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Cardillac

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murders. Cardillac is brought in, followed by his daughter. The Officer defends Cardillac, rebuts the Gold Merchant's accusation, and accuses the Gold Merchant of being the murderer's accomplice. In the ensuing ensemble, Cardillac's daughter realizes her father is the murderer. The crowd sings Cardillac's praises, but as they continue, his words make them wonder about the identity of the murderer. Finally, Cardillac reveals to the crowd that he is the murderer. They demand he repent his crimes, but he makes no such gesture. The crowd then lynches Cardillac. With his final gesture before dying, he reaches out for the chain around the Officer's neck, not his daughter. The Officer and Cardillac's daughter swear mutual devotion.
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returns, and it becomes clear that he values the articles he has crafted more than he does his daughter. He then meets the King and offers to create his greatest work of art for him. The Officer enters to ask Cardillac for his daughter's hand in marriage, and Cardillac consents. Though the Officer realizes how much Cardillac values his creations over his own daughter, he offers money for one of the goldsmith's chains. After the Officer leaves, Cardillac indicates that he himself is the murderer.
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The crowd is agitated about a series of recent mysterious murders. The police calm the crowd. The goldsmith Cardillac enters the scene and the atmosphere becomes hushed. The Lady asks the Cavalier about the goldsmith Cardillac, and the Cavalier tells of the goldsmith and his priceless jewelry. The
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In a tavern, the Officer wears the chain, presenting himself as a target for the murderer. Cardillac enters and wounds the Officer, but the Officer beats back the attack and holds on to the chain. He advises Cardillac to flee. The Gold Merchant then brings on a crowd and accuses Cardillac of the
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The Gold Merchant mentions to Cardillac the latest murder that involved the theft of a recent work of Cardillac. The Gold Merchant has his suspicions about the identity of the murderer. Cardillac orders his daughter to watch over his work. She does so and awaits her lover, the Officer. Cardillac
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has published a comparison of the two versions. After 1953, Hindemith sanctioned only the 1952 revised version for theatrical performances. However, after the composer's death in 1963, the original version became available again for production.
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The Lady and the Cavalier enjoy their tryst and the Cavalier delivers one of Cardillac's belts. A masked figure steals into the bedroom and fatally stabs the Cavalier. The Lady faints and the mysterious figure leaves with the belt.
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MĂĽller, Ingo (2022). "Die Rezeption E.T.A. Hoffmanns in der klassischen Musik des 19. bis 21. Jahrhunderts". In Benjamin Schlodder; Christina Schmitz; Bettina Wagner; Wolfgang Bunzel (eds.).
571:, Michaela Selinger, Torsten Kerl, Oliver Ringelhahn, Jan-Hendrik Rootering, Prague Philharmonic Choir, MĂĽnchner Rundfunkorchester issued on CD by BRKlassik July 2023 1105: 1240: 1091: 768: 1518: 254: 1371: 812: 236: 796: 245: 890: 166:, Dresden, on 9 November 1926. It was promptly performed throughout Germany. The opera's Italian premiere took place in 1948 at the 923: 1528: 1340: 1118: 604: 943: 1364: 171: 1324: 884: 723: 1498: 1028: 1021: 868: 506: 1357: 1188: 948: 1503: 1178: 1195:
Ouvertüre zum "Fliegenden Holländer", wie sie eine schlechte Kurkapelle morgens um 7 am Brunnen vom Blatt spielt
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Although Britain had to wait until 1970 for a staged performance, a concert performance was presented at the
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Lady promises the Cavalier a tryst that evening if he can bring her Cardillac's most beautiful work.
