Ceramics of Indigenous peoples of the Americas

1983: 1656:. Luxury goods, including elaborate ceramics, were mass-produced in vast quantities for the middle class as well as nobles. Identical ceramics created in molds took sway over individualized works. The Lambayeque culture of north coastal Peru created press-molded reliefs on blackware ceramics. Chimú ceramics, also predominantly blackware, often featured zoomorphic appliqués, such as monkeys or sea birds. They excelled at the doubled-chambered whistling vessels. Chancay ceramics, from the central coast, featured black-on-white designs on unique shapes, such as female effigies or elongated, oval jars. Their sand-tempered ceramics were hastily painted and left unpolished. Ica culture ceramics, from the southern coasts, were the finest quality of their time. They were still handcrafted and had a wide range of 1294: 1566: 22: 75: 2099: 702:, among other archaeologists, to offer the hypothesis that the two areas had connections, and that the technology of fiber-tempered ceramics in the southeastern United States had been imported from Colombia. Other archaeologists have noted that there are no known archaeological sites between Colombia and Florida that are of a type or age consistent with such connections, and that the cultural traditions of the Southeastern United States show no significant changes associated with the appearance of ceramics, indicating that there was no migration or people, and no transfer of technology or other elements of culture, other than the appearance of ceramics. 1968: 1562:, another south coastal Peruvian culture, returned to the less fragile practice slip-painted their ceramics prior to firing. They created thirteen distinct colors, the larger palette found in Pre-Columbian ceramics in the Americas, which included rare pale purple, maroon, and bluish-grey. Nasca artists created ceremonial and utilitarian bowls and beakers, effigy jars, panpipes, and vessels of new designs, including the stepped-fret. These combined sculptural elements with surface painting, often with curvilinear designs emphasized by bold, black outlining. Painters used revolving turntables to paint all sides of a ceramic piece. 883: 1326: 1309: 1282: 758: 898: 2118:, Brazil date back to 5130 BCE and include sand-tempered bowls and cooking vessels resembling gourds. Other ancient Amazonian ceramic traditions, Mina and Uruá-Tucumã featured shell- and sand-tempered pottery, that was occasionally painted red. Around 1000 CE, dramatic new ceramic styles emerged throughout Amazonia. Amazonian ceramics are geometric and linear in decoration. Polychrome pottery typically features red and black on white slips. Additionally ceramics were decorated by sculpting, incision, excision, and grooving. In the upper and central Amazon, the bark of the 37: 788: 821: 803: 1343: 2013: 1363: 1694: 1933: 1950: 773: 914: 4680: 3646: 1593:

ceramics have survived today. The stirrup-spout vessel continued to be the most common form of clay vessel, but Moche artists also created bowls, dippers, jars with long necks, spout-and-handle vessels, and double-chambered vessels that whistled when liquid was poured. Vessels were often effigies portraying elaborate scenes. A fineline painting tradition emerged, which resembles Greek

1542:, both incised and highly burnished. These thin-walled effigy pots were fashioned to resemble stylized humans, plants, and animals. Two substyles of Chavín stirrup spout pots include the thicker-walls, glossy-on-matte blackware Cupisnique style and red and black Santa Ana style, both featuring fanged heads. Subsequent Andean cultures revived these ancient ceramics styles and imagery. 1161: 316:. The type of temper (or mix of tempers) used helps to distinguish the ceramics produced by different cultures during particular time periods. For example, the Hohokam used schist containing silver mica as a temper in their plainware; the shiny particles of the mica gave the pottery a mystical shimmer. Grog, sand, and sandstone were all used by 1420:. Cedrosan Saladoid vessels have a distinctive bell shape with "zone-incised cross-hatching". Many also have complex designs of white on red paint. Later examples were decorated with purple, black, yellow and orange paint. These ceramics are described as "technologically fine, delicate, and graceful." 141:

perfected 13 distinct colors of slips. They also used a hand-rotated turntable that allowed all sides of a ceramic piece to be painted with ease. These were first used in 500 BCE and continue to be used today. Slips can be applied overall in washes, creating large color fields, often with cloth, or

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were so realistic that individuals portrayed at different stages of their life are identifiable. Their paintings on ceramics were narrative and action-packed. Ceramics produced by two-press molds were identical in shape but individualized through unique surface painting. Tens of thousands of Moche

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in the western Great Basin developed plain, utilitarian ceramics separately, which was not burnished but occasionally featured red painted designs. The Owens Valley Brown Ware is an example of Paiute/Washoe ceramics, which was used for cooking, food storage, and water jugs. The jugs often featured

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in Peru was the epicenter of Wari ceramic production, featuring pit kilns and firing rooms. The stone floors of the firing rooms had rounded depressions for accommodating larger pots. Some Wari palaces had their own attached kilns. Broken potsherds were used as forms for building new pots and for

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Thoms Creek ceramics closely resembled Stallings ceramics, but used more sand and less fiber as temper than Stalling or Orange ware. Thoms Creek ceramics were largely contemporary with Stalling and Orange ceramics, although no Thoms Creek ceramics have been found that are as early as the earliest

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is the most common means of shaping ceramics in the Americas. In coiling, the clay is rolled into a long, thin strands that are coiled upon each other to build up the shape of the pottery. While the potter builds the coils up, she also blends them together until there was no trace of the ropes of

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Geological studies show that certain areas of the southeastern portion of North America are rich in kaolins and ball clays (Hosterman, USGS), the types of plastic clays best suited for pottery. Clay beds which still produce ceramic clays are from primary and secondary deposits formed in the Late

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and other Pueblo pottery traditionally pound dry clay into a powder and then remove impurities by hand, then running the dry powder through a screen, mixing it with a dry temper, and then mixing water to create a plastic paste. In preparing the clay, potters spend hours wedging it to remove air

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is a necessary component of pottery. Clay must be mined and purified in an often laborious process, and certain tribes have ceremonial protocols to gathering clay. Different tribes have different processes for processing clay, which can include drying in the sun, soaking in water for days, and

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of polychrome ceramics last from around 400 to 1300 CE. In the central Amazon, the Mancapuru Phase, or Incised Rim Tradition, emerged in the 5th century CE. Marajoara ceramics, typically tempered with grog, were complex effigies of humans and animals, such as reptiles and birds. The dead were

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The choice of temper used in ceramics was constrained by what was available, but changes in the choice of temper can provide clues to influence and trade relations between groups. Shell-tempered ware was produced sporadically in various places across the eastern United States, but in the late

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spanned 3500 miles and controlled the world's largest empire by 1500 CE. Artistically, they unified regional styles. Incan ceramics were geometric and understated, while color schemes remained regionally diverse. Mass-produced pottery, conformed to standardized measurements, such as the

2035:, pots, pans, and storage containers. These were both utilitarian and ceremonial. The precontact ceramic tradition of the Gran Chaco was dramatically transformed under European colonization, which created a demand for pitchers, cups, and other introduced pottery forms. Author 1492: 583:, Canada, when the mine that employed much of the community closed down, the national government created the Rankin Inlet Ceramics Project, whose wares were successfully exhibited in Toronto in 1967. The project foundered but a local gallery revived interest in 161:

While still green, pottery can be incised with designs. Cords, textiles, baskets, and corncobs have been rolled over wet clay, both as a decoration and to improve heat dispersion in cooking pots. Carved wood or ceramic stamping paddles are used throughout the

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leaves. In Louisiana, fiber as tempering was replaced first by grog and later by shell. In peninsular Florida and coastal Georgia sand replaced fiber as tempering. Still later, freshwater sponge spicules became an important temper in the "chalky ware" of the

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in northeast Florida has been dated to 2000 BC or a bit earlier. Fiber-tempered pottery of very similar form spread along coasts and river valleys of the Southeastern United States from the Atlantic coast into Alabama, reaching northwestern Florida

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The earliest ceramics in the Andean area have been radiocarbon dated to about 1800 BC, although according to John H. Rowe the date may go back even to 2100 BC. Early ceramics have been found on the central coast at the large settlement of

1452:. The fiber-tempered pottery at Puerto Hormiga was "crude", formed from a single lump of clay. The fiber-tempered pottery at San Jacinto is described as "well-made". Sand-tempered coiled ceramics have also been found at Puerto Horrible. 2165:

are a unique Amazonian cultural item; they are triangular, concave ceramic pubic coverings held in place by strings, once worn by women of several Amazonian tribes. Today, they are still worn by girls during their puberty rites among

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Other ceramics styles are also known from the Antilles during this time period. Barrancoid trade wares, of a style that had developed in the Orinoco River valley around 1000 BC, have been found in the southernmost Antilles; Trinidad,

643:. According to all geological surveys the entire southeastern portion of the continent has abundant clay deposits, with the exception of all of south Florida and a portion of western central Florida (Calver) (Matson). 126:

technique, in which the interior clay wall of a pot was supported by an anvil, while the exterior was beaten with a paddle, smoothing the surface. In precontact South America, ceramics were mass-produced using molds.

2993: 1982: 1620:, and a staff-bearing deity figured largely in their artwork. Tiwanaku artists continued the tradition of naturalistic, ceramic portrait vessels. The ubiquitous Wari ceramics carried over imagery from their 4631: 4123:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains a great deal of material on ceramics of indigenous peoples of the Americas 518:

to around 2460 BCE (4300 BP) (all older than any other dated ceramics from north of Colombia). Ceramics appeared later elsewhere in North America. Ceramics reached southern Florida (

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Glade and Belle Glade culture pottery fiber or sand-tempered crude pottery, south Florida to central Florida, 500 BCE until 1700 A.D., reference four periods I, II, III and IV

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Hosterman, John W. (1984). "Ball Clays and Bentonite Deposits of the Coastal and Western Gulf of Mexico Coastal Plain, United States". Washington, D.C.: USGS Bulletin 1558-C.

