2396:Walt and Skeezix
2356:Walt and Skeezix
2331:Building Stories
2317:Quimby the Mouse
2274:
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2251:
2250:
2246:
2243:The Paris Review
2153:
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2066:Arnold, Andrew.
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1024:
1005:In 2020, Ware's
991:Building Stories
896:Building Stories
857:Building Stories
829:Building Stories
817:Building Stories
798:Building Stories
561:Building Stories
536:Building Stories
529:Building Stories
476:Quimby the Mouse
471:Quimby the Mouse
344:Walt and Skeezix
327:Quimby the Mouse
291:Quimby the Mouse
248:comic book from
176:Building Stories
100:Building Stories
66:
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3896:Yoshitaka Amano
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3748:Hidenori Kusaka
3698:Michael Barrier
3677:
3638:Jimmie Robinson
3628:Hilary B. Price
3568:Carlos Ezquerra
3541:
3497:Jimmy Palmiotti
3414:Ray Billingsley
3402:
3313:Derek T. Dingle
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3219:Whilce Portacio
3179:Mario Hernandez
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2167:Wolk, Douglas.
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1982:Wayback Machine
1973:
1969:
1964:on Mar 4, 2009.
1958:ReadersRead.com
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1731:on 27 July 2011
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916:Harvey Kurtzman
850:), 2002, 2006 (
785:
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669:Haruki Murakami
611:
609:Non-comics work
583:
531:
511:science fiction
500:
473:
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436:Richard McGuire
394:
315:self-publishing
271:Françoise Mouly
246:prestige format
236:science fiction
227:The Daily Texan
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57:Omaha, Nebraska
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3857:Brian Selznick
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2194:External links
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2162:The New Yorker
2154:
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2116:, Spring 2011.
2106:
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2008:
1995:"Edition 2013"
1986:
1967:
1945:
1919:
1911:(art review),
1900:
1874:
1862:
1836:
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1777:
1760:
1750:ComicsBeat.com
1742:
1716:
1705:. Eye Magazine
1688:
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1521:
1499:
1472:(3): 420–447.
1456:
1399:
1393:978-0375424328
1392:
1374:
1359:. April 2004.
1348:
1337:
1318:
1300:
1298:Raeburn (2004)
1291:
1274:Boxer, Sarah.
1266:
1247:
1236:
1214:
1204:
1202:
1199:
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1159:978-1896597669
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1080:
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1034:
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886:Jimmy Corrigan
847:Jimmy Corrigan
835:Jimmy Corrigan
784:
781:
766:
761:
749:
743:
731:
728:
712:Tamara Jenkins
700:Lost Buildings
696:Louis Sullivan
692:Lost Buildings
610:
607:
582:
577:
551:Kramer's Ergot
546:The New Yorker
530:
527:
523:Pantheon Books
499:
496:
472:
469:
459:
456:
432:Joseph Cornell
422:Charles Schulz
417:Gasoline Alley
398:graphic design
393:
390:
335:Gasoline Alley
306:Chicago Reader
261:Art Spiegelman
250:Eclipse Comics
205:
202:
161:known for his
142:
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116:
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93:Jimmy Corrigan
89:
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4164:Living people
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4068:Complete list
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4001:Leigh Bardugo
3999:
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3962:Eric Reynolds
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3939:David W. Mack
3937:
3935:Larry Houston
3934:
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3906:Cory Doctorow
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3847:Keith Pollard
3845:
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3778:Alex Sinclair
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3019:
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3016:Chester Brown
3014:
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2108:Peters, Tim.
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2019:. 2020-01-17.
