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Chavittu Nadakam

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803:. The whole play is performed through musicals. Dance and instrumental music are combined in this art form. The bell and drum are two instruments used as background score. The percussion instruments Pada Thamber and Maravaladi provides the rhythm. The actors themselves sing and act. Though it used to be an open stage performance, in the recent times this is mostly played indoor. The predominant feature of this art is the artists stamping / pounding (Chavittu) the dance floor producing resonant sounds to accentuate the dramatic situations. The actors sing their lines loudly and with exaggerated gestures stamp with great force on the wooden stage. Hence literally Chavittu Nadakam means 'Stamping Drama'. Great stress is laid on the step, which goes in harmony with the songs. In these art forms there is a great importance for dance and art. Foot stamping dance, fighting and fencing are the essential part of Chavittunadakam. Royal dresses and ornamental costumes are necessary. 25: 996: 2015: 1101: 1089: 1077: 1065: 170: 742:
the Chavittu Nadakam is created by Portuguese as they felt cultural emptiness when they arrived at Kerala, there are no evidences supporting this view. Also the fact that Chavittu Nadakam uses language for its playback songs and dialogue, suggest that the art form is indigenous in origin. Although this musical play is based on Christian mythology and western influence is evident in the Greco-Roman style dress and stage decoration, the language used is a mixture of Tamil and Malayalam.
853: 91: 2027: 783: 2053: 2039: 959:. The training in kalari (teaching school), which lasts for two years, includes training in weapons such as sticks, swords and spears. Once the weapon training is complete, the acting main will begin. This training include body language including hands, eyes, and rhythmic steps that can make acting more effective. Because the steps and body movements are important, the actors will be given a body massage called 841:. Thattu is made by laying planks in such a way that they make a sound when stepped on. The width of the roof is 16 inches and the length is 50-60 inches. There should be a height of one and a half cubits from the floor and the lamp should be hung in the arena. A chandelier was also used. A large cross is also placed nearby, next to which the chair and the musicians stand facing the audience. 637: 675:. Commonly believed that Fort Kochi is the birthplace of Chavittu Nadakam. It is noted for its attractive make-up of characters, their elaborate costumes, detailed gestures and well-defined body movements presented in tune with the rhythmic playback music and complementary percussion. This art form highly resembles 741:
to the Kerala shores. The reason behind this assumption is that Chavittu Nadakam has a significant European character in its costumes and outfits. But there are historical evidences that Kerala had connections with the western world well before the arrival of Portuguese. Even though some argue that
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Chavittu Natakam has attractive costumes for all characters. The characters are generally dressed in roles reminiscent of ancient Greco-Roman soldiers and European kings. Colored papers and silk cassava velvet cloth are used to make costumes. There are also battle dress, helmet, stockings, crown,
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Katiyakaran plays an important role in Chavittu Natakam. The main task of this clown like performer is to entertain the audience with a pleasant interpretation. The Katiyakaran enter the stage wearing a fringed cap, a red beard and moustache, and a garb with two rows of fangs.
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Chaviitu Nadakam is a Latin Christian folk art form of Kerala. It is originated in Cochin where the Latin Christian Portuguese missionaries have instituted their first mission. Chavittu Nadakam is believed to be originated after the arrival of
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were some of the popular plays of early days. Chavittu Nadakam attained the style and form of the operas of Europe under the influence of Portuguese and European missionaries who propagated catholic belief in coastal regions of Kerala. The
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at its peak. There were also other writers like Vedanayakam Pillai, a native of Neyyoor, Kanyakumari. In earlier days this art form was mostly encouraged by the Tamil population and were staged in church premises.
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Sanjon Annavi, Vareechan Annavi, Cherrechan Annavi, Anthony Annavi, Brazeena Natakam, Ouseph Natakam, Kathrina Natakam, Santi Claus Natakam, Karlman Natakam, daveed vijayam, Martin katha and Jnana Sundari
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The minister has a lead role in Chavittu Natakam. It is the minister who accompanies the king on a hunt or in battle. The minister also have dazzling dress and costumes.
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were the themes of Chavittu Nadakam in the 16th century. In the 18th century, spiritual themes like "Allesu-Nadakam", "Cathareena Nadakam", the victory of the
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to relax the body. After each actor completes his traing, debut performance will be made first at the kalari, before entering the stage performance.
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Chavittu Nadakam (Malayalam:เดšเดตเดฟเดŸเตเดŸเตเดจเดพเดŸเด•เด‚) is a highly colorful Latin Christian classical art form originated in Cochin, Kerala state in India.
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Thodaya penkal are female characters, performed by men. They will sing the praises of the Mother Mary. They are characterized by slow steps.
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Chavittu Nadakam is usually performed on open stages. Sometimes the interior of a church is also a venue. The performers wear glittering
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who lived in inlands didn't show any inclination for the art and thus its popularity was confined to Latin Catholic community.