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that does not require tempering. Some clays naturally contain enough temper that they do not required additional tempers. This includes mica or sand in clays used in some

713:, a style of pottery used primarily in ceremonial contexts and high status burials, produced and traded along the Gulf of Mexico coast from southwestern Florida to the 4617: 4129:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on ceramics of indigenous peoples of the Americas 1462:, Colombia, is a major ceramics center, where both indigenous techniques and those introduced by Europeans are employed to create primarily utilitarian pots based on 1416:

variety of Saladoid ceramics appeared in Trinidad early on, although ceramics in the Antilles continued to closely resemble forms on the Venezuela coast into the

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Fiber-tempered ceramics associated with shell middens left by hunter-fisher-gatherers of the Early Northwest South American Literature appeared at sites such as

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Tempers are non-plastic materials added to clay to prevent shrinkage and cracking during drying and firing of vessels made from the clay. Tempers may include:

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Stallings. Thoms Creek ceramics overlapped Stallings ceramics in northern Georgia and southern South Carolina, but were the dominant tradition north of the

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in Brazil represents the oldest known ceramics in the Americas. Dating back to 5630 BCE, this same tradition continued for 2500 years. Ceramics from the

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resin binder, were commonly warm yellow, olive green, red-orange, white, and black in color. Paracas artists built upon Chavín styles and introduced the

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Roosevelt, Anna C. (1996). "The Maritime, Highland, Forest Dynamic and the Origins of Complex Culture". In Frank Salomon; Stuart B. Schwartz (eds.).

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period. Yet the ceramics appear only during the Initial Period around 1800 BCE. Their main purpose may have been for boiling agricultural produce.

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found at Rabbit Mount near the lower Savannah River in South Carolina have been dated to 4465 ± 95 and 4450 ± 150 radiocarbon years before present.

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with the following periods: La Mula (c. 150 BCE – 300 CE), Tonosi (c. 300–550 CE), Cubita (c. 550–700 CE), and Gran Cocle (c. 1200–1500 CE).

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is a liquid clay suspension of mineral pigments applied to the ceramics before firing. Slips are typically red, buff, white, and black; however,

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Stilborg, Ole (1 December 2001). "Temper for the Sake of Coherence: Analyses of Bone- and Chaff-Tempered Ceramics from Iron Age Scandinavia".

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of San Ildefonso Pueblo. In the early 1900s, Maria Martinez and her husband Julian rediscovered how to make the traditional Black-on Black

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culture excelled at the art of ceramics, which was characterized by symbolic, religious imagery. Moche artists produced some of the more

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and other Southwestern cultures. Crushed bone was used as temper in at least some ceramics at a number of sites in Texas. In the

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Women have traditionally been the ceramic artists in the Amazon. Female figures are common in anthropomorphic effigy vessels.

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cremated and buried in elaborate ceramic urns. Ceramic artists are active in Marajó, using precontact styles for inspiration.

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slips, including black, maroon, orange, purple, red, white, and a glittery deep purple. Designs were abstract and geometric.

1281: 839: 3881: 4831: 698:, and the presence of winds and ocean currents favoring journeys from South America to the Southeastern United States, led 412:

Ceramics appeared next across northern South America and then down the western side of South America and northward through

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and distinctive masks portraying a supernatural "Oculate Being," that combines human, owl, and double-headed snake forms.

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leaves, chewed slightly to loosen fibers, make excellent brushes that are still in use today in the American Southwest.

4126: 3073:"Late Archaic Fisher-Foragers in the Appalachicola-Lower Chattahotchee Valley, Northwest Florida-South Georgia/Alabama" 2959: 2257: 1441: 1342: 691: 519: 437: 4669: 4168: 4065: 4003: 3849: 3822: 3800: 3706: 3291: 3264: 3192: 2929: 2252: 1362: 872: 721:

Swift Creek and Santa Rosa culture pottery post Deptford, northwest Florida, ceremonial decorative pottery, 1000 A.D.

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observed that women are typically potters, and animals associated with men are not represented in Guaraní pottery.

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pockets and humidity that could easily cause it to explode during firing. The clay then needs to "cure" over time.

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Marcondes Lima da Costa; Dirse Clara Kern; Alice Helena Eleotério Pinto; Jorge Raimundo da Trindade Souza (2004).

1597:. A 29,000-square-foot Moche ceramics workshop with numerous kilns was discovered in at the mountain Mayal in the 4805: 4790: 2086:, "Museum of Clay," in Asunción features pottery from the Gran Chaco, from Pre-Columbian Guaraní to contemporary 1921: 1908: 370: 3882:"The Fig Island Ring Complex (38CH42): Coastal Adaptation and the Question of Ring Function in the Late Archaic" 2522:"The ceramic artifacts in archaeological black earth (terra preta) from lower Amazon region, Brazil: Mineralogy" 1470:, and animal figurines are popular, especially ceramic horses, which have been the symbol of Colombian pottery. 1432:. A variant of Saladoid ceramics called Huecan has been found from the north coast of Venezuela to Puerto Rico. 4551: 2623: 2179: 1553: 891: 651: 483:

have been dated to around 1805 BCE, and from the Chajil tradition of northcentral Mexico, to around 1600 BCE.

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distinctively Mississippi culture in Florida panhandle, developed out of the Weedon Island culture 1000 A.D.

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clay entwined to form the pot, no deviation in the thickness of the walls, and therefore no weaknesses.

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to create repeating designs. Clay can also be added to the main ceramic structure to build up designs.

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Clark, John E, Michelle Knoll (2005). "The American Formative Revisited". In Nancy Marie White (ed.).

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shared dominance of the Andes, roughly from 500 to 1000 BCE. The Tiwanaku civilizations originated in

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In the Andes, great civilizations had been created and flourished for thousands of years during the

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of Florida, Georgia and South Carolina starting in 2500 BC. The earliest attested pottery is in the

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are seldom used by indigenous American ceramic artists. Grease can be rubbed onto the pot as well.

59:, musical instruments, ceremonial items, masks, toys, sculptures, and a myriad of other art forms. 4706: 4701: 4246: 1585: 1573: 1016: 986: 317: 4135:, a 2003 exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF) 4108: 2640:

Whittlesey, Stephanie M. (2008). "Hohokam Ceramics, Hohokam Beliefs". In Fish, Suzanne K (ed.).

29: 4591: 4452: 2735: 2443: 2382: 1429: 655: 622: 604: 313: 163: 63: 4114: 3834:"The Ceramics, Art, and Material Culture of the Early Ceramic Period in the Caribbean Islands" 3281: 74: 4536: 4161: 3995: 3987: 3841: 3833: 3698: 3690: 3072: 2370: 2098: 1589: 1496: 934: 930: 710: 618: 362: 305:, and Hopi pottery, and sponge spicules in the clay used to produce the "chalky ware" of the 151: 25: 4057: 4049: 3108: 2621:"Pelotes Island Nature Preserve - Woodland Period - St. Johns Cultures - 500 BC to 1500 AD." 4442: 4402: 4319: 4314: 2842: 2829:

Roosevelt, A. C.; Housley, R. A.; Imazio Da Silveira, M.; Maranca, S.; Johnson, R. (1991).

2189: 2049:, Paraguay, is renowned for its ceramics, including tiles and female effigy jars, known as 1992: 1633: 1594: 1539: 1501: 1332: 1203: 978: 495: 170: 4759: 1459: 1215: 575:(Qaernerimiut) created utilitarian pottery in historic times, primarily to store food. In 8: 4795: 3161: 2655: 2262: 2115: 1997: 1904: 1026: 938: 918: 626: 394: 107: 2846: 1448:

by 3100 BCE. Fiber-tempered ceramics at Monsú have been dated to 5940 radiocarbon years

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were not used prior to European contact and are only used today by a limited number of

4015:"The Spread of Shell-Tempered Ceramics along the Northern Coast of the Gulf of Mexico" 4785: 4664: 4427: 4395: 4390: 4354: 4349: 4061: 4029: 3999: 3965: 3944: 3914: 3866: 3845: 3818: 3796: 3776: 3756: 3728: 3702: 3287: 3260: 3188: 3114: 3080: 2925: 2858: 2800:"Prehistoric Brazilian Cave Forces New Theories Of Early Human Life In The New World" 2739: 2485: 2386: 2242: 2136: 2102:

Cylindrical vessel. Marajo island, Brazil, Joanes style, Marajoara phase, 400–1000 CE

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were Incan drinking vessels, made from wood or precious metals, as well as ceramics.

1509: 1474: 1237: 1164: 1148: 1115: 1111: 926: 714: 568: 334: 306: 155: 147: 103: 98: 4341: 2870: 2538: 2521: 2024: 1787: 1535: 1249: 4846: 4764: 4737: 4541: 4289: 4279: 4154: 2850: 2831:"Eighth Millennium Pottery from a Prehistoric Shell Midden in the Brazilian Amazon" 2830: 2533: 2477: 2232: 2167: 2124: 2058: 1477:

is known for its blackware. The women potters here also create brown and red ware.

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Native paths: American Indian art from the collection of Charles and Valerie Diker

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Early Pottery: Technology, Function, Style, and Interaction in the Lower Southeast

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Later significant developments in ceramics in the Southeastern Woodlands included

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Prehistoric Indians of the Southeast: Archaeology of Alabama and the Middle South

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The responsive eye : Ralph T. Coe and the collecting of American Indian art

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of Chiapas to around 1900 BCE. Ceramics of the Purrón tradition in southcentral

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Alachua culture pottery northeast, north central Florida, protohistoric period

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Prior to contact, pottery was usually open-air fired or pit fired; precontact

4820: 4561: 4472: 4462: 4412: 3865:. Cambridge, England New York: Cambridge University Press. pp. 264–349. 2489: 2107: 1808: 1613: 1559: 1221: 1154: 1131: 1066: 1046: 882: 859: 764: 699: 676: 572: 531: 409:. These first ceramics-making cultures were fishers and shellfish-gatherers. 270: 244: 174: 134: 2061:, is popular, with blackware being less common. A local ceramic artist, Don 897: 405:

at Taperinho were shell-tempered, which allowed the sherds themselves to be

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Ancient Peruvian ceramics: the Nathan Cummings collection by Alan R. Sawyer

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Calver, James L. (1949). "Florida Kaolins and Clays". Florida D.E.P., FLGS.

