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Many black readers were divided over how the novel depicted
African Americans. Some felt that it depicted black people as "alien and strange", and others valued the novel for its representation of African Americans as everyday people, with complexity and flaws just like typical white characters. The
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Van
Vechten played a critical role in the Harlem Renaissance and helped to bring greater clarity to the African-American movement. However, for a long time he was also seen as a very controversial figure. In Van Vechten's early writings, he claimed that black people were born to be entertainers and
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in New York in 1931. Lutz was a model for some of Van
Vechten's earliest experiments with photography. The friendship lasted until Van Vechten's death. At Lutz's death, as per his wishes, the correspondence with Van Vechten, amounting to 10,000 letters, was destroyed. Lutz donated his collection of
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As an appreciator of the arts, Van
Vechten was extremely intrigued by the explosion of creativity that was occurring in Harlem. He was drawn towards the tolerance of Harlem society and the excitement it generated among black writers and artists. He also felt most accepted there as a gay man. Van
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currently holds one of the largest collection of photographs by Van
Vechten in the United States. The collection began in 1949 when Van Vechten made a gift of sixty of his photographs to the museum. In 1965, Mark Lutz made a gift to the museum of over 12,000 photographs by Van Vechten from his
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and the excitement surrounding its release as his primary reason for making an imminent return home. Gertrude Stein sent Van
Vechten a letter from France writing that the novel was the best thing he had ever written. Stein also played an important role in the development of the novel.
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in 1914. Van
Vechten and Marinoff were known for ignoring the social separation of races during the times and for inviting black people to their home for social gatherings. They were also known to attend public gatherings for black people and to visit black friends in their homes.
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Although Van
Vechten's marriage to Fania Marinoff lasted for 50 years, they often argued about Van Vechten's affairs with men. Van Vechten was known to have romantic and sexual relationships with men, especially Mark Lutz. Lutz (1901–1968) grew up in
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sexually "free". In other words, he believed that black people should be free to explore their sexuality and singers should follow their natural talents such as jazz, spirituals and blues. Van
Vechten wrote about his experiences of attending a
318:, he was occasionally asked to include photographs with his column. This was the first time he was thought to have experimented with photography, which later became one of his greatest passions. Van Vechten was fired from his position with the
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After high school, Van
Vechten was eager to take the next steps in his life, but found it difficult to pursue his passions in Iowa. He described his hometown as "that unloved town". To advance his education, he decided in 1899 to study at the
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in 1913. He became a devoted friend and champion of Stein and was considered to be one of Stein's most enthusiastic fans. They continued corresponding for the remainder of Stein's life, and, at her death, she appointed Van Vechten her
852:'s department of Archives & Special Collections holds 1,689 Carl Van Vechten portraits. Van Vechten also donated materials to Fisk University to form the George Gershwin Memorial Collection of Music and Musical Literature.
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In Harlem, Van Vechten often attended opera and cabarets. He was credited for the surge in white interest in Harlem nightlife and culture as well as involved in helping well-respected writers such as Langston Hughes and
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a "colossal fraud", a seemingly uplifting book with a message that was overshadowed by "the throb of the tom-tom". He viewed Van Vechten as being driven by "a mixture of commercialism and patronizing sympathy".
285:, he was the youngest child of Charles Duane Van Vechten and Ada Amanda Van Vechten (née Fitch). Both of his parents were well educated. His father was a wealthy, prominent banker. His mother established the
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because of what was described as an elaborate and complicated style of writing. Some commentators jokingly described his contributions to the paper as "lowering the tone" of the lowbrow and sensationalist
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Several books of Van Vechten's essays on various subjects, such as music and literature, were published between 1915 and 1920, and Van Vechten also served as an informal scout for the newly formed
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has a collection of approximately 1,400 photographs which it acquired in 1966 from Saul Mauriber (May 21, 1915 – February 12, 2003). There is also a collection of Van Vechten's photographs in the
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at Yale University. The Beinecke Library also holds a collection titled "Living Portraits: Carl Van Vechten's Color Photographs of African Americans, 1939–1964", a collection of 1,884 color
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By 1930, at the age of 50, Van Vechten was finished with writing and took up photography, using his apartment at 150 West 55th Street as a studio, where he photographed many notable people.