2018:
2012:
2001:September 14,
1996:
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1983:
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1976:
1971:
1963:
1959:
1955:
1949:
1933:
1929:
1923:
1916:
1915:
1910:
1904:
1889:on 2011-05-11
1888:
1884:
1878:
1869:
1867:
1851:
1847:
1840:
1824:
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1816:
1810:
1796:on 2010-04-26
1795:
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1751:
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1668:Ball, p. xvii
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1224:
1218:
1212:Ball, p. xiii
1209:
1205:
1194:
1192:9780375424328
1188:
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1180:
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1174:9780847860883
1170:
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1143:9780224078122
1139:
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1127:9781897299180
1124:
1120:
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1111:9780375422959
1107:
1103:
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1089:
1085:
1081:
1077:
1071:
1067:
1063:
1059:
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1042:
1038:
1035:This list is
1033:
1026:
1025:
1017:
1015:
1010:
1008:
1003:
1001:
997:
993:
992:
987:
982:
980:
975:
973:
969:
965:
962:won the 2001
961:
960:
956:
955:graphic novel
951:
949:
945:
941:
937:
933:
932:New York City
929:
928:Jewish Museum
925:
921:
917:
913:
909:
905:
900:
898:
897:
892:
888:
887:
882:
881:
876:
872:
871:
866:
865:Harvey Awards
861:
859:
858:
853:
849:
848:
843:
842:
837:
836:
831:
830:
825:
824:
819:
818:
813:
812:
807:
806:Eisner Awards
802:
800:
799:
794:
790:
780:
778:
774:
773:
765:
760:
757:
756:
747:
742:
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736:
727:
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724:
719:
718:
713:
709:
705:
701:
697:
693:
689:
688:
683:
678:
676:
675:
670:
666:
661:
659:
658:
653:
649:
648:Penguin Books
645:
640:
638:
637:Guido Nielsen
634:
630:
626:
622:
621:
616:
606:
604:
598:
596:
595:
590:
589:
581:
576:
574:
570:
566:
562:
558:
557:
552:
548:
547:
542:
541:Nest Magazine
538:
537:
526:
524:
520:
516:
512:
507:
506:
495:
493:
489:
485:
481:
480:Felix the Cat
477:
464:
455:
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442:
437:
433:
429:
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423:
419:
418:
413:
409:
408:
403:
399:
389:
386:
382:
377:
374:
369:
367:
366:
365:Best American
361:
357:
356:
351:
350:
345:
341:
337:
336:
330:
328:
324:
320:
316:
313:, Ware began
312:
308:
307:
302:
298:
297:
292:
288:
284:
280:
279:Fantagraphics
276:
272:
268:
267:
262:
257:
255:
254:Timothy Leary
251:
247:
243:
242:
237:
233:
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139:
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126:
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117:
113:
107:
104:
102:
101:
97:
95:
94:
90:
88:
87:
83:
82:
80:
77:Notable works
74:
71:
68:
62:
58:
53:(age 56)
41:
37:
30:
25:
20:
4051:
4042:Scott Snyder
4032:Craig Miller
4024:Arvell Jones
4009:Mary Fleener
4005:Jon B. Cooke
3972:Peter Tomasi
3954:Brian Pulido
3921:Alex Grecian
3866:Alex Simmons
3807:Alan Burnett
3802:Andrew Aydin
3782:John Trimble
3648:Jen Sorensen
3623:Joe Phillips
3618:Kevin Nowlan
3603:Laura Martin
3598:Steve Lieber
3583:Tom Grummett
3558:Greg Capullo
3507:John Picacio
3487:Graham Nolan
3482:Julie Newmar
3474:Kelley Jones
3419:June Brigman