3248: 2963: 2874: 2862: 2772:"Museum of Native American Artifacts-MISSISSIPPIAN PERIOD 900 AD - 1450 AD" 2150: 2036: 1957: 1845: 1745: 1718: 1668: 1609: 1167: 1036: 982: 902: 684: 647: 576: 386: 385:

The earliest ceramics known from the Americas have been found in the lower

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shell tempering, as opposed to the quartz sand-tempered ware imported from

325: 240: 91: 52: 1588:, i.e. faithfully representational, artwork of the precolumbian Americas. 4742: 4639: 4523: 4497: 4284: 4206: 2828: 2194: 2132: 2075:(b. 1941) is a famous ceramic artist from Itá and has been recognized by 1891: 1664: 1525: 1417: 1409: 1299: 1197: 970: 742: 413: 298: 294: 290: 258: 4407: 3725:

The Emergence of Pottery: technology and innovation in ancient societies

2046: 1676:, a long-necked jar with handles and a pointed bottom used to transport 675:) and the Gulf coast by 1300 BC, the interior Middle South by 1100, and 4769: 4331: 4304: 4251: 4146: 4092:

Pottery in the collection of the National Museum of the American Indian

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is the ceramic tradition of the various local cultures involved in the

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used kilns extensively. Today many Native American ceramic artists use

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or polished to a fine sheen with a smooth instrument, usually a stone.

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Due to their resilience, ceramics have been key to learning more about

2688:. Louisiana State University Museum of Natural Science. Archived from 2119: 2071:

is another ceramic center, known for its whimsical, ceramic chickens.

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Four Andean civilizations flourished in Late Intermediate Period: the

1491: 1455: 4747: 4679: 4576: 4364: 4359: 4326: 4309: 4241: 4226: 4050:"Introduction to the Study of the Indigenous People of the Caribbean" 1401: 1227: 584: 476: 468: 402: 233: 226: 219: 111: 3079:. Tuscaloosa, Alabama: University of Alabama Press. pp. 10–25. 2620: 2139:, an abundance of potsherds were used to develop the soil and build 2042: 1693: 1160: 4467: 4437: 4294: 4231: 4216: 4201: 4109:

Bandelier National Monument Virtual Museum Exhibit and Lesson Plans

4105:, extensive collection of North, Central and South American pottery 2288: 2143:, which protected buildings and cemeteries from seasonal flooding. 2012: 1942:

effigy of a feline attacking a warrior, Musée du Quai Branly, Paris

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Tile, Hopi Pueblo (Native American), late 19th-early 20th century,

3528: 2960:"Historic Inuit Pottery in the Eastern Canadian Arctic: Abstract." 2924:. Gainesville, Florida: University Press of Florida. p. 286. 4581: 4457: 4271: 4177: 3627: 3625: 3028: 2922:

Gulf Coast Archaeology: The Southeastern United States and Mexico

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scrapers. Evidence shows ceramics were often ritually destroyed.

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The similarities of the Stallings series ceramics to the earlier

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Paleocene and Early Miocene Epochs in formations that formed the

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periods it became the predominant temper used across much of the

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Not all Indigenous American pottery requires added tempers; some

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Signs of Power: The Rise of Cultural Complexity in the Southeast

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The spread of ceramics in Mesoamerica came later. Ceramics from

440:, also in Colombia, to about 3794 BCE. Ceramics appeared in the 4432: 3727:. Washington: Smithsonian Institution Press. pp. 209–219. 3444: 2886: 2884: 2076: 1681: 1629: 1549: 1538:

potters (900–200 BC) on the Peruvian coast created distinctive

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and other small clay objects could be formed directly by hand.

56: 4056:. Gainesville, Florida: University Press of Florida. pp. 3840:. Gainesville, Florida: University Press of Florida. pp. 3697:. Gainesville, Florida: University Press of Florida. pp. 3652: 3622: 3610: 3052: 2597: 2561: 913: 3456: 3384: 3372: 2896: 2752: 2546: 2496: 2304: 2213:

List of Native American ceramics artists in the United States

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have been dated to 6,000 to 4,500 years ago. Ceramics of the

346: 204: 143: 3396: 3348: 3259:. Vol. 5: Middle America. Springer. pp. 149, 151. 3139: 3137: 2881: 2411: 854:(700–1300 CE) developed pottery after adopting agriculture. 4598: 4417: 4221: 4211: 4115:

Chaco Culture National Historic Park Virtual Museum Exhibit

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The Cambridge History of the Native Peoples of the Americas

3540: 3516: 3504: 3492: 3480: 3468: 3432: 3420: 3408: 2184: 2065:(b. 1927) became famous for his ceramic figures of saints. 1878: 1686: 1529: 974: 851: 737:, a historic tribe known also to be one of the last of the 453: 252: 185: 138: 3360: 3324: 2707: 1147:(1150–15th century CE) of Arizona and New Mexico produced 337:

in northeastern Florida. Locally produced ceramics of the

4102: 3583: 3571: 3312: 3300: 3134: 3113:. Tuscaloosa: University of Alabama Press. pp. 7–8. 490:

does not fit the above pattern. Ceramics from the middle

324:, the earliest ceramics were tempered with fiber such as 4099:, Foundation for the Advancement of Mesoamerican Studies 3647:"Marajó: Ancient Ceramics from the Mouth of the Amazon." 3225: 3213: 2573: 2332:"Through the Eyes of a Pot: How is Pueblo Pottery Made?" 989:. Noted individuals involved in Pueblo pottery include 866: 3286:. San Diego, California: Academic Press. p. 285. 3253:"Encyclopedia of Prehistory: Volume 5: Middle America" 3040: 2585: 694:

ceramics of Colombia, which were both associated with

4641:

Visual arts of the Indigenous peoples of the Americas

4514:

Conservation and restoration of ancient Greek pottery

3994:. Gainesville: University Press of Florida. pp. 3988:"Maritime Trade in the Prehistoric Eastern Caribbean" 2644:. School for Advanced Research Press. pp. 65–73. 2442:. University of Wisconsin – La Crosse. Archived from 16:

Pottery produced by Indigenous people of the Americas

3964:. Tuscaloosa, Alabama: University of Alabama Press. 3283:

The origins of agriculture in the lowland neotropics

3182: 2440:

Mississippi Valley Archaeology Center – Technologies

2399: 829:

stamping paddles, used to imprint designs in pottery

51:

is an art form with at least a 7500-year history in

3201: 2365: 2363: 2361: 2359: 2357: 2208:

List of indigenous ceramics artists in the Americas

3936: 3788: 3755:. Philadelphia: University of Pennsylvania Press. 3280:Piperno, Dolores R.; Pearsall, Deborah M. (1998). 2727: 2374: 2218:Visual arts by indigenous peoples of the Americas 1580:Dominating Peru's north coast from 1–600 CE, the 1408:around 500 BC or a little later, and had reached 142:they can be painted in fine detail with brushes. 4818: 4013:Weinstein, Richard A.; Dumas, Ashley A. (2008). 3723:. In William K. Barnett; John W. Hoopes (eds.). 3107:Saunders, Rebecca; Hays, Christopher T. (2004). 3100: 2354: 1601:. The workshop specialized in female figurines. 863:clay handles that accommodated carrying straps. 3906: 3658: 3631: 3616: 3279: 2968:(1986), 23: pp. 319-322. (Retrieved 4 Nov 2011) 2603: 2567: 2502: 2313: 4028:(2). Maney Publishing: 202–221. Archived from 4012: 3243: 3064: 2758: 2555: 90:repeatedly running through a screen or sieve. 49:Ceramics of Indigenous peoples of the Americas 4625: 4162: 2369: 1572:effigy jar, c. 100 BCE–300 CE, collection of 397:, have been dated to between 7,500 and 5,000 3934: 3907:Silverman, Helaine; Isbell, William (2008). 3817:. Gainesville: University Press of Florida. 3602:"The Museo del Barro In Ansuncion Paraguay." 3546: 3534: 3522: 3510: 3498: 3486: 3474: 3462: 3450: 3438: 3426: 3414: 3402: 3390: 3378: 3366: 3354: 3330: 3106: 2944:: CS1 maint: multiple names: authors list ( 2417: 2248:Painting in the Americas before Colonization 1396:culture (named for the Saladero site in the 960:, including Mimbres culture, which produced 873:Art_of_the_American_Southwest § Pottery 3715: 3075:. In Jon L. Gibson; Philip J. Carr (eds.). 2907: 1444:, Monsú, Puerto Chacho, and San Jacinto in 1335:ceramic urn, 200 BCE-800 CE, British Museum 69: 4632: 4618: 4169: 4155: 3786: 3589: 3577: 3318: 3306: 2719: 2639: 2616: 2614: 2612: 2463: 2461: 475:to around 1890 BCE, and from Barra in the 4074: 3858: 3718:"Reinventing Mesoamerica's First Pottery" 3642: 3640: 2890: 2537: 2027:ceramics fall into two major categories: 1435: 633: 603:(ca. 200 BCE to 400 CE) and are found as 467:have been dated to around 2140 BCE, from 373:, and a major defining characteristic of 4176: 3957: 3879: 3809: 3143: 3058: 3046: 3034: 3022: 2713: 2679:"Examining Pottery with Scope-On-A-Rope" 2591: 2467: 2326: 2324: 2322: 2097: 2011: 1692: 1564: 1524:, as well as at some other sites in the 1490: 1159: 912: 896: 886:Black-on-white jar, ca. 1100-1300, from 881: 654:hunter-fisher-gatherers appeared in the 646:Fiber-tempered ceramics associated with 73: 35: 20: 3985: 3887:. National Park Service. Archived from 3831: 3716:Clark, John E.; Gosser, Dennis (1995). 3688: 3552: 3231: 3219: 3155: 2676: 2609: 2579: 2515: 2513: 2511: 2458: 2336:Lowell D. Holmes Museum of Anthropology 1315:A large figurine of a young chieftain, 1173: 44:), with her award-winning pottery, 2006 4819: 4079: 4054:The Indigenous People of the Caribbean 4047: 3992:The Indigenous People of the Caribbean 3910:Handbook of South American archaeology 3838:The Indigenous People of the Caribbean 3748: 3695:The Indigenous People of the Caribbean 3637: 3207: 3185:Southwestern Pottery – Anasazi to Zuni 2725: 2430: 2428: 2426: 2405: 2153:was a major ceramic center, where the 629:in the American Midwest and Southeast. 611:in the American Midwest and Southeast. 150:is a technique employed by precontact 4613: 4150: 4142:at the American Museum of Ceramic Art 3939:Art of the Andes: from Chavín to Inca 3691:"The Lesser Antilles before Columbus" 3160:. Harvey Mudd College. Archived from 3070: 2919: 2319: 840:Indigenous peoples of the Great Basin 709:in the Mississippi River valley, and 118:potters and their descendants in the 2981:Nunavut Arts and Crafts Association. 2508: 867:Southwestern cultures (Oasisamerica) 590: 380: 312:Ceramics are often used to identify 4827:Indigenous ceramics of the Americas 3815:Archaeology of Precolumbian Florida 2423: 2381:. Oxford University Press. p. 1976:female effigy bottle, ca. 1100–1400 1378: 1272:Western Mexico shaft tomb tradition 1101: 540: 273:, freshwater and marine (sometimes 13: 4678: 3795:. San Francisco: Chronicle Books. 3791:Arts & crafts of South America 2258:Indigenous peoples of the Americas 1697:Moche warrior pot, c. 100–700 CE, 877: 486:The appearance of ceramics in the 14: 4858: 4085: 2253:Pottery of the American Southwest 2173: 1126:Southern Athabaskans include the 793:A human head effigy pot from the 64:pre-Columbian Indigenous cultures 32:, ca. 100—700 CE, 16 x 29 x 22 cm 2677:Lopez, Adrienne; Fullen, Steve. 2658:. Houston Archaeological Society 2476:(3). Maney Publishing: 398–404. 1981: 1966: 1948: 1931: 1480: 1361: 1341: 1324: 1307: 1292: 1280: 819: 801: 786: 771: 756: 666:. Fiber-tempered pottery of the 617:is the ceramic tradition of the 545: 4806:Southeastern Ceremonial Complex 3943:. London: Thames & Hudson. 3787:Davies, Lucy; Fini, Mo (1995). 3772:The Indian Heritage of America. 3682: 3664: 3595: 3336: 3273: 3237: 3183:Allan Hayes; John Blom (1996). 3176: 3158:"Great Basin Material Cultures" 3149: 3016: 2986: 2971: 2952: 2913: 2822: 2792: 2764: 2670: 2648: 2633: 2539:10.1590/S0044-59672004000200004 2470:European Journal of Archaeology 2373:; Phillips, Ruth Bliss (1998). 2281: 2128:, provided tempering material. 2053:A reddish-brown slip, known as 1922:Indigenous peoples of the Andes 1909:Indigenous peoples of the Andes 1504:with shell inlay, c. 100–800 CE 1388:Ceramics first appeared in the 169:Before firing, ceramics can be 4837:Indigenous art of the Americas 3935:Stone-Miller, Rebecca (2002). 2734:. San Salvador Press. p. 2180:Double spout and bridge vessel 2149:, located at the mouth of the 1995:representing a fisherman on a 1554:double spout-and-bridge vessel 1404:. Saladoid people appeared in 892:California Academy of Sciences 834: 432:have been dated to about 4530 345:were characterized by crushed 1: 4097:Mesoamerican Pottery Database 4052:. In Samuel M. Wilson (ed.). 3990:. In Samuel M. Wilson (ed.). 3836:. In Samuel M. Wilson (ed.). 3775:Boston: Mariner Books, 2001. 3752:Ten Thousand Years of Pottery 3693:. In Samuel M. Wilson (ed.). 3560:"Cerámica Popular Paraguaya." 2855:10.1126/science.254.5038.1621 2656:"Southeast Texas Archaeology" 2298: 2007: 1372:style orange-ware clay vessel 1121: 707:Mississippian culture pottery 615:Mississippian culture pottery 375:Mississippian culture pottery 4478:Northern Black Polished Ware 2998:Wisconsin Historical Society 448:around 3200 BCE, and in the 182:Indigenous peoples of Mexico 7: 4832:Archaeology in the Americas 3832:Righter, Elizabeth (1997). 3659:Silverman & Isbell 2008 3632:Silverman & Isbell 2008 3617:Silverman & Isbell 2008 3071:White, Nancy Marie (2004). 2604:Silverman & Isbell 2008 2568:Silverman & Isbell 2008 2503:Silverman & Isbell 2008 2314:Silverman & Isbell 2008 2200: 2135:, or "black earth", of the 2093: 1383: 748:Fort Walton culture pottery 534:(in Louisiana) by 3400 BP. 10: 4863: 4048:Wilson, Samuel M. (1997). 3986:Watters, David R. (1997). 3958:Walthall, John A. (1980). 3880:Saunders, Rebecca (2002). 