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power now in decline. As opposed to kitsch, camp reappropriates culture in an ironic fashion, whereas kitsch is indelibly sincere. Additionally, kitsch may be seen as a quality of an object, while camp "tends to refer to a subjective process". Those who identify objects as "camp" note the distance often apparent in the process through which "unexpected value can be located in some obscure or exorbitant object."
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1251:, an annually televised competition of song performers from different countries, has shown an increasing element of camp—since the contest has shown an increasing attraction within the LGBTQ+ communities—in their stage performances. This is especially true during the televised finale, which is screened live across Europe. As it is a visual show, many
443:, and that this was a way of projecting one's own queer sensibility upon the world to therefore reclaim it. Conversely, he argued, the biggest threat to camp wasn't heterosexuals ("who tend to accept it, although usually at a fairly broad and superficial level"), but "a neo-puritanism, a received conformism" emerging among gay people at the time.
546:, explains that context is also important for understanding the power and relevance of camp: "Camp tends to come to the fore through moments of social and political instability, when our society is deeply polarized. The 1960s is one such moment, as were the 1980s, so, too, are the times in which we’re living."
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combines outmoded and contemporary forms of style, fashion, and technology. Often characterized by the reappropriation of a "throwaway Pop aesthetic", camp works to intermingle the categories of "high" and "low" culture. Objects may become camp objects because of their historical association with a
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to jazz, especially in camp's playfulness and admiration for its subjects, which can seem mocking but often borders on veneration. He argues that musical camp draws attention to its performativity and inspirations, while engaging the audience interactively in the process of creating meaning.
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concerns
William Blake's hymn about the building of a New Jerusalem. it is still sung every year in London 's Albert Hall on the Last Night of the Proms. But it is in a fervor without faith. It brings tears to the eyes, only it is in a mixture of nostalgia, camp, 'post-modernism,' and
696:
Lady Gaga's entrance took 16 minutes, as she arrived to the gala alongside an entourage of five dancers carrying umbrellas, a make up artist, and a personal photographer to snap pictures of Gaga's poses. Gaga arrived in a hot pink
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1371:, remains a popular form of entertainment for families and young children. Most towns and cities in the UK stage at least one pantomime between November and February, drawing in an estimated ÂŁ146 million in 2014.
1349:
students: one girl in the chorus takes leave from the goddess Diana, and begins to rehearse a dance routine, muttering to herself in a broad
Australian accent, "Mum says I have to practice if I want to be on
565:'s designs have been described as camp and "Radical Cheek" for his ironic use of bold colours, antiquated or incongruous styles, and reclaimed racist symbols. He designed a banana dress in reference to
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416:. With swish's extensive use of superlatives and drag's exaggerated female impersonation, camp occasionally became extended to all things "over the top", including women posing as female impersonators (
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things that are not intrinsically camp, but display artificiality, stylization, theatricality, naivety, sexual ambiguity, tackiness, poor taste, stylishness, or camp people, and thus appeal to them.
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Camp thrives on tragic gestures, on lament at the transience of life, on an excess of sentiment, an ironic sensibility that art and artifice is preferable to nature and health, in a
Wildean sense.
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Webster's New World
Dictionary of the American Language, 1976 edition, sense 6, banality, mediocrity, artifice, ostentation, etc. so extreme as to amuse or have a perversely sophisticated appeal
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Her famous banana dress has been noted as particularly camp for its flamboyant, humorous and ironic qualities, as well as the way it makes a political point using outdated but reclaimed imagery.
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performances attempt to attract the attention of voters through means other than the music, which sometimes leads to bizarre onstage gimmicks, and what some critics have called "the
Eurovision
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46:
style and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, especially when there is also a playful or
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is one of the artists who received the title of "Queen of Camp" through her colourful on-stage fashion and live performances. She gained this status in the 1970s when she launched her
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926:' diaries. Williams' diary entry for 1 January 1947 reads: "Went to Singapore with Stan—very camp evening, was followed, but tatty types so didn't bother to make overtures."
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with humor and which by those same means may also signal the possibility of the overturn of that ontology—as when, on a famous night in 1969, the evening of the funeral of
439:
has three major features: incongruity, theatricality, and humour. In his 1984, writer George Melly argued that the camp sensibility allowed almost anything to be seen as a
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892:, he defines camp as "to present oneself as being committed to the marginal with a commitment greater than the marginal merits". He makes a distinction between genuine
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855:, Sontag emphasized the embrace of artifice, frivolity, naivety, pretentiousness, offensiveness, and excess as key elements of camp. Examples cited by Sontag included
4098:
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Sladen, Simon (2017). "'Hiya Fans!' Celebrity
Performance and Reception in Modern British Pantomime". In Ainsworth, Adam; Double, Oliver; Peacock, Louise (eds.).
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3679:
4228:
Miller, W. Watts (2002), "Secularism and the sacred: is there really something called 'secular religion'?", in
Idinopulos, Thomas A.; Wilson, Brian C. (eds.),
1024:, and heavy make-up that included her much-copied "panda eye" look. Springfield borrowed elements of her look from blonde glamour queens of the 1950s, such as
5828:
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Menninghaus, Winfried (2009). "On the Vital
Significance of 'Kitsch': Walter Benjamin's Politics of 'Bad Taste'". In Andrew Benjamin and Charles Rice (ed.).
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705:, debuting a new outfit each time, until reaching her final look: a bra and underwear with fishnets and platform heels. Other notable ensembles included
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music video. Her clothes, makeup, and accessories, created by high-end fashion designers, are integral to the narrative structure of her performances.
364:, as used by gay men, began to appear in print in America, France and the United Kingdom. By the mid-1970s, camp was defined by the college edition of
4036:
4948:
Padva, Gilad and Talmon, Miri (2008). "Gotta Have An
Effeminate Heart: The Politics of Effeminacy and Sissyness in a Nostalgic Israeli TV Musical".
1074:, known for his viral internet music videos full of flamboyant dance and visuals, has come to be seen as a 21st-century incarnation of camp style.
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is recognized as a camp icon for her high camp aesthetics, performance style and kinship with the gay community during her time as a solo artist.
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as in a military encampment, where gay men would subtly advertize their sexuality in all-male company through a particular style and affectation.
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3836:
3076:""If You Don't Bring No Grits, Don't Come": Critiquing a Critique of Patrick Kelly, Golliwogs, And Camp as A Technique of Black Queer Expression"
1032:. This, her singing style and her sexuality made her a "camp icon" and won her a following in the gay community. Besides the prototypical female
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1498:, the mood of a group of gays and drag queens reveling in the spectacle of their own arrest by members of the New York City Vice Squad at the
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4590:"Australian director brings Berlin's complexity to the opera stage; Novel style wins acclaim and younger audiences for the Komische Oper"
3870:(1). Institute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New York. Archived from
3641:"She's Reigned Pop Land since the 70s, She's the Queen of Camp, She Believes in Life after Love. She's Cher, and She's Still Fantastic"
2600:'My "campish undertakings" are not meeting with the success they deserve. Whatever I do seems to get me into hot water somewhere;...':
1333:. Kosky's use of camp is also effectively employed to satirize the pretensions, manners, and cultural vacuity of Australia's suburban
2915:""I'm Very Rich, Bitch!": The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in the Real Housewives Docusoaps"
530:
of LGBTQ+ people from the mainstream to maintain its edge. Poet and scholar Chris
Philpot, like Cooperman, nevertheless argues that
70:
by inverting traditional aesthetic judgements of beauty, value, and taste, and inviting a different kind of aesthetic engagement.
4955:
Padva, Gilad (2005). "Radical Sissies and Stereotyped Fairies in Laurie Lynd's The Fairy Who Didn't Want To Be A Fairy Anymore".
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has also been used to describe drag that is more subtle or ironic, as opposed to drag that is more parodic and obvious (and thus
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496:. Scholar Cynthia Morrill has argued that the conception of "camp-as-masquerade" ignores the specifically queer sensibility of
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has depended heavily on camp imagery and camp understandings of gender and sex". Madonna has also been named "Queen of Camp".
838:, where he comments: "You can't camp about something you don't take seriously. You're not making fun of it; you're making fun
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Jules-Rosette, Bennetta. "Spectacular Dress: Africanisms in the Fashions and Performances of Josephine Baker, 1925–1975". In
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argues it is a specific "gay sensibility" which has often been "misused to signify the trivial, superficial and 'queer'".
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as "banality, mediocrity, artifice, ostentation ... so extreme as to amuse or have a perversely sophisticated appeal".