3378:Martin Pasko
3323:Ellen Forney
3288:Gerry Conway
3229:Lou Scheimer
3209:Andy Mangels
3184:Klaus Janson
3155:Randy Duncan
3146:Peter Coogan
3092:Bill Schelly
3064:John Higgins
3049:Joyce Farmer
3044:Eric Drooker
3006:Jordi Bernet
2969:Drew Struzan
2959:Larry Marder
2946:Keith Knight
2941:Jenette Kahn
2936:Phil Jimenez
2881:Inkpot Award
2802:Darwyn Cooke
2795:
2771:
2622:Dave Stewart
2592:Dave Stewart
2580:Dave Stewart
2574:Laura Allred
2568:Dave Stewart
2562:Dave Stewart
2556:Dave Stewart
2550:Dave Stewart
2544:Dave Stewart
2537:
2532:Dave Stewart
2520:Dave Stewart
2507:
2489:
2477:
2394:
2387:
2369:
2362:
2354:
2347:
2329:
2322:
2315:
2308:
2301:
2294:
2280:
2242:
2231:The Guardian
2229:
2185:
2172:
2161:
2147:
2121:
2113:
2102:
2080:
2070:
2060:The Guardian
2058:
2035:
2025:
2011:
1999:. Retrieved
1989:
1970:
1962:the original
1957:
1948:
1936:. Retrieved
1932:The Guardian
1931:
1922:
1912:
1903:
1891:. Retrieved
1887:the original
1877:
1853:. Retrieved
1849:
1839:
1827:. Retrieved
1825:. 2011-02-08
1818:
1809:
1798:. Retrieved
1794:the original
1787:
1780:
1745:
1733:. Retrieved
1729:the original
1725:"Our Façade"
1719:
1707:. Retrieved
1686:Ball, p. 118
1682:
1673:
1649:. Retrieved
1646:Random House
1636:
1620:
1608:. Retrieved
1604:
1594:
1582:. Retrieved
1578:
1568:
1556:. Retrieved
1546:
1534:. Retrieved
1524:
1512:. Retrieved
1502:
1469:
1465:
1459:
1416:
1412:
1402:
1383:
1377:
1365:. Retrieved
1351:
1340:
1331:
1327:
1321:
1303:
1294:
1283:. Retrieved
1279:
1269:
1250:
1239:
1227:. Retrieved
1217:
1208:
1182:
1164:
1150:
1133:
1118:
1101:
1083:
1061:
1048:October 2018
1045:
1020:Bibliography
1011:
1004:
989:
983:
976:
957:
952:
920:Robert Crumb
901:
894:
893:) and 2013 (
890:
884:
878:
874:
868:
862:
855:
854:) and 2013 (
851:
845:
839:
833:
827:
821:
815:
814:) and 2013 (
809:
803:
796:
786:
770:
768:
763:
753:
751:
745:
739:826 Valencia
733:
723:Private Life
721:
715:
714:' 2007 film
703:
699:
691:
685:
679:
672:
662:
655:
641:
618:
612:
603:The Guardian
602:
599:
594:The Guardian
592:
586:
584:
579:
568:
564:
560:
554:
550:
544:
540:
534:
532:
518:
514:
503:
501:
488:silent movie
474:
466:Ware in 2009
452:
447:
439:
425:
415:
405:
402:Winsor McCay
395:
380:
378:
370:
363:
359:
353:
347:
343:
333:
331:
318:
310:
304:
300:
294:
290:
286:
282:
274:
264:
258:
239:
225:
207:
190:illustrators
187:
180:
174:
168:
162:
154:
150:
146:
145:
125:Harvey Award
123:
119:Eisner Award
105:
98:
91:
84:
4114:1967 births
4047:Billy Tucci
3967:Kevin Smith
3875:R. L. Stine
3870:Gail Simone
3862:R. Sikoryak
3852:Nate Powell
3842:Glenn McCoy
3817:Kevin Feige
3710:Peter David
3706:Peggy Burns
3689:Jason Aaron
3608:Dave McCaig
3578:Dave Garcia
3563:Mike Catron
3517:Joe Quesada
3449:Bill Finger
3439:Chuck Dixon
3434:Brian Crane
3424:Mark Brooks
3368:Val Mayerik
3348:Jack Larson
3338:Dan Jurgens
3303:Gene Deitch
3293:Denys Cowan
3214:Rudy Nebres
3204:Rob Liefeld
3199:Erik Larsen
3164:Gary Gianni
3151:Geof Darrow
3106:Jeff Walker
3102:Frank Stack
3074:Peter Kuper
3059:Paul Guinan
3054:Tsuneo GĹŤda
3035:Dawn Devine
2979:Carol Tyler
2974:James Sturm
2951:Milo Manara
2916:Dave Dorman
2911:Kurt Busiek
2896:Peter Bagge
2616:Matt Wilson
2610:Emil Ferris
2604:Matt Wilson
2514:Laura DuPuy
2502:Laura DuPuy
2496:Lynn Varley
2472:Angus McKie
2466:Steve Oliff
2456:Steve Oliff
2450:Steve Oliff
2324:Rusty Brown
1872:Ball, p. 65
1677:Ball, p. 13
1610:October 30,
1514:January 26,
1384:Rusty Brown
1007:Rusty Brown
974:in France.
950:, in 2007.
