803:. The whole play is performed through musicals. Dance and instrumental music are combined in this art form. The bell and drum are two instruments used as background score. The percussion instruments Pada Thamber and Maravaladi provides the rhythm. The actors themselves sing and act. Though it used to be an open stage performance, in the recent times this is mostly played indoor. The predominant feature of this art is the artists stamping / pounding (Chavittu) the dance floor producing resonant sounds to accentuate the dramatic situations. The actors sing their lines loudly and with exaggerated gestures stamp with great force on the wooden stage. Hence literally Chavittu Nadakam means 'Stamping Drama'. Great stress is laid on the step, which goes in harmony with the songs. In these art forms there is a great importance for dance and art. Foot stamping dance, fighting and fencing are the essential part of Chavittunadakam. Royal dresses and ornamental costumes are necessary.
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the
Chavittu Nadakam is created by Portuguese as they felt cultural emptiness when they arrived at Kerala, there are no evidences supporting this view. Also the fact that Chavittu Nadakam uses language for its playback songs and dialogue, suggest that the art form is indigenous in origin. Although this musical play is based on Christian mythology and western influence is evident in the Greco-Roman style dress and stage decoration, the language used is a mixture of Tamil and Malayalam.
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959:. The training in kalari (teaching school), which lasts for two years, includes training in weapons such as sticks, swords and spears. Once the weapon training is complete, the acting main will begin. This training include body language including hands, eyes, and rhythmic steps that can make acting more effective. Because the steps and body movements are important, the actors will be given a body massage called
841:. Thattu is made by laying planks in such a way that they make a sound when stepped on. The width of the roof is 16 inches and the length is 50-60 inches. There should be a height of one and a half cubits from the floor and the lamp should be hung in the arena. A chandelier was also used. A large cross is also placed nearby, next to which the chair and the musicians stand facing the audience.
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675:. Commonly believed that Fort Kochi is the birthplace of Chavittu Nadakam. It is noted for its attractive make-up of characters, their elaborate costumes, detailed gestures and well-defined body movements presented in tune with the rhythmic playback music and complementary percussion. This art form highly resembles
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to the Kerala shores. The reason behind this assumption is that
Chavittu Nadakam has a significant European character in its costumes and outfits. But there are historical evidences that Kerala had connections with the western world well before the arrival of Portuguese. Even though some argue that
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Chavittu
Natakam has attractive costumes for all characters. The characters are generally dressed in roles reminiscent of ancient Greco-Roman soldiers and European kings. Colored papers and silk cassava velvet cloth are used to make costumes. There are also battle dress, helmet, stockings, crown,
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Katiyakaran plays an important role in
Chavittu Natakam. The main task of this clown like performer is to entertain the audience with a pleasant interpretation. The Katiyakaran enter the stage wearing a fringed cap, a red beard and moustache, and a garb with two rows of fangs.
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Chaviitu
Nadakam is a Latin Christian folk art form of Kerala. It is originated in Cochin where the Latin Christian Portuguese missionaries have instituted their first mission. Chavittu Nadakam is believed to be originated after the arrival of
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were some of the popular plays of early days. Chavittu
Nadakam attained the style and form of the operas of Europe under the influence of Portuguese and European missionaries who propagated catholic belief in coastal regions of Kerala. The
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at its peak. There were also other writers like
Vedanayakam Pillai, a native of Neyyoor, Kanyakumari. In earlier days this art form was mostly encouraged by the Tamil population and were staged in church premises.
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Sanjon Annavi, Vareechan Annavi, Cherrechan Annavi, Anthony Annavi, Brazeena
Natakam, Ouseph Natakam, Kathrina Natakam, Santi Claus Natakam, Karlman Natakam, daveed vijayam, Martin katha and Jnana Sundari
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The minister has a lead role in
Chavittu Natakam. It is the minister who accompanies the king on a hunt or in battle. The minister also have dazzling dress and costumes.
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were the themes of
Chavittu Nadakam in the 16th century. In the 18th century, spiritual themes like "Allesu-Nadakam", "Cathareena Nadakam", the victory of the
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to relax the body. After each actor completes his traing, debut performance will be made first at the kalari, before entering the stage performance.
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Chavittu Nadakam (Malayalam:เดเดตเดฟเดเตเดเตเดจเดพเดเดเด) is a highly colorful Latin Christian classical art form originated in Cochin, Kerala state in India.
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Thodaya penkal are female characters, performed by men. They will sing the praises of the Mother Mary. They are characterized by slow steps.
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Chavittu Nadakam is usually performed on open stages. Sometimes the interior of a church is also a venue. The performers wear glittering
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who lived in inlands didn't show any inclination for the art and thus its popularity was confined to Latin Catholic community.
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Stutiyogars also known as sutradharas or balaparts are another role in Chavittu Natakam. Boys aged 10โ12 will play this role.
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dress. It is the form of traditional musical dance drama, which symbolizes the martial tradition of Kerala Latin Christians.
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In Chavati Natakam, the king's court scene will be shown first. The king is given a dazzling dress and costumes.
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1299:"Chavittu Natakam - the dance of the Kings | Christian Artforms in Kerala | Christianity | Kerala Tourism"
728:. In content and presentation, Chavittu Natakam is modeled after the theatrical forms of medieval Europe.