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In 2001, Emily Bernard published "Remember Me to Harlem", which is a collection of letters that documents the long friendship between Van Vechten and Langston Hughes, who publicly defended
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novel's supporters included Nella Larsen, Langston Hughes and Gertrude Stein, who all defended the novel for bringing Harlem society and racial issues to the forefront of America.
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remembered Van Vechten as a bad influence, an unpleasant character who "introduced a note of decadence into Afro-American literary matters which was not needed". In 1981,
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314:. In his column "The Chaperone", Van Vechten covered many different topics through a style of semi-autobiographical gossip and criticism. During his time with the
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and black novelist Wallace Thurman. Du Bois dismissed the novel as "cheap melodrama". Decades after the book was published, novelist and literary critic
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His older brother Ralph Van Vechten died on June 28, 1927; when Ralph's widow Fannie died in 1928, Van Vechten inherited $ 1 million invested in a
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as well as a large number of photographs depicting scenes across Western Europe and Northern Africa taken during Van Vechten's travels in 1935–1936.
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1012:, Beinecke Rare Book and Manuscript Library at Yale University, features a searchable database of 1,884 rare color Kodachrome slides
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970:. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
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The bronze portrait bust of Carl Van Vechten, 1931, made by Gaston Lachaise, is owned by the Art Institute of Chicago.
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333:. His interest in opera had him take a leave of absence from the paper in 1907 to travel to Europe and explore opera.
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in 1926. Biographer Edward White suggests Van Vechten was convinced that negro culture was the essence of America.
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and had great musical talent. As a child, Van Vechten developed a passion for music and theatre. He graduated from
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953:. His public domain photographs illustrate countless Knowledge entries on mid-century (mostly American) notables.
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explores the messy and uncomfortable realities of race, and the complicated tangle of black and white in America.
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In 1980, concerned that Van Vechten's fragile 35 mm nitrate negatives were fast deteriorating, photographer
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personal collection. Included in the collection are images from extensive portrait sessions with figures of the
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2399:"Portraits by Carl Van Vechten – Carl Van Vechten Biography – (American Memory from the Library of Congress)"
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were performing in New York City. He also attended premieres in Paris where he met American author and poet
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While in England, he married Anna Snyder, his longtime friend from Cedar Rapids. He returned to his job at
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2788:"Carl Van Vechten Facts, information, pictures | Encyclopedia.com articles about Carl Van Vechten"
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His sexuality is most clearly reflected in his intensely homoerotic portraits of working-class men.
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The Rose McClendon Memorial Collection of Photographs of Celebrated Negroes by Carl Van Vechten
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3011:, 3d ed.: 2 (Kindle Location 48447). McFarland & Company, Inc., Publishers. Kindle Edition
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transferred the Eakins Press Foundation's prototype albums to the permanent collection of the
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Van Vechten died in 1964 at the age of 84 in New York City. His ashes were scattered over the
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3485:"Carl Van Vechten: American Portraitist" exhibit materials, 1992 (curated by Deborah Willis)
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After graduating from college in 1903, Van Vechten accepted a job as a columnist for the
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3151:"Living Portraits: Carl Van Vechten's Color Photographs Of African Americans, 1939–1964"
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Living Portraits: Carl Van Vechten's Color Photographs of African Americans, 1939–1964
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942:, London, holds 17 of Van Vechten's portraits of leading creative talents of his era.
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Remember Me to Harlem: The Letters of Langston Hughes and Carl Van Vechten, 1925–1964
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415:(white suit, right side) talks with a woman in a yellow dress, and the Swiss painter
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964:. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
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Van Vechten wrote a piece called "How to Read Gertrude Stein" for the arts magazine
327:. In 1906, he moved to New York City. He was hired as the assistant music critic at
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Images by Carl Van Vechten in the Collections of the Museum of the City of New York
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2602:"Van Vechten, Carl – The Biographical Dictionary of Iowa - The University of Iowa"
2461:"Van Vechten, Carl – The Biographical Dictionary of Iowa - The University of Iowa"
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explores the quirks and qualities of Van Vechten's most beloved animal, the cat.