3257:Encyclopedia of Prehistory 2759:Weinstein & Dumas 2008 2556:Weinstein & Dumas 2008 2482:10.1177/146195710100400316 2020:with her blackware pottery 1705: 1484: 1466:designs. Ceramic mobiles, 1200:(c. 300 BCE – 600 CE) 1006: 924: 870: 741:chiefdoms in southwestern 731:Plaquemine culture pottery 488:Southeastern United States 322:Southeastern United States 191: 4778: 4730: 4689: 4676: 4647: 4522: 4506: 4383: 4340: 4270: 4195:Base minerals, and glazes 4194: 4188:Glossary of pottery terms 4185: 3749:Cooper, Emmanuel (2000). 3037:, pp. 78, 80, 82–83. 2686:Adventures in Archaeology 2630:Retrieved 5 November 2011 2377:Native North American Art 2106:The pottery tradition at 1798:Early Intermediate Period 1268:(c. 1500 BCE to 1000 BCE) 995:Maria and Julian Martinez 550: 4384:Processes and decoration 4022:Southeastern Archaeology 3676:. (retrieved 9 Nov 2011) 3187:. Northland Publishing. 2994:"Hopewell (archaeology)" 2730:A History of the Bahamas 2726:Craton, Michael (1986). 2626:12 November 2011 at the 2274: 1856:Late Intermediate Period 1742:Norte Chico civilization 1707:Andean cultural horizons 1317:Classic Veracruz culture 1260:Classic Veracruz Culture 1137: 662:area, around the middle 391:Caverna da Pedra Pintada 70:Materials and techniques 4117:, National Park Service 4111:, National Park Service 3769:Josephy, Alvin M., Jr. 3689:Allaire, Louis (1997). 3607:(retrieved 21 Nov 2011) 3568:(retrieved 10 Nov 2011) 2908:Clark & Gosser 1995 1624:and metalwork, such as 1574:Museum zu Allerheiligen 1287:Aztec household pottery 1017:Late Basketmaker II Era 842:based their pottery on 621:(800–1600 CE) found as 318:Ancestral Pueblo people 314:archaeological cultures 108:Native American artists 4683: 4103:The Amerind Foundation 3913:. New York: Springer. 3649:(retrieved 9 Nov 2011) 3605:Paraguay Travel Guide. 3590:Davies & Fini 1995 3578:Davies & Fini 1995 3537:, pp. 184, 214–5. 3319:Davies & Fini 1995 3307:Davies & Fini 1995 3061:, pp. 80, 83, 87. 2983:(Retrieved 4 Nov 2011) 2642:The Hohokam Millennium 2371:Berlo, Janet Catherine 2103: 2021: 1701: 1577: 1505: 1436:Colombia and Venezuela 1274:(c. 300 BCE to 550 CE) 1170: 922: 917:Deer effigy, pottery. 910: 894: 656:Atlantic coastal plain 634:Southeastern Woodlands 164:Southeastern Woodlands 82: 45: 33: 4682: 4547:Pre-conquest Americas 4140:Ceramica de la Tierra 3245:Peregrine, Peter Neal 3156:Beckman, Tad (1996). 2786:registration required 2101: 2015: 1696: 1590:Moche portrait vessel 1568: 1540:stirrup spout vessels 1497:Moche Crawling Feline 1494: 1485:Further information: 1412:by about 250 BC. The 1163: 935:Rio Grande White Ware 931:Rio Grande Glaze Ware 925:Further information: 916: 900: 885: 795:Mississippian culture 711:Weedon Island pottery 687:into North Carolina. 619:Mississippian culture 514:cultures in northern 502:(known as Stallings, 77: 39: 26:Moche portrait vessel 24: 4717:Precolonial painting 4655:Art history timeline 2446:on 27 September 2011 2190:Stirrup spout vessel 1993:stirrup spout vessel 1595:black-figure pottery 1502:stirrup spout vessel 1174:Mesoamerican pottery 979:San Ildefonso Pueblo 890:, on display at the 627:archaeological sites 559:groups, such as the 389:. Ceramics from the 30:Musée du quai Branly 4842:History of ceramics 4272:Main types, by body 3811:Milanich, Jerald T. 3453:, pp. 149–152. 3343:The Initial Period. 2893:, pp. 318–319. 2847:1991Sci...254.1621R 2841:(5038): 1621–1624. 2263:Black-on-black ware 2170:-speaking peoples. 1998:caballito de totora 1905:Viceroyalty of Peru 1027:Basketmaker III Era 939:Black-on-black ware 609:archeological sites 426:San Jacinto culture 137:ceramic artists in 4684: 4660:Individual artists 4524:History of pottery 4448:Black and red ware 4342:Forming techniques 3004:on 9 November 2011 2958:Savelle, James M. 2910:, pp. 210–11. 2716:, pp. 86, 94. 2342:on 9 February 2012 2228:Mata Ortiz pottery 2104: 2022: 1960:polychrome pottery 1734:Cotton Pre-Ceramic 1702: 1578: 1506: 1171: 967:Santa Clara Pueblo 923: 911: 901:Ceramic bowl from 895: 739:Plaquemine culture 733:, ceramics of the 641:Gulf Coastal Plain 601:Hopewell tradition 530:) by 3700 BP, and 416:. Ceramics of the 367:Mississippi Valley 120:American Southwest 83: 46: 34: 4814: 4813: 4670:Women in the arts 4607: 4606: 4483:Painted Grey Ware 4396:biscuit porcelain 3971:978-0-8173-0552-9 3950:978-0-500-20363-7 3920:978-0-387-75228-0 3872:978-0-521-63075-7 3781:978-0-395-57320-4 3762:978-0-8122-3554-8 3734:978-1-56098-516-7 3547:Stone-Miller 2002 3535:Stone-Miller 2002 3523:Stone-Miller 2002 3511:Stone-Miller 2002 3499:Stone-Miller 2002 3487:Stone-Miller 2002 3475:Stone-Miller 2002 3465:, pp. 153–4. 3463:Stone-Miller 2002 3451:Stone-Miller 2002 3439:Stone-Miller 2002 3427:Stone-Miller 2002 3415:Stone-Miller 2002 3403:Stone-Miller 2002 3393:, pp. 64–73. 3391:Stone-Miller 2002 3381:, pp. 48–51. 3379:Stone-Miller 2002 3367:Stone-Miller 2002 3355:Stone-Miller 2002 3331:Stone-Miller 2002 3234:, pp. 72–74. 3222:, pp. 22–24. 3164:on 7 October 2011 3146:, pp. 82–83. 3120:978-0-8173-5127-4 3086:978-0-8173-5085-7 2745:978-0-9692568-0-9 2582:, pp. 92–94. 2420:, pp. 69–70. 2418:Stone-Miller 2002 2392:978-0-19-284218-3 2243:Pit fired pottery 2137:Amazon rainforest 2031:, or dishes, and 1927: 1926: 1510:Andean preceramic 1475:Tolima Department 1473:La Chamba in the 1460:Boyacá Department 1246:(c. 1168–1519 CE) 1240:(c. 1200–1500 CE) 1194:(c. 1500–400 BCE) 1149:Salado Polychrome 1099: 1098: 993:of the Hopi, and 927:Cibola White Ware 715:Florida panhandle 660:Stallings culture 591:Eastern Woodlands 569:Utkuhiksalingmiut 456:around 2460 BCE. 450:Pandanche culture 407:radiocarbon dated 381:Origin and spread 335:St. Johns culture 307:St. Johns culture 293:potters use pure 156:Eastern Woodlands 148:Negative painting 4854: 4634: 4627: 4620: 4611: 4610: 4290:Egyptian faience 4280:Asbestos-ceramic 4171: 4164: 4157: 4148: 4147: 4081: 4076: 4071: 4044: 4042: 4040: 4035:on 25 April 2012 4034: 4019: 4009: 3982: 3980: 3978: 3954: 3942: 3931: 3929: 3927: 3903: 3901: 3899: 3893: 3886: 3876: 3855: 3828: 3806: 3794: 3766: 3745: 3743: 3741: 3722: 3712: 3677: 3668: 3662: 3656: 3650: 3644: 3635: 3629: 3620: 3614: 3608: 3599: 3593: 3587: 3581: 3575: 3569: 3564: 3558:Escobar, Ticio. 3556: 3550: 3544: 3538: 3532: 3526: 3520: 3514: 3508: 3502: 3496: 3490: 3484: 3478: 3472: 3466: 3460: 3454: 3448: 3442: 3436: 3430: 3424: 3418: 3412: 3406: 3405:, pp. 82–6. 3400: 3394: 3388: 3382: 3376: 3370: 3364: 3358: 3357:, pp. 45–6. 