200:, the musical idiom "seemed crude and undisciplined". This second version was first performed at the 1007: 550: 444: 1385: 1313: 1142: 909: 146: 81: 1401: 685:. Beiträge zu einem Vergleich der beiden Opernfassungen-Stilkriterien im Schaffen Hindemiths", 182: 620: 1060: 1014: 860: 205: 1067: 201: 1513: 1301: 852: 564: 554: 546: 364: 8: 1053: 1046: 706: 534: 524: 468: 456: 448: 1149: 687: 502: 632: 601: 1418: 1380: 864: 754: 732: 668: 478: 337: 225: 221: 186: 151: 87: 993: 560: 377: 1434: 1112: 972: 648: 494: 440: 20: 1283: 1508: 1319: 1247: 608: 538: 490: 196:
Hindemith revised both the score and the text, for the reason that, according to
178: 167: 1379: 1307: 1000: 979: 932: 213: 190: 137: 133: 62: 40: 1492: 1222: 568: 531:; Bel Air Classiques, (2007). This recording is of the original 1926 version. 520: 482: 474: 1482: 821: 792: 486: 452: 1156: 745: 727: 602:"La Divina Maria Callas: A 'divine' love between Maria Callas and Venice" 528: 516: 314: 299: 281: 125: 527:, Hannah Esther Minutillo, Charles Workman; orchestra and chorus of the 273: 217: 163: 108: 48: 659: 294: 197: 141: 901: 309: 592:(Rochester, New York: University of Rochester Press, 2009), 153 249:
Act 2. Robert Burg as Cardillac and Claire Born as his daughter
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Act 3. Robert Burg as Cardillac and Max Hirzel as the officer
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presented the first staged UK performances in March 1970 at
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Symphonic Metamorphosis of Themes by Carl Maria von Weber
863:) (in German). Leipzig: Spectormag. pp. 315–322. 1466: 817:review – fine performance of a hard opera to love" 471:). This recording is of the original 1926 version. 1092:Konzertmusik fĂĽr Streichorchester und Blechbläser 1490: 1365: 917: 849:Unheimlich Fantastisch – E.T.A. Hoffmann 2022 724:"Another reason to visit Santa Fe: the opera" 1519:Operas based on works by E. T. A. Hoffmann 1372: 1358: 924: 910: 390:The setting is Paris in the 17th century. 47: 891:International Music Score Library Project 144:based on characters from the short story 1241:When Lilacs Last in the Dooryard Bloom'd 253: 244: 235: 212:The American premiere took place at the 181:, London, on 18 December 1936, with the 1491: 645:The Concise Oxford Dictionary of Music 157: 1353: 905: 545:, Hans GĂĽnther Nöcker; Chorus of the 172:Venice Festival of Contemporary Music 1325:Hindemith Prize of the City of Hanau 810: 216:in 1967 using a staging by director 779:. L'Almanacco di Gherardo Casaglia 463:, Willi Nett; Cologne Radio Choir; 13: 931: 840: 14: 1540: 878: 647:1996, accessed May 2, 2010 – via 621:"Miriam Licette, Charles A Hooey" 264:Roles, voice types, premiere cast 258:Act 3. Max Hirzel and Claire Born 162:The first performance was at the 1476: 1336: 1335: 465:Cologne Radio Symphony Orchestra 804: 786: 761: 700:Muriel Hebert Wolf, "Review of 691:, pp. 288–291 (1963) 672:, pp. 268–269, 271 (1970). 507:Berlin Radio Symphony Orchestra 136:in three acts and four scenes. 1529:Operas set in the 17th century 1086:Die Harmonie der Welt Symphony 739: 717: 694: 675: 653: 626: 614: 595: 590:Othmar Schoeck: Life and Works 582: 278:Premiere cast, 9 November 1926 1: 575: 434: 7: 1266:The Flight Across the Ocean 1119:Symphony in B-flat for Band 966:Mörder, Hoffnung der Frauen 681:Review of "Paul Hindemiths 563:: 2013 live performance at 385: 10: 1545: 1136:Klaviermusik mit Orchester 767:Casaglia, Gherardo (2005). 714:, pp. 133–134 (1983). 543:Maria de Francesca-Cavazza 18: 1445: 1410: 1394: 1333: 1293: 1275: 1257: 1232: 1204: 1171: 1127: 1077: 1038: 1029:The Long Christmas Dinner 957: 939: 857:Deutsches Romantik-Museum 758:, pp. 514–515 (1970) 623:, Music Web International 607:February 1, 2010, at the 553:; Staged and designed by 193:as Cardillac's daughter. 