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is still sometimes used in the UK to describe a gay man who is perceived as outwardly garish or eccentric, such as
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Allatson, Paul (2007). "'Antes cursi que sencilla': Eurovision Song Contests and the Kitsch-Drive to Euro-Unity".
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referred to his "campish undertakings" in a letter produced in evidence at his examination before a magistrate at
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is also seen as an example of the aesthetic, with film critic Esther Leslie describing the camp in the film thus:
317:, described as an "etymologically obscure" use of the word, as "ostentatious, exaggerated, affected, theatrical;
4016:
Patricia Juliana Smith (1999) "'You Don't Have to Say You Love Me': The Camp Masquerades of Dusty Springfield",
2026:
Babuscio (1993, 20), Feil (2005, 478), Morrill (1994, 110), Shugart and Waggoner (2008, 33), and Van Leer (1995)
307:, London, on suspicion of illegal homosexual acts; the letter does not make clear what these were. In 1909, the
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Padva, Gilad (2008). "Educating The Simpsons: Teaching Queer Representations in Contemporary Visual Media".
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Se camper solidement dans son fauteuil. Se camper Ă la meilleure place. Il se campa devant son adversaire.
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1447:— which included "the whole emotional basis of the Ballet, for example, and of course of Baroque art".
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1425:, as Susan Sontag observed, is always a way of consuming or performing culture "in quotation marks".
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have all been described as camp, often because of the opulence and winking humour of their personas.
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of it. You're expressing what's basically serious to you in terms of fun and artifice and elegance."
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and dedicated a whole collection to her. He used mismatched buttons when creating his own take on a
328:, the term was used as a general description of the aesthetic choices and behavior of working-class
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2673:, Cambridge Companions to Literature, Cambridge: Cambridge University Press, pp. 91–104 (95),
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Camper son personnage sur la scène. Camper une figure dans un tableau, des caractères dans un roman
2176:, Cambridge Companions to Literature, Cambridge: Cambridge University Press, pp. 91–104 (96),
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256:, meaning "to pose in an exaggerated fashion". A similar sense is also found in French theatre in
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for the mainstream. Both terms may relate to an object or work that carries aesthetic value, but
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has been credited with introducing high fashion and camp to hip hop. In pop and rock, musicians
408:'. Two key components of the "radical spectacle of camp" were originally feminine performances:
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3174:"The 2019 Met Gala's theme is 'camp' — here's what you should expect to see on the red carpet"
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4399:"Vom Nachttisch geräumt nachttisch 10.6.03 vom 10 June 2003 von Arno Widmann – Perlentaucher"
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806:(1894), based on Wilde, uses "camp coding" in his "effusive and inverted" use of language.
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turned to one of rage and produced the event that solidified the lesbian and gay movement.
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In its subversiveness and irony, camp can also suggest the possibility of overturning the
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such as theatre, cinema, TV and music. In reaction to its popularisation, critics such as
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a common perspective on aesthetics, not solely identified with gay men. Women (especially
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gown with a 25-foot train and went through a series of four "reveals," paying homage to
126:(i.e., accidental versus intentional camp). While author and academic Moe Meyer defines
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soldiers about to depart for the front, found in Kabul photo studios. The book, titled
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3228:"Lady Gaga perfectly captured 'camp' at the Met Gala by paying homage to drag culture"
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Padva, Gilad (2000). "Priscilla Fights Back: The Politicization of Camp Subculture".
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3430:"Dandyism, Visuality and the 'Camp Gem': Collections of Jewels in Huysmans and Wilde"
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have also been called camp because of their flamboyance and playful use of artifice.
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queer people, so long as it evolves with them. Curator Andrew Bolton, after his show
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4091:"Geri Horner talks Spice Girls, solo regrets and her kinship with the gay community"
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Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures
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Icons of R&B and Soul: An Encyclopedia of the Artists Who Revolutionized Rhythm
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3282:"Lady Gaga Just Had 4 Outfit Changes on the Met Gala Red Carpet and We're Deceased"
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4122:"Geri Horner threatened with assassination on stage by Admiral Duncan nail bomber"
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2218:. London Oxford New York New Delhi Sydney: Bloomsbury Methuen Drama. p. 179.
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and objects are chosen as such because they are camp, including musicians such as
585:—a reclaimed symbol for his label—featuring big gold earrings and bright red lips.
118:(i.e., camp arising from serious versus unserious matters), or alternatively into
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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The scene where Anthony Blanche arrives late to Sebastian Flyte's lunch party in
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Annie J. Randall, Associate Professor of Musicology Bucknell University (2008).
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glbtq – An Encyclopedia of Gay, Lesbian, Bisexual, Transgender and Queer Culture
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751:, who mainly used this style in the 1970s, and who created films which achieved
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4667:"glbtq >> arts >> Drag Shows: Drag Queens and Female Impersonators"
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Philpot, Chris (2017). "Diva Worship in a Queer Poetic of Waste in D. Gilson's
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4062:"Psy Unveils His New 'Gentleman' Video and Dance at Extravagant Seoul Concert"
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Oxford: Oxford University Press, 2023. https://doi.org/10.1093/OED/1024137863.
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of the 1950s. However, critics of Sontag's description, such as art historian
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3199:"At the Met Gala, Dapper Dan Stands By Gucci and Stands Up to Cancel Culture"
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Vol. 2. pp. 19–38, 477–492, Maurice Charney Ed., Praeger, Westport, CN
4639:"1, section 1: Bad Romance: Pop and Camp in Light of Evolutionary Confusion"
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suit. By the time he died in 1990, he had dressed noted queer icons such as
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to 16th century British theatre, where it referred to men dressed as women (
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Babuscio, J., 1999. The cinema of camp (aka camp and the gay sensibility).
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3389:"Dancing Federation Steps: A (queer) lesbian reading of Strictly Ballroom"
2954:"Between a Frock and a Hard Place: Camp Aesthetics and Children's Culture"
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1839:"Between a Frock and a Hard Place: Camp Aesthetics and Children's Culture"
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notes that, despite these qualities, it is also subversive and political.
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Making light: Haydn, musical camp, and the long shadow of German idealism
3255:"See How Lady Gaga Pulled Off the Greatest Met Gala Entrance of All Time"
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began making a series of short, no-budget camp films. Their feature film
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Mission Impossible: The perfectionist rock and soul of Dusty Springfield
3148:"Rediscovering Patrick Kelly, the designer who made blackface his brand"
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is a sensibility as well as a mode of performance. A person may consume
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emphasized its key elements as embracing frivolity, excess and artifice.
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Morrill, Cynthia (1994) "Revamping the Gay Sensibility: Queer Camp and
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1317:. In the first act ("The Song of Phaeton"), for instance, the goddess
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sensibility upon the world and unite one's peers in that sensibility.
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2994:. Media, culture, and the arts. Lanham: Lexington Books. p. 66.
2710:"The Comic Nation: Little Britain and the Politics of Representation"
2616:"Art Matters podcast: an introduction to the camp aesthetic | Art UK"
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Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture
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Incongruous entertainment: Camp, cultural value, and the MGM musical
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En parlant d'un acteur, d'un artiste: Figurer avec force et relief.
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which he associated with cross-dressing and drag performances — and
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Reappraising Durkheim for the study and teaching of religion today
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British TV Comedies: Cultural Concepts, Contexts and Controversies
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Musicologist Philip Brett has highlighted campness in the work of
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and became a constant presence on American prime-time television.
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4524:"COURTNEY FATHOM SELL: SO YOU WANNA BE AN UNDERGROUND FILMMAKER?"
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Signs of Life in the USA: Readings on Popular Culture for Writers
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Morrill, Cynthia. "Revamping the Gay Sensibility: Queer Camp and
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is renowned for his use of camp in interpreting the works of the
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59:
3428:
Mills, Victoria (2010), Calè, Luisa; Di Bello, Patrizia (eds.),
1295:. His 2006 eight-hour production for the Sydney Theatre Company
1095:, a contemporary exemplar of camp, uses music and dance to make
792:
is often seen as a precursor to camp, especially as embodied in
289:
theorized it may have emerged from the primary sense of the word
5649:
5627:
5557:
5535:
4916:, foreword by George Melly. London: Plexus Publishing Limited.