924:Gary Panter
908:Will Eisner
735:Dave Eggers
717:The Savages
519:Rusty Brown
505:Rusty Brown
498:Rusty Brown
194:Dave Eggers
182:Rusty Brown
179:(2012) and
4108:Categories
4052:Chris Ware
3911:Brian Fies
3880:Ron Wilson
3827:John Lewis
3822:Robin Hobb
3812:Joyce Chin
3773:Phil Roman
3743:Mike Judge
3719:Tom Devlin
3702:Luc Besson
3553:Jerry Beck
3469:Willie Ito
3398:Bruce Timm
3383:Fred Perry
3328:Gary Frank
3308:José Delbo
3169:Larry Hama
3159:Ben Edlund
3141:Mike Carey
3126:Bill Amend
3083:Pat Lupoff
3069:Jamal Igle
3026:Alan Davis
2986:Al Wiesner
2964:Tom Palmer
2955:Andy Manzi
2921:Moto Hagio
2838:Stan Sakai
2832:Todd Klein
2826:Stan Sakai
2820:Todd Klein
2808:Stan Sakai
2796:Chris Ware
2790:Stan Sakai
2784:Todd Klein
2772:Chris Ware
2766:Todd Klein
2760:Todd Klein
2754:Todd Klein
2748:Todd Klein
2742:Todd Klein
2736:Todd Klein
2730:Todd Klein
2724:Todd Klein
2718:Todd Klein
2712:Todd Klein
2706:Todd Klein
2700:Todd Klein
2694:Stan Sakai
2688:Todd Klein
2682:Todd Klein
2676:Todd Klein
2538:Chris Ware
2508:Chris Ware
2490:Chris Ware
2478:Chris Ware
2281:Chris Ware
2122:Chris Ware
1893:2010-08-10
1800:2010-04-26
1285:2023-09-11
1201:References
1093:1560974559
1075:0224062107
1037:incomplete
912:Jack Kirby
573:McSweeneys
434:and cites
412:Frank King
159:cartoonist
70:Cartoonist
47:1967-12-28
22:Chris Ware
4037:Paco Roca
3997:Wendy All
3832:Jeph Loeb
3715:Jim Davis
3673:Craig Yoe
3643:Luis Royo
3613:Bill Mumy
3593:Chip Kidd
3537:Burt Ward
3522:Sam Raimi
3512:Mimi Pond
3343:Sam Kieth
3318:Paul Dini
3257:Mark Waid
3238:Jim Silke
3189:Joe Jusko
2460:Olyoptics
2216:Chip Kidd
2174:Salon.com
2114:The Point
1938:4 October
1584:April 29,
1494:162112188
1486:1934-1512
1451:194415161
1443:2150-4857
1328:Comic Art
1165:Monograph
889:), 2004 (
883:), 2001 (
844:), 2001 (
748:500 cover
682:Ira Glass
671:'s novel
665:Chip Kidd
438:'s strip
381:Monograph
349:Krazy Kat
289:(such as
106:Monograph
3723:Ben Dunn
3527:Don Rosa
2381:Designer
2365:issue 13
2103:Achewood
2037:Le Monde
1978:Archived
1823:New York
1753:Archived
1419:: 3–22.
1367:29 March
1361:Archived
1311:Archived
1258:Archived
1068:. 2000.
1066:Pantheon
936:New York
708:Showtime
652:Voltaire
513:writer (
492:Quimby's
484:zoetrope
368:series.
222:Illinois
220:area of
214:Nebraska
208:Born in
173:(2000),
4014:Gene Ha
3949:Liniers
2883:(2010s)
2149:The Imp
2048:Sources
1819:Vulture
1788:Fortune
1651:13 July
1558:June 2,
1536:June 2,
1229:June 2,
953:Ware's
755:Fortune
746:Fortune
657:Candide
615:ragtime
533:Ware's
502:Ware's
427:Peanuts
342:titled
323:digests
301:Newcity
296:Newcity
281:series
218:Chicago
65:Area(s)
2840:(2020)
2834:(2019)
2828:(2018)
2822:(2017)
2816:(2016)
2810:(2015)
2804:(2014)
2798:(2013)
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2624:(2020)
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2462:(1993)
2452:(1992)
2341:Editor
2288:Comics
2128:
2087:
1855:26 May
1829:26 May
1735:27 May
1709:27 May
1492:
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410:) and
204:Career
137:: 2001
115:Awards
59:, U.S.
4093:2010s
4088:2000s
4083:1990s
4078:1980s
4073:1970s
2144:(PDF)
1490:S2CID
1447:S2CID
629:piano
625:banjo
392:Style
338:from
287:Texan
210:Omaha
151:Chris
3991:2019
3889:2018
3795:2017
3682:2016
3546:2015
3407:2014
3271:2013
3114:2012
2994:2011
2889:2010
2126:ISBN
2085:ISBN
2072:Time
2003:2013
1940:2010
1857:2011
1831:2011
1737:2011
1711:2011
1653:2012
1612:2019
1586:2010
1560:2012
1538:2012
1516:2012
1482:ISSN
1439:ISSN
1388:ISBN
1369:2007
1231:2012
1187:ISBN
1169:ISBN
1155:ISBN
1138:ISBN
1123:ISBN
1106:ISBN
1088:ISBN
1070:ISBN
998:and
988:for
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627:and
441:Here
198:Seth
155:Ware
39:Born
1898:. .
1474:doi
1429:hdl
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