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2987:"Prints & Photographs Online Catalog – Van Vechten Collection – Biography"
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982:. Berg Collection of English and American Literature, New York Public Library.
251:(June 17, 1880 – December 21, 1964) was an American writer and
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The Homoerotic Photography of Carl Van Vechten: Public Face, Private Thoughts
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The Homoerotic Photography of Carl Van Vechten: Public Face, Private Thoughts
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632:, historian and author of a classic study of the Harlem Renaissance, called
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The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire
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His supporters also sent him letters to voice their opinions of the novel.
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448:. Between 1922 and 1930 Knopf published seven novels by him, starting with
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Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White
897:
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Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White
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Generations in Black and White: Photographs of Carl Van Vechten from the
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Robert D. Farber University Archives & Special Collections Department
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1048:: hundreds of portrait postcards sent by Van Vechten to Wisconsin artist
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The marriage to Anna Snyder ended in divorce in 1912, and he wed actress
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was published in 1926. His essay "Negro Blues Singers" was published in
267:. He gained fame as a writer, and notoriety as well, for his 1926 novel
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Postcards from Manhattan: The Portrait Photography of Carl Van Vechten
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Carl Van Vechten Papers Relating to African American Arts and Letters
3224:"Philadelphia Museum of Art – Collections : Search Collections"
2627:"Van Vechten Collection – Carl Van Vechten Biography and Chronology"
2493:"Van Vechten Collection – Carl Van Vechten Biography and Chronology"
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Resting Places: The Burial Sites of More Than 14,000 Famous Persons
2758:(First ed.). New York: Farrar, Straus and Giroux. p. 41.
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More than 3,000 Van Vechten portraits, most of which come from the
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Well known critics of this novel included African American scholar
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external links, and converting useful links where appropriate into
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24:
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The Tastemaker: Carl Van Vechten and the Birth of Modern America
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The Tastemaker: Carl Van Vechten and the Birth of Modern America
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The Tastemaker: Carl Van Vechten and the Birth of Modern America
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The Tastemaker: Carl Van Vechten and the Birth of Modern America
848:'s collection includes 2,174 of Carl Van Vechten's photographs.
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The Tastemaker: Carl Van Vechten and the Birth of Modern America
3464:, Beinecke Rare Book and Manuscript Library at Yale University
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Beinecke Rare Book & Manuscript Library at Yale University
979:
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The Letters of Gertrude Stein and Carl Van Vechten, 1913–1946
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Guide to the Carl Van Vechten Photograph Collection 1932-1956
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Van Vechten's photographs to the Philadelphia Museum of Art.
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Beinecke Rare Book and Manuscript Library at Yale University
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Van Vechten House and Studio, Manhattan, New York City, 2017
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560:. He was the subject of a 1968 biography by Bruce Kellner,
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Stuart A. Rose Manuscript, Archives, and Rare Book Library
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Foundation, transformed 50 of the portraits into handmade
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University of Chicago Special Collections Research Center
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Extravagant Crowd: Carl Van Vechten's Portraits of Women
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Brandeis University's Archives & Special Collections
2656:(First ed.). New York: Farrar, Straus and Giroux.
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sent Van Vechten a letter from Berlin citing his novel
423:(pink suit) walks with Van Vechten's wife, the actress
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Most of Van Vechten's personal papers are held by the
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in 1909, where he became the first American critic of
2931:, Philadelphia: Temple University Press, p. 24,
2519:"Carl Van Vechten's Camera Documented Personalities"
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976:. Manuscripts and Archives, New York Public Library.
925:
O, Write My Name': American Portraits, Harlem Heroes
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2577:"White Mischief: The Passions of Carl Van Vechten"
800:
789:A bibliography of the writings of Carl Van Vechten
460:Vechten promoted many of the major figures of the
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1026:Creative Americans: Portraits by Carl Van Vechten
988:, held by the Billy Rose Theatre Division at the
584:, Van Vechten wrote several other novels. One is
59:may not follow Knowledge's policies or guidelines
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3249:"Harlem Heroes: Photographs by Carl Van Vechten"
2726:. Columbia University Press. 2013. p. 310.
