139:, has been cited as an immediate predecessor of his chair, table and hatstand. Each print is made of two halves, the bottom being a pair of women's legs in tights, the upper halves drawn in a 1940s fetishist graphic style, representing "the secret face of British male desire in the gloomy post-war years". Jones enjoyed combining different visual languages to expose the historical constructions underlying them. He examined the cultural representations of the female body.
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196:"More than three decades later, these works still carry a powerful emotive charge, ensnaring every viewer's psychology and sexual outlook regardless of age, gender or experience. But a few moments of reflection should make it obvious that these works are manifestations of fantasy and the imagination, and that they poke fun at male expectations."
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you went out and skirts were shorter, the body was being displayed in some new way. And you knew that the following week somebody would up the ante... I was reflecting on and commenting on exactly the same situation that was the source of the feminist movement. It was unfortunate for me that I
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Each fibreglass figure was produced from drawings by Jones. He oversaw a professional sculptor, Dick Beech, who produced the figures in clay. The three female figures were then cast by a model company, Gems Wax Models Ltd, who specialised in producing shop
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Jones explained that they weren't illustrations of scenes, but rather that "the figure is a device for a painting or a sculpture. It’s not a portrayal of someone – it’s a psychological construction."
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sculptures of women transformed into items of furniture. They are each dressed with wigs, and are naked apart from their corsets, gloves and leather boots. Each is slightly larger than life-size. For
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The sculptures were exhibited in 1970 and met with an outcry from feminists, who objected to women being made into items of furniture.
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Allen Jones was one of the first of the 1960s
British Pop artists, and produced paintings and prints. A 1968 set of prints,
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and I had an interest in the female figure and the sexual charge that comes from it. Every
Saturday on the
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auction for £2.6 million. In the wake of this, another set came to market in
February 2013, selling at
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At the time of his 70th birthday Jones gave an explanation of his motives for creating the sculptures:
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the woman lies curled on her back, a seat cushion on her thighs and her legs acting as a back rest.
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sculpture, and features the group using men as objects such as cars, motorcycles and bridges.
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the woman is standing, 1.85 metres (73 in) tall, her hands upturned as hooks.
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produced the perfect image for them to show how women were being objectified."
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According to art historian and curator, Marco
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magazine suggested the sculptures showed that Jones was terrified of women.
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is a woman on all fours, with a sheet of glass supported on her back. For
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428:"Allen Jones: 'The thing about eroticism is that it forces a response'"
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Marco
Livingstone (2004), Marco Livingstone; Walter Guadagnini (eds.),
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were met with accusations of racism, when they showed a white woman,
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was part of a collection of sculptures exhibited under the name
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newspaper suggested the works should be banned from exhibition.
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The Tate
Gallery 1980-82: Illustrated Catalogue of Acquisitions
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with a view to creating similar sculptures for his new film,
544:"Richter, Basquiat Top $ 127 Million Auction at Christie's"
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A set of the sculptures was purchased by German playboy,
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at the Venus Over
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306:"Allen Jones: The day I turned down Stanley Kubrick"
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124:. Each figure was produced in an edition of six.
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352:. No. 23. London. Archived from
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542:Scott Reyburn (13 February 2013).
455:"The raciest Sugababes video yet?"
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426:Hudson, Mark (November 7, 2014).
304:Martin Gayford (8 October 2007).
575:Heather Saul (21 January 2014).
501:from the original on 21 May 2013
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379:"Allen Jones: Chair 1969 T03244"
342:Mark Sladen (June–August 1995).
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83:objectification of women
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81:who saw them as an
261:Allen Jones Remake
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460:Digital Spy
394:(Text from
235:2014 parody
202:music video
152:King's Road
89:Description
75:Allen Jones
648:Erotic art
637:Categories
621:3 February
595:3 February
587:. London.
560:3 February
527:3 February
388:3 February
360:3 February
318:3 February
284:References
278:Nyotaimori
229:Christie's
131:Background
122:mannequins
102:fibreglass
100:are three
72:pop artist
47:Christie's
505:21 August
475:21 August
439:21 August
249:Buro 24/7
225:Sotheby's
210:Sugababes
206:No Can Do
200:The 2008
173:Spare Rib
160:Aftermath
114:Hat Stand
79:feminists
589:Archived
499:Archived
469:Archived
314:. London
267:See also
55:Hatstand
39:Hatstand
658:Pop art
148:Chelsea
349:Frieze
68:erotic
257:Chair
241:Chair
214:Chair
208:" by
204:for "
110:Table
106:Chair
98:Chair
63:Chair
59:Table
43:Table
35:Chair
623:2014
597:2014
562:2014
529:2014
507:2015
477:2015
441:2015
390:2014
362:2014
320:2014
96:and
61:and
41:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