3352: 3346: 3340: 3334: 3328: 3322: 3316: 3310: 3304: 3298: 3297: 3277: 3271: 3270: 3241: 3235: 3229: 3223: 3217: 3211: 3205: 3199: 3198: 3180: 3174: 3173: 3171: 3169: 3153: 3147: 3141: 3132: 3131: 3129: 3127: 3104: 3098: 3097: 3095: 3093: 3068: 3062: 3056: 3050: 3044: 3038: 3032: 3026: 3020: 3014: 3013: 3011: 3009: 3000:. Archived from 2990: 2984: 2975: 2969: 2956: 2950: 2949: 2943: 2935: 2917: 2911: 2905: 2894: 2888: 2879: 2878: 2826: 2820: 2819: 2817: 2815: 2810:on 18 April 2014 2806:. Archived from 2796: 2790: 2789: 2782: 2780: 2778: 2768: 2762: 2756: 2750: 2749: 2733: 2723: 2717: 2711: 2705: 2704: 2702: 2700: 2695:on 15 April 2012 2694: 2683: 2674: 2668: 2667: 2665: 2663: 2652: 2646: 2645: 2637: 2631: 2618: 2607: 2601: 2595: 2589: 2583: 2577: 2571: 2565: 2559: 2553: 2544: 2543: 2541: 2517: 2506: 2500: 2494: 2493: 2465: 2456: 2455: 2453: 2451: 2432: 2421: 2415: 2409: 2403: 2397: 2396: 2380: 2367: 2352: 2351: 2349: 2347: 2338:. Archived from 2328: 2317: 2311: 2292: 2285: 2233:Mexican ceramics 2125:Licania octandra 1985: 1970: 1956:Anthropomorphic 1952: 1935: 1723:10,000–3,000 BCE 1704: 1703: 1458:, a town in the 1379:Circum-Caribbean 1365: 1345: 1328: 1311: 1296: 1284: 1262:(c. 100–1000 CE) 1224:(c. 317–1200 CE) 1218:(c. 800–1300 CE) 1102:O'odham cultures 1031:450 CE – 700 CE 1021:50 BCE – 450 CE 1005: 1004: 958:Mogollon culture 953:Ancestral Pueblo 943:Storyteller doll 888:Kayenta, Arizona 823: 805: 790: 775: 760: 597:Hopewell pottery 541:Cultural regions 504:Stallings Island 442:Valdivia culture 395:Santarém, Brazil 124:paddle-and-anvil 4862: 4861: 4857: 4856: 4855: 4853: 4852: 4851: 4817: 4816: 4815: 4810: 4796:Northwest Coast 4791:Native American 4774: 4726: 4685: 4674: 4643: 4638: 4608: 4603: 4592:list of potters 4518: 4502: 4379: 4336: 4266: 4190: 4181: 4175: 4088: 4068: 4038: 4036: 4032: 4017: 4006: 3976: 3974: 3972: 3951: 3925: 3923: 3921: 3897: 3895: 3894:on 14 July 2010 3891: 3884: 3873: 3852: 3825: 3803: 3763: 3739: 3737: 3735: 3720: 3709: 3685: 3680: 3669: 3665: 3657: 3653: 3645: 3638: 3630: 3623: 3615: 3611: 3600: 3596: 3588: 3584: 3576: 3572: 3566:Portal Guarani. 3562: 3557: 3553: 3549:, pp. 7–8. 3545: 3541: 3533: 3529: 3521: 3517: 3509: 3505: 3497: 3493: 3485: 3481: 3473: 3469: 3461: 3457: 3449: 3445: 3437: 3433: 3425: 3421: 3413: 3409: 3401: 3397: 3389: 3385: 3377: 3373: 3365: 3361: 3353: 3349: 3341: 3337: 3329: 3325: 3317: 3313: 3305: 3301: 3294: 3278: 3274: 3267: 3251:, eds. (2001). 3242: 3238: 3230: 3226: 3218: 3214: 3206: 3202: 3195: 3181: 3177: 3167: 3165: 3154: 3150: 3142: 3135: 3125: 3123: 3121: 3105: 3101: 3091: 3089: 3087: 3069: 3065: 3057: 3053: 3045: 3041: 3033: 3029: 3021: 3017: 3007: 3005: 2992: 2991: 2987: 2976: 2972: 2957: 2953: 2937: 2936: 2932: 2918: 2914: 2906: 2897: 2889: 2882: 2827: 2823: 2813: 2811: 2798: 2797: 2793: 2783: 2776: 2774: 2770: 2769: 2765: 2757: 2753: 2746: 2724: 2720: 2712: 2708: 2698: 2696: 2692: 2681: 2675: 2671: 2661: 2659: 2654: 2653: 2649: 2638: 2634: 2628:Wayback Machine 2619: 2610: 2602: 2598: 2590: 2586: 2578: 2574: 2566: 2562: 2554: 2547: 2518: 2509: 2501: 2497: 2466: 2459: 2449: 2447: 2434: 2433: 2424: 2416: 2412: 2404: 2400: 2393: 2368: 2355: 2345: 2343: 2330: 2329: 2320: 2312: 2305: 2301: 2296: 2295: 2287:Fiber-tempered 2286: 2282: 2277: 2272: 2238:Mimbres pottery 2223:Huaco (pottery) 2203: 2176: 2155:Marajoara Phase 2096: 2084:Museo del Barro 2010: 2003: 2002: 1986: 1977: 1971: 1962: 1961: 1953: 1944: 1943: 1936: 1727:Guitarrero Cave 1713:Cultures/sites 1546:Paracas culture 1528:region, and in 1489: 1487:Huaco (pottery) 1483: 1468:nativity scenes 1438: 1392:as part of the 1386: 1381: 1374: 1373: 1366: 1357: 1346: 1337: 1336: 1329: 1320: 1319: 1312: 1303: 1297: 1288: 1285: 1206:(c. 200–800 CE) 1176: 1140: 1124: 1104: 962:Mimbres pottery 949: 905:in New Mexico, 880: 878:Pueblo cultures 875: 869: 848:Fremont culture 837: 830: 824: 815: 813:Fatherland site 806: 797: 791: 782: 780:Kolomoki Mounds 776: 767: 763:Figurines from 761: 673:Norwood culture 636: 593: 553: 548: 543: 537: 520:Mount Elizabeth 383: 287: 282:Sponge spicules 194: 154:potters in the 104:Potter's wheels 80:Brooklyn Museum 72: 42:Cherokee Nation 17: 12: 11: 5: 4860: 4850: 4849: 4844: 4839: 4834: 4829: 4812: 4811: 4809: 4808: 4803: 4798: 4793: 4788: 4782: 4780: 4776: 4775: 4773: 4772: 4767: 4762: 4757: 4756: 4755: 4745: 4740: 4734: 4732: 4728: 4727: 4725: 4724: 4719: 4714: 4709: 4704: 4699: 4693: 4691: 4687: 4686: 4677: 4675: 4673: 4672: 4667: 4662: 4657: 4651: 4649: 4645: 4644: 4637: 4636: 4629: 4622: 4614: 4605: 4604: 4602: 4601: 4596: 4595: 4594: 4587:Studio pottery 4584: 4579: 4574: 4569: 4564: 4559: 4554: 4549: 4544: 4539: 4534: 4532:Ancient Greece 4528: 4526: 4520: 4519: 4517: 4516: 4510: 4508: 4504: 4503: 4501: 4500: 4495: 4490: 4485: 4480: 4475: 4470: 4465: 4460: 4455: 4453:Blue and white 4450: 4445: 4440: 4435: 4430: 4425: 4420: 4415: 4410: 4405: 4400: 4399: 4398: 4391:Biscuit firing 4387: 4385: 4381: 4380: 4378: 4377: 4375:Wheel throwing 4372: 4367: 4362: 4357: 4352: 4346: 4344: 4338: 4337: 4335: 4334: 4329: 4324: 4323: 4322: 4317: 4307: 4302: 4297: 4292: 4287: 4282: 4276: 4274: 4268: 4267: 4265: 4264: 4259: 4254: 4249: 4244: 4239: 4234: 4229: 4224: 4219: 4214: 4209: 4204: 4198: 4196: 4192: 4191: 4186: 4183: 4182: 4174: 4173: 4166: 4159: 4151: 4145: 4144: 4136: 4130: 4124: 4118: 4112: 4106: 4100: 4094: 4087: 4086:External links 4084: 4083: 4082: 4077: 4072: 4066: 4045: 4010: 4004: 3983: 3970: 3955: 3949: 3932: 3919: 3904: 3877: 3871: 3856: 3850: 3829: 3823: 3807: 3801: 3784: 3767: 3761: 3746: 3733: 3713: 3707: 3684: 3681: 3679: 3678: 3671:"Archaeology." 3663: 3661:, p. 366. 3651: 3636: 3634:, p. 368. 3621: 3619:, p. 207. 3609: 3594: 3592:, p. 143. 3582: 3580:, p. 127. 3570: 3551: 3539: 3527: 3525:, p. 180. 3515: 3513:, p. 179. 3503: 3501:, p. 175. 3491: 3489:, p. 174. 3479: 3477:, p. 161. 3467: 3455: 3443: 3441:, p. 136. 3431: 3429:, p. 118. 3419: 3417:, p. 106. 3407: 3395: 3383: 3371: 3359: 3347: 3345:britannica.com 3335: 3323: 3321:, p. 123. 3311: 3309:, p. 122. 3299: 3292: 3272: 3265: 3236: 3224: 3212: 3200: 3193: 3175: 3148: 3133: 3119: 3099: 3085: 3063: 3051: 3039: 3027: 3015: 2985: 2970: 2951: 2930: 2912: 2895: 2891:Roosevelt 1996 2880: 2821: 2791: 2763: 2761:, p. 202. 2751: 2744: 2718: 2706: 2669: 2647: 2632: 2608: 2606:, p. 369. 2596: 2584: 2572: 2570:, p. 307. 2560: 2558:, p. 203. 2545: 2526:Acta Amazonica 2507: 2505:, p. 439. 2495: 2457: 2422: 2410: 2408:, p. 186. 2398: 2391: 2353: 2318: 2316:, p. 365. 2302: 2300: 2297: 2294: 2293: 2279: 2278: 2276: 2273: 2271: 2270: 2268:Pueblo pottery 2265: 2260: 2255: 2250: 2245: 2240: 2235: 2230: 2225: 2220: 2215: 2210: 2204: 2202: 2199: 2198: 2197: 2192: 2187: 2182: 2175: 2174:Ceramics forms 2172: 2131:In regions of 2095: 2092: 2045:, a city near 2009: 2006: 2005: 2004: 2001:, 1100–1400 CE 1988: 1987: 1980: 1978: 1972: 1965: 1963: 1955: 1954: 1947: 1945: 1938: 1937: 1930: 1925: 1924: 1919: 1916: 1912: 1911: 1902: 1899: 1895: 1894: 1889: 1886: 1882: 1881: 1860: 1857: 1853: 1852: 1831: 1828: 1827:Middle Horizon 1824: 1823: 1802: 1801:200 BCE–500 CE 1799: 1795: 1794: 1777: 1774: 1770: 1769: 1760: 1757: 1756:Initial Period 1753: 1752: 1739: 1736: 1730: 1729: 1724: 1721: 1715: 1714: 1711: 1708: 1699:British Museum 1684:, maize beer. 1599:Chicama Valley 1482: 1479: 1450:before present 1442:Puerto Hormiga 1437: 1434: 1385: 1382: 1380: 1377: 1376: 1375: 1368: 1367: 1360: 1358: 1347: 1340: 1338: 1331: 1330: 1323: 1321: 1314: 1313: 1306: 1304: 1302:incense burner 1298: 1291: 1289: 1286: 1279: 1276: 1275: 1269: 1263: 1257: 1247: 1241: 1231: 1225: 1219: 1213: 1207: 1201: 1195: 1189: 1183: 1175: 1172: 1158: 1157: 1152: 1145:Salado culture 1139: 1136: 1123: 1120: 1119: 1118: 1116:Akimel O'odham 1112:Tohono O'odham 1103: 1100: 1097: 1096: 1093: 1089: 1088: 1085: 1081: 1080: 1077: 1073: 1072: 1069: 1063: 1062: 1059: 1057:Pueblo III Era 1053: 1052: 1049: 1043: 1042: 1039: 1033: 1032: 1029: 1023: 1022: 1019: 1013: 1012: 1009: 1003: 1002: 964: 955: 947:Pueblo pottery 879: 876: 871:Main article: 868: 865: 836: 833: 832: 831: 825: 818: 816: 811:pots from the 807: 800: 798: 792: 785: 783: 777: 770: 768: 762: 755: 752: 751: 745: 735:Natchez people 