4863:
Making Camp: Rhetorics of Transgression in U.S. Popular Culture
2620:
1609:
Lille MĂ©tropole Museum of Modern, Contemporary and Outsider Art
1385:
1256:
1182:
published a collection of "last portrait" photographs of young
1124:
still forms a strong element in UK culture, and many so-called
718:
661:—whose luxurious fashion has been credited with camping up the
570:
245:
209:
161:
74:
3829:"Dusty Springfield (British singer) – Encyclopædia Britannica"
2708:
Lindner, Oliver (2016), Kamm, JĂĽrgen; Neumann, Birgit (eds.),
2665:
Leslie, Esther (2022), Storey, Mark; Shapiro, Stephen (eds.),
2457:
Fam: Placer avec fermeté, avec insolence ou selon ses aises.]
2342:. A Paragon book (Reprint ed.). New York: Paragon books.
2168:
Leslie, Esther (2022), Storey, Mark; Shapiro, Stephen (eds.),
5422:
5018:
4489:"'Strangers with Candy': After-school special, Sedaris style"
4459:"'Strangers with Candy': After-school special, Sedaris style"
2095:"Translating Camp Talk: Gay Identities and Cultural Transfer"
1874:
An Archaeology of Posing: Essays on Camp, Drag, and Sexuality
1394:
1120:" has been said to glory in "nostalgia, camp, and pastiche".
824:
819:, has been described by writer George Melly as an example of
788:
666:
630:
47:
4513:
filmmakermagazine.com/27295-courtney-fathom-sells-hi-8-hi...
3958:
Dusty! : Queen of the Post Mods: Queen of the Post Mods
830:
The first post-World War II use of the word in print may be
277:
place the "soundest starting point" for the modern sense of
5643:
5617:
3891:
3889:
3393:
Intersectional Perspectives: Identity, Culture, and Society
3333:
Kapczynski, Jennifer M.; Richardson, Michael David (2012).
2078:
Camp: Queer aesthetics and the performing subject: A reader
1987:
Camp: Queer Aesthetics and the Performing Subject: A Reader
1439:, and examines Christopher Isherwood's distinction between
1393:
is rooted in a specifically queer sensibility, informed by
1300:
1244:(2013) features many elements recognized in camp pictures.
984:
967:
4314:. Durham London: Duke University Press. pp. 164–165.
4234:, Numen book series, vol. 92, Brill, pp. 38–39,
4037:"Exploring Psy's Digital Dandy Appeal In 'Gangnam Style' "
2604:(London), 30 May 1870, p. 13, 'The Men in Women's Clothes'
2340:
Gay Talk: a (sometimes outrageous) dictionary of gay slang
1389:
are often used interchangeably, though they are distinct.
1151:
and has also argued for a camp reading of French composer
709:
wearing a gown that looked like a chandelier, designed by
492:, where it has been portrayed as a form of performance or
5612:
2992:
Sontag and the camp aesthetic: advancing new perspectives
1374:
1071:
4900:
Camp! The Story of the Attitude that Conquered the World
4877:
The Queening of America: Gay Culture in Straight Society
4796:
Babuscio, Jack (1993) "Camp and the Gay Sensibility" in
3886:
3546:. London Melbourne New York: Quartet Books. p. 18.
2366:, Second Edition. Oxford: Oxford University Press, 1989.
1259:
drive", with almost cartoonish novelty acts performing.
4278:"Rock it, man — what Elton John teaches us about style"
729:
Famous representatives of camp films are, for example,
4861:
Helene A. Shugart and Catherine Egley Waggoner (2008)
3308:"Photos from Moschino's Most Memorable Met Gala Looks"
2492:; To impose one's character assertively into a scene;
424:, while also retaining its meaning as "queer parody".
390:
In America, the concept of camp was also described by
99:
may also be perceived as being dated, offensive or in
5829:
The Work of Art in the Age of Mechanical Reproduction
2952:
Kerry Malla (January 2005). Roderick McGillis (ed.).
1989:, Edinburgh: Edinburgh University Press, p. 53,
1837:
Kerry Malla (January 2005). Roderick McGillis (ed.).
4643:
Redefining Kitsch and Camp in Literature and Culture
4369:"2000, Thomas Dworzak, 1st prize, Spot News stories"
3772:
Chapter 12, Camp, Androgyny, and 1990: Strike a Pose
3332:
3050:"Patrick Kelly's Radical Cheek (washingtonpost.com)"
2919:
Camera Obscura: Feminism, Culture, and Media Studies
2243:"John Waters: King of Camp and Auteur of Cult Trash"
1659:
Saving and Preserving Arts and Cultural Environments
1510:
1016:
developed an image supported by her peroxide blonde
285:, as the late 17th and early 18th centuries. Writer
184:, but where high art incorporates beauty and value,
4258:An English example of how the life has gone out of
4030:
3672:"Cher is Love magazine's latest cover 'girl' at 69"
3436:, London: Palgrave Macmillan UK, pp. 147–166,
2716:, London: Palgrave Macmillan UK, pp. 326–340,
1832:
1830:
1828:
1826:
1190:, attests to a campy aesthetic, quite close to the
1163:with a sense of "musical resignation and longing".
1107:has also been described as camp, with outlets like
188:often strives to be lively, audacious and dynamic.
4770:
4744:
4718:
4276:
3253:
2990:". In Drushel, Bruce E.; Peters, Brian M. (eds.).
2945:
999:is also considered camp and according to educator
73:Camp art is distinct from but often confused with
4928:Camp: Queer Aesthetics and the Performing Subject
4800:, David Bergman Ed., U of Massachusetts, Amherst
4616:Walter Benjamin and the Architecture of Modernity
4165:
2274:Fantabulosa: a dictionary of Polari and gay slang
5996:
4361:
3857:
2555:. London Stockholm: Footnote Press. p. 15.
2063:Dansky, Steven F. "On the persistence of camp."
1823:
1474:, making it a far more "radical spectacle" than
1413:refers specifically to the work itself, whereas
353:From the mid-1940s, numerous representations of
4636:
4176:. In Martin Iddon; Melanie L. Marshall (eds.).
1405:is rooted in the rise of mass-produced art and
633:and camp figures, including a bronze statue of
549:
3820:
1367:, which often uses drag and other features of
915:'s autobiography as "the definition of camp".
534:can still be a viable "survival strategy" for
5034:
4773:No Respect: Intellectuals and Popular Culture
4747:No Respect: Intellectuals and Popular Culture
4721:No Respect: Intellectuals and Popular Culture
4645:. Cambridge Scholars Publishing. p. 11.
4423:
4162:London: Bloomsbury Academic, 2013. pp.204-16.
3694:
3663:
3633:
3503:
3501:
3326:
2504:
2502:
2237:
2235:
2039:. Cambridge Scholars Publishing. p. 11.
1928:. Cambridge Scholars Publishing. p. 26.
869:, and Japanese science fiction films such as
5759:The Literary Mind and the Carving of Dragons
4630:
4424:Maasik, Sonia; Solomon, Jack Fisher (2011).
4171:
4160:African Dress: Fashion, Agency, Performance.
3920:
3918:
3768:
2759:
2648:Mother Camp: Female Impersonators in America
2643:Mother Camp: Female Impersonators in America
2508:
2459:Il me parlait, le chapeau campé sur la tête.
966:Camp costuming worn by American pop singers
144:, which expresses a gay male identity. This
30:"Campy" redirects here. For other uses, see
4930:. Ann Arbor: University of Michigan Press.
4546:
4053:
3897:Dusty Springfield: in the middle of nowhere
3860:"Dusty Springfield and the Motown Invasion"
3826:
3769:Drushe, Bruce E.; Peters, Brian M. (2017).
2951:
1836:
1113:describing her as another "Queen of Camp".
991:in collaboration with the costume designer
796:and his work. The character of Amarinth in
248:, which borrowed the term from the Italian
208:, as well as its frivolity, may serve as a
5041:
5027:
3498:
2753:
2671:The Cambridge Companion to American Horror
2499:
2232:
2174:The Cambridge Companion to American Horror
1921:
1267:The Australian theatre and opera director
769:Australian writer/director Baz Luhrmann's
223:
95:may be sophisticated, but subjects deemed
4988:. New York: Farrar, Straus & Giroux.
4984:Sontag, Susan (1964). "Notes on Camp" in
4812:Comedy: A Geographic and Historical Guide
4274:
4194:
3915:
3730:
3724:
3571:. London; New York: Quartet. p. 20.
3404:
3091:
3019:
2912:
2793:. Duke University Press, 2005. p.11, 274.
2138:"glbtq >> literature >> Camp"
1805:"glbtq >> literature >> Camp"
321:or homosexual" behavior. In the UK's pre-
4552:
4337:"Thomas Dworzak's Taliban Glamour Shots"
3992:
3990:
3507:
3387:Gluyas, Sophia Davidson (1 March 2014).