98:9 November 1926 93: 76: 68: 58: 46: 35: 30: 1499:Operas by Paul Hindemith 1427:Das Fräulein von Scuderi 551:Bavarian State Orchestra 519:, conductor; Alan Held, 445:Dietrich Fischer-Dieskau 425: 416: 393: 347:The courtier (cavalier) 231: 147:Das Fräulein von Scuderi 82:Das Fräulein von Scuderi 1386:Mademoiselle de Scuderi 1314:Ghosts Before Breakfast 529:Opera National de Paris 16:Opera by Paul Hindemith 1504:German-language operas 855:in collaboration with 801:, accessed May 2, 2010 259: 250: 241: 183:BBC Symphony Orchestra 1061:The Four Temperaments 1015:Die Harmonie der Welt 861:Bamberg State Library 611:, accessed 2 May 2010 306:Cardillac's daughter 257: 248: 239: 206:Hans-Ludwig Schilling 1402:Madeleine de ScudĂ©ry 1302:Adolescence (ballet) 1189:String Quartet No. 4 944:List of compositions 853:Berlin State Library 748:, "Music in London: 565:Prinzregententheater 555:Jean-Pierre Ponnelle 547:Bavarian State Opera 481:, Verena Schweizer, 461:Elisabeth Söderström 365:Grete Merrem-Nikisch 53:The composer in 1923 1524:Operas set in Paris 1179:Violin Sonata No. 2 1054:Nobilissima Visione 1047:Triadisches Ballett 707:The Opera Quarterly 704:: Paul Hindemith", 688:Music & Letters 535:Wolfgang Sawallisch 525:Christopher Ventris 469:Deutsche Grammophon 457:Karl-Christian Kohn 449:Leonore Kirschstein 353:Ludwig Max Eybisch 266: 202:ZĂĽrich Stadttheater 158:Performance history 1276:Other compositions 1217:Piano Sonata No. 2 1212:Piano Sonata No. 1 1184:Viola Sonata No. 1 1150:Der Schwanendreher 851:(exhibition book, 811:Clements, Andrew. 736:, 10 January 2007] 643:and Joyce Bourne, 503:RIAS Chamber Choir 334:The gold merchant 262: 260: 251: 242: 19:For the film, see 1464: 1463: 1419:The Deadly Dreams 1381:E. T. A. Hoffmann 1347: 1346: 1163:Clarinet Concerto 859:, Frankfurt, and 755:The Musical Times 733:Houston Chronicle 669:The Musical Times 541:, Robert Schunk, 479:Siegmund Nimsgern 459:, Eberhard Katz, 383: 382: 342:Adolph Schoepfin 222:New Opera Company 204:on 20 June 1952. 187:Clarence Raybould 152:E. T. A. Hoffmann 117: 116: 88:E. T. A. Hoffmann 1536: 1481: 1480: 1472: 1374: 1367: 1360: 1351: 1350: 1339: 1338: 1294:Related articles 1113:Symphonia Serena 1099:Mathis der Maler 1078:Orchestral works 1008:Mathis der Maler 973:Das Nusch-Nuschi 926: 919: 912: 903: 902: 898:, hindemith.info 889:: Scores at the 874: 834: 833: 831: 829: 808: 802: 790: 784: 782: 777:9 November 1926" 776: 765: 759: 743: 737: 721: 715: 698: 692: 679: 673: 657: 651: 649:Encyclopedia.com 630: 624: 618: 612: 599: 593: 586: 495:Gabriele Schnaut 441:Joseph Keilberth 371:Provost marshal 267: 265: 261: 105: 103: 51: 28: 27: 21:Cardillac (film) 1544: 1543: 1539: 1538: 1537: 1535: 1534: 1533: 1489: 1488: 1487: 1475: 1467: 1465: 1460: 1441: 1406: 1390: 1378: 1348: 1343: 1329: 1320:Hindemith Prize 1289: 1271: 1253: 1248:Das Marienleben 1228: 1200: 1167: 1123: 1073: 1034: 953: 935: 930: 881: 871: 846: 843: 841:Further reading 838: 837: 827: 825: 809: 805: 791: 787: 780: 774: 766: 762: 744: 740: 722: 718: 699: 695: 680: 676: 662:, "Hindemith's 658: 654: 641:Michael Kennedy 631: 627: 619: 615: 609:Wayback Machine 600: 596: 587: 583: 578: 539:Donald McIntyre 499:Andreas Schmidt 491:Josef Protschka 437: 428: 419: 396: 388: 279: 263: 252: 234: 189:, and starring 170:as part of the 168:Venice Biennale 160: 113: 112: 106: 101: 99: 85: 54: 24: 17: 12: 11: 5: 1542: 1532: 1531: 1526: 1521: 1516: 1511: 1506: 1501: 1486: 1485: 1462: 1461: 1459: 1458: 1449: 1447: 1443: 1442: 1440: 1439: 1431: 1423: 1414: 1412: 1408: 1407: 1405: 1404: 1398: 1396: 1392: 1391: 1377: 1376: 1369: 1362: 1354: 1345: 1344: 1334: 1331: 1330: 1328: 1327: 1322: 1317: 1310: 1308:Gebrauchsmusik 1305: 1297: 1295: 1291: 1290: 1288: 1287: 1279: 1277: 1273: 1272: 1270: 1269: 1261: 1259: 1258:Collaborations 1255: 1254: 1252: 1251: 1244: 1236: 1234: 1230: 1229: 1227: 1226: 1219: 1214: 1208: 1206: 1202: 1201: 1199: 1198: 1191: 1186: 1181: 1175: 1173: 1169: 1168: 1166: 1165: 1160: 1153: 1146: 1139: 1131: 1129: 1125: 1124: 1122: 1121: 1116: 1109: 1102: 1094: 1089: 1081: 1079: 1075: 1074: 1072: 1071: 1064: 1057: 1050: 1042: 1040: 1036: 1035: 1033: 1032: 1025: 1018: 1011: 1004: 1001:Neues vom Tage 997: 994:Hin und zurĂĽck 990: 983: 980:Sancta Susanna 976: 969: 961: 959: 955: 954: 952: 951: 949:List of operas 946: 940: 937: 936: 933:Paul Hindemith 929: 928: 921: 914: 906: 900: 899: 893: 880: 879:External links 877: 876: 875: 869: 842: 839: 836: 835: 803: 785: 760: 738: 716: 693: 674: 652: 625: 613: 594: 588:Chris Walton, 580: 579: 577: 574: 573: 572: 561:Stefan SoltĂ©sz 558: 532: 514: 472: 436: 433: 427: 424: 418: 415: 395: 392: 387: 384: 381: 380: 378:Paul Schöffler 375: 372: 368: 367: 362: 359: 355: 354: 351: 348: 344: 343: 340: 335: 331: 330: 327: 322: 318: 317: 312: 307: 303: 302: 297: 292: 285: 284: 276: 271: 243: 233: 230: 226:Sadler's Wells 214:Santa Fe Opera 191:Miriam Licette 159: 156: 138:Ferdinand Lion 134:Paul Hindemith 115: 114: 107: 97: 95: 91: 90: 78: 74: 73: 70: 66: 65: 63:Ferdinand Lion 60: 56: 55: 52: 44: 43: 41:Paul Hindemith 33: 32: 15: 9: 6: 4: 3: 2: 1541: 1530: 1527: 1525: 1522: 1520: 1517: 1515: 1512: 1510: 1507: 1505: 1502: 1500: 1497: 1496: 1494: 1484: 1479: 1474: 1473: 1470: 1456: 1455: 1451: 1450: 1448: 1444: 1437: 1436: 1432: 1429: 1428: 1424: 1421: 1420: 1416: 1415: 1413: 1409: 1403: 1400: 1399: 1397: 1393: 1388: 1387: 1382: 1375: 1370: 1368: 1363: 1361: 1356: 1355: 1352: 1342: 1332: 1326: 1323: 1321: 1318: 1316: 1315: 1311: 1309: 1306: 1304: 1303: 1299: 1298: 1296: 1292: 1286: 1285: 1284:Tuttifäntchen 1281: 1280: 1278: 1274: 1268: 1267: 1263: 1262: 1260: 1256: 1250: 1249: 1245: 1243: 1242: 1238: 1237: 1235: 1231: 1225: 1224: 1223:Ludus Tonalis 1220: 1218: 1215: 1213: 1210: 1209: 1207: 1203: 1197: 1196: 1192: 1190: 1187: 1185: 1182: 1180: 1177: 1176: 1174: 1172:Chamber music 1170: 1164: 1161: 1159: 1158: 1154: 1152: 1151: 1147: 1145: 1144: 1140: 1138: 1137: 1133: 1132: 1130: 1126: 1120: 1117: 1115: 1114: 1110: 1108: 1107: 1103: 1101: 1100: 1095: 1093: 1090: 1088: 1087: 1083: 1082: 1080: 1076: 1070: 1069: 1065: 1063: 1062: 1058: 1056: 1055: 1051: 1049: 1048: 1044: 1043: 1041: 1037: 1031: 1030: 1026: 1024: 1023: 1019: 1017: 1016: 1012: 1010: 1009: 1005: 1003: 1002: 998: 996: 995: 991: 989: 988: 984: 982: 981: 977: 975: 974: 970: 968: 967: 963: 962: 960: 956: 950: 947: 945: 942: 941: 938: 934: 927: 922: 920: 915: 913: 908: 907: 904: 897: 894: 892: 888: 887: 883: 882: 872: 870:9783959055734 866: 862: 858: 854: 850: 845: 844: 824: 823: 818: 816: 807: 800: 799: 794: 789: 778: 772: 764: 757: 756: 751: 747: 742: 735: 734: 729: 725: 720: 713: 709: 708: 703: 697: 690: 689: 684: 678: 671: 670: 665: 661: 656: 650: 646: 642: 638: 636: 629: 622: 617: 610: 606: 603: 598: 591: 585: 581: 570: 569:Juliane Banse 566: 562: 559: 556: 552: 548: 544: 540: 537:, conductor; 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Index

Cardillac (film)
Opera
Paul Hindemith

Ferdinand Lion
Das Fräulein von Scuderi
E. T. A. Hoffmann
Staatsoper
Op.
opera
Paul Hindemith
Ferdinand Lion
libretto
Das Fräulein von Scuderi
E. T. A. Hoffmann
Staatsoper
Venice Biennale
Venice Festival of Contemporary Music
Queen's Hall
BBC Symphony Orchestra
Clarence Raybould
Miriam Licette
Ian Kemp
ZĂĽrich Stadttheater
Hans-Ludwig Schilling
Santa Fe Opera
Bodo Igesz
New Opera Company
Sadler's Wells

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