728: 725: 722: 692:Puerto Hormiga 668:Orange culture 664:Savannah River 635: 632: 631: 630: 612: 592: 589: 587:in the 1990s. 585:Inuit ceramics 552: 549: 547: 544: 542: 539: 522:) by 4000 BP, 500:South Carolina 492:Savannah River 438:Puerto Hormiga 382: 379: 339:Lucayan people 303:Picuris Pueblo 286: 285: 278: 271:Mollusc shells 268: 262: 256: 237: 230: 225:Sand, crushed 223: 217: 211: 208: 202: 198: 193: 190: 71: 68: 15: 9: 6: 4: 3: 2: 4859: 4848: 4845: 4843: 4840: 4838: 4835: 4833: 4830: 4828: 4825: 4824: 4822: 4807: 4804: 4802: 4799: 4797: 4794: 4792: 4789: 4787: 4784: 4783: 4781: 4777: 4771: 4768: 4766: 4763: 4761: 4760:Kwakwakaʼwakw 4758: 4754: 4751: 4750: 4749: 4746: 4744: 4741: 4739: 4736: 4735: 4733: 4729: 4723: 4720: 4718: 4715: 4713: 4710: 4708: 4705: 4703: 4700: 4698: 4695: 4694: 4692: 4688: 4681: 4671: 4668: 4666: 4665:Pre-Columbian 4663: 4661: 4658: 4656: 4653: 4652: 4650: 4646: 4642: 4635: 4630: 4628: 4623: 4621: 4616: 4615: 4612: 4600: 4597: 4593: 4590: 4589: 4588: 4585: 4583: 4580: 4578: 4575: 4573: 4570: 4568: 4565: 4563: 4560: 4558: 4555: 4553: 4550: 4548: 4545: 4543: 4540: 4538: 4535: 4533: 4530: 4529: 4527: 4525: 4521: 4515: 4512: 4511: 4509: 4505: 4499: 4496: 4494: 4491: 4489: 4486: 4484: 4481: 4479: 4476: 4474: 4471: 4469: 4466: 4464: 4461: 4459: 4456: 4454: 4451: 4449: 4446: 4444: 4441: 4439: 4436: 4434: 4431: 4429: 4426: 4424: 4421: 4419: 4416: 4414: 4411: 4409: 4406: 4404: 4401: 4397: 4394: 4393: 4392: 4389: 4388: 4386: 4382: 4376: 4373: 4371: 4368: 4366: 4363: 4361: 4358: 4356: 4353: 4351: 4348: 4347: 4345: 4343: 4339: 4333: 4330: 4328: 4325: 4321: 4318: 4316: 4313: 4312: 4311: 4308: 4306: 4303: 4301: 4298: 4296: 4293: 4291: 4288: 4286: 4283: 4281: 4278: 4277: 4275: 4273: 4269: 4263: 4260: 4258: 4255: 4253: 4250: 4248: 4245: 4243: 4240: 4238: 4235: 4233: 4230: 4228: 4225: 4223: 4220: 4218: 4215: 4213: 4210: 4208: 4205: 4203: 4200: 4199: 4197: 4193: 4189: 4184: 4179: 4172: 4167: 4165: 4160: 4158: 4153: 4152: 4149: 4143: 4141: 4137: 4134: 4131: 4128: 4125: 4122: 4119: 4116: 4113: 4110: 4107: 4104: 4101: 4098: 4095: 4093: 4090: 4089: 4078: 4073: 4069: 4067:0-8130-1531-6 4063: 4059: 4055: 4051: 4046: 4031: 4027: 4023: 4016: 4011: 4007: 4005:0-8130-1531-6 4001: 3997: 3993: 3989: 3984: 3973: 3967: 3963: 3962: 3956: 3952: 3946: 3941: 3940: 3933: 3922: 3916: 3912: 3911: 3905: 3890: 3883: 3878: 3874: 3868: 3864: 3863: 3857: 3853: 3851:0-8130-1531-6 3847: 3843: 3839: 3835: 3830: 3826: 3824:0-8130-1273-2 3820: 3816: 3812: 3808: 3804: 3802:0-8118-0837-8 3798: 3793: 3792: 3785: 3782: 3778: 3774: 3773: 3768: 3764: 3758: 3754: 3753: 3747: 3736: 3730: 3726: 3719: 3714: 3710: 3708:0-8130-1531-6 3704: 3700: 3696: 3692: 3687: 3686: 3675: 3672: 3667: 3660: 3655: 3648: 3643: 3641: 3633: 3628: 3626: 3618: 3613: 3606: 3603: 3598: 3591: 3586: 3579: 3574: 3567: 3561: 3555: 3548: 3543: 3536: 3531: 3524: 3519: 3512: 3507: 3500: 3495: 3488: 3483: 3476: 3471: 3464: 3459: 3452: 3447: 3440: 3435: 3428: 3423: 3416: 3411: 3404: 3399: 3392: 3387: 3380: 3375: 3369:, p. 47. 3368: 3363: 3356: 3351: 3344: 3339: 3333:, p. 23. 3332: 3327: 3320: 3315: 3308: 3303: 3295: 3293:0-12-557180-1 3289: 3285: 3284: 3276: 3268: 3266:0-306-46259-1 3262: 3258: 3254: 3250: 3249:Ember, Melvin 3246: 3240: 3233: 3228: 3221: 3216: 3209: 3204: 3196: 3194:0-87358-656-5 3190: 3186: 3179: 3163: 3159: 3152: 3145: 3144:Walthall 1980 3140: 3138: 3122: 3116: 3112: 3111: 3103: 3088: 3082: 3078: 3074: 3067: 3060: 3059:Walthall 1980 3055: 3049:, p. 94. 3048: 3047:Milanich 1994 3043: 3036: 3035:Walthall 1980 3031: 3024: 3023:Saunders 2002 3019: 3003: 2999: 2995: 2989: 2982: 2979: 2974: 2967: 2965: 2961: 2955: 2947: 2941: 2933: 2931:0-8130-2808-6 2927: 2923: 2916: 2909: 2904: 2902: 2900: 2892: 2887: 2885: 2876: 2872: 2868: 2864: 2860: 2856: 2852: 2848: 2844: 2840: 2836: 2832: 2825: 2809: 2805: 2801: 2795: 2787: 2773: 2767: 2760: 2755: 2747: 2741: 2737: 2732: 2731: 2722: 2715: 2714:Milanich 1994 2710: 2691: 2687: 2680: 2673: 2657: 2651: 2643: 2636: 2629: 2625: 2622: 2617: 2615: 2613: 2605: 2600: 2594:, p. 86. 2593: 2592:Milanich 1994 2588: 2581: 2576: 2569: 2564: 2557: 2552: 2550: 2540: 2535: 2531: 2527: 2523: 2516: 2514: 2512: 2504: 2499: 2491: 2487: 2483: 2479: 2475: 2471: 2464: 2462: 2445: 2441: 2437: 2431: 2429: 2427: 2419: 2414: 2407: 2402: 2394: 2388: 2384: 2379: 2378: 2372: 2366: 2364: 2362: 2360: 2358: 2341: 2337: 2333: 2327: 2325: 2323: 2315: 2310: 2308: 2303: 2290: 2284: 2280: 2269: 2266: 2264: 2261: 2259: 2256: 2254: 2251: 2249: 2246: 2244: 2241: 2239: 2236: 2234: 2231: 2229: 2226: 2224: 2221: 2219: 2216: 2214: 2211: 2209: 2206: 2205: 2196: 2193: 2191: 2188: 2186: 2183: 2181: 2178: 2177: 2171: 2169: 2164: 2159: 2156: 2152: 2148: 2147:Marajó Island 2144: 2142: 2138: 2134: 2129: 2127: 2126: 2121: 2117: 2113: 2109: 2108:Pedra Pintada 2100: 2091: 2089: 2085: 2080: 2078: 2074: 2070: 2069:Itá, Paraguay 2066: 2064: 2060: 2056: 2052: 2048: 2044: 2040: 2038: 2034: 2030: 2026: 2019: 2014: 2000: 1999: 1994: 1991: 1984: 1979: 1975: 1969: 1964: 1959: 1951: 1946: 1941: 1934: 1929: 1928: 1923: 1920: 1917: 1914: 1913: 1910: 1906: 1903: 1900: 1897: 1896: 1893: 1890: 1887: 1884: 1883: 1880: 1876: 1872: 1868: 1864: 1861: 1858: 1855: 1854: 1851: 1847: 1843: 1839: 1835: 1832: 1829: 1826: 1825: 1822: 1818: 1814: 1810: 1806: 1803: 1800: 1797: 1796: 1793: 1789: 1785: 1781: 1778: 1775: 1773:Early Horizon 1772: 1771: 1768: 1764: 1761: 1758: 1755: 1754: 1751: 1747: 1743: 1740: 1738:3000–1800 BCE 1737: 1735: 1732: 1731: 1728: 1725: 1722: 1720: 1717: 1716: 1712: 1709: 1706: 1700: 1695: 1691: 1689: 1688: 1683: 1679: 1675: 1670: 1666: 1661: 1659: 1655: 1651: 1647: 1643: 1638: 1635: 1631: 1627: 1623: 1619: 1615: 1614:Lake Titicaca 1611: 1610:Wari cultures 1607: 1602: 1600: 1596: 1591: 1587: 1583: 1576:, Switzerland 1575: 1571: 1567: 1563: 1561: 1560:Nasca culture 1557: 1555: 1551: 1547: 1543: 1541: 1537: 1533: 1531: 1527: 1523: 1519: 1513: 1511: 1503: 1499: 1498: 1493: 1488: 1481:Andean region 1478: 1476: 1471: 1469: 1465: 1461: 1457: 1453: 1451: 1447: 1443: 1433: 1431: 1430:Saint Vincent 1427: 1421: 1419: 1415: 1411: 1407: 1403: 1399: 1395: 1391: 1371: 1364: 1359: 1355: 1351: 1344: 1339: 1334: 1327: 1322: 1318: 1310: 1305: 1301: 1295: 1290: 1283: 1278: 1277: 1273: 1270: 1267: 1264: 1261: 1258: 1255: 1251: 1248: 1245: 1242: 1239: 1235: 1232: 1229: 1226: 1223: 1222:Maya ceramics 1220: 1217: 1214: 1211: 1208: 1205: 1202: 1199: 1196: 1193: 1190: 1188:(c. 1500 BCE) 1187: 1184: 1182:(c. 1900 BCE) 1181: 1178: 1177: 1169: 1166: 1162: 1156: 1155:Casas Grandes 1153: 1150: 1146: 1142: 1141: 1135: 1133: 1129: 1117: 1113: 1109: 1106: 1105: 1095:1950–present 1094: 1091: 1090: 1086: 1083: 1082: 1078: 1075: 1074: 1070: 1068: 1067:Pueblo IV Era 1065: 1064: 1060: 1058: 1055: 1054: 1050: 1048: 1047:Pueblo II Era 1045: 1044: 1040: 1038: 1035: 1034: 1030: 1028: 1025: 1024: 1020: 1018: 1015: 1014: 1010: 1008:Pottery style 1007: 1000: 996: 992: 988: 984: 980: 976: 972: 968: 965: 963: 959: 956: 954: 951: 950: 948: 944: 940: 936: 932: 928: 920: 915: 908: 904: 899: 893: 889: 884: 874: 864: 861: 860:Washoe people 857: 853: 849: 845: 841: 828: 822: 817: 814: 810: 804: 799: 796: 789: 784: 781: 774: 769: 766: 765:Poverty Point 759: 754: 753: 749: 746: 744: 740: 736: 732: 729: 726: 