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980:Carl Van Vechten collection of papers, 1911–1964
3494:New York Public Library for the Performing Arts
3490:Carl Van Vechten theatre photographs, 1932-1943
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990:New York Public Library for the Performing Arts
986:Carl Van Vechten theatre photographs, 1932–1943
974:Guide to the Carl Van Vechten papers, 1833–1965
419:(red bathing suit) bends over a camera. Artist
3350:A Bibliography of the Work of Carl Van Vechten
3275:"Carl Van Vechten – National Portrait Gallery"
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3253:Exhibitions – Smithsonian American Art Museum
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2686:"Carl Van Vechten's Biography on nybooks.com"
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564:, as well as Edward White's 2014 biography,
16:American writer and photographer (1880–1964)
3492:, held by the Billy Rose Theatre Division,
3336:Carl Van Vechten and the Irreverent Decades
3048:
3022:Carl Van Vechten and the Irreverent Decades
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807:Beinecke Rare Book & Manuscript Library
562:Carl Van Vechten and the Irreverent Decades
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528:to find publishers for their early works.
238: 1914–1964)
216: 1907–1912)
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3386:. Philadelphia: Temple University Press.
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95:Learn how and when to remove this message
3338:. Norman: University of Oklahoma Press.
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3400:. New York: Farrar, Straus and Giroux.
3321:Dust Tracks on a Road: An Autobiography
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3121:. New York: Farrar, Straus and Giroux.
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2435:, New York: Farrar, Straus and Giroux,
1001:, contains 1,689 Van Vechten portraits.
995:Carl Van Vechten photographs, 1932–1964
436:, and was introduced to Van Vechten by
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927:was completed in 1983. That year, the
779:The Dance Writings of Carl Van Vechten
597:One of his more controversial novels,
576:At age 40, Van Vechten wrote the book
344:. Through the guidance of his mentor,
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2826:. New Haven : Yale University Press.
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820:Saul Mauriber, after a photograph of
488:. Van Vechten's controversial novel
39:
3519:20th-century American photographers
3117:White, Edward (February 18, 2014).
3086:Sanneh, Kelefa (February 9, 2014).
3053:. New York: New York Review Books.
2896:. New York: New York Review Books.
2652:White, Edward (February 18, 2014).
1038:: over 9,000 black-and-white prints
13:
3438:Works by or about Carl Van Vechten
2965:"Carl Van Vechten: Biography from"
2550:. Biography.com. December 21, 1964
840:, and a Van Vechten collection at
516:concert at the Orpheum Theatre in
276:
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1083:Moorland-Spingarn Research Center
1069:Moorland-Spingarn Research Center
824:by Halsman (1944), by Van Vechten
450:Peter Whiffle: His Life and Works
3534:Photographers from New York City
3524:American people of Dutch descent
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3324:. University of Illinois Press.
2967:. Answers.com. December 21, 1964
2711:, The Museum of Modern Art 1946.
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1400:
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1355:
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1258:
1243:
1228:
1213:
1198:
1183:
1164:
1145:
1130:
1115:
1100:
836:collection in the Smithsonian's
657:Interpreters and Interpretations
44:
3594:Writers from Cedar Rapids, Iowa
3584:American portrait photographers
3529:Artists from Cedar Rapids, Iowa
3296:Bird, Rudolph P. (ed.) (1997).
3289:
3267:
3216:
3143:
3042:
3014:
3001:
2979:
2944:
2918:
2885:
2848:
2780:
2747:
2714:
2699:
2645:
957:examples in the gallery below.
933:Smithsonian American Art Museum
929:National Endowment for the Arts
801:Archives and museum collections
727:Firecrackers. A Realistic Novel
235:
213:
3181:"Carl Van Vechten photographs"
2619:
2511:
846:Museum of the City of New York
1:
3362:Kellner, Bruce (ed.) (1987).
