226:); this builds into a climactic moment in the movement, an ecstatic, dance-like section with layered harmonies, punctuated by distant clangs of a bell. Afterward, the cello reappears and works with the orchestra until it returns to another crescendo, restating the first climax. Then, with the tambourine continuing the dance-like feel, the orchestra rises and falls, with the cello spiralling downward; the orchestra plays rapid, whirling notes until it reaches resolution. The ghostlike feel of the earlier movements forgotten, the work concludes with distinctive finality, a four-note bang similar to that of
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180:. The movement progresses as the orchestra appears in full, developing into a fluid yet compact climax, interspersed with periodic cello arpeggios. After several minutes of intense orchestral involvement, the piece suddenly quietens and the second theme is eerily restated on the cello in very high register. The introductory material is then recapitulated by the
124:. The work was premiered by Lloyd Webber with Long Yu conducting the China Philharmonic during the 2001 Beijing Music Festival, and attracted significant attention as the first time the work of a major western composer had its world premier in China. A typical performance takes about 30 minutes. The work is paired with the
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conducting, on
October 21, 2001. The orchestra had been founded the year before and this concerto was the first work that it played by a major living composer. Glass could not attend the performance; in an interview, he revealed that he subsequently did not attend a playing of the concerto until six
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Abruptly, the third movement jolts into play with a short, unexpected burst of the brass, followed immediately by the cello stating the familiar opening theme from the first movement. Afterwards, the cello rises in volume until it unexpectedly fades and the orchestra takes over, progressing with
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years after it premiered. It is relatively popular, but has had little time to attain the level of attention and analysis as some of Glass' earlier concerti or other large-scale symphonic works. However, listeners continue to increase.
160:, Glass did not intend for the work to conform to conventional concerto structure as much as the piece simply developed that way). The three movements comply with the traditional fast-slow-fast tempo configuration.
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ones; while it still projects many of the minimalist aspects which characterize Glass' music, it has audible differences, ushering a new look to composition in Glass' more recent musical approach.
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which would vary throughout the piece. The cello then exchanges bursts with the brass and returns to the original theme. We then hear a new, more placid melody, introduced by both the cello and
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The second movement is the concerto's calmest, punctuated by a soft, lyrical flute theme. The movement concludes in a similar manner to the first, with a dark, quiet close.
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The concerto is in the standard three movement form (this is notable because, as with the earlier
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in celebration of Lloyd Webber's 50th birthday and the first anniversary of
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The cello concerto was one of a series of eight concerti designated as part of
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www.philipglass.com: Concerto for Cello and
Orchestra
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2011: Wendy Sutter (cello) and Dante
Anzolini (with
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43:but its sources remain unclear because it lacks
429:Kostelanetz, Richard; Flemming, Robert (1997).
303:in 2004. Other parts of the series include the
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669:The Making of the Representative for Planet 8
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172:directly introducing the first theme, a dark
309:Concerto for Saxophone Quartet and Orchestra
987:Glass: A Portrait of Philip in Twelve Parts
301:Piano Concerto No. 2: After Lewis and Clark
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293:. Glass wrote the decisively neo-baroque
74:Learn how and when to remove this message
332:There are currently four volumes of the
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355:Royal Liverpool Philharmonic Orchestra
314:Tirol Concerto for Piano and Orchestra
296:Concerto for Harpsichord and Orchestra
168:The beginning movement opens with the
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1230:List of compositions by Philip Glass
399:List of compositions by Philip Glass
213:(not unlike the brass repetition of
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357:), recorded 2004, released 2004 on
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470:Webber's recording of the concerto
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108:in 2001. It was one of the first
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101:Concerto for Cello and Orchestra
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325:is not listed as part of the
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252:China Philharmonic Orchestra
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122:China Philharmonic Orchestra
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922:Violin Concerto (withdrawn)
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359:The Concerto Project Vol. I
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753:Waiting for the Barbarians
676:1000 Airplanes on the Roof
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447:. Sanctuary Publishing.
443:Maycock, Robert (2002).
215:Mars, the Bringer of War
29:This article includes a
932:Violin Concerto No. 2 (
317:, often referred to as
58:more precise citations.
908:Piano Concerto No. 2 (
899:Piano Concerto No. 1 (
595:Songs from Liquid Days
415:Glass, Philip (1987).
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1173:American Four Seasons
1136:After Lewis and Clark
1003:Dennis Russell Davies
981:Philip Glass Ensemble
934:American Four Seasons
927:Violin Concerto No. 1
910:After Lewis and Clark
704:Les Enfants terribles
620:Einstein on the Beach
540:Music in Twelve Parts
481:of the Cello Concerto
323:Violin Concerto No. 2
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1219:Harpsichord Concerto
941:Cello Concerto No. 1
917:Harpsichord Concerto
774:The Perfect American
746:The Sound of a Voice
563:String Quartet No. 4
553:String Quartet No. 2
525:List of compositions
319:Piano Concerto No. 1
281:The Concerto Project
275:The Concerto Project
268:The Concerto Project
232:Piano Concerto No. 2
96:Cello Concerto No. 1
1254:Philip Glass albums
732:In the Penal Colony
711:La Belle et la BĂȘte
389:Julian Lloyd Webber
347:Julian Lloyd Webber
256:Julian Lloyd Webber
114:Julian Lloyd Webber
130:as part of Glass'
116:and the conductor
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31:list of references
1264:2001 compositions
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1008:David Henry Hwang
718:Monsters of Grace
602:Aguas da Amazonia
431:Writings on Glass
299:in 2002, and the
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683:Hydrogen Jukebox
655:The Juniper Tree
634:The Photographer
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474:Concerto Project
445:Glass-A Portrait
321:. Note that the
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433:. Schirmer.
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349:(cello) and
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106:Philip Glass
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90:Philip Glass
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50:Please help
42:
1033:Terry Riley
1028:Steve Reich
955:Film scores
725:White Raven
223:The Planets
56:introducing
1243:Categories
1198:Naqoyqatsi
791:Symphonies
760:Appomattox
690:The Voyage
627:Satyagraha
547:Glassworks
410:References
394:Classicism
384:Minimalism
340:Recordings
209:and rapid
205:repeating
146:minimalist
98:(also the
1101:Concertos
892:Concertos
781:The Trial
574:The Light
182:woodwinds
178:orchestra
152:Structure
1061:Category
822:"Heroes"
641:Akhnaten
581:Passages
373:See also
311:and the
242:Premiere
207:trumpets
186:triangle
110:concerti
1171:No. 2 (
1134:No. 2 (
1125:No. 1 (
963:Dracula
557:Company
479:Reviews
334:Project
327:Project
260:Yu Long
254:, with
248:Beijing
230:in his
219:Holst's
118:Yu Long
52:improve
966:(1999)
882:Lodger
878:No. 12
873:No. 11
868:No. 10
852:Toltec
832:Choral
767:Kepler
697:Orphée
612:Operas
588:Itaipu
567:Buczak
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353:(with
345:2001:
307:, the
1193:No. 1
1166:No. 1
1143:No. 3
1127:Tirol
901:Tirol
863:No. 9
858:No. 8
848:No. 7
838:No. 6
828:No. 5
818:No. 4
813:No. 3
808:No. 2
798:No. 1
236:No. 3
174:motif
170:cello
37:, or
449:ISBN
435:ISBN
421:ISBN
234:and
211:bass
184:and
94:The
1103:by
802:Low
217:in
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