723: 720: 719: 718: 716: 712: 708: 703: 701: 700:James A. Ford 697: 693: 688: 686: 680: 678: 677:Poverty Point 674: 669: 665: 661: 657: 653: 650:left by Late 649: 648:shell middens 644: 642: 628: 624: 620: 616: 613: 610: 606: 602: 598: 595: 594: 588: 586: 582: 578: 574: 573:Caribou Inuit 570: 566: 562: 558: 546:North America 538: 535: 533: 532:Poverty Point 529: 525: 521: 517: 513: 509: 505: 501: 497: 493: 489: 484: 482: 478: 474: 470: 466: 462: 457: 455: 451: 447: 443: 439: 435: 431: 427: 423: 419: 418:Alaka culture 415: 410: 408: 404: 400: 396: 392: 388: 378: 376: 372: 368: 364: 363:Mississippian 360: 354: 352: 348: 344: 340: 336: 331: 327: 323: 319: 315: 310: 308: 304: 300: 296: 292: 283: 279: 276: 272: 269: 266: 263: 260: 257: 254: 250: 246: 245:volcanic rock 242: 241:igneous rocks 238: 235: 231: 228: 224: 221: 218: 215: 212: 209: 206: 203: 200: 199: 197: 189: 187: 183: 178: 176: 172: 167: 165: 159: 157: 153: 152:Mississippian 149: 145: 140: 136: 135:Nazca culture 132: 128: 125: 122:employed the 121: 117: 113: 109: 105: 100: 96: 93: 88: 81: 76: 67: 65: 60: 58: 54: 50: 43: 38: 31: 27: 23: 19: 4738:Coast Salish 4696: 4546: 4537:Ancient Rome 4507:Conservation 4443:Black-figure 4370:Slip casting 4365:RAM pressing 4180:and claywork 4139: 4053: 4037:. Retrieved 4030:the original 4025: 4021: 3991: 3975:. Retrieved 3960: 3938: 3924:. Retrieved 3909: 3896:. Retrieved 3889:the original 3861: 3837: 3814: 3790: 3771: 3751: 3738:. Retrieved 3724: 3694: 3683:Bibliography 3673: 3666: 3654: 3612: 3604: 3597: 3585: 3573: 3565: 3563:(in Spanish) 3554: 3542: 3530: 3518: 3506: 3494: 3482: 3470: 3458: 3446: 3434: 3422: 3410: 3398: 3386: 3374: 3362: 3350: 3338: 3326: 3314: 3302: 3282: 3275: 3256: 3239: 3232:Righter 1997 3227: 3220:Allaire 1997 3215: 3210:, p. 5. 3203: 3184: 3178: 3166:. Retrieved 3162:the original 3151: 3124:. Retrieved 3109: 3102: 3090:. Retrieved 3076: 3066: 3054: 3042: 3030: 3025:, p. 19 3018: 3006:. Retrieved 3002:the original 2997: 2988: 2980: 2973: 2964:Polar Record 2962: 2954: 2921: 2915: 2875:ResearchGate 2873:– via 2838: 2834: 2824: 2812:. Retrieved 2808:the original 2803: 2794: 2775:. Retrieved 2766: 2754: 2729: 2721: 2709: 2697:. Retrieved 2690:the original 2685: 2672: 2660:. Retrieved 2650: 2641: 2635: 2599: 2587: 2580:Watters 1997 2575: 2563: 2529: 2525: 2498: 2473: 2469: 2448:. Retrieved 2444:the original 2439: 2413: 2401: 2376: 2344:. Retrieved 2340:the original 2335: 2283: 2160: 2151:Amazon River 2145: 2130: 2123: 2105: 2081: 2067: 2054: 2050: 2041: 2037:Josefina Pla 2032: 2028: 2023: 1996: 1918:1950–present 1915:Contemporary 1885:Late Horizon 1759:1800–800 BCE 1746:Huaca Prieta 1685: 1669:Tawantinsuyo 1662: 1639: 1603: 1586:naturalistic 1579: 1558: 1544: 1534: 1514: 1507: 1495: 1472: 1454: 1439: 1422: 1387: 1180:Barra/Mokaya 1168:funerary urn 1125: 1092:Contemporary 1037:Pueblo I Era 1011:Time period 983:Acoma Pueblo 903:Chaco Canyon 838: 704: 689: 685:Santee River 681: 679:by 1000 BC. 645: 637: 577:Rankin Inlet 554: 536: 485: 458: 411: 387:Amazon Basin 384: 355: 326:Spanish moss 311: 288: 195: 179: 168: 160: 129: 97: 84: 61: 53:the Americas 48: 47: 18: 4712:Photography 4498:Sea pottery 4285:Earthenware 4257:Salt glazed 4247:Lead-glazed 4207:China stone 3977:19 November 3926:19 November 3898:13 November 3740:19 November 3208:Wilson 1997 3126:19 November 3092:19 November 2978:"Ceramics." 2804:EurekAlert! 2406:Cooper 2000 2195:Stirrup jar 2133:terra preta 2073:Rosa Brítez 2051:Las gorgas. 2018:Rosa Brítez 1859:900–1400 CE 1776:800–200 BCE 1710:Time period 1665:Inca Empire 1526:Casma River 1418:Current Era 1410:Puerto Rico 1300:Teotihuacan 1230:(c. 750 CE) 1212:(c. 900 CE) 1198:Teotihuacan 971:Taos Pueblo 850:of central 835:Great Basin 743:Mississippi 696:shell rings 414:Mesoamerica 369:and middle 299:Taos Pueblo 295:kaolin clay 280:Freshwater 277:), crushed; 265:Plant fiber 40:Jane Osti ( 4821:Categories 4731:By culture 4493:Red-figure 4488:Rang Mahal 4403:Burnishing 4332:Terracotta 4320:soft-paste 4315:hard-paste 4305:Jasperware 4262:Tin-glazed 4252:Lustreware 4039:5 November 3168:4 November 2699:5 November 2662:6 November 2532:(2): 165. 2450:4 November 2436:"Ceramics" 2346:2 November 2299:References 2114:site near 2090:ceramics. 2063:Zenón Páez 2008:Gran Chaco 1898:Historical 1871:Lambayeque 1838:Lambayeque 1830:500–900 CE 1780:Cupisnique 1767:Las Haldas 1763:Chinchorro 1750:Las Haldas 1658:polychrome 1650:Lambayeque 1634:Qunchupata 1616:region of 1518:Las Haldas 1122:Athabaskan 1087:1880–1950 1079:1600–1880 1071:1300–1600 1061:1100–1300 907:Pueblo III 565:Sadlermiut 473:Costa Rica 461:Monagrillo 371:gulf coast 361:and early 351:Hispaniola 275:fossilized 243:, such as 216:(cariapé); 112:Pinch pots 4779:By region 4577:Delftware 4428:Pit fired 4327:Stoneware 4310:Porcelain 4300:Ironstone 4242:Ash glaze 4227:Kaolinite 2940:cite book 2490:1461-9571 2289:potsherds 2112:Taperinha 1901:1534–1950 1888:1400–1534 1632:imagery. 1402:Venezuela 1400:basin in 1228:Remojadas 1216:Purépecha 1051:900–1100 778:Pot from 623:artifacts 605:artifacts 524:Nebo Hill 477:Soconusco 469:Tronadora 436:, and at 399:years ago 234:limestone 227:sandstone 210:Charcoal; 171:burnished 87:clay body 4801:Paraguay 4753:clothing 4722:Textiles 4697:Ceramics 4690:By media 4599:Tilework 4468:Kakiemon 4438:Slipware 4423:Painting 4360:Pinching 4355:Moulding 4295:Fritware 4232:Petuntse 4217:Feldspar 4202:Bone ash 3813:(1994). 2871:34969614 2863:17782213 2624:Archived 2201:See also 2116:Santarém 2094:Amazonia 2047:Asunción 1850:Tiwanaku 1821:Tiwanaku 1622:textiles 1606:Tiwanaku 1446:Colombia 1414:Cedrosan 1406:Trinidad 1394:Saladoid 1390:Antilles 1384:Antilles 1354:Tlatilco 1186:Tlatilco 1076:Historic 1041:700–900 985:and the 844:basketry 827:Cherokee 561:Netsilik 555:Several 528:Missouri 430:Colombia 359:Woodland 330:palmetto 249:feldspar 239:Crushed 232:Crushed 214:Wood ash 4847:Pottery 4743:Huichol 4707:Jewelry 4702:Fashion 4648:Surveys 4582:Faience 4567:Islamic 4458:Celadon 4413:Glazing 4350:Coiling 4178:Pottery 3008:19 July 2843:Bibcode 2835:Science 2777:18 July 2120:caraipé 2088:mestizo 2059:Guaraní 2025:Guaraní 1974:Chancay 1863:Chancay 1784:Paracas 1642:Chancay 1618:Bolivia 1522:Huarmey 1464:Chibcha 1456:Ráquira 1398:Orinoco 1350:Acrobat 1333:Zapotec 1266:Capacha 1204:Zapotec 1108:Hohokam 999:pottery 991:Nampeyo 919:Cochiti 809:Natchez 652:Archaic 581:Nunavut 516:Florida 512:Norwood 496:Georgia 446:Ecuador 393:, near 343:Bahamas 341:in the 192:Tempers 116:Hohokam 99:Coiling 57:censers 4786:Alaska 4770:Muisca 4572:Persia 4433:Saggar 4408:Firing 4064: 4002: 3968: 3947: 3917: 3869: 3848: 3821: 3799: 3779: 3759: 3731: 3705: 3674:Marajó 3290: 3263: 3191: 3117: 3083: 2928: 2869: 2861: 2814:13 May 2742: 2488: 2389: 2168:Panoan 2163:Tangas 2141:mounds 2122:tree, 2077:UNESCO 2055:tapyta 2043:Tobatí 2033:yapepó 1940:Recuay 1817:Huarpa 1813:Recuay 1792:Pukará 1788:Chavín 1719:Lithic 1682:chicha 1652:, and 1630:alpaca 1570:Recuay 1550:acacia 1536:Chavín 1532:area. 1428:, and 1426:Tobago 1370:Toltec 1254:Panama 1234:Toltec 1210:Mixtec 1132:Navajo 1128:Apache 1084:Modern 945:, and 921:Pueblo 856:Paiute 846:. 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Knowledge

Ceramics of Indigenous peoples of the Americas

Index