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Chariots of Fire (play)

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wrote, "This lavish stage adaptation ... is about as close to a West End musical as it's possible to get without in fact being one", citing the frequent Gilbert and Sullivan hits, the impressive stadium set, the 21-strong ensemble cast, and the stylized running choreography. Lukowski praised Bartlett
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wrote that "even this grumpy Olymposceptic was brought to actual tears, moved to empathy and understanding by the fabulous theatricality of it." She called Edward Hall's staging "thrilling" and the play "irresistible", adding that "above all, it's the sincerity: a full-blooded willingness to take the
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echoed other reviews regarding the high-energy, intriguingly staged production. He emphasized in addition that "the meat of the drama" is the "gripping human confrontation being played out at its centre, in which two young men from very different backgrounds ... are drawn into competition with each
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Bartlett also used theatrical techniques to allow the play to "tell two stories at the same time, and show links between them and metaphors and parallels", using the Eric Liddell story to talk about Harold Abrahams and using Harold to talk about Eric. The play contains more meetings between Liddell
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praised Edward Hall's "considerable adroitness" in directing what he deemed "a fine Olympic-season project". He also admired Bartlett's script in that "e utilises the stage's greater ability to open up to the protagonists’ inner voices, showing Abrahams’ preoccupation with his never-present father
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Director Edward Hall stated that, in addition, "In theatre you can take components of the story and analyse them narratively in different ways. So you can stretch or freeze a moment in a race.... it gives you more freedom." Astute staging, he noted, can convey all of the various emotions that take
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anchored the period story to the present by opening with Harold Abrahams' 1978 memorial service. In Mike Bartlett's 2012 play, the story is anchored to the present by beginning the piece with 15 modern athletes doing a warm-up, "which turns into a training session, which suddenly evolves into Lord
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praised "Edward Hall's bravura production" and Miriam Buether's "brilliant" set. He also noted approvingly that Hall's "kaleidoscopic pageant" of a play is bound together by music, including Gilbert and Sullivan numbers, Scottish bagpipes, a medley of British folk tunes, and the iconic Vangelis
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also gave the play five stars, declaring it "a bravura version of the 1981 movie". "It's Edward Hall's staging that's the real winner" he wrote, describing the running sequences as "pure exhilaration". He summed up the play as "a joyful antidote to the modern Olympics", "a real summer high", and
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And in contrast to the film, the play also introduces a female admirer for Eric Liddell: his real-life fiancée Florence Mackenzie, the daughter of Canadian missionaries to China. Also in the play, the very fit ensemble cast and extras are not only utilized for running and racing, but also are
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Hudson and Broccoli chose Edward Hall to helm the stage adaptation, based upon his clear and incisive view of all the challenges involved in adapting the athletics-heavy story to the stage. Hall recruited the award-winning playwright Mike Bartlett, based on his many successes including
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is the son of an immigrant Lithuanian Jew who runs to overcome prejudice. The two young track athletes live for the purity and honour of running, and prevail in the face of enormous odds. The story begins in 1919, and climaxes in the heartbreaks and triumphs of the
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noted that, in a play about competition, "what eventually emerges as the really engaging battle of wills is that of Abrahams and Liddell versus the British Establishment – ironic, as they each strive to shine for king and country." And
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Set designer Miriam Buether transformed Hampstead Theatre into its very own stadium, giving the audience an immersive experience that evoked the 1924 Paris Olympics, including seating in the round around an Olympic track, and a double
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and Abrahams than there were in the film, and also more humour. In contrast to the film, the play has Abrahams struggling with, in addition to anti-Semitism, thoughts of his estranged and never-present father.
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other but also a bigger one with themselves and what truly matters to each." Shenton concluded that the play "succeeds on its own terms to provide what is sure to be a huge popular theatrical success."
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hearty morality, amateur spirit and patriotism at its own valuation without modish irony." Praising the main cast, Purves singled out Jack Lowden as "outstanding", and Nicholas Woodeson as "superb".