3020:Cooperman, Jeannette (30 January 2020).
2852:
1166:Musicologist Raymond Knapp has compared
1003:, her "whole career up to and including
587:
522:and Jeanette Cooperman have argued that
372:
130:as a form of "queer parody", journalist
4986:Against Interpretation and Other Essays
4203:"Katy Perry Is Still the Queen of Camp"
4200:
4059:
3762:
3015:
3013:
3011:
2985:
2981:
2979:
2853:Clements, Mikaella (25 November 2016).
2707:
2512:Against Interpretation and Other Essays
2337:
1951:
1915:
1325:, and the musical arrangements feature
1159:, noting its combination of a Balinese
649:, and celebrations of Black and Latinx
232:, writer Bruce Rodgers traces the term
14:
5997:
4227:
4149:. Indiana University Press, 2021. p. x
3839:from the original on 28 September 2013
3596:. New York: Delilah Books. p. 9.
3470:
3386:
3146:Segran, Elizabeth (13 February 2019).
3145:
3119:
3115:
3113:
3111:
3073:
3044:
3042:
2877:
2875:
2831:
2829:
2827:
2810:. New York: Delilah Books. p. 5.
2801:
2799:
2785:
2783:
2664:
2635:
2613:
2546:
2544:
2419:from the original on 14 September 2016
2376:
2374:
2372:
2306:
2304:
2302:
2213:
2209:
2207:
2167:
2132:
2130:
2128:
2092:
2088:
2086:
2065:The Gay & Lesbian Review Worldwide
2022:
2020:
1980:
1947:
1945:
1421:intentionally or unintentionally, but
1375:Distinguishing between kitsch and camp
1337:, which is suggestive of the style of
665:genre—designed seven camp outfits for
581:. His grave is marked with a stylized
504:lens (i.e., solely in relation to the
5022:
4798:Camp Grounds: Style and Homosexuality
4637:Anna Malinowska (26 September 2014).
4587:
4349:from the original on 27 November 2014
4334:
4309:
4291:from the original on 10 December 2022
4201:Allaire, Christian (2 January 2022).
4119:
3987:
3682:from the original on 18 November 2018
3669:
3566:
3541:
3427:
3222:
3220:
2550:
2383:"The Unspeakable Linguistics of Camp"
2270:
2266:
2264:
2163:
2161:
2159:
2059:
2057:
2055:
1976:
1974:
1799:
1797:
1795:
1793:
823:'s "alchemical ability" to project a
500:by interrogating queerness through a
4810:Feil, Ken (2005) "Queer Comedy", in
4765:
4739:
4713:
4691:
3975:from the original on 16 January 2017
3899:, Middlesex University Press. p. 13.
3712:from the original on 4 November 2017
3591:
3171:
3074:Barnes, Sequoia (20 December 2017).
3008:
2976:
2805:
2450:Dictionnaire de l'Académie française
1896:
1894:
1892:
1890:
1868:
1866:
1864:
1754:
1752:
1750:
1723:
1721:
1486:a strategy which confronts un-queer
1321:takes the form of a highly stylized
779:(1992), has been described as camp.
244:may have derived from the gay slang
3523:from the original on 1 October 2019
3108:
3039:
2958:Canadian Review of American Studies
2881:
2872:
2824:
2796:
2780:
2541:
2380:
2369:
2299:
2204:
2125:
2083:
2017:
1981:Sontag, Susan (15 February 2022) ,
1942:
1843:Canadian Review of American Studies
514:has become prevalent in mainstream
24:
4914:CAMP, The Lie That Tells the Truth
4891:
4604:– via Gale Academic OneFile.
4495:from the original on 6 August 2017
4469:from the original on 6 August 2017
4174:"I'll bring You Down, Down, Down'"
4072:from the original on 17 April 2013
3594:Camp: the lie that tells the truth
3471:Lowder, J. Bryan (15 April 2013).
3217:
3122:"Who Are the Black Icons of Camp?"
2808:Camp: the lie that tells the truth
2406:
2261:
2156:
2052:
1971:
1952:Carrier, David (2 February 1995).
1790:
1428:Sontag also distinguishes between
1157:Concerto for Two Pianos in D minor
905:Camp: The Lie That Tells The Truth
27:Ostentatious style and sensibility
25:
6051:
5001:
4879:, Routledge, London and New York
4842:, Routledge, London and New York
4534:from the original on 27 June 2015
4405:from the original on 4 March 2016
4375:. 13 January 2014. Archived from
4275:Armstrong, Robert (23 May 2019).
4147:Josephine Baker's Cinematic Prism
2484:To perform with forcefulness and
2476:To assume a defiant, insolent or
2310:
2277:. London: Continuum. p. 18.
2093:Harvey, Keith (31 January 1998).
1887:
1861:
1807:. 8 February 2012. Archived from
1747:
1718:
470:(including subcategories such as
313:gave the first print citation of
204:even in suffering. The humour of
5977:
4971:The Politics and Poetics of Camp
4964:Journal of Communication Inquiry
4840:The Politics and Poetics of Camp
4759:
4733:
4707:
4694:"A fool's guide to drag 'types'"
4685:
4659:
4608:
4248:from the original on 2 June 2013
4120:Kelly, Emma (11 December 2020).
4097:. 5 January 2017. Archived from
4060:Rauhala, Emily (13 April 2013),
2913:Dominguez, Alessa (1 May 2015).
2841:The Politics and Poetics of Camp
2614:Gipson, Ferren (23 April 2019).
2529:from the original on 2 June 2013
2140:. 8 October 2011. Archived from
1902:The Politics and Poetics of Camp
1555:
1541:
1527:
1513:
956:
947:
938:
629:. The show featured tributes to
344:in the English comedy skit show
54:is historically associated with
4777:. New York: Routledge. p.
4751:. New York: Routledge. p.
4725:. New York: Routledge. p.
4588:Smale, Alison (22 April 2015).
4581:
4516:
4507:
4481:
4451:
4417:
4391:
4328:
4303:
4268:
4220:
4172:Stan Hawkins (3 January 2014).
4152:
4139:
4113:
4083:
4020:pp. 105–126, Routledge, London
4010:
3948:
3902:
3851:
3702:"Cher-ishing the Queen of Camp"
3670:White, Belinda (24 July 2015).
3610:
3585:
3560:
3535:
3464:
3421:
3380:
3300:
3274:
3246:
3191:
3165:
3139:
3120:Newman, Scarlett (3 May 2019).
3067:
2906:
2846:
2744:
2701:
2658:
2645:, University of Chicago Press.
2607:
2594:
2569:
2431:
2400:
2356:
2331:
2070:
2029:
1760:"What does it mean to be camp?"
1226:genre. Inspired by the work of
1216:(1999–2000), starring comedian
5048:
4865:, U of Alabama P., Tuscaloosa
3858:Annie J. Randall (Fall 2005).
3473:"Can Camp Be Taken Seriously?"
3336:A New History of German Cinema
2111:10.1080/13556509.1998.10799024
1777:
1692:
1174:
1116:The British tradition of the "
367:Webster's New World Dictionary
200:and ironic, finding beauty or
13:
1:
4926:Cleto, Fabio, editor (1999).
4856:" (In Meyer pp. 110–129)
4692:Wren, Daniel (25 July 2014).
4669:. 4 June 2011. Archived from
4335:Traff, Thea (29 March 2014).
4180:. Routledge. pp. 17–18.
4000:, Greenwood Publishing Group
2760:Susan Sontag (14 June 2019).
1685:
1654:The Rocky Horror Picture Show
1201:
782:
5889:Aestheticization of politics
4641:. In Justyna Stępień (ed.).
4594:International New York Times
4555:Culture, Theory and Critique
3623:, Harper-Collins Publishers
3621:The Kenneth Williams Diaries
2509:Susan Sontag (2 July 2009).
1587:David Bowie's art collection
1345:, Kosky employs a chorus of
983:American singer and actress
164:, and has appeared in film,
7:
4969:Meyer, Moe, editor (1993).
3961:. Oxford University Press.
2884:"A Performative Presidency"
2667:"Schlock, Kitsch, and Camp"
2515:. Penguin Modern Classics.
2413:Online Etymology Dictionary
2313:"Queer Musical Orientalism"
2170:"Schlock, Kitsch, and Camp"
1506:
1081:Dancer, singer and actress
488:has also been a subject of
10:
6056:
4912:Core, Philip (1984/1994).
4902:. London: Footnote Press.