3352:. Westport: Greenwood Press.
3348:Kellner, Bruce (ed.) (1980).
3073:Originally published in 1921.
2376:
1016:Portraits by Carl Van Vechten
348:, he became engrossed in the
3589:University of Chicago alumni
3471:interview with Emily Bernard
3318:Hurston, Zora Neale (1984).
3030:University of Oklahoma Press
2548:"Carl Van Vechten Biography"
1032:Carl Van Vechten's Portraits
949:collection, are included in
303:University of Chicago Weekly
7:
3574:American LGBT photographers
3453:(public domain audiobooks)
3364:Letters of Carl Van Vechten
3306:University of Georgia Press
2952:Sacred and Profane Memories
1034:from the collection of the
766:Sacred and Profane Memories
395:Van Vechten is depicted in
287:Cedar Rapids Public Library
10:
3615:
3599:Writers from New York City
3049:Van Vechten, Carl (2006).
2892:Van Vechten, Carl (2006).
1093:
1028:at the Library of Congress
915:, in conjunction with the
906:1939 New York World's Fair
857:Philadelphia Museum of Art
794:HathiTrust Digital Library
18:
3564:American bisexual artists
3559:American bisexual writers
3447:Works by Carl Van Vechten
3428:Works by Carl Van Vechten
3419:Works by Carl Van Vechten
3255:. Smithsonian Institution
1020:National Portrait Gallery
940:National Portrait Gallery
643:Music After the Great War
407:. Amid a summer crowd in
195:
178:
168:
152:
130:
118:
111:
2754:Claridge, Laura (2016).
2381:
1284:Karen von Blixen-Finecke
838:Archives of American Art
571:
255:who was a patron of the
3334:Kellner, Bruce (1968).
3211:, Art Institute Chicago
2950:A partial exception is
2818:Bernard, Emily (2012).
1079:Carl Van Vechten Papers
962:Carl Van Vechten Papers
3549:Bisexual photographers
3396:White, Edward (2014).
3380:Smalls, James (2006).
3051:The Tiger in the House
2925:Smalls, James (2006),
2894:The Tiger in the House
2855:Oakley, Giles (1997).
2431:White, Edward (2014),
1138:Antony Armstrong-Jones
825:
693:Lords of the Housetops
686:The Tiger in the House
592:The Tiger in the House
508:
428:
291:Washington High School
3579:LGBT people from Iowa
3554:American bisexual men
3544:Bisexual male artists
3539:Bisexual male writers
3368:Yale University Press
3187:. Brandeis University
3161:on September 25, 2011
2606:uipress.lib.uiowa.edu
2465:uipress.lib.uiowa.edu
1153:Christopher Isherwood
819:
714:The Tattooed Countess
650:Music and Bad Manners
587:The Tattooed Countess
506:
394:
299:University of Chicago
253:artistic photographer
173:University of Chicago
3483:, Emory University:
3300:James Weldon Johnson
2575:(February 9, 2014).
2523:Cedar Rapids Gazette
1046:Marquette University
630:David Levering Lewis
125:Self-portrait (1933)
65:improve this article
3302:Memorial Collection
2708:Florine Stettheimer
2189:William Grant Still
2054:Christopher Plummer
1551:F. Scott Fitzgerald
947:Library of Congress
850:Brandeis University
830:Library of Congress
405:Florine Stettheimer
399:, 1920 painting by
163:New York City, U.S.
77:footnote references
3569:Harlem Renaissance
3209:"Carl Van Vechten"
2790:. Encyclopedia.com
1994:Gian Carlo Menotti
1739:Zora Neale Hurston
1393:Giorgio de Chirico
1089:, Washington, D.C.
1075:, Washington, D.C.
1052:from 1946 to 1956.
