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there are no gender restrictions on who can play the chapei. Transmitted orally within families and informal master-apprentice relationships, today the art form is practised by few performers and even fewer masters exist. The Khmer Rouge regime severely affected the bearer population and disrupted transmission of the practice with long-term implications as communities now face the prospect of a tradition that could potentially disappear.
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language; creating a space for social and political commentary; entertaining; connecting generations; and building social cohesion. Apart from musical talent, skills required to be a chapei player include wit, the ability to improvise and be a good storyteller. While performers are generally male,
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Chapei Dang Veng also encapsulates in a broader scale a musical tradition closely associated with the life, customs and beliefs of the
Cambodian people. The Chapei Dang Veng is often accompanied by singing. Song lyrics range from the educational and a type of social commentary, to satire while
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incorporating traditional poems, folk tales or
Buddhist stories. The tradition is considered to have multiple functions within Cambodian communities, such as safeguarding traditional rituals; transmitting social, cultural and religious knowledge and values; providing exposure to the
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266:. The top and bottom strings are typically tuned to G and C respectively, with the 12 frets having notes 1 D, 2 E, 3 F, 4 G, 5 A, 6 B, 7 C, 8 D, 9 E, 10 F, 11 G, 12 A.
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Portrait of a girl with a chapey, 1880. She was a musician at the
Cambodian Royal Palace, where the picture was taken.
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Inscribed in 2016 (11.COM) on the List of
Intangible Cultural Heritage in Need of Urgent Safeguarding
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Chapei Dang Veng has been inscribed as World
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Cambodian vocal performance, includes chapei in the performance.
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615:(tro sau thom, tro sau toch, tro che, tro ou, tro ou chamhieng)
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418:Traditional Cambodian musical instruments
216:Learn how and when to remove this message
16:Cambodian two-stringed long-necked guitar
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48:Khmer musician playing Chapei Dang Veng
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881:This article relating to guitars is a
68:Instrumental music and Performing arts
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154:adding citations to reliable sources
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34:UNESCO Intangible Cultural Heritage
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329:"The Stringed Instrument Database"
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638:Plucked: Harp, Zithers and Lutes
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141:needs additional citations for
101:30 November 2016 (11th session)
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310:. ATLAS of Plucked Instruments
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932:Cambodian musical instruments
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885:. You can help Knowledge by
832:. You can help Knowledge by
572:ααααβααΈααΈα‘αΆ (hourglass drum)
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828:-related article is a
688:(khloy ek, khloy thom)
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87:Asia and the Pacific
93:Inscription history
743:Horns and trumpets
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165:"Chapei dang veng"
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308:"South East Asia"
236:: α
αΆαααΈααααα) or
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565:Skor sang na
443:Roneat thung
362:. Retrieved
358:the original
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312:. Retrieved
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148:Please help
143:verification
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792:Kyang Saing
570:Skor timila
459:Gong chimes
98:Inscription
926:Categories
534:Kagn Chram
503:Kong chmol
493:Kong thom
426:Xylophones
364:2021-04-02
339:2016-05-13
314:2010-07-26
294:References
206:April 2021
176:newspapers
25:α
αΆαααΈααααα
794:ααααααααα
787:Traw dauk
670:Kong ring
619:Tro Khmer
592:Skor yike
586:Skor daey
576:Skor thom
555:Skor yeam
508:Kong nyee
498:Kong mong
467:Kong toch
438:Roneat ek
288:Krachappi
272:Old Khmer
242:Cambodian
73:Reference
826:Cambodia
729:Angkuoch
665:Kse diev
539:Kanderng
477:Kong mon
282:See also
59:Cambodia
937:Guitars
724:Pey pok
606:Fiddles
560:Samphor
264:strings
190:scholar
65:Domains
55:Country
771:Chhing
719:Pey au
703:Sralai
679:Flutes
655:Krapeu
513:Khmuoh
430:Roneat
246:guitar
238:chapey
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83:Region
824:This
764:Other
755:Sneng
734:Sneng
686:Khloy
548:Drums
527:Bells
486:Gongs
261:nylon
234:Khmer
197:JSTOR
183:books
883:stub
830:stub
798:Slek
782:Krap
777:Chap
714:Ploy
709:Kaen
650:Khim
624:KanΓΆ
228:The
169:news
107:List
77:1165
750:Tre
645:Pin
629:Mim
613:Tro
518:Lau
428:or
152:by
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