4789:
2319:. University of California
2035:Harry Eiss (11 May 2016).
1922:Harry Eiss (11 May 2016).
1785:Oxford English Dictionary.
1735:. HarperCollins Publishers
1262:
1220:, was a camp spoof of the
1192:gay movement in California
1099:on pop culture, as in the
888:In Mark Booth's 1983 book
557:
544:Metropolitan Museum of Art
431:, cultural anthropologist
62:. Camp aesthetics disrupt
29:
6025:Gay working-class culture
5957:
5881:
5730:
5503:
5210:
5122:
5056:
4824:Levine, Martin P. (1998)
4567:10.1080/14735780701293540
4050:(retrieved 21 April 2013)
3796:– via Google Books.
3758:– via Google Books.
3734:Madonna: Express Yourself
3731:Gnojewski, Carol (2007).
3172:Yang, Lucy (7 May 2019).
3093:10.1515/culture-2017-0062
2679:10.1017/9781009071550.008
2453:, ninth edition (1992). "
2364:Oxford English Dictionary
2182:10.1017/9781009071550.008
1995:10.1515/9781474465809-006
1458:According to sociologist
773:, in particular the film
717:appearing as a life-size
310:Oxford English Dictionary
107:may also be divided into
4828:, New York UP, New York
4430:. Bedford/St. Martin's.
3339:. Boydell & Brewer.
2931:10.1215/02705346-2885486
2843:. Routledge, 2005. p.94.
2722:10.1057/9781137552952_22
2381:Luu, Chi (6 June 2018).
2067:20, no. 2 (2013): 15-19.
1582:Collection de l'art brut
1012:In public and on stage,
929:
836:The World in the Evening
397:The World in the Evening
263:Les Fourberies de Scapin
252:or from the French term
5909:Evolutionary aesthetics
5859:The Aesthetic Dimension
4875:Van Leer, David (1995)
4838:Meyer, Moe, Ed. (1994)
4618:. re.press. pp. 39–58.
4310:Knapp, Raymond (2018).
4145:Francis, Terri Simone.
4042:22 January 2014 at the
3908:Charles Taylor (1997).
3567:Booth, Mark W. (1983).
3442:10.1057/9780230297395_8
3022:"Is Camp Still "Camp"?"
2338:Rodgers, Bruce (1979).
1783:“Camp, Adj., Sense 3.”
1704:www.merriam-webster.com
1679:Vernacular architecture
1249:Eurovision Song Contest
1223:ABC Afterschool Special
1118:Last Night of the Proms
898:camp fads and fancies —
863:, Tchaikovsky's ballet
845:In the American writer
724:
693:(he wore the seventh).
553:in contemporary culture
224:Origins and development
6040:Concepts in aesthetics
5839:Avant-Garde and Kitsch
5789:Lectures on Aesthetics
4950:Feminist Media Studies
4463:Orange County Register
3932:. 2005. Archived from
3517:faculty.georgetown.edu
3054:www.washingtonpost.com
2882:Lim, Eng-Beng (2015).
2839:." In Moe Meyer (ed).
2766:. Picador. p. 4.
2641:Esther Newton (1978):
2581:www.worldwidewords.org
1729:"Definition of 'camp'"
1614:Lowbrow (art movement)
1504:
1482:has described camp as:
1085:has been described as
767:
669:, worn at the gala by
607:Camp: Notes on Fashion
598:
595:Camp: Notes on Fashion
592:Clothing designs from
540:Camp: Notes on Fashion
387:
32:Campy (disambiguation)
5984:Philosophy portal
4943:Journal of LGBT Youth
3895:Laurense Cole (2008)
3592:Core, Philip (1984).
3080:Open Cultural Studies
2806:Core, Philip (1984).
1484:
832:Christopher Isherwood
763:
591:
516:popular entertainment
506:symbol of the phallus
490:psychoanalytic theory
394:in 1954 in his novel
392:Christopher Isherwood
376:
5929:Philosophy of design
5809:In Praise of Shadows
5799:The Critic as Artist
4898:Baker, Paul (2023).
4401:. perlentaucher.de.
3926:"Springfield, Dusty"
3542:Booth, Mark (1983).
2855:"Notes on dyke camp"
2551:Baker, Paul (2023).
2271:Baker, Paul (2004).
1700:"Definition of CAMP"
1213:Strangers with Candy
1070:South Korean rapper
918:In 1993, journalist
907:, writer and artist
816:Brideshead Revisited
721:, also by Moschino.
476:high-femme dyke camp
178:low forms of culture
80:The American writer
5939:Philosophy of music
5914:Mathematical beauty
4379:on 29 November 2014
4101:on 20 February 2021
3676:The Daily Telegraph
3314:. 13 September 2021
2443:14 May 2011 at the
2216:Popular performance
1241:Satan, Hold My Hand
922:published comedian
803:The Green Carnation
771:Red Curtain Trilogy
755:. The 1972 musical
579:Isabella Rossellini
480:queer of color camp
383:The Gang's All Here
380:in the trailer for
148:is associated with
6010:Fashion aesthetics
5934:Philosophy of film
5924:Patterns in nature
5894:Applied aesthetics
5869:Why Beauty Matters
5655:Life imitating art
5516:Art for art's sake
4528:Filmmaker Magazine
2888:American Quarterly
1900:Moe Meyer (2011):
1872:Moe Meyer (2010):
1811:on 8 February 2012
1733:Collins Dictionary
1341:. For example, in
859:, the drawings of
742:Rosa von Praunheim
655:Harlem Renaissance
639:Belvedere Antinous
627:Alessandro Michele
599:
404:in her 1964 essay
388:
66:understandings of
6020:LGBTQ terminology
5992:
5991:
5944:Psychology of art
5819:Art as Experience
4885:978-0-415-90336-3
4871:978-0-8173-5652-1
4848:978-0-415-08248-8
4820:978-0-313-32715-5
4806:978-0-87023-878-9
4652:978-1-4438-6779-5
4373:World Press Photo
4321:978-0-8223-7240-0
4187:978-1-134-07987-2
4046:(3 October 2012)
4026:978-0-415-92169-5
4018:The Queer Sixties
4006:978-0-313-34044-4
3996:Bob Gulla (2007)
3912:, Boston Phoenix.
3827:Peter Silverton.
3786:978-1-4985-3777-3
3748:978-0-7660-2442-7
3739:Enslow Publishing
3629:978-0-00-255023-9
3603:978-0-933328-83-9
3578:978-0-7043-2353-7
3553:978-0-7043-2353-7
3513:"Notes On "Camp""
3451:978-0-230-29739-5
3406:10.18573/ipics.66
3001:978-1-4985-3777-3
2817:978-0-933328-83-9
2773:978-1-250-62134-4
2731:978-1-137-55295-2
2688:978-1-316-51300-2
2562:978-1-80444-032-2
2522:978-0-14-119006-8
2407:Harper, Douglas.
2349:978-0-399-50392-4
2284:978-0-8264-7343-1
2225:978-1-4742-4734-4
2191:978-1-316-51300-2
2144:on 8 October 2011
2046:978-1-4438-9429-6
2004:978-1-4744-6580-9
1983:"Notes on 'Camp'"
1935:978-1-4438-9429-6
1910:978-0-415-51489-7
1882:978-0-9814924-5-2
1876:, Macater Press,
1521:Philosophy portal
1339:Dame Edna Everage
1097:social commentary
1030:Catherine Deneuve
1014:Dusty Springfield
903:In his 1984 book
776:Strictly Ballroom
296:By 1870, British
228:In his 1972 book
16:(Redirected from
6047:
6005:1900s neologisms
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3647:. Archived from
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1323:Marlene Dietrich
1247:Since 2000, the
1230:and his brother
1210:television show
1149:Benjamin Britten
1043:Rappers such as
960:
951:
942:
924:Kenneth Williams
861:Aubrey Beardsley
609:, co-chaired by
542:at the New York
427:In her study of
406:'Notes on "Camp"
210:coping mechanism
21:
6055:
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6050:
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6030:Cultural trends
5995:
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5849:Critical Essays
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5752:
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5499:
5413:Ortega y Gasset
5206:
5118:
5052:
5047:
5009:Notes on "Camp"
5004:
4999:
4966:24(2), 216–243.
4894:
4892:Further reading
4889:
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4498:
4496:
4491:. 6 July 2006.
4487:
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4465:. 6 July 2006.
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4284:Financial Times
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4044:Wayback Machine
4035:
4031:
4015:
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3995:
3988:
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3969:
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3939:
3937:
3936:on 15 July 2012
3924:
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3874:on 25 June 2012
3856:
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3809:
3808:
3799:
3798:
3791:
3789:
3787:
3779:. p. 216.