884:; artists such as
878:Zora Neale Hurston
862:Harlem Renaissance
826:
673:The Music of Spain
665:The Merry-Go-Round
554:Shakespeare garden
518:Newark, New Jersey
509:
482:Zora Neale Hurston
462:Harlem Renaissance
434:Richmond, Virginia
429:
338:The New York Times
330:The New York Times
283:Cedar Rapids, Iowa
257:Harlem Renaissance
145:Cedar Rapids, Iowa
3477:, April 22, 2001.
3423:Project Gutenberg
3406:978-0-374-20157-9
2878:978-0-306-80743-5
2859:The Devil's Music
2442:978-0-374-20157-9
2219:Pavel Tchelitchew
2009:Francisco Moncion
1453:Mabel Dodge Luhan
1378:Katharine Cornell
1299:Clare Boothe Luce
1191:Tallulah Bankhead
1087:Howard University
1073:Howard University
951:Wikimedia Commons
796:
708:The Blind Bow-Boy
535:. Bernard's book
397:Asbury Park South
371:literary executor
346:Mabel Dodge Luhan
261:literary executor
246:
245:
156:December 21, 1964
105:
104:
97:
3606:
3458:
3457:
3442:Internet Archive
3283:
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3168:
3166:
3157:. Archived from
3147:
3141:
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3114:
3105:
3104:
3102:
3100:
3091:
3089:"White Mischief"
3083:
3074:
3072:
3046:
3040:
3020:Kellner, Bruce,
3018:
3012:
3005:
2999:
2998:
2996:
2994:
2989:. Lcweb2.loc.gov
2983:
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2525:. March 10, 1971
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2401:. Memory.loc.gov
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2185:
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2095:
2080:
2065:
2050:
2039:Laurence Olivier
2035:
2020:
2005:
1990:
1975:
1960:
1949:Somerset Maugham
1945:
1930:
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1217:
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790:
785:
622:W. E. B. Du Bois
452:and ending with
320:Chicago American
316:Chicago American
311:Chicago American
249:Carl Van Vechten
239:
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3007:Wilson, Scott.
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2201:
2192:
2186:
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2156:
2147:
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2132:
2126:
2117:
2114:Arthur Schwartz
2111:
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1781:
1772:
1769:Mahalia Jackson
1766:
1757:
1751:
1742:
1736:
1727:
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1708:
1702:
1693:
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1663:
1657:
1648:
1642:
1633:
1630:Maurice Grosser
1627:
1618:
1608:
1599:
1596:Dizzy Gillespie
1593:
1584:
1578:
1569:
1563:
1554:
1548:
1539:
1529:
1520:
1514:
1505:
1495:
1486:
1483:John Van Druten
1480:
1471:
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1317:
1311:
1302:
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1281:
1272:
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1254:
1248:
1239:
1236:Harry Belafonte
1233:
1224:
1218:
1209:
1203:
1194:
1188:
1179:
1169:
1160:
1150:
1141:
1135:
1126:
1123:Marian Anderson
1120:
1111:
1105:
1096:
894:Gaston Lachaise
870:Ella Fitzgerald
866:Langston Hughes
842:Fisk University
834:Prentiss Taylor
803:
798:
788:
574:
486:Wallace Thurman
470:Langston Hughes
446:Alfred A. Knopf
279:
277:Life and career
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3413:External links
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1408:Salvador DalĂ
1403:
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923:. The album '
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890:Henri Matisse
887:
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822:Salvador DalĂ
818:
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741:Nigger Heaven
738:
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712:
709:
706:
703:
702:
701:Peter Whiffle
698:
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680:In the Garret
678:
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634:Nigger Heaven
631:
627:
626:Ralph Ellison
623:
618:
615:
614:Nigger Heaven
611:
606:
602:
600:
599:Nigger Heaven
595:
593:
589:
588:
583:
582:Peter Whiffle
579:
578:Peter Whiffle
569:
567:
563:
559:
555:
550:
547:
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538:
534:
533:Nigger Heaven
529:
527:
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491:Nigger Heaven
487:
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417:Paul Thévanaz
414:
413:Avery Hopwood
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325:Hearst papers
321:
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270:Nigger Heaven
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141:June 17, 1880
133:
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74:
73:inappropriate
70:
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36:
32:
31:
26:
22:
3474:
3468:
3397:
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3363:
3349:
3335:
3319:
3297:
3290:Bibliography
3278:
3269:
3257:. Retrieved
3252:
3243:
3231:. Retrieved
3227:
3218:
3201:
3189:. Retrieved
3184:
3175:
3163:. Retrieved
3159:the original
3154:
3145:
3118:
3097:. Retrieved
3093:
3050:
3044:
3021:
3016:
3008:
3003:
2991:. Retrieved
2981:
2969:. Retrieved
2959:
2951:
2946:
2927:
2920:
2893:
2887:
2858:
2850:
2821:
2792:. Retrieved
2782:
2755:
2749:
2737:. Retrieved
2722:
2716:
2707:
2701:
2689:. Retrieved
2680:
2653:
2647:
2635:. Retrieved
2630:
2621:
2609:. Retrieved
2605:
2580:
2552:. Retrieved
2529:November 17,
2527:. Retrieved
2522:
2513:
2501:. Retrieved
2496:
2468:. Retrieved
2464:
2432:
2403:. Retrieved
2339:Orson Welles
2324:Evelyn Waugh
2309:Ethel Waters
2294:Hugh Walpole
2249:Antony Tudor
2144:Bessie Smith
2099:Cesar Romero
2084:Luise Rainer
2024:Robert Morse
1979:Colin McPhee
1964:Elsa Maxwell
1814:Victor Kraft
1660:Julie Harris
1615:Bertram Ross
1498:John Gielgud
954:
944:
937:
924:
917:Eakins Press
910:
882:Cab Calloway
854:
827:
804:
784:
778:
772:
771:
765:
759:
753:
747:
739:
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725:
719:
713:
707:
699:
691:
685:
679:
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663:
655:
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641:
633:
619:
613:
607:
603:
598:
596:
591:
585:
581:
577:
575:
565:
561:
558:Central Park
551:
548:
541:
536:
532:
530:
526:Nella Larsen
522:
514:Bessie Smith
510:
495:
489:
474:Ethel Waters
466:Paul Robeson
464:, including
458:
453:
449:
443:
438:Hunter Stagg
430:
396:
382:
377:
375:
358:Anna Pavlova
342:modern dance
337:
335:
328:
319:
315:
309:
307:
302:
295:
280:
268:
248:
247:
188:photographer
158:(1964-12-21)
106:
91:
82:
67:by removing
54:
34:
28:
3514:1964 deaths
3509:1880 births
2739:January 13,
2204:Paul Taylor
1904:Alfred Lunt
1874:Lotte Lenya
1799:Eartha Kitt
1754:José Iturbi
1724:Henry Lewis
1645:W. C. Handy
1581:Ben Gazzara
1532:Arthur Gold
1423:Gloria Davy
1329:Paul Cadmus
1266:Robert Hunt
1251:FĂ©ral Benga
1157:W. H. Auden
1050:Karl Priebe
902:Frida Kahlo
734:Excavations
610:Alain Locke
520:, in 1925.
497:Vanity Fair
409:Asbury Park
362:Loie Fuller
350:avant garde
206:Anna Snyder
179:Occupations
30:Van Vechten
3503:Categories
3432:Faded Page
3314:0820319449
3279:Npg.org.uk
3259:August 25,
3233:August 30,
3191:August 25,
2867:. p.
2377:References
2279:Gore Vidal
1859:Canada Lee
1844:Hugh Laing
1705:Lena Horne
1502:Richard II
811:Kodachrome
773:Posthumous
748:Spider Boy
544:trust fund
137:1880-06-17
21:Dutch name
3469:Booknotes
3137:846545238
3032:, 1968).
2842:784957824
2774:908176194
2672:846545238
1889:Joe Louis
1690:Nora Holt
1176:Ruth Ford
898:Joan MirĂł
378:The Trend
293:in 1898.
169:Education
69:excessive
3451:LibriVox
3434:(Canada)
3069:76142159
2993:March 9,
2971:March 9,
2912:76142159
2794:June 17,
2691:July 10,
2554:March 9,
2405:March 9,
1438:Ruby Dee
1022:, London
864:such as
813:slides.