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Stutiyogars also known as sutradharas or balaparts are another role in Chavittu Natakam. Boys aged 10โ€“12 will play this role.
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dress. It is the form of traditional musical dance drama, which symbolizes the martial tradition of Kerala Latin Christians.
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In Chavati Natakam, the king's court scene will be shown first. The king is given a dazzling dress and costumes.
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The play is considered a success if at the end, the stage cave into the pressure of heavy stamping.
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The most sensual blend of cultural influences can be seen in this Latin Christian dance-drama.
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Generally performed in public venues, this art is sometimes performed inside churches also.
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or great Christian warriors. Historical incidents, the life and adventure of heroes like
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Steps are important in Chavittu Natakam. The basic steps in the dance are divided into
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costumes. The stage is set up over wooden planks. The training master is known as
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Original Chavittu Nadakam costumes: Queen Brijeena from Brijeena Charitham play
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in the south, this art form combines acting, singing, dancing and steps of
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In Chavittu Nadakam there are large number of characters all in glittering
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to Asan (master), the practice begins with bowing the drama book called
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are used in Chavittu Natakam. In recent times, musical instruments like
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Popular among the Latin Christians in the coastal areas of Kerala from
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have different style of steps. Female actors have feminine steps.
1974: 1730: 1705: 1625: 1610: 1580: 1559: 1039: 823: 700:'Chavittu Nadakam' literally means a play that emphasizes step ( 1979: 1964: 1959: 1685: 1000: 886: 870: 796: 762: 746: 721: 676: 668: 140: 122: 1922: 1382: 1035: 984: 972: 955:. The ceremony of obeisance to the Asan and book is known as 890: 882: 679: 672: 657: 1262:(in Malayalam). Department of Tourism, Government of Kerala. 1877: 1012: 947:
After lighting the lamp in front of the cross and giving
1256:"เดšเดตเดฟเดŸเตเดŸเตเดจเดพเดŸเด•เด‚, เดจเดพเดŸเดจเตโ€ เด•เดฒเดพเดฐเต‚เดชเด‚, เด…เดตเดคเดฐเดฃเด•เดฒเด•เดณเตโ€, เด•เต‡เดฐเดณ เดŸเต‚เดฑเดฟเดธเด‚" 837:
The stage where Chavittu Natakam is performed is called
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Veerayodhakkalude Anthyam (Death of Great warriors)
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Official Web Portal - Government of Kerala. 617: 1316: 1026:Brijeena Charitham (Life of Queen Brijeena) 1410: 1396: 624: 610: 168: 89: 591:All India Conference of Indian Christians 438:Malankara Jacobite Syrian Orthodox Church 69:Learn how and when to remove this message 1250: 1248: 994: 851: 781: 635: 32:This article includes a list of general 2072: 1204: 1202: 1200: 1198: 1196: 1194: 1192: 1190: 1188: 1186: 1184: 1182: 1180: 1178: 1176: 1174: 1172: 1170: 1168: 323:Mar Varghese Payyappilly Palakkappilly 1417: 1391: 1245: 1166: 1164: 1162: 1160: 1158: 1156: 1154: 1152: 1150: 1148: 934: 856:The costumes used in Chavittu Nadakam 586:National Council of Churches in India 656::เดšเดตเดฟเดŸเตเดŸเตเดจเดพเดŸเด•เด‚) is a highly colorful 393:Saint Thomas Christian denominations 18: 2038: 991:Most popular Chavittu Nadakam plays 333:Mathews Mar Athanasius Metropolitan 95:Karalman charitham Chavittu Nadakam 13: 1366:Chavittu Nadakam Video in WebIndia 1274:"In Memory of Chinnathambi Annavi" 1145: 38:it lacks sufficient corresponding 14: 2096: 1361:Chavittu Nadakam Video in Youtube 1354: 1335: 663:classical art form originated in 457:Malabar Independent Syrian Church 2051: 2037: 2026: 2025: 2014: 2013: 1099: 1087: 1075: 1063: 926: 918: 893:and bulbul have also been used. 536:Indian Pentecostal Church of God 442:Malankara Orthodox Syrian Church 23: 1443:Kerala Sangeetha Nataka Akademi 1291: 1266: 901: 864: 847: 822:(rhymes). 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Chenda
Elathalam
Maddalam
Kerala
a series
Christianity in India
Christianity in India
Bengali Christians
Bettiah Christians
Bombay East Indians
Marathi Christians
Meitei Christians
Mizo Christians
Naga Christians
Punjabi Christians
Saint Thomas Christians
Tamil Christians
Telugu Christians
Saint Thomas the Apostle
Saint Alphonsa
Saint Francis Xavier
Saint Gonsalo Garcia
Saint Euphrasia Eluvathingal
Saint Kuriakose Elias Chavara

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