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Among the more delicate negotiations of his later years were those of 1580, which had for their object the ultimate union of the crowns of Spain and
Portugal, and those of 1584, which resulted in a check to France by the marriage of the Spanish infanta Catherine to
632:, the very acquisitive Austrian Habsburg Emperor, to sell the finest pieces to him, which in 1597 he very reluctantly did, protesting that the price offered for thirty-three works was not enough even for six, and less than he had recently refused from Cardinal
468:
In the execution of these tasks he developed a talent for diplomacy, while at the same time acquiring an intimate acquaintance with most of the currents of
European politics. He was involved in the settlement of the terms of peace after the defeat of the
533:, and in 1561 he became a cardinal; but the growing hostility of a people whose religious convictions he had set himself to oppose ultimately made it impossible for him to continue in the Netherlands. On the advice of his royal master he retired to
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1027:
551:
In 1570, Granvelle, at the request of Philip, helped to arrange the alliance between the Papacy, Venice and Spain against the Turks, an alliance which was responsible for the victory of
439:, held an influential position in the Netherlands, and from 1530 until his death he was one of the emperor's most trusted advisers in Germany. On the completion of his studies in law at
465:, which he addressed on behalf of Charles V. The influence of his father, now chancellor, led to Granvelle being entrusted with many difficult and delicate pieces of public business.
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The policy of repression which in this capacity he pursued during the next five years secured for him many tangible rewards: in 1560 he was elevated to the archepiscopal see of
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Though he was painted by Titian and Mor, more famous than any portrait of
Granvelle himself is the portrait of his dwarf and his mastiff by Mor, now at the
515:. It was to Philip in 1555, on the abdication of the emperor, that Granvelle transferred his services, and by whom he was employed in the Netherlands.
878:
Exposition des livres du cardinal de
Granvelle à la Bibliothèque municipale de Besançon, Besançon, 1986: liste dactylographiée des ouvrages exposés.
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After a visit to Rome in 1565; in
November 1566 he was appointed as member of the Congregation of "Principi", the centre of the
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In 1550, he succeeded his father in the office of secretary of state; in this capacity he attended
Charles in the war with
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298:, and was one of the most influential European politicians during the time which immediately followed the appearance of
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290:(20 August 1517 – 21 September 1586), Comte de La Baume Saint Amour, was a Burgundian statesman, made a
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559:, a post of some difficulty and danger, which for five years he occupied with ability and success. He was summoned to
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Granvelle had a famous art collection, which partly featured the favourite artists of his
Habsburg patrons, such as
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306:, the "greatest private collector of his time, the friend and patron of Titian and Leoni and many other artists".
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with a dispensation due to his age of barely twenty-three (1540). He was ordained into the priesthood in 1540.
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In his episcopal capacity he attended several diets of the empire, as well as the opening meetings of the
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in 1547, a settlement in which, to say the least, some particularly sharp practice was exhibited.
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One or more of the preceding sentences incorporates text from a publication now in the
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in Europe; "the dominating
Imperial statesman of the whole century". He was also a notable
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was
Granvelle's secretary for a period in Rome. He also corresponded with the composers
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At his death the collection was inherited by his nephew, who was pressured by
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781:. Vol. 12 (11th ed.). Cambridge University Press. pp. 361–362.
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Princes and
Artists, Patronage and Ideology at Four Habsburg Courts 1517–1633
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in 1575 by Philip II to be president of the council for Italian affairs.
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651:. Most of these pieces are now in Vienna or Madrid, including Titian's
344: in this section. Unsourced material may be challenged and removed.
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In April 1559, Granvelle was one of the Spanish signatories for the
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698:. He had a magnificent library, some of which remains at Besançon.
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796:. New York, New York: Harper and Brothers. pp. 202, 208–210.
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16th-century Roman Catholic archbishops in the Holy Roman Empire
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The portrait is at the Nelson-Atkins Museum of Art, Kansas City.
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and introduced him to the Madrid court, and he also patronised
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435:(1484–1550), afterwards became chancellor of the empire under
812:. Rome: Istituto dell'Enciclopedia italiana - Treccani. 2000.
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Fitch, Fabrice (1998). "Polyphony in the Low Countries".
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794:The Rise of the Dutch Republic: A History Vol. 1
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617:. Whilst in the Netherlands, he "discovered"
723:, Thames & Hudson, London, 1976, p. 112
555:the next year. In the same year he became
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244:Coat of arms
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143:Consecration
89:25 June 1584
67:Portrait by
37:His Eminence
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1018:1517 births
978:Catholicism
936:until 1586
845:Early Music
659:Giambologna
623:Giambologna
619:Antonis Mor
600:Leone Leoni
146:21 May 1542
125:(1538-1561)
120:(1561-1583)
108:(1578-1586)
76:Archdiocese
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702:References
364:newspapers
135:Ordination
94:Term ended
69:Willem Key
966:Biography
630:Rudolf II
501:Charles V
486:Innsbruck
310:Biography
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232:Signature
86:Appointed
881:Archived
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667:cartoons
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292:cardinal
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148:by
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634:Farnese
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385:JSTOR
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