786:Source:
760:Feathers
454:Parties.
401:Jazz Age
281:Born in
259:and the
19:In this
3440:at the
3165:July 8,
3099:May 24,
2637:May 24,
2631:loc.gov
2611:May 24,
2503:May 23,
2497:Loc.gov
2470:May 23,
1094:Gallery
1081:at the
1067:at the
1058:at the
1018:at the
792:at the
754:Parties
403:artist
240:
232:
218:
210:
196:Spouses
63:Please
55:use of
35:Vechten
25:surname
3404:
3390:
3374:
3356:
3342:
3328:
3312:
3135:
3125:
3067:
3057:
3038:292311
3036:
3026:Norman
2935:
2910:
2900:
2875:
2840:
2830:
2772:
2762:
2730:
2670:
2660:
2633:. 1932
2499:. 1932
2439:
2371:, 1942
2356:, 1939
2341:, 1937
2326:, 1940
2311:, 1938
2296:, 1934
2281:, 1948
2251:, 1941
2236:, 1947
2221:, 1934
2206:, 1960
2191:, 1949
2176:, 1934
2161:, 1935
2146:, 1936
2131:, 1934
2116:, 1933
2101:, 1934
2086:, 1937
2071:, 1958
2056:, 1959
2041:, 1939
2026:, 1958
2011:, 1947
1996:, 1944
1981:, 1935
1966:, 1935
1951:, 1934
1936:, 1933
1921:, 1948
1906:, 1932
1891:, 1941
1876:, 1962
1861:, 1941
1846:, 1940
1831:, 1936
1816:, 1935
1801:, 1952
1786:, 1933
1771:, 1962
1756:, 1933
1741:, 1938
1726:, 1961
1707:, 1941
1692:, 1955
1677:, 1949
1662:, 1952
1647:, 1941
1632:, 1935
1617:, 1961
1598:, 1955
1583:, 1955
1568:, 1932
1553:, 1937
1538:, 1952
1519:, 1954
1504:, 1936
1485:, 1932
1470:, 1935
1455:, 1934
1440:, 1962
1425:, 1958
1410:, 1934
1395:, 1936
1380:, 1933
1365:, 1948
1350:, 1955
1331:, 1937
1316:, 1948
1301:, 1932
1286:, 1959
1253:, 1937
1238:, 1954
1223:, 1940
1208:, 1955
1193:, 1934
1178:, 1947
1159:, 1939
1140:, 1958
1125:, 1940
1110:, 1955
900:, and
880:, and
844:. The
781:(1974)
768:(1932)
762:(1930)
756:(1930)
750:(1928)
744:(1926)
736:(1926)
730:(1925)
722:(1925)
716:(1924)
710:(1923)
704:(1922)
696:(1921)
688:(1920)
682:(1919)
676:(1918)
668:(1918)
660:(1917)
652:(1916)
646:(1915)
360:, and
185:Writer
147:, U.S.
33:, not
23:, the
2382:Notes
572:Works
234:(
230:
212:(
208:
3402:ISBN
3388:ISBN
3372:ISBN
3354:ISBN
3340:ISBN
3326:ISBN
3310:ISBN
3261:2016
3235:2019
3193:2016
3167:2009
3133:OCLC
3123:ISBN
3101:2018
3065:OCLC
3055:ISBN
3034:OCLC
2995:2010
2973:2010
2933:ISBN
2908:OCLC
2898:ISBN
2873:ISBN
2838:OCLC
2828:ISBN
2796:2012
2770:OCLC
2760:ISBN
2741:2018
2728:ISBN
2693:2012
2668:OCLC
2658:ISBN
2639:2018
2613:2018
2556:2010
2531:2012
2505:2018
2472:2018
2437:ISBN
2407:2010
2266:1959
1722:and
1613:and
1534:and
1346:and
1268:and
1174:and
1155:and
938:The
855:The
828:The
484:and
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131:Born
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2869:106
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720:Red
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139:)
135:(
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61:.
37:.
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