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Hals was very popular among the late 19th-century artists, this was the only painting that had been actually owned by one, as far as he knew. He speculated that he would not be surprised if it came to pass that copies by Munkácsy were discovered of Dutch 17th-century realists, since he seemed to acquire so much inspiration from them. Slive also noted that
Sedelmeyer sold "dozens of paintings rightly and wrongly attributed to Hals".
17:
194:
A small Hals sketch of a man from his "wet on wet" traveller series is dated 1643 and surprised Hals expert
Seymour Slive for having a date, as most of these small portrait sketches were lacking them. He noticed that it had been in the possession of Sedelmeyer and Munkácsy and remarked that though
89:
and after doing so offered Munkácsy a ten-year contract, making that painter a wealthy man and a really established member of the Paris art world. Sedelmeyer wanted him to paint large-scale pictures which could be exhibited on their own. They decided that a subject taken from the
496:
M. Theinhardtová, ‘Charles
Sedelmeyer a Václav Brozík, cesky malír historie v Parízi’ (Charles Sedelmeyer and Václav Brozík; a Czech painter of history in Paris), in Václav Brozík (1851–1901), Národní galerie v Praze. Valdstejnská jízdárna (Prague, 2003),
500:
C. Huemer, 'Crossing
Thresholds: The Hybrid Identity of Late Nineteenth-Century Art Dealers', Jaynie Anderson (ed.) Crossing Cultures: Conflict-Migration-Convergence, Melbourne: Miegunyah Press 2009, pp. 1007–1011.
492:
C. Huemer, 'Charles
Sedelmeyer's Theatricality: Art and Speculation in Late 19th-Century Paris', Ján Bakoš (ed.) Artwork through the Market: The Past and the Present, Bratislava: Slowakische Academy of Sciences 2004,
466:
Illustrated catalogue of 300 paintings by old masters of the Dutch, Flemish, Italian, French, and
English schools, being some of the principal pictures which have at various times formed part of the Sedelmeyer
259:
Illustrated catalogue of 300 paintings by old masters of the Dutch, Flemish, Italian, French, and
English schools, being some of the principal pictures which have at various times formed part of the Sedelmeyer
175:
489:
C. Huemer, 'Charles
Sedelmeyer (1837–1925): Kunst und Spekulation am Kunstmarkt in Paris', Belvedere: Zeitschrift für bildende Kunst 2 (Fall 1999), pp. 4–19.
536:
147:
sold by
Sedelmeyer to the Weber collection resulted in Sedelmeyer's justificatory pamphlet, 1912. The painting was shown in New York City at the
541:
482:
B. Wild, ‘Charles
Sedelmeyer: Ein österreichischer Kunsthändler macht Karriere in Paris’, Parnass 14, no. 3 (1994), pp. 76–80 (cited
357:
The painting returned to Europe and eventually did come to the Metropolitan Museum: Margaretta Salinger, "Rubens's Atalanta and Meleager"
43:) was an Austrian and French art dealer, collector, and publisher active in Paris from 1866, with premises at 6 rue de la Rochefoucauld.
526:
483:
309:
Illustrated Catalogue of the eleventh Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
316:
Illustrated Catalogue of the twelfth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
281:
Illustrated Catalogue of the seventh Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
108:
in 1896. These huge paintings were taken on a tour and exhibited in many European cities and also in the US. All three were bought by
288:
Illustrated Catalogue of the eighth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
252:
Illustrated Catalogue of the fourth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
238:
Illustrated Catalogue of the second Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
374:
302:
Illustrated Catalogue of the tenth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the ninth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
274:
Illustrated Catalogue of the sixth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
267:
Illustrated Catalogue of the fifth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
245:
Illustrated Catalogue of the third Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
402:
576:
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221:
Catalogue of the celebrated Collection of Paintings, by Modern and Old Masters, and of Water-Colours and Drawings, formed by
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Illustrated Catalogue of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Web page of the Museum of Fine Arts, Boston in the Internet Archive, archived 7 March 2007
77:, who lived in Paris from 1872 onwards. Sedelmeyer bought and sold Mihaly Munkácsy's 1878
8:
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Collection of Dutch and Flemish paintings by old masters, owned by Mr. Charles Sedelmeyer
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183:
164:
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131:, formerly attributed to Rembrandt and deaccessioned by the Walker Art Center in 2011
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in France. Sedelmeyer assessed the American market as important enough to send his
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Though specialized in old masters, Sedemeyer became friends with the artist
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211:. Sedelmeyer's collection was dispersed at a series of sales in Paris.