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The play is considered a success if at the end, the stage cave into the pressure of heavy stamping.
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The most sensual blend of cultural influences can be seen in this Latin Christian dance-drama.
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Generally performed in public venues, this art is sometimes performed inside churches also.
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or great Christian warriors. Historical incidents, the life and adventure of heroes like
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Steps are important in Chavittu Natakam. The basic steps in the dance are divided into
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costumes. The stage is set up over wooden planks. The training master is known as
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Original Chavittu Nadakam costumes: Queen Brijeena from Brijeena Charitham play
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in the south, this art form combines acting, singing, dancing and steps of
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In Chavittu Nadakam there are large number of characters all in glittering
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to Asan (master), the practice begins with bowing the drama book called
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are used in Chavittu Natakam. In recent times, musical instruments like
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Popular among the Latin Christians in the coastal areas of Kerala from
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have different style of steps. Female actors have feminine steps.
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1262:(in Malayalam). Department of Tourism, Government of Kerala.
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After lighting the lamp in front of the cross and giving
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เดตเดคเดฐเดฃเดเดฒเดเดณเตโ, เดเตเดฐเดณ เดเตเดฑเดฟเดธเด"
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The stage where Chavittu Natakam is performed is called
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Veerayodhakkalude Anthyam (Death of Great warriors)
753:as the founder of this art form in 16th century at
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1228:"Chavittunatakam: Maritime Dance Drama of Kerala"
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971:The stories are mostly the heroic episodes of
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1216:. Official Web Portal - Government of Kerala.
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656::เดเดตเดฟเดเตเดเตเดจเดพเดเดเด) is a highly colorful
393:Saint Thomas Christian denominations
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991:Most popular Chavittu Nadakam plays
333:Mathews Mar Athanasius Metropolitan
95:Karalman charitham Chavittu Nadakam
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1366:Chavittu Nadakam Video in WebIndia
1274:"In Memory of Chinnathambi Annavi"
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38:it lacks sufficient corresponding
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1361:Chavittu Nadakam Video in Youtube
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663:classical art form originated in
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822:(rhymes). Good characters and
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53:more precise citations.
16:Indian folk dance drama
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1019:Carelman Charitham (
869:Instruments such as
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268:Saint Gonsalo Garcia
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1953:Musical instruments
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1504:Sheethankan Thullal
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1383:chavittunadakam.in/
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283:Saint Mother Teresa
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114:Mucical dance drama
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1970:Kombu (instrument)
1918:Uthralikavu Pooram
1798:Arattupuzha Pooram
1336:dr. B, Ravikumar.
1210:"Chavittu Natakam"
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1661:Mangalamkali
1636:Kummattikali
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1540:Panchavadyam
1525:Kuzhal Pattu
1494:Ottamthullal
1484:Mohiniyattam
1343:Deshabhimani
1341:
1306:. Retrieved
1303:Christianity
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1479:Koodiyattam
1123:Slama Carol
1118:Margam Kali
1021:Charlemagne
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977:Charlemagne
902:Katiyakaran
865:Instruments
848:The costume
820:kavithangal
812:kalashangal
791:Performance
767:Kodungallur
718:Kodungallur
179:Communities
101:Native name
51:introducing
2074:Categories
1996:Sarpa Kavu
1823:Kanyarkali
1783:Aanayoottu
1736:Theyyannam
1701:Poorakkali
1681:Nayadikali
1606:Eruthukali
1601:Duff Muttu
1596:Chozhikali
1565:Thayambaka
1139:References
1023:the Great)
911:Stutiyogar
739:Portuguese
59:April 2011
34:references
2020:Templates
1893:Puli Kali
1776:Festivals
1760:Fine arts
1746:Thiyyattu
1721:Slamakali
1574:Folk arts
1469:Kathakali
981:Alexander
967:Librettos
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716:north of
714:Chavakkad
696:Etymology
671:state in
661:Christian
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127:Elathalam
2032:Category
2001:Tharavad
1944:Velakali
1828:Karivela
1788:Aaraattu
1691:Padayani
1676:Mudiyett
1369:Archived
1237:10 April
1112:See also
1001:Frankish
949:Dakshina
943:Practice
875:maddalam
824:villains
797:European
708:Overview
702:Chavittu
690:medieval
677:European
404:Catholic
154:a series
152:Part of
131:Maddalam
1989:Society
1975:Mizhavu
1731:Theyyam
1706:Poothan
1626:Kolkali
1611:Gadhika
1560:Sopanam
1057:Gallery
1040:Goliath
953:Chuvadi
732:History
143:, India
47:improve
1980:Timila
1965:Idakka
1960:Chenda
1686:Oppana
1308:20 May
1283:20 May
887:fiddle
871:chenda
839:Thattu
801:Annavi
763:Kollam
749:named
722:Kollam
669:Kerala
247:People
141:Kerala
137:Origin
123:Chenda
36:, but
1923:Vishu
1513:Music
1036:David
1003:King
985:Isaac
973:Bible
897:Roles
891:flute
883:tabla
833:Stage
747:Tamil
680:opera
673:India
658:Latin
111:Genre
1878:Onam
1310:2020
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1239:2019
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