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Many reviewers commented on the intense, often breathless, physicality of the production. The high-speed running around the perimeter of the auditorium and through the audience reminded some of
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was cast as Eric Liddell, on the strength of his glowingly reviewed, charismatic, and athletic performance as the main character Cammy in an international tour of the Olivier Award-winning play
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instructor. And when stars Jack Lowden and James McArdle discovered they live on the same London street, they began running to rehearsals in addition to the required group training.
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is a triumph of will that is in keeping with the spirit of the story it tells.... This is an unmissable theatrical offering in the year of the London Olympics."
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opened officially on 22 May 2012, and received positive reviews from major critics in major UK publications. By 29 May, the Hampstead Theatre run had sold out.
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deemed the play a "stirring crowd-pleaser" and "a potently realised spectacle", concluding that while "undeniably bombastic fare", "energy and conviction make
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is the inspirational true story of two great British athletes, outsiders who overcome prejudice and personal strife to compete in the
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transformed the entire theatre into an Olympic stadium, so that audiences had the experience of being in the Olympic stands.
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The stage revival of the film was the inspiration of Hugh Hudson, who directed the 1981 film. He and fellow co-producer
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Rehearsals for the actors portraying athletes incorporated grueling training, including lengthy runs, with a
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for his "funny, pithy and creative" script, and summarized the production by asserting it is "a spectacle".
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songs are also used, and additional music was provided by Tony Award-winning composer Jason Carr.
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franchise, set about looking for the perfect director for the piece. Broccoli's involvement with
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score, and Vangelis also created several new pieces of music for the production. As in the film,
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to the screenplay, and he ended up co-financing the film and becoming its executive producer.
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Tam Williams – Lord Andrew Lindsay, a Cambridge student runner, partially based on
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The stage version for the London Olympic year was the idea of the film's director,
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and in particular Liddell's devout brand of muscular Christianity ...."
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Matthew Pearson – Sandy McGrath, Liddell's friend and running coach
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The play's incidental music was released on CD in 2012, titled
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is a devout Scottish Christian who runs for the glory of God.
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Natasha Broomfield – Jennie Liddell, Eric's devout sister
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George Sutherland-Leveson-Gower, 5th Duke of Sutherland
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play, adding that "It's such an unusual theatre show!"
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Chariots of Fire – The Play: Music from the Stage Show
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extended back to 1980, when she introduced her friend
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created several new pieces of music for the 2012 play.
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opined that " fantastically enjoyable production of