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He had five daughters. Emilie married the sculptor and art historian
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Catalog record 151, Slive catalogue raisonné of Hals paintings, 1974
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in Hofstede de Groot's catalog raisonné of Rembrandt paintings, 1914
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36:
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in 1914, who noted that it was purchased from Sedelmeyer by
28:
Advertisement for Sedelmeyer's Picture Gallery, Paris, 1882
400:"On The Woman Taken in Adultery of the Weber Collection",
190:(cat. 151), found in 1999 to be "of a much later date"
225:, sold at Sedelmeyer's Galleries, Paris, July, 1889
155:. The Rembrandt attribution was again confirmed by
46:He is credited with popularising the Dutch artist
94:would be most suitable. In 1882 Munkácsy painted
518:
513:from The Metropolitan Museum of Art, 1886
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394:
432:Blog about the 1898 Rembrandt exhibition
403:The Burlington Magazine for Connoisseurs
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163:. The painting was deaccessioned by the
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23:
15:
537:Businesspeople from the Austrian Empire
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441:
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359:The Metropolitan Museum of Art Bulletin
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207:and Hermina married the Czech painter
129:Christ and the Woman taken in Adultery
102:in 1884. The trilogy was completed by
151:and the attribution was confirmed by
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542:Historians from the Austrian Empire
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527:Emigrants from the Austrian Empire
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14:
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577:Burials at Montmartre Cemetery
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365:.1 (Summer, 1944):8-13) p. 13.
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1:
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410:No. 119 (February 1913:287).
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149:Metropolitan Museum of Art
135:A public dispute with Dr.
63:Metropolitan Museum of Art
377:Protestants and Pictures
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182:, attributed to Hals by
139:over the attribution to
65:in the winter of 1886.
557:Austrian art historians
547:Austrian art collectors
386:New York Public Library
145:Woman Taken in Adultery
456:Part 3, 3–5 June 1907.
191:
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98:which was followed by
61:for exhibition at the
59:Marlborough collection
29:
21:
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127:
55:Atalanta and Meleager
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19:
552:Austrian art dealers
532:Immigrants to France
314:Charles Sedelmeyer,
307:Charles Sedelmeyer,
300:Charles Sedelmeyer,
293:Charles Sedelmeyer,
286:Charles Sedelmeyer,
279:Charles Sedelmeyer,
272:Charles Sedelmeyer,
265:Charles Sedelmeyer,
257:Charles Sedelmeyer,
250:Charles Sedelmeyer,
243:Charles Sedelmeyer,
236:Charles Sedelmeyer,
229:Charles Sedelmeyer,
96:Christ before Pilate
562:Writers from Vienna
192:
153:Wilhelm Valentiner
133:
33:Charles Sedelmeyer
30:
22:
20:Charles Sedelmeyer
493:pp. 109–124.
184:Hofstede de Groot
180:Portrait of a man
165:Walker Art Center
157:Hofstede de Groot
87:to his Daughters,
39:– 9 August 1925,
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497:pp. 111–29.
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35:(30 April 1837,
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186:(cat. 302) and
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137:Abraham Bredius
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75:Mihály Munkácsy
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69:Mihály Munkácsy
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469:on archive.org
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375:David Morgan,
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361:, New Series,
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223:M. E. Secretan
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205:Stanislas Lami
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114:John Wanamaker
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209:Václav Brožík
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199:Personal life
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188:Seymour Slive
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311:, Paris 1911
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304:, Paris 1906
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297:, Paris 1905
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290:, Paris 1902
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283:, Paris 1901
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276:, Paris 1900
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269:, Paris 1899
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254:, Paris 1897
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247:, Paris 1896
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240:, Paris 1895
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233:, Paris 1894
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161:T. B. Walker
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112:millionaire
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78:
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32:
31:
572:1925 deaths
567:1837 births
521:Categories
171:Frans Hals
83:Dictating
79:The Blind
167:in 2011.
141:Rembrandt
120:Rembrandt
105:Ecce Homo
57:from the
110:American
100:Golgotha
477:Sources
467:Gallery
262:, 1898
260:Gallery
143:of the
382:Milton
380:; The
81:Milton
52:Rubens
37:Vienna
323:Notes
215:Works
92:Bible
41:Paris
484:here
523::
438:^
408:22
406:,
393:^
116:.
486:)
388:.
363:3
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