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334:, with whom she lived for several years in the 1930s. Patten had also financed several of the group's shows. Patten and Crawford visited each other's family homes in Chattanooga and Akron. Following her break-up with Patten circa 1937, Crawford later became the lifelong partner of chef Ruth Norman.
148:, the Guild's Executive Director, as a casting secretary. She then worked her way through various backstage jobs, including assistant stage manager, to assistant to the “Board of Managers,” an important administrative job. While working at the Guild, she met
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In 1930 Crawford urged
Clurman to start giving semi-public talks to groups of like-minded actors. After he followed her suggestion and the talks attracted more people than could fit in Clurman's apartment, Crawford arranged for the use of a showroom at the
144:'s school. By then she knew that she did not want to pursue an acting career, but saw no other way to gain access to the organization producing the highest quality theatre of its time. Finishing her training in 1927, she was hired by
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who had also been working there as play reader and actor, respectively. She was impressed with these two young men and joined their animated discussions about the need for a radically new form of
American theatre.
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and invited 28 young actors who had been attending
Clurman's talks to join them for a twelve-week-long summer of training and rehearsal at
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The Gay & Lesbian
Theatrical Legacy A Biographical Dictionary of Major Figures in American Stage History in the Pre-Stonewall Era
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Smith, Wendy, Real Life Drama: The Group
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Crawford had a major role in selecting the early plays produced by The Group, beginning with their first one,
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Smith, Wendy, Real Life Drama: The Group
Theatre and America, 1931-1940, Grove-Weidenfeld, New York, 1990
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founded the
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Crawford was a lesbian and was linked romantically with her fellow Group
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Piano
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Crawford, Cheryl, One Naked
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A Gambler's Instinct The Story of Broadway Producer Cheryl Crawford
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by Cheryl Crawford, published by The Bobbs-Merrill Company, 1977
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Crawford was influential in the early careers of such actors as
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Billy J. Harbin, Kim Marra, Robert A. Schanke (2005).
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Cheryl Crawford, from the 1925 Smith College yearbook
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One Naked Individual: My Fifty Years in the Theatre
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669:New York Public Library for the Performing Arts
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367:(1943), co-produced with John Wildberg
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227:, among many others. In 1946, she and
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441:Bennetts, Leslie (October 8, 1986).
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765:20th-century American LGBT people
665:Cheryl Crawford papers, 1920-1986
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605:Barranger, Milly S. (July 2010).
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396:Sweet Bird of Youth
338:Notable productions
486:Crawford, Cheryl,
447:The New York Times
364:One Touch of Venus
239:, she founded the
205:Bojangles Robinson
46:September 24, 1902
221:Tallulah Bankhead
167:The Group Theatre
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253:Paul Newman
209:Mary Martin
201:Helen Hayes
134:Akron, Ohio
67:Occupations
684:Categories
428:References
313:John Astin
297:Jane Fonda
249:James Dean
233:Elia Kazan
188:Kurt Weill
184:Paul Green
99:Partner(s)
546:cite book
372:Brigadoon
273:Al Pacino
128:Biography
94:1926–1983
624:July 15,
586:cite web
576:July 15,
261:Rip Torn
163:Steinway
132:Born in
122:director
653:at the
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423:(1975)
415:(1969)
407:(1963)
404:Jennie
399:(1959)
391:(1951)
383:(1951)
375:(1947)
223:, and
420:Yentl
626:2020
613:ISBN
592:link
578:2020
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532:ISBN
513:2019
235:and
152:and
120:and
55:Died
43:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