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(Excerpt of 1394: 1392: 1075: 269:on 23 June, where it ran until 5 January 2013. 189:on 23 June 2012, was partially inspired by the 2114: 1957: 1314:"A 360-Degree History of the Theatre Revolve" 1259:Will Run in West End... to Honour Dodi Fayed" 847:"Eric's Theme" (previously released, updated) 430:, a film-industry magnate best known for the 2158:Fais que ton rêve soit plus long que la nuit 1389: 1143: 1141: 1139: 499: 1881:Chariots of Fire: Music from the Stage Show 1070:Elsewhere: The Independent Vangelis Website 1058: 1056: 2121: 2107: 1964: 1950: 1352: 1350: 1330: 1328: 489:, and was chosen to play Harold Abrahams. 418:In addition to his iconic original score, 29: 1643:review by Christopher Hart, 27 May 2012). 1338:: Libby Purves interview with Jack Lowden 1136: 1115: 1113: 1111: 1109: 1107: 1105: 315:, a runner and friend of Harold Abrahams 1053: 994:"Cast Announced for Hampstead Theatre's 544: 537:frequently employed in singing as well. 503: 413: 1876: 1852:(The Play) (Music From The Stage Show)" 1347: 1325: 858:"Abraham's Theme" (previously released) 173:is a 2012 stage adaptation of the 1981 2584: 1102: 1067:Stage Play Music: A Possible Release?" 964: 953: 942: 931: 920: 909: 2612:Biographical plays about sportspeople 2102: 1945: 898: 887: 876: 865: 854: 843: 832: 821: 806: 717: 540: 257:opened in previews 9 May at London's 229:. For the production, stage designer 2652:Sport at the University of Cambridge 1971: 1594:review by Libby Purves, 24 May 2012) 1156:– Review: Hampstead Theatre, London" 989: 987: 452:, to write the script for the play. 236:The play includes the film's iconic 2337:Entends-Tu Les Chiens Aboyer ? 13: 2642:University of Cambridge in fiction 2432:Odyssey: The Definitive Collection 1449:"A Pre-Olympics Blaze of Glory in 1125:: The British Are Coming... Again" 345:, Britain's greatest running coach 185:9 May 2012 and transferred to the 14: 2683: 2418:Portraits (So Long Ago, So Clear) 1905: 1503:Play Limbers Up for West End Run" 984: 968:"Jerusalem" (previously released) 2566: 2565: 2019:Gerald Cadogan, 6th Earl Cadogan 1019:'s Lowden plays Eric Liddell in 814:" (previously released, updated) 272: 1870: 1840: 1814: 1788: 1766: 1735: 1704: 1669: 1646: 1622: 1597: 1573: 1547: 1530: 1514: 1491: 1464: 1441: 1418: 1373: 1303: 1270: 1247: 1228: 1208: 520:In the 1981 film, screenwriter 1190: 1167: 1039: 1007: 794: 525:Lindsay and Harold Abrahams." 213:directed the play. It starred 1: 1803:, Hampstead Theatre – Review" 1681:, Hampstead Theatre, London; 978: 703:a satisfying experience." In 516:, site of the Great Court Run 409: 2607:Plays based on actual events 2128: 1407:, Hampstead Theatre, London" 1362:: This One Will Run and Run" 757:Additional Music: Jason Carr 745:Set Designer: Miriam Buether 225:as Jewish Cambridge student 129:drama, sports, inspirational 7: 788:Chariots Of Fire – The Play 677:evoked the recent hit play 375: 196: 191:2012 London Summer Olympics 10: 2688: 754:Choreography: Scott Ambler 514:Trinity College, Cambridge 379: 355:, Harold Abrahams' fiancée 2561: 2540: 2515: 2448: 2402: 2321: 2305:Nocturne: The Piano Album 2149: 2136: 2075: 2052: 1981: 1932:Cast and crew biographies 1562:at the Hampstead Theatre" 801: 798: 793: 500:Differences from the film 159: 133: 125: 114: 99: 65: 55: 37: 28: 23: 2330:L'Apocalypse des animaux 2060:Chariots of Fire (album) 1693:), Ustinov Studio, Bath" 1619:. 27 May 2012. (paywall) 1570:. 24 May 2012. (paywall) 1527:. (accessed 25 May 2012) 1205:. 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Except for the hymn " 683:as a comparison to the 335:at Cambridge University 325:at Cambridge University 217:as Scottish missionary 2672:Plays set in the 1920s 2597:Plays by Mike Bartlett 2263:Foros Timis Ston Greco 569: 517: 463:Scottish up-and-comer 423: 295:, a Jewish student at 2662:Plays set in Scotland 2657:Athletics in Scotland 2492:State of Independence 2485:I'll Find My Way Home 2242:Invisible Connections 1281:"When Sport Was Fun: 1179:with Vangelis Tracks" 1028:11 March 2012 at the 548: 507: 449:Earthquakes in London 417: 351:Savannah Stevenson – 179:film of the same name 2667:Plays set in England 2637:1924 Summer Olympics 2627:2012 Summer Olympics 2592:Plays based on films 2516:Other collaborations 2499:Conquest of Paradise 2372:Conquest of Paradise 1612:, Hampstead Theatre" 1525:HampsteadTheatre.com 696:The Evening Standard 628:Andrzej Lukowski of 297:Cambridge University 242:Gilbert and Sullivan 146:Cambridge University 103:9 May 2012 1755:27 May 2012 at the 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Index


Mike Bartlett
Colin Welland
Vangelis
Eric Liddell
Harold Abrahams
Aubrey Montague
Sam Mussabini
Hampstead Theatre
1924 Paris Olympics
Cambridge University
Scotland
Official site
Oscar
film of the same name
Hampstead Theatre
West End
2012 London Summer Olympics
Mike Bartlett
Edward Hall
Jack Lowden
Eric Liddell
James McArdle
Harold Abrahams
Miriam Buether
Vangelis
Gilbert and Sullivan
Hugh Hudson
Hampstead Theatre
Gielgud Theatre

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