3777:Lexington Books
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3741:. p. 114.
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3286:Harper's BAZAAR
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2789:Cohan, Steven.
2788:
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2774:
2763:Notes on "Camp"
2758:
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2507:
2500:
2445:Wayback Machine
2436:
2432:
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2391:
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2357:
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2311:Brett, Philip.
2309:
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2018:
2009:
2007:
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1979:
1972:
1962:
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1954:"CRITICAL CAMP"
1950:
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1709:
1707:
1706:. 1 August 2024
1698:
1697:
1693:
1688:
1683:
1649:Psychedelic art
1561:
1556:
1554:
1547:
1542:
1540:
1533:
1526:
1519:
1514:
1512:
1509:
1478:. Musicologist
1407:popular culture
1377:
1359:In the UK, the
1353:Australian Idol
1265:
1204:
1196:Peter Greenaway
1177:
1153:Francis Poulenc
1083:Josephine Baker
1026:Brigitte Bardot
981:
980:
979:
978:
963:
962:
961:
953:
952:
944:
943:
932:
852:Notes on "Camp"
785:
747:The Bed Sausage
727:
715:Kacey Musgraves
699:Brandon Maxwell
641:, portraits of
615:Serena Williams
567:Josephine Baker
560:
555:
502:heteronormative
400:, and later by
287:Anthony Burgess
226:
218:marginalization
124:deliberate camp
58:and especially
35:
28:
23:
22:
15:
12:
11:
5:
6053:
6043:
6042:
6037:
6032:
6027:
6022:
6017:
6015:Gay effeminacy
6012:
6007:
5990:
5989:
5987:
5986:
5974:
5969:
5964:
5958:
5955:
5954:
5952:
5951:
5946:
5941:
5936:
5931:
5926:
5921:
5919:Neuroesthetics
5916:
5911:
5906:
5901:
5899:Arts criticism
5896:
5891:
5885:
5883:
5879:
5878:
5876:
5875:
5865:
5855:
5845:
5835:
5825:
5815:
5805:
5795:
5785:
5775:
5769:On the Sublime
5765:
5755:
5745:
5734:
5732:
5728:
5727:
5725:
5724:
5719:
5714:
5709:
5704:
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5694:
5689:
5682:
5677:
5672:
5667:
5662:
5657:
5652:
5647:
5640:
5635:
5633:Interpretation
5630:
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5615:
5610:
5605:
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5590:
5585:
5580:
5575:
5570:
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5533:
5528:
5526:Artistic merit
5523:
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5507:
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5214:
5212:
5208:
5207:
5205:
5204:
5197:
5192:
5187:
5182:
5177:
5175:Psychoanalysis
5172:
5167:
5162:
5157:
5152:
5147:
5142:
5137:
5132:
5126:
5124:
5120:
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5058:
5054:
5053:
5046:
5045:
5038:
5031:
5023:
5017:
5016:
5003:
5002:External links
5000:
4998:
4997:
4982:
4967:
4960:
4957:Cinema Journal
4953:
4946:
4939:
4924:
4910:
4908:978-1804440339
4895:
4893:
4890:
4888:
4887:
4873:
4859:
4858:
4857:
4836:
4822:
4808:
4793:
4791:
4788:
4785:
4784:
4758:
4732:
4706:
4684:
4673:on 4 June 2011
4658:
4651:
4629:
4623:
4607:
4580:
4545:
4515:
4506:
4480:
4450:
4436:
4416:
4390:
4360:
4342:The New Yorker
4327:
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4302:
4267:
4240:
4219:
4193:
4186:
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4151:
4138:
4112:
4082:
4052:
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4009:
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3967:
3947:
3914:
3901:
3885:
3850:
3833:Britannica.com
3819:
3785:
3761:
3747:
3723:
3693:
3662:
3651:on 29 May 2016
3632:
3617:Russell Davies
3609:
3602:
3584:
3577:
3559:
3552:
3534:
3497:
3463:
3450:
3420:
3379:
3345:
3325:
3299:
3273:
3245:
3216:
3190:
3164:
3138:
3107:
3086:(1): 678–689.
3066:
3038:
3007:
3000:
2975:
2944:
2925:(1): 155–183.
2905:
2894:(2): 301–307.
2871:
2845:
2823:
2816:
2795:
2779:
2772:
2752:
2743:
2730:
2700:
2687:
2657:
2651:in libraries (
2634:
2606:
2593:
2568:
2561:
2540:
2521:
2498:
2478:devil-may-care
2461:Surtout pron.
2438:Entry "camper"
2430:
2399:
2368:
2355:
2348:
2330:
2298:
2283:
2260:
2249:. 12 June 2019
2231:
2224:
2203:
2190:
2155:
2124:
2105:(2): 295–320.
2099:The Translator
2082:
2069:
2051:
2045:
2028:
2016:
2003:
1970:
1941:
1934:
1914:
1886:
1860:
1822:
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1682:
1681:
1676:
1671:
1666:
1661:
1656:
1651:
1646:
1641:
1636:
1634:Outsider music
1631:
1626:
1624:Neurodiversity
1621:
1616:
1611:
1606:
1601:
1596:
1584:
1579:
1577:Asemic writing
1574:
1568:
1567:
1566:
1552:
1549:Fashion portal
1538:
1535:Society portal
1524:
1508:
1505:
1395:queer identity
1376:
1373:
1264:
1261:
1208:Comedy Central
1203:
1200:
1180:Thomas Dworzak
1176:
1173:
1076:Geri Halliwell
965:
964:
955:
954:
946:
945:
937:
936:
935:
934:
933:
931:
928:
920:Russell Davies
878:The Mysterians
849:'s 1964 essay
834:'s 1954 novel
798:Robert Hichens
784:
781:
736:Pink Flamingos
726:
723:
675:Omari Hardwick
559:
556:
554:
548:
422:Carmen Miranda
378:Carmen Miranda
347:Little Britain
301:Frederick Park
225:
222:
87:Art historian
56:LGBTQ+ culture
26:
9:
6:
4:
3:
2:
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6035:Postmodernism
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5949:Theory of art
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5739:Hippias Major
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5598:Entertainment
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5521:Art manifesto
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5511:Appropriation
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5403:Merleau-Ponty
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5170:Postmodernism
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5005:
4995:
4994:0-312-28086-6
4991:
4987:
4983:
4980:
4979:0-415-08248-X
4976:
4973:. Routledge.
4972:
4968:
4965:
4961:
4959:45(1), 66–78.
4958:
4954:
4951:
4947:
4944:
4940:
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4936:0-472-06722-2
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4929:
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4922:0-85965-044-8
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4834:0-8147-4694-2
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4048:Rolling Stone
4045:
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4023:
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3968:9780199716302
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3645:Sunday Mirror
3642:
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3363:
3348:
3346:9781571135957
3342:
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3329:
3313:
3309:
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3287:
3283:
3277:
3262:. 10 May 2019
3261:
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3026:Common Reader
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2464:
2460:
2456:
2452:
2451:
2446:
2442:
2439:
2434:
2418:
2414:
2410:
2409:"camp (adj.)"
