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Well, it's for a complicated variety of reasons, but mostly it was because I realized a year or two ago that I simply wasn’t really inspired to do it any more, and when I imagined taking over every aspect of it myself, I was suddenly inspired, almost anxious, to work on it again. In short, it just
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permeate tales of disappointment, thwarted affection, and the dehumanization of the individual in a modern and mechanized world. Through the use of apparently extraneous novelties, such as cut-outs and flip-books, and prose parodies set in tiny fonts, Ware blurs the boundaries between
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for Best New Series of 1995; Best
Continuing or Limited Series of 2000 and 2001; Best Single Issue or Story of 1997 and 2000; and Harvey Special Award for Excellence in Presentation every year from 1995 to 2000. Ware won the Harvey Award for his work in
745:'s Award for Best Comic Book and Good Taste Awards for Best New Series of 1994; Best Continuing Series of 1995, 1996, 1997, 1999, and 2000; Best Single Issue of 1996, 1999, and 2000; Best Ongoing Serialized Story of 1999 (
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is the saga of a lonely childlike man and his alienated ancestors, partly inspired by Ware's hopeful but unhappy reunion with his absentee father. The collected edition was released to much acclaim, winning the
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author/reader/character. These interventions offer complex and simultaneous multilinear readings of the page that serve to thematise Ware's engagement with issues of narrative and continuity.
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has adopted numerous formats in the course of the series and, similarly, doesn't feature a continuous cast of characters. It has showcased early Ware comics, such as
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for Best
Cartoonist of 2006; Best Letterer of 1996, 2000, 2002, and 2006; Best Cover Artist of 2000; and Best Colorist of 1996, 1997, 1998, 2000 and 2002.
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feels a little more like "art" to me now, since I’m responsible for everything that goes into it, and there’s no one to blame but myself if it's awful...
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for Best
Continuing Series of 1996 and 2000; Best New Graphic Album of 2000; and Best Publication Design of 1995, 1996, 1997, and 2002. Furthermore, an
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Bredehoft, Thomas A. (Winter 2006). "Comics architecture, multidimensionality, and time: Chris Ware's Jimmy
Corrigan: the Smartest Kid on Earth".
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250:. Ware started self-publishing the series starting with #16, which was distributed by Fantagraphics, with subsequent issues distributed by
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for Best Artist/Writer-Drama of 2008; Best Artist/Writer of 2009; Best
Colorist of 1996, 1998, 2001 and 2006; and Best Letterer of 2009.
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668:(2005), Pantheon / Cape (collects issues 7 and 15 with additional material, including parody ads and the ACME company "tour").
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676:(2012), Pantheon Books Pantheon / Cape (collects issue 18 with material from issue 16, other periodicals, and new material).
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began serialization in issue 16. With this issue, Ware also began to self-publish the title, with
Fantagraphics and later
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display stand won the Eisner Award for Best Comics-Related
Product of 1998. Ware won the Eisner Award for his work in
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684:(2019), Pantheon Books (collects material from issues 16, 17, 19, 20, as well as new material).
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The Acme
Novelty Library Final Report to Shareholders and Rainy Day Saturday Afternoon Fun Book
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Issues are imbued with the defining characteristics of Ware's work; a pervasive sadness and
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Lint (featuring Jordon
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Numbers 1, 3, and 10 are the only issues to remain uncollected at this time.
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acting as distributor. When asked why he chose to self-publish Ware stated:
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140:. Its first issue appeared in 1993. Published from 1994 by
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Ware, Chris (Summer 2006). "Richard McGuire and 'Here'".
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Time: The Depressing Joy of Chris Ware, November 27, 2001
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The series has been widely recognized in the industry.
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The title has been collected into volumes published by
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The Guardian: The Art of Melancholy, October 31, 2005
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620:was published in 2007 containing Ware's "
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517:Building Stories, pt 1
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818:Fantagraphics Catalog
568:Drawn & Quarterly
491:Tales From The Future
472:Jimmy Corrigan, pt 8
459:Jimmy Corrigan, pt 7
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681:Rusty Brown
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321:Potato Guy
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1379:Raisin Pie
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