2403:
2388:
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2351:
2345:
2341:
2334:
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2038:
2032:
2023:
2021:
2006:
2000:
1996:
1992:
1988:
1984:
1977:
1975:
1959:
1955:
1948:
1946:
1937:
1931:
1927:
1926:
1918:
1911:
1907:
1904:, Routledge,
1903:
1897:
1895:
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1883:
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1869:
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1670:
1667:
1665:
1662:
1660:
1657:
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1650:
1647:
1645:
1644:Postmodernism
1642:
1640:
1637:
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1632:
1630:
1627:
1625:
1622:
1620:
1617:
1615:
1612:
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1522:
1511:
1503:
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1500:Stonewall Bar
1497:
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1408:
1404:
1400:
1396:
1392:
1388:
1387:
1382:
1372:
1370:
1366:
1363:tradition of
1362:
1357:
1355:
1354:
1348:
1344:
1343:The Lost Echo
1340:
1336:
1332:
1328:
1324:
1320:
1316:
1315:
1310:
1306:
1305:Metamorphoses
1302:
1299:was based on
1298:
1297:The Lost Echo
1294:
1290:
1286:
1282:
1278:
1274:
1273:Western canon
1270:
1260:
1258:
1254:
1250:
1245:
1243:
1242:
1237:
1233:
1229:
1228:George Kuchar
1225:
1224:
1219:
1215:
1214:
1209:
1199:
1197:
1193:
1189:
1185:
1181:
1172:
1169:
1164:
1162:
1158:
1154:
1150:
1145:
1143:
1139:
1135:
1134:Kylie Minogue
1131:
1127:
1123:
1119:
1114:
1112:
1111:
1106:
1102:
1098:
1094:
1090:
1088:
1084:
1079:
1077:
1073:
1068:
1066:
1062:
1058:
1054:
1050:
1046:
1041:
1039:
1035:
1031:
1027:
1023:
1022:evening gowns
1019:
1015:
1010:
1008:
1007:
1002:
998:
994:
990:
989:variety shows
986:
977:
973:
969:
959:
950:
941:
927:
925:
921:
916:
914:
910:
906:
901:
899:
895:
891:
886:
884:
883:David Carrier
880:
879:
874:
873:
868:
867:
862:
858:
857:Tiffany lamps
854:
853:
848:
843:
841:
837:
833:
828:
826:
822:
818:
817:
812:
807:
805:
804:
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795:
791:
790:
780:
778:
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772:
766:
762:
760:
759:
754:
750:
748:
743:
739:
737:
732:
722:
720:
716:
712:
708:
704:
700:
694:
692:
688:
687:Ashley Graham
684:
680:
676:
672:
668:
664:
660:
656:
652:
648:
644:
640:
636:
632:
628:
624:
620:
616:
612:
608:
605:'s theme was
604:
597:
596:
590:
586:
584:
580:
576:
572:
568:
564:
563:Patrick Kelly
552:
547:
545:
541:
537:
533:
529:
526:requires the
525:
521:
520:Jack Babuscio
517:
513:
509:
507:
503:
499:
495:
491:
487:
483:
481:
477:
473:
469:
465:
461:
457:
453:
449:
448:postmodernism
444:
442:
438:
434:
433:Esther Newton
430:
425:
423:
419:
415:
411:
407:
403:
399:
398:
393:
385:
384:
379:
375:
371:
369:
368:
363:
360:
356:
351:
349:
348:
343:
342:Daffyd Thomas
339:
335:
331:
327:
324:
320:
316:
312:
311:
306:
302:
299:
294:
292:
288:
284:
280:
276:
273:and linguist
272:
267:
265:
264:
260:'s 1671 play
259:
255:
251:
247:
243:
239:
235:
231:
221:
219:
215:
212:to deal with
211:
207:
203:
199:
195:
191:
187:
183:
179:
175:
171:
167:
163:
159:
158:theatricality
155:
154:juxtaposition
151:
147:
143:
139:
135:
133:
132:Jack Babuscio
129:
125:
121:
117:
114:
110:
106:
102:
98:
94:
90:
89:David Carrier
86:
83:
79:
76:
71:
69:
65:
61:
57:
53:
49:
45:
41:
37:
33:
19:
5867:
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5847:
5817:
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5787:
5777:
5767:
5757:
5747:
5737:
5684:
5660:Magnificence
5642:
5552:
5492:
5458:Schopenhauer
5293:Coomaraswamy
5211:Philosophers
5199:
5130:Aestheticism
5014:Susan Sontag
5007:
4985:
4970:
4963:
4956:
4952:8(1), 69–84.
4949:
4945:5(3), 57–73.
4942:
4927:
4913:
4899:
4876:
4862:
4853:
4839:
4825:
4811:
4797:
4772:
4767:Ross, Andrew
4761:
4746:
4741:Ross, Andrew
4735:
4720:
4715:Ross, Andrew
4709:
4697:. Retrieved
4687:
4675:. Retrieved
4671:the original
4661:
4642:
4632:
4615:
4610:
4598:. Retrieved
4593:
4583:
4561:(1): 87–98.
4558:
4554:
4548:
4536:. Retrieved
4527:
4518:
4509:
4497:. Retrieved
4483:
4471:. Retrieved
4462:
4453:
4441:. Retrieved
4426:
4419:
4407:. Retrieved
4393:
4381:. Retrieved
4377:the original
4363:
4351:. Retrieved
4340:
4330:
4311:
4305:
4293:. Retrieved
4282:
4270:
4259:
4257:
4250:, retrieved
4230:
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4210:. Retrieved
4206:
4196:
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4154:
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4141:
4129:. Retrieved
4125:
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4099:the original
4094:
4085:
4074:, retrieved
4065:
4055:
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3997:
3977:. Retrieved
3957:
3950:
3938:. Retrieved
3934:the original
3929:
3909:
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3896:
3876:. Retrieved
3872:the original
3867:
3863:
3853:
3841:. Retrieved
3832:
3822:
3790:. Retrieved
3771:
3764:
3752:. Retrieved
3733:
3726:
3714:. Retrieved
3708:. New York.
3705:
3696:
3684:. Retrieved
3675:
3665:
3653:. Retrieved
3649:the original
3644:
3635:
3620:
3612:
3593:
3587:
3568:
3562:
3543:
3537:
3525:. Retrieved
3516:
3509:Susan Sontag
3488:. Retrieved
3476:
3466:
3455:, retrieved
3433:
3423:
3396:
3392:
3382:
3350:. Retrieved
3335:
3328:
3316:. Retrieved
3311:
3302:
3290:. Retrieved
3288:. 6 May 2019
3285:
3276:
3264:. Retrieved
3259:
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3234:. 7 May 2019
3231:
3207:. Retrieved
3205:. 6 May 2019
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3152:Fast Company
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1784:
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1763:
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1732:
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1703:
1694:
1669:Unilalianism
1629:Outsider art
1604:Horror vacui
1590:
1563:LGBTQ portal
1496:Judy Garland
1485:
1480:Philip Brett
1475:
1469:
1463:
1457:
1452:
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1444:
1440:
1436:
1433:
1429:
1427:
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1418:
1414:
1410:
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1384:
1380:
1378:
1368:
1358:
1351:
1342:
1335:middle class
1312:
1304:
1296:
1275:, including
1269:Barrie Kosky
1266:
1246:
1239:
1221:
1211:
1205:
1187:
1178:
1168:musical camp
1167:
1165:
1156:
1146:
1121:
1115:
1108:
1091:
1086:
1080:
1069:
1065:Jimi Hendrix
1042:
1011:
1004:
982:
917:
913:Jean Cocteau
904:
902:
897:
893:
889:
887:
876:
871:
864:
850:
847:Susan Sontag
844:
839:
835:
829:
820:
814:
811:Evelyn Waugh
808:
801:
787:
786:
774:
768:
764:
756:
744:
733:
728:
703:drag culture
695:
691:Karlie Kloss
651:ball culture
623:Harry Styles
611:Anna Wintour
600:
593:
561:
550:
539:
536:marginalized
531:
523:
511:
510:
497:
493:
485:
484:
479:
475:
471:
467:
463:
455:
452:queer theory
446:The rise of
445:
440:
436:
435:argued that
426:
402:Susan Sontag
395:
389:
381:
365:
361:
358:
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352:
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340:' character
333:
314:
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298:crossdresser
295:
290:
282:
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271:Susan Sontag
268:
261:
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241:
233:
229:
227:
220:in society.
205:
202:black comedy
192:can also be
189:
185:
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38:
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5753:(c. 335 BC)
5743:(c. 390 BC)
5722:Work of art
5675:Picturesque
5531:Avant-garde
5488:Winckelmann
5363:Kierkegaard
5288:Collingwood
5258:Baudrillard
5185:Romanticism
5155:Historicism
5089:Mathematics
4409:27 November
4383:15 November
4353:15 November
4252:21 November
3810:|work=
3370:|work=
2859:The Outline
2533:6 September
2387:JSTOR Daily
1764:www.bbc.com
1572:Avant-garde
1460:Andrew Ross
1347:high school
1331:Cole Porter
1327:Noël Coward
1314:The Bacchae
1277:Shakespeare
1236:ASS Studios
1232:Mike Kuchar
1218:Amy Sedaris
1175:Photography
1049:Nicki Minaj
1020:hairstyle,
1001:Carol Queen
909:Philip Core
794:Oscar Wilde
753:cult status
731:John Waters
679:Regina Hall
647:Oscar Wilde
635:the Vatican
575:Grace Jones
418:faux queens
355:camp speech
332:. The term
326:gay culture
214:intolerance
198:sentimental
150:incongruity
5999:Categories
5692:Recreation
5670:Perception
5563:Creativity
5263:Baumgarten
5253:Baudelaire
5135:Classicism
5050:Aesthetics
4241:9004123393
4131:10 January
4105:10 January
3864:Newsletter
3706:Daily News
3527:10 October
3232:British GQ
3126:Teen Vogue
2968:10 October
2627:14 October
2494:to upstage
2490:to overact
2480:attitude.
1853:10 October
1686:References
1664:Surrealism
1492:homophobia
1472:status quo
1441:low camp —
1434:deliberate
1401:, whereas
1379:The words
1361:music hall
1253:Eurovision
1202:Television
1130:Elton John
1105:Katy Perry
1057:Dapper Dan
1034:drag queen
993:Bob Mackie
976:Katy Perry
911:describes
783:Literature
707:Katy Perry
683:Bevy Smith
659:Dapper Dan
528:alienation
494:masquerade
466:, such as
420:) such as
338:Matt Lucas
323:liberation
319:effeminate
305:Bow Street
283:flamboyant
281:, meaning
275:Paul Baker
146:camp style
5697:Reverence
5603:Eroticism
5573:Depiction
5546:Masculine
5448:Santayana
5408:Nietzsche
5353:Hutcheson
5343:Heidegger
5328:Greenberg
5283:Coleridge
5248:Balthasar
5233:Aristotle
5195:Theosophy
5190:Symbolism
5165:Modernism
5150:Formalism
4854:dyke noir
4826:Gay Macho
4575:146449408
4263:pastiche.
4226:Compare:
4212:3 January
3979:17 August
3940:17 August
3878:17 August
3843:17 August
3812:ignored (
3802:cite book
3490:10 August
3485:1091-2339
3457:10 August
3415:2042-387X
3399:(1): 24.
3372:ignored (
3362:cite book
3318:25 August
3312:E! Online
3292:25 August
3266:25 August
3238:25 August
3209:10 August
3183:25 August
3157:10 August
3131:10 August
3102:2451-3474
3059:10 August
3031:10 August
2939:0270-5346
2900:1080-6490
2837:dyke noir
2655:catalog).
2602:The Times
2586:10 August
2474:Familiar:
2423:21 August
2247:Film Daze
2119:1355-6509
2037:The Joker
1963:10 August
1925:The Joker
1674:Vaporwave
1599:Glam rock
1449:High camp
1445:high camp
1365:pantomime
1309:Euripides
1126:gay icons
1093:Lady Gaga
866:Swan Lake
671:21 Savage
643:Louis XIV
619:Lady Gaga
601:The 2019
468:dyke camp
454:has made
254:se camper
170:pantomime
142:camp talk
101:bad taste
64:modernist
50:element.
44:aesthetic
5972:Category
5904:Axiology
5773:(c. 500)
5763:(c. 100)
5638:Judgment
5593:Emotions
5588:Elegance
5568:Cuteness
5541:Feminine
5504:Concepts
5473:Tanizaki
5453:Schiller
5438:Richards
5428:Rancière
5398:Maritain
5333:Hanslick
5273:Benjamin
5145:Feminism
5114:Theology
5094:Medieval
5084:Japanese
5079:Internet
4769:(1989).
4743:(1989).
4717:(1989).
4699:9 August
4677:9 August
4600:9 August
4538:23 March
4532:Archived
4499:6 August
4493:Archived
4467:Archived
4443:9 August
4403:Archived
4347:Archived
4289:Archived
4246:archived
4095:Attitude
4076:21 April
4070:archived
4040:Archived
3973:Archived
3837:Archived
3792:31 March
3754:31 March
3716:21 April
3710:Archived
3686:21 April
3680:Archived
3655:21 April
3521:Archived
2988:Brit Lit
2964:(1): 1–3
2864:9 August
2737:9 August
2694:9 August
2653:WorldCat
2527:Archived
2482:Theatre:
2441:Archived
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2392:9 August
2362:"camp".
2323:9 August
2293:55587437
2197:9 August
2148:9 August
2010:9 August
1958:Artforum
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1815:9 August
1769:9 August
1739:9 August
1710:9 August
1507:See also
1488:ontology
1453:low camp
1045:Lil' Kim
789:Dandyism
711:Moschino
653:and the
603:Met Gala
583:golliwog
460:lesbians
250:campare,
230:Gay Talk
68:high art
5967:Outline
5882:Related
5749:Poetics
5717:Tragedy
5707:Sublime
5680:Quality
5665:Mimesis
5623:Harmony
5608:Fashion
5583:Ecstasy
5578:Disgust
5494:more...
5463:Scruton
5388:Lyotard
5323:Goodman
5303:Deleuze
5238:Aquinas
5228:Alberti
5201:more...
5180:Realism
5160:Marxism
5140:Fascism
5123:Schools
5109:Science
5064:Ancient
4790:Sources
4295:12 July
3619:(1993)
3352:5 March
3178:Insider
2253:5 March
1639:Pop art
1619:Neo-pop
1592:Outside
1399:culture
1285:Molière
1263:Theatre
1188:Taliban
1184:Taliban
1161:gamelan
1101:"Judas"
1053:Cam’ron
1018:beehive
997:Madonna
972:Madonna
758:Cabaret
749:, 1971)
738:, 1972)
663:hip-hop
558:Fashion
330:gay men
269:Writer
258:Moliere
180:may be
172:. Both
166:cabaret
60:gay men
5873:(2009)
5863:(1977)
5853:(1946)
5843:(1939)
5833:(1935)
5823:(1934)
5813:(1933)
5803:(1891)
5793:(1835)
5783:(1757)
5650:Kitsch
5628:Humour
5558:Comedy
5536:Beauty
5478:Vasari
5468:Tagore
5443:Ruskin
5383:Lukács
5373:Langer
5318:Goethe
5243:Balázs
5223:Adorno
5104:Nature
5069:Africa
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1386:kitsch
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1257:kitsch
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1140:, and
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896:, and
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713:; and
625:, and
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472:cubana
386:(1943)
246:Polari
194:tragic
168:, and
162:humour
160:, and
75:kitsch
48:ironic
42:is an
5962:Index
5731:Works
5712:Taste
5702:Style
5483:Wilde
5423:Plato
5418:Pater
5378:Lipps
5338:Hegel
5308:Dewey
5298:Danto
5278:Burke
5099:Music
5074:India
5057:Areas
4571:S2CID
4207:Vogue
4126:Metro
3477:Slate
3260:Vogue
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1430:naĂŻve
1293:Kafka
1194:or a
1110:Vogue
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930:Music
872:Rodan
825:queer
667:Gucci
631:queer
410:swish
120:naive
18:Campy
5686:Rasa
5644:Kama
5618:Gaze
5553:Camp
5433:Rand
5368:Klee
5358:Kant
5348:Hume
5268:Bell
4990:ISBN
4975:ISBN
4932:ISBN
4918:ISBN
4904:ISBN
4881:ISBN
4867:ISBN
4844:ISBN
4830:ISBN
4816:ISBN
4802:ISBN
4701:2024
4679:2024
4647:ISBN
4620:ISBN
4602:2024
4596:: NA
4540:2015
4501:2017
4475:2019
4445:2017
4432:ISBN
4411:2015
4385:2014
4355:2014
4316:ISBN
4297:2021
4254:2010
4236:ISBN
4214:2022
4182:ISBN
4133:2021
4107:2021
4078:2013
4066:Time
4022:ISBN
4002:ISBN
3981:2013
3963:ISBN
3942:2013
3880:2013
3845:2013
3814:help
3794:2022
3781:ISBN
3756:2022
3743:ISBN
3718:2016
3688:2016
3657:2016
3625:ISBN
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2726:ISBN
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2535:2011
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2425:2016
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2344:ISBN
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2317:ECHO
2289:OCLC
2279:ISBN
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2186:ISBN
2150:2024
2115:ISSN
2041:ISBN
2012:2024
1999:ISBN
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1930:ISBN
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1329:and
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1307:and
1301:Ovid
1291:and
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1138:Lulu
1122:Camp
1063:and
1051:and
1038:Mods
1028:and
985:Cher
968:Cher
894:camp
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875:and
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740:and
725:Film
689:and
645:and
577:and
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532:camp
524:camp
512:Camp
498:camp
486:Camp
474:and
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456:camp
450:and
441:camp
437:camp
429:drag
414:drag
412:and
362:talk
359:camp
334:camp
315:camp
279:camp
242:Camp
238:drag
234:camp
216:and
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190:Camp
186:camp
182:camp
176:and
174:high
138:Camp
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111:and
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5613:Fun
5393:Man
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5012:by
4779:146
4753:145
